Hero

For the two Humanoid Cylons that are hailed as heroes in "Downloaded", see Heroes of the Cylon.

"Hero" An episode of the Re-imagined Series
Episode No.	Season 3, Episode 8
Writer(s)	David Eick
Story by
Director	Michael Rymer
Assistant Director
Special guest(s)	Carl Lumbly as Bulldog
Production No.
Nielsen Rating	1.3
US airdate	2006-11-17
CAN airdate	{{{CAN airdate}}}
UK airdate
DVD release
Population	41,421 survivors ( 1)
Additional Info
Episode Chronology
Previous		Next
A Measure of Salvation	Hero	Unfinished Business
Related Information
Official Summary
R&D Skit – View
Podcast Transcript – View
[[IMDB:tt{{{imdb}}}|IMDb entry]]
Listing of props for this episode
Related Media
			@ BW Media
Promotional Materials
Online Purchasing
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Overview

A figure from Adama's past returns to haunt him. His return raises questions about why the Cylons launched their initial attack against the Twelve Colonies.

Summary

On Galactica

• Galactica detects three Raiders. Much to the surpise of the CIC crew, two Raiders are pursuing a third Raider, damaged by Cylon gunfire. Starbuck and Kat are dispatched. After destroying the pursuing Raiders, they go after the third.
• In CIC, Admiral Adama orders Kat and Starbuck to escort the Raider to Galactica, after hearing, from the Raider, a familiar human voice and callsign: Bulldog.
• In the hangar bay, the party are surprised that a human has exited the Raider. A visibly weak Daniel Novacek salutes Adama; Adama returns the gesture.
• Over a meal of noodles Adama asks Novachek how he escaped. He relates a story of plague on the basestar and escaping after killing a Number Three with a blow to the nose delivered through the cell bars. He mentions that the Cylons complained of an infectious illness at the time, believing this offered him the chance to escape.
• Bulldog is debriefed by the President with Adama present, where they tell a (decidedly shaky) story of a Tauron mining facility too close to the Armistice Line. Skeptical, Roslin immediately questions Adama's story following the debriefing. He replies that it is "his mess" and that he resolve it. Once she leaves, Adama kicks over a table in frustration.
• Novachek sees Saul Tigh in his quarters shortly after Adama talks to him. Tigh informs Novacek that Adama (aboard battlestar Valkyrie) ordered Novachek shot down to get rid of evidence of their incursion into Cylon space.
• Meanwhile, Adama makes a similar confession to his son, Lee, stating his belief that he provoked the Cylon attacks on the Colonies. By presenting humanity as warmongers, he may have left the Cylons with no choice but to strike first. Aghast at first, Lee Adama tries to console his father, blaming the Fleet Admiralty, saying that he was "only one man." Adama replies, "It only takes one."
• Kara Thrace reviews their Viper's gun film from the fight with the Cylon Raiders and realizes that the Cylons were deliberately missing their target, allowing Bulldog escape. She goes to Saul Tigh with this information, who deduces that Bulldog was sent there by the Cylons to kill the admiral.
• Tigh finds Novacek attempting to murder Adama (mixed with flashbacks of Bulldog let out of his cell) and stops him.
• Adama later presents his resignation to Roslin. Bemused, she accuses him of naivete, and points out that the Admiralty may have been trying to provoke a war with the Commander as scapegoat. Nor can he say with confidence that any one act triggered the Cylon holocaust. She then tells him that his 'penance' will be to accept a Medal of Distinction for his long years of service, a gesture badly needed for the Fleet's morale.
• After sending Novacek off to a berthing on another ship with a uniform, Tigh (now wearing an eyepatch instead of medical gauze) and Adama sit down for a drink in the admiral's quarters to discuss Ellen Tigh's death on New Caprica.

On a basestar

• In a dream, Three is trying to avoid marines on Galactica. The marines corner her against a hatch labelled "End of Line." The marines raise their weapons and Three tells them to shoot.
• As the shots go off, Three wakes up in bed with Baltar and Caprica-Six. She has apparently been having a sexual relationship with Baltar and possibly Six as well.
• In the Cylon control room, Caprica-Six questions Three about her bad dreams. Caprica Six asks if the dreams are about Baltar. Three indicates otherwise, but does not elaborate.
• Three gives a Cylon Centurion orders to shoot her, and then delete any information regarding the incident. The Centurion obeys and shoots her in the head. In the moments before she is downloaded, she experiences memories from New Caprica and a startling vision of five white-robed beings whose identity is obscured.
• Three awakes in a Cylon rebirthing tank where a Three, Five, Six, and Eight help her recover. The downloaded Three tells her counterpart, "There's something beautiful, miraculous between life and death."

Notes

• Laura Roslin reviews a dossier prepared for her by Billy on her first day aboard Galactica. It includes large photos of battlestar Galactica, a photograph of the CIC crew of Valkyrie, a (mostly illegible) certificate bearing Saul Tigh's name, and a cursory biography of William Adama. This biographical information has been intergrated into William Adama article. Also, an analysis of Colonial dates used in the dossier can be found in the Timeline (RDM) article.
• Admiral William Adama names Major Lee Adama to succeed him as commander of Galactica in his resignation letter.
• In Adama's flashback, the admirals are wearing their decorations on their day uniforms. This contrasts with most Colonial Fleet officers shown thus far, who only wear their decorations on their dress uniform sash.
• Admiral Corman's office is decorated with weapons and war memorabilia. Admiral Cain's quarters were similarly decorated. Both individuals seemed ready, almost eager, for a conflict.
• Both Gaius Baltar and Sharon Agathon appear in this episode, but neither has any lines.
• In Number Three's dream, the door at which she is shot by the marines is labeled "End of Line". As well as being a metaphor for death, this is a statement repeated often by the Cylon Hybrid. "End of Line" is a also a reference to the movie Tron and could also be a computer/programming reference.
• This episode shares some plot elements with the Star Trek: The Next Generation episode, "The Defector," written by Moore. Notably, it begins with a dramatic chase delivering a dubious ally into friendly hands that is later shown to be staged. Additionally, both episodes feature plots revolving around a contested border.
• For the episode, Bear McCreary created a musical theme for Novacek, called "Novacek's Theme", which was "very much inspired by Hitchcock's collaborations with composer Bernard Herrmann".
• In her vision of the Opera house, Three briefly glimpses five white figures. In his Podcast for this episode, Moore implies that these correspond to the final five Cylon models.
• Adama jokingly chides Novacek for his "bullshit attitude". The line was censored in the broadcast of the episode on the Sci Fi Channel in America, however in the release of the video on iTunes, in the Canadian broadcast on the SPACE channel and in the UK and Ireland broadcast on Sky One, the line was uncensored.

Analysis

• Valkyrie appears to be an intermediate step between the Galactica and Mercury battlestar designs. In addition, it seems to be slightly smaller than either; this may mean that it is a "light" or "fast" battlestar type designed to support larger vessels.
• Adama and Roslin know each other well enough by now to tell when the other is lying, or is not fooled by a lie, even when others around can't. Roslin has always been the better of the two in this ability, as early as revealing Adama's initial ruse about the location of Earth (Miniseries).
• At the end of the episode, Saul Tigh is trying to deal with his guilt over his wife, but he does not seem to want his job as XO back, at least not any time soon.
• Adama's feelings of guilt over his actions during Valkyrie's mission shed new light on the motivation for his speech at Galactica's decomissioning ceremony at the begining of the series. Also, they explain his near-monomania with safeguarding and/or rescuing those under his command or protection.
• The Cylons are able to detect and destroy the Stealthstar that had only entered two kilometers into their space. This seems suspicious given the fact that they were unable to detect the Blackbird, presumably a far less sophisticated design. Either the Cylons had more advanced detection equipment on the Armistice Line, or they had advance knowledge of Bulldog's mission.
  • It is only speculation that the Blackbird's stealth capabilities were less effective than those of the Stealthstar. The reason that the Blackbird went undetected by the Cylons is that its hull, at Helo's suggestion, was made of carbon composite. There is no way of knowing whether or not this was true of the Stealthstar.
  • In addition, the Cylons near the Armistice Line would have known to look for stealth ships, as they probably suspected that the Colonial fleet would try to gain intelligence on the Cylon military status. After the destruction of the Colonies, it is unlikely that the Cylons believed that the Colonials were still in possession of any kind of stealth fighter and would not attempt to detect one.
  • Bulldog was communicating to Valkyrie before being attacked. The Cylons may have been able to detect this radiation and fire at the source of it.
• Bulldog's story is even less believable given the fact that it took Kara Thrace several hours to gut a Raider and learn how to fly it. The Raider Kara captured was damaged, but it would still have taken Bulldog some time to adapt the raider for his own use.
  • As the episode implies that Bulldog was deliberately released by the Cylons in an effort to direct his anger towards Adama, it is possible that the Cylons allowed Bulldog to gain a working knowledge of the raider.
• Bulldog probably could have stolen a Heavy Raider, which unlike the light versions seems to have a crew compartment and perhaps piloting controls, but then the production crew couldn't have re-used the captured-Raider prop from "You Can't Go Home Again" on the flight deck set.
• Kara Thrace going to Tigh with her findings is an acknowledgment of their shared semi-pariah status and the connection that was shown in "Collaborators" for the first time.
• The last two scenes of "Hero" appear to have been edited to ensure that the final scene was with Adama and Tigh. Right after the celebration scene, Adama is seen giving Bulldog a new uniform, but Adama is wearing his everyday uniform. In the final scene with Tigh, Adama is wearing his dress grays from the celebration. It appears at the very least, the two scenes were in reverse order, meaning the episode originally ended with Adama giving Bulldog his new uniform.
• During her experience between death and rebirth, Three finds herself reliving a series of memories from her various lives, including a shot of her in a theater on Caprica in "Final Cut", her final moments during "Downloaded", and her discovery of Hera on New Caprica in "Exodus, Part II". She also has a vision of another kind: the opera house seen by Baltar during the final moments of "Kobol's Last Gleaming, Part II".
  • This sequence, as well as this episode as a whole, showcases a number of fundamental BSG leitmotivs that have had little to no exposure in their original form since the end of season one/beginning of season two. The music as well as the imagery, reminds us that we've seen the opera house before, and the associated musical themes will likely help elucidate the symbolism behind the two visions.
• Three's flashbacks after being shot by the centurion indicate that she is the same individual who was killed on Caprica by Caprica-Six in "Downloaded" and who found Hera in "Exodus, Part II". It is of course possible that some of these recollections are the result of memory-sharing rather than direct experience.
  • If she is the same Three that died on Caprica, that leaves the question how it can be that she didn't get the opera house experience on her first death, even though she was stuck in limbo for thirty-six hours because of the massive casualties at the cafe in "Downloaded". It is plausible that this Three wanted to die because she'd never experienced death before.
  • It is also plausible that God is only just now trying to tell her something. The opera house may act as a cue, a signal sent from God that facilitates reflection on one's own destiny at a pivotal point in their existence, when it is no longer acceptable to ignore their role in God's plan out of arrogance or inconvenience (Baltar, "Kobol's Last Gleaming, Part II" ), or because it seems a contradiction of the identity they'd formed by refusing to question their fate (Three, from the final days of the occupation through "Hero"). In both cases, the opera house is revealed to a soul straddling the line between life and death, both in a physical and spiritual sense, and it is perhaps this balance that can uniquely invoke the presence of God, and guide the chosen instruments towards their intended destiny.
  • It is interesting to note the central role Hera plays in both of the visions that bring us to the opera house.
• There is at least one other doctor of some kind in the fleet, because Cottle instructs Bulldog to report to him.
  • This doctor is probably a psychotherapist that specializes in some sort of mental trauma issues. Considering that Bulldog was in captivity for such a long time, and his breakdown while attacking Adama, at the very least, Bulldog will need a counselor to help him work through all of the emotional and mental scars that he's endured. Cottle had already confirmed that Bulldog was generally well cared for, physically, by the Cylons.
• Based on the Raider's apparently staged attack, the Cylons appear to know the current location of the Fleet.

Questions

• Did Bulldog know of or see other human prisoners during his three years of captivity?
• What class of battlestar does Valkyrie belong to?
• Why would a "Stealth Ship" in enemy territory break radio silence and use active DRADIS?
• How was the Valkyrie able to track, target and engage a stealth ship?
• Was Valkyrie's mission the only one the admiralty undertook or were there others?
• Was Laura Roslin right in speculating that the admiralty might have sent Valkyrie in order to provoke a war?
• What was the "unknown" craft that jumped near Stealthstar, disabled it, and then jumped away? Whose was it? Where did it come from?
• Who are the five white-robed figures Three sees in her vision before downloading? (Answer)
• Does Bulldog have information regarding the five remaining humanoid Cylon models of which nothing is known?
• How did Baltar's status change from torturee in "A Measure of Salvation" to an apparent sexual relationship with Caprica Six and Number Three?
• Was Adama's whole command staff transferred from the Valkyrie to Galactica after the failure of the recon mission?
• Why does Number Three go through all the trouble to program the Centurion to erase its memory once it shot her? Is she afraid of being boxed by the other Cylons for reasons of insanity, or because it would do some sort of damage on the Centurion once its processed the kill? (Answer)
• How does Bulldog find the Fleet?

Official Statements

• A video blog gives an insight to this episode during filming.
• Bear McCreary discusses writing "Noavcek's Theme" on his web blog:

  In general, I only write thematic material for characters who matter in the grand scheme of the series, in hopes that the character will return at a later point in the story. In rare cases I make an exception in order to give a guest star a particularly resonant musical voice. For example, Bill Duke's Phelan from season two's Black Market required his own theme, since all the events of the episode led up to his eventual stand-off with Lee.

  Hero was obviously another such case. Novacek's mysterious past drives nearly every scene in the entire show, and it was clear he required his own theme as well.

Noteworthy Dialogue

• Speaking to another Number Three after downloading:

Number Three: There's something beautiful, miraculous between life and death.

• Bulldog calls on Saul Tigh at Saul's quarters:

Tigh: So ... drink?

Bulldog: You have no idea!

Tigh (scowling, unseen): Yes, I do.

• Bulldog explains to Adama how he got off the Cylon baseship:

Bulldog: Well sir, it's like this. The enemy had me locked in a cell for three years. The accommodations were lousy, the service was slow. And, after a while, I felt the institution had nothing left to offer me, so I left.

• Colonel Tigh speaks to Bulldog in Adama's quarters:

Tigh: Tell you a dirty little secret: The toughest part of getting played is losing your dignity. Feeling like you are not worth the oxygen you are sucking down. You get used to it. You start to believe it. You start to love it. It's like a bottle that never runs dry. You can keep reaching for it over and over and over again.

• Colonel Tigh calls on the Admiral at the end of the episode:

Tigh: I hear you got a medal.

Adama: Yeah. They're handing them out for anything these days- 'good behaviour', 'attendance'. 'Plays well with others.'

Guest Stars

• Michael Hogan as Saul Tigh
• Aaron Douglas as Chief Petty Officer Galen Tyrol
• Tahmoh Penikett as Captain Karl "Helo" Agathon
• Alessandro Juliani as Lt. Felix Gaeta
• Kandyse McClure as Anastasia Dualla
• Lucy Lawless as Number Three
• Carl Lumbly as Lt. Daniel Novacek
• Donnelly Rhodes as Doctor Cottle
• Matthew Bennett as Number Five
• Rekha Sharma as Tory Foster
• Luciana Carro as Lt. Louanne "Kat" Katraine
• Barry Kennedy as Admiral Corman
• Tiffany Lyndall-Knight as Hybrid (credited)