Miniseries, Night 1

After 40 years of peace with their creations, the Cylons, the peoples of the Twelve Colonies of Kobol find themselves victims of a genocidal attack.

"Miniseries, Night 1" An episode of the Re-imagined Series
Special Episode
Writer(s)	Ronald D. Moore Christopher Eric James
Story by	Glen A. Larson
Director	Michael Rymer
Assistant Director
Special guest(s)	See Night 2 of the Series
Production No.	Pilot
Nielsen Rating	3.2 (Night One)
US airdate	2003-12-08
CAN airdate	{{{CAN airdate}}}
UK airdate	2004-02-17
DVD release	28 December 2004 US 1 March 2004 UK
Population	survivors
Additional Info
Episode Chronology
		Next
	Miniseries, Night 1	Miniseries, Night 2
Related Information
Continuity Errors Present – View
[[IMDB:tt{{{imdb}}}|IMDb entry]]
Listing of props for this episode
Related Media
			@ BW Media
Promotional Materials
Online Purchasing
Amazon: Standard Definition | High Definition
iTunes: [{{{itunes}}} USA]

Backstory

• The Cylons were created by the peoples of the Twelve Colonies of Kobol as a labor and military force. Approximately 52 years prior, the Cylons turned on their human creators and the Cylon War ensued. After an armistice was declared, the Cylons left the Colonies, apparently to form a homeworld of their own.
• The Colonials maintain the Armistice Station as a place where Cylon and Colonials can maintain diplomatic relations. However, the Cylons have never sent a representative. No one has seen an Cylon since the end of the Cylon War, 40 years ago.

Summary

Act 1

• At the Armistice Station, the Armistice Officer, with pictures of his family on his desk, is dozing off when the unexpected happens: Two Cylon Centurions enter the station and take guard at the station's Cylon entrance. These Cylons appear similar to the expected Cylon Centurion Model 0005, but are distinctively taller and more menacing.
• The Colonial officer is further surprised by the entrance of who appears to be a strikingly beautiful human female. Instead of sitting at the negotiation table, the woman walks over to the officer's side of the table in a seductive fashion, leans over to his face to examine him, and asks, "Are you alive?"
• The woman kisses the Colonial officer when the station shakes from the impact of a Cylon missile, fired from a basestar, a massive Cylon capital warship that dwarfs the tiny station.
• The woman restrains the officer, preventing him from escaping. "It has begun," she says as she forcefully kisses him as the Armistice Station as it and its occupants are destroyed.
• Some distance from the colony of Caprica, battlestar Galactica, one of the last relics from the Cylon War, is preparing for its decommissioning ceremony. Instead of being scrapped, the ship is slated to be turned into a museum in honor of its wartime heritage.
• Aaron Doral, a P.R. representative for the government, provides a tour of the battlestar to the press as life goes on in the battlestar. Kara Thrace jogs through the corridors.
• Commander William Adama prepares his speech for the ceremony, occasionally being interrupted by well-wishers of his crew on his pending retirement. As Thrace passes by, he and she exchange their personal pilot's greeting.
• Lieutenant Gaeta, the ship's Watch Officer, notifies him of various bits of Fleet housekeeping news, including a request from Fleet Headquarters asking any available battlestar to visit Armistice Station, as the officer there is overdue from his mission there. Adama notes that his ship's decommissioning ceremonies that day would make Galactica a bit too busy to aid there.
• The hangar deck crew, led by Galen Tyrol, gives Adama a parting gift for the retiring battlestar and its commander. The crew has found and refurbished Adama's old Viper Mark II from the Cylon War, and has readied it for flight. Specialist Prosna also gives Adama a picture from the Colonial Fleet archives that shows a young Adama with his two sons, Lee Adama and Zak Adama. When Adama sees the picture, he appears shaken. Adama's youngest son was killed two years before, which has caused a rift in his relationship with his older son, a captain in the Colonial Fleet.
• Famed scientist Gaius Baltar gives a remote television interview with reporter Kellan Brody at his home. While Baltar speaks in the interview, a woman enters his home with the familiarity of someone who has entered the home many times. The woman is identical to the blonde woman seen on the Armistice Station.
• Baltar and the young blonde woman have sexual intercourse. As she gyrates atop Baltar, the spine of the young woman glows a bright red color.
• On Caprica, Secretary of Education Laura Roslin sits in a doctor's office. The doctor arrives with grim news. She has breast cancer and it has spread aggressively.
• Roslin later boards the government-chartered civilian transport, Colonial Heavy 798 as the government representative that will attend Galactica's decommissioning ceremonies. She is joined by a government aide, Billy Keikeya, who briefs her on the events. Roslin, however, is too distracted by the news of her illness to fully absorb Keikeya's notes.
• Later, Baltar and his blonde girl friend discuss the success of his Command Navigation Program. He boasts that her involvement with the project should help her later in future work with the government, but the woman tells him cryptically that future government work wasn't the reason that she helped. She leaves Baltar to meet another person, whose identity is not shown.
• Lieutenant Kara "Starbuck" Thrace, a Viper pilot, is locked in the brig after striking Colonel Saul Tigh, who starts a fight during a card game.
• Captain Lee "Apollo" Adama arrives in his Viper Mark VII as part of the decommissioning ceremonies. He appears ambivalent about his role, given the rift between he and Commander Adama, his father. He questions the use of manual landings for Galactica, which Chief Tyrol explains as standard procedure on the old battlestar.
• Colonial Heavy 798 arrives. Secretary Roslin meets with Commander Adama, who denies her request to add a student computer network in the battlestar. Unlike her sister battlestars, Galactica has a tradition where its commanders have never allowed networked computers in the ship.
• The next morning, Baltar's young blonde woman ejects another woman she finds Baltar in bed with, and soon tells Baltar of the truth of her existence, and her mission, to Baltar's disbelief.
• The woman is a type of android, a Cylon agent that has used him to access critical Colonial Fleet facilities to, among other things, compromise his CNP software. When Baltar becomes upset, denies involvement and reaches for his phone to call his lawyer, the blonde woman tells Baltar not to worry, since in a few hours, no one will be alive to accuse him of any crime. The flash of a distant nuclear explosion appears outside Baltar's scenic windows.
• Commander Adama completes his address at the decommissioning ceremony. Just before, Captain Adama and the last Viper squadron flew overhead the port flight pod, where the new museum is located and where the ceremonies are taking place.

Act 2

• Baltar watches two news channels as Kellan Brody and a second reporter attempt to report on the explosions. A bomb strikes near Brody's studio, likely obliterating it, as the shockwave of the same bomb blows the second reporter off the air seconds later.
• As Colonial Heavy 798 flies back to Caprica, passengers and crew hear news over personal communication devices that the Colonies are under attack. The chaos and intermittent wireless contact make confirmation of the news difficult. Captain Lee Adama, flying escort with the starliner in his father's old Viper, acknowledges the news but warns that the old Viper may not be useful for any real combat.
• Commander Adama is notified of the attacks by Lt. Gaeta and calls the battlestar to action stations. Most of the crew are caught off guard; very few of them have ever assumed action stations except in drills, especially on a battlestar that hasn't any usable weapons or even a Viper Mark VII squadron remaining aboard.
• Commander Adama uses the general ship address system to tell his crew of the attack, and that Admiral Nagala, on battlestar Atlantia is leading the attack after Picon Fleet Headquarters was destroyed.
• On Caprica, the young blonde explains that she cannot die, and that her consciousness will download into a new body. She also tells Baltar that there are twelve human Cylon models: She is "Number Six."
• The Cylon protects Baltar as a shockwave from a nuclear bomb rips through Baltar's home, destroying it.
• Communications officer Anastasia Dualla receives word of "equipment malfunctions" throughout the Fleet, including the ominous news of a battlestar completely losing power before being destroyed by the Cylons.
• Galactica's last Viper Mark VII squadron, led by Jackson Spencer, en route to Caprica for reassignment, receives the attack news and moves to intercept a Cylon fighter group. As their support Raptor, piloted by Lt. Sharon "Boomer" Valerii, moves away, Spencer moves his group into attack range.
• The Vipers find only two newly-designed Cylon Raiders, but before the Vipers can attack, the Cylons access the backdoor programming of the Vipers' CNP and disable every Colonial fighter. The Cylons launch missiles and obliterate the squadron while Boomer's Raptor retreats, the Cylons in pursuit.
• With no ordinance for the main guns, Commander Adama orders the deployment of the museum-based squadrons of Viper Mark IIs from the museum. Not long after, the Cylons find Galactica and engage the battlestar while it performs evasive maneuvers. Unlike the newer Mark VIIs, however, the attack squadron of older Mark II Vipers cannot be electronically compromised by the Cylons.
• Starbuck manages to down two of three nuclear-tipped missiles launched by a Raider, but a third strikes Galactica in her forward port flight pod, causing severe fires and internal damage. The battlestar is safe from immediate Cylon attacks, but is now in a slow uncontrolled lateral spin.

Act 3

• Chief Tyrol and Captain Aaron Kelly work from the Damage Control console to control the damage, but it is too severe to manage as water mains have been damaged and crew are fighting the fires with handheld gear.
• Colonel Tigh orders decompression of sections of the flight pod to prevent the battlestar's fuel lines from being caught in the flre, which would destroy the ship. The decompression works, but 85 crew members are killed in the process, including Prosna.
• In the Raptor, Boomer and Helo, her ECO, manage to shake off two Cylon missiles, but not without damage. They make an emergency landing on Caprica for repairs, powering down to escape detection. The planet's surface is still periodically illuminated with flashes of nuclear bomb detonations. Strewn around Caprican space are many Cylon basestars and the wreckage of battlestars and other Colonial fighters.
• On Colonial Heavy 798, Laura Roslin succeeds in confirming the news of Caprica's plight. After informing the starliner's passengers officially, she manages to contact a fellow official about the attack, including the whereabouts of President Richard Adar. Before she can get more news, a Cylon missile is detected approaching the ship.
• Apollo is able to decoy and destroy the missile, but his Viper is disabled and must be retrieved to 798's cargo bay.
• Boomer and Helo are soon besieged by Colonial refugees who are desperate to escape the planet. Overwhelmed in a mob, the pilots create a lottery to save a few people, including a child named Boxey.
• Realizing that Gaius Baltar is in the crowd, Helo gives up his seat on the Raptor so that the scientist can join Galactica, believing that Baltar was more important than a mere Raptor ECO.
• Baltar is experiencing visions of the Number Six Cylon that appears and disappears, and that only he can see and hear.

Act 4

• The battle, centered around the colony of Virgon, continues to go very badly for the Colonials. Adama tells the crew that many battlestars have been destroyed, including Nagala's flagship, Atlantia.
• As the only senior officer remaining in the Colonial Fleet, Commander Adama assumes fleet command and issues a system-wide order to all Colonial Fleet units to rendezvous at Ragnar Anchorage for counterattack preparations. The depot also may hold desperately needed munitions for the unarmed battlestar.
• Colonial Heavy 798 discovers an automated government message on wireless. Laura Roslin instructs the pilot to respond to the message with her government identification. Soon, a response returns from the automated message: Roslin is the only government official alive, and is now assigned the duties of President of the Twelve Colonies by emergency succession.
• Roslin immediately begins rescue operations of civilian vessels that are stranded around Caprican space.
• Later, as Roslin's transport, renamed Colonial One, begins a rescue of several civilian ships, two Cylon Raiders launch nuclear missiles at the Colonial ships. Roslin refuses to leave the area, but Lee Adama activates Galactica's old electric pulse generators stored in Colonial One's cargo hold.
• Galactica Actual is in communication with Colonial One before the attack as Captain Adama and Commander Adama argue over his orders to regroup at Ragnar, which conflict with Roslin's orders to initiate civilian rescues.
• When communication is cut off as Captain Adama deals with the missile attack, Galactica is able to get a remote telemetry of the incoming missiles. The telemetry registers what appears to be a nuclear explosion as the signal disappears.
• Commander Adama mourns the loss of another son, but orders that jump preparations to Ragnar continue.

Questions

• What happened to the Cylons over the course of their 40 year exile?
• What events transpired that made the Cylons hate their human masters? When did this occur?
• Where is the Cylon homeworld?

Analysis

Main article: Miniseries, Analysis

See the series article, Battlestar Galactica (RDM), for analysis of the miniseries and the central differences between the Re-imagined miniseries and the Original Series.

Notes

• Principal photography for the miniseries occured between 1 April and 12 June 2003.
• Breck Eisner, who previously worked with David Eick on Sci-Fi Channel's original series, The Invisible Man, was initially assigned as director of the Miniseries. However, Eisner left the miniseries to work on other projects, including Sahara, a film adaptation of Clive Cussler's 1992 novel of the same name. While Michael Rymer was eventually selected, Jeff Woolnough (who would later direct episodes of the series) was also considered as the miniseries' director.
• The opening scenes on the Armistice Station were written in at David Eick's request, stating the need for "something like the shark attack at the start of Jaws – when the girl is attacked at the beginning of the movie, you don't really have any idea what's going to happen next, but fo the next hour you're desperately waiting to find out."
• The scene where Starbuck is playing cards is a reworking of a similar scene from "Saga of a Star World", where Starbuck, played by Dirk Benedict, is playing cards with his fellow pilots prior to the the Cylon attack. Katee Sackhoff notes the reworked scene as a favorite of hers that was "exciting to shoot", and would refer to it whenever she needed to eliminate her doubts on "how strong the character is and how much of a loose cannon she is".
• Lee Adama's first meeting with William Adama was Jamie Bamber's audition scene, although the scene that was shot was set up differently and "much more vitriolic towards his father than I had originally intended".

Noteworthy Dialogue

• Adama's speech at Galactica's decommissioning ceremony:

The Cylon War is long over, yet we must not forget the reasons why so many sacrificed so much in the cause of freedom. The cost of wearing the uniform can be high, but --

Sometimes it's too high.

You know, when we fought the Cylons, we did it to save ourselves from extinction. But we never answered the question, why? Why are we as a people worth saving? We still commit murder because of greed, spite, jealousy. And we still visit all of our sins upon our children. We refuse to accept the responsibility for anything that we've done.

Like we did with the Cylons. We decided to play God, create life. When that life turned against us, we comforted ourselves in the knowledge that it really wasn't our fault, not really. You cannot play God then wash your hands of the things that you've created. Sooner or later, the day comes when you can't hide from the things that you've done anymore.

Official Statements

• Moore discusses using "Saga of a Star World" as a template for the miniseries:

Both involve a sudden Cylon attack that wipes out the homeworlds of this Colonial society, leaving only the Galactica and a handful of civilian ships and survivors to escape from the Cylons and go off to find a mythical place called Earth. Where they differ is that the miniseries takes a very different approach to telling that particular story. I wanted to make it much more believable and real.

There were certain elements of the original pilot's storyline that I knew didn't work, so I changed them. In the original pilot, the Colonials have been at war with the Cylons for a thousand years and as soon as the Cylons launch a peace initiative, the Colonials gather their entire fleet in one place ready to be destroyed! I always felt that was a bit silly. I also knew I did not want to go to the casino planet like they did in the original.

• Michael Rymer discusses the first sex scene between Gaius Baltar and Number Six:

I think science fiction tends to be a little antiseptic in its depiction of sexuality. It's clearly aimed at teenage boys and usually consists of just a babe in a tight outfit. So I wanted to do something that had more of a relationship to reality and shows that sexuality is a huge part of life.

The scene between Baltar and Number Six is all about lust. I was fascinated by the way Number Six uses sex to get the information the Cylons use to destroy humanity, because I thought that was very believable and had a great contemporary relevance – there have been a lot of scandals over the years involving national security and military secrets being exchanged for sex.

• Moore on focusing on people's reactions to the destruction of the Colonies, than on the destruction itself:

I wanted to keep the focus on our people. It's more effective and scarier if the attack is happening out there some place, and you're stuck on a ship and can only hear about it. That was very reminiscent of 9/11, and also harked back to the movie In Harm's Way, which focused on what was happening on John Wayne's cruiser during the attack on Pearl Harbor.

• Matthew Bennett discusses auditioning for the miniseries:

I had heard that they were going to be shooting the Battlestar mini-series well before the auditions. We had all heard about it. It was a big show that was coming to town and I had watched the original show as a kid. When it came to the audition I didn’t actually know I was auditioning for Doral. The scene I was given to read when I showed up was the tour scene that starts the show. It was a lot of dialogue, but the director, Michael Rymer, told me that he wanted me in the show and so we worked in the audition room to find it. It seemed to work. Michael likes actors and for me that’s everything. He’s a guy who has a lot of trust in what we do and so I wanted to work with him.

• Aaron Douglas discusses his growing involvement in the miniseries:

Oh God, read the original script. In the original script, Tyrol is just this relatively small character. There is not a whole lot going on. There’s not a lot of scenes and there’s not a lot of dialogue. I mean, he was there and he was in place and everybody understood who he was and everything like that, but oh yeah, David Eick was on the set as sort of helping us do the re-write as we go, constant communication was going on and Michael Rymer would just sort of say, “go Aaron, go.” And I am a big improver, if the line doesn’t make sense I’ll change the line, and originally I had nine days in the shooting schedule, and I ended up with 14 because David just kept adding scenes and adding scenes and adding lines, and I would show up and David would just go, “OK, I’m putting you to this scene, I’m not really sure what the dialogue would be but here’s the situation...” And then: Go. And I’d go out and just improv something and he would say “Fabulous! It’s great , do it again!” Or he would say, “Good. I really need this one word hit.” And so, a lot of my stuff is improved and ad-libbed. And they just kept adding me to more and more scenes.

Related Topics

• Soundtrack (Miniseries)
• Battlestar Galactica: The Lowdown (Miniseries)
• The Miniseries novelization

External Links

• Miniseries at scifi.com
• Battlestar Galactica Miniseries at IMDB.com

Re-imagined Series definition: in military parlance, directive to continue the attack; otherwise used to refer to journalists ^{(TRS: "Maelstrom")}

Re-imagined Series definition: used to signify a civilian transport vessel over a certain gross weight/mass, i.e. Colonial Heavy 798

Galactica 1980 definition: Troy attempts to use a phone booth near a gas station prior to their first run-in with Jamie Hamilton ^{(1980: "Galactica Discovers Earth, Part I")}.

Re-imagined Series definition: operating system on military and civilian ships exploited by the Cylons ^{(TRS: "Miniseries, Night 1")}

crew member handling electronic countermeasures of a craft; ECOs are standard crew aboard Raptors (see: ECO)

Re-imagined Series definition: Colonial equivalent of radio