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Faith: Difference between revisions

From Battlestar Wiki, the free, open content Battlestar Galactica encyclopedia and episode guide
Serenity (talk | contribs)
→‎Analysis: It was wordy, but the observation is relevant. Elysian fields are already mentioned. oops
Hunter2005 (talk | contribs)
→‎Analysis: Thanks serenity. I will endeavor to be more concise. I changed Judaism to Roman religions because I believe it is a better parallel to the BSG situation.
Line 85: Line 85:


== Analysis ==
== Analysis ==
* Even though Baltar is preaching for the "one true [[God (RDM)|God]]", the symbolism of a boat crossing a river to the land of the dead is very similar to the Greek legends involving the [[w:Styx|River Styx]]. It can be expected that Baltar borrows some of his teachings from an established religion that people are familiar with. This also parallels the rise of Christianity, which adopted things from other religions, like Judaism.
* Even though Baltar is preaching for the "one true [[God (RDM)|God]]", the symbolism of a boat crossing a river to the land of the dead is very similar to the Greek legends involving the [[w:Styx|River Styx]]. It can be expected that Baltar borrows some of his teachings from an established religion that people are familiar with. This also parallels the rise of Christianity, which adopted things from other religions, including some rights of the established Roman polythesistic religons.
* Emily Kowalski's description of the Lords of Kobol and their behavior is quite consistent with that of Greek mythology.
* Emily Kowalski's description of the [[Religion in the Twelve Colonies (RDM)#The Lords of Kobol|Lords of Kobol]] and their behavior is quite consistent with that of Greek mythology.
* When speaking of her mother's death, Laura Roslin mentions the [[w:Elysium|Fields of Elysium]], a portion of the Greek underworld where heroic or virtuous souls end up after death that bears a resemblance to heaven in Christianity.  It appears that the Colonials view of the afterlife is almost identical to that of the ancient Greeks.
* When speaking of her mother's death, Laura Roslin mentions the [[w:Elysium|Fields of Elysium]], a portion of the Greek underworld where heroic or virtuous souls end up after death that bears a resemblance to heaven in Christianity.  It appears that the Colonials view of the afterlife is almost identical to that of the ancient Greeks.
*Roslin believes that the [[Religion in the Twelve Colonies (RDM)#The Lords of Kobol|Lords of Kobol]] are not to be taken literally but are metaphors. Roslin's mother took them more literally. This mirrors real life in which some people take the Jewish [[w:Torah|Torah]] ([[w:Old Testament|Old Testament]]), the Christian Bible ([[w:New Testament|New Testament]]) and the Islamic [[w:Koran|Koran]] as literal word for word truth and an accurate record of events, while others believe the stories are metaphors to be used as guidelines in life, but not hard pronouncements or actual history.   
*Roslin believes that the Lords of Kobol are not to be taken seriously but are metaphors. Roslin's mother took them more literally. This mirrors real life in which some people take the Jewish [[w:Torah|Torah]] ([[w:Old Testament|Old Testament]]), the Christian Bible ([[w:New Testament|New Testament]]) and the Islamic [[w:Koran|Koran]] as literal word for word truth and an accurate record of events, while others believe the stories are metaphors to be used as guidelines in life, but not hard pronouncements or actual history.   
* Some of the writers' misdirection from "[[He That Believeth in Me]]" becomes clear. The "giant gas planet with rings", assumed to be [[w:Jupiter|Jupiter]] or [[w:Saturn|Saturn]], is revealed to be at the site of the [[Cylon Civil War|Cylon battle]]. Moreover, the comet is a damaged and drifting basestar. This also explains how Conoy was able to help Thrace paint the scene in the previous episode, since he had already witnessed it himself.
* Some of the writers' misdirection from "[[He That Believeth in Me]]" becomes clear. The "giant gas planet with rings", assumed to be [[w:Jupiter|Jupiter]] or [[w:Saturn|Saturn]], is revealed to be at the site of the [[Cylon Civil War|Cylon battle]]. Moreover, the comet is a damaged and drifting basestar. This also explains how Conoy was able to help Thrace paint the scene in the previous episode, since he had already witnessed it himself.
* A close-up of Kara Thrace in the Hybrid's chamber evokes the [[Eye of Jupiter]], with Thrace's blue eye at the center, ringed by her bloodied eyebrow and blonde hair.
* A close-up of Kara Thrace in the Hybrid's chamber evokes the [[Eye of Jupiter]], with Thrace's blue eye at the center, ringed by her bloodied eyebrow and blonde hair.

Revision as of 18:47, 11 May 2008

Faith
"Faith"
An episode of the Re-imagined Series
Episode No. Season 4, Episode 6
Writer(s) Seamus Kevin Fahey
Story by
Director Michael Nankin
Assistant Director
Special guest(s)
Production No. 408
Nielsen Rating
US airdate USA 9 May 2008
CAN airdate CAN 9 May 2008
UK airdate UK 13 May 2008
DVD release
Population 39,675 survivors (Population decline. 1)
Additional Info
Episode Chronology
Previous Next
The Road Less Traveled Faith Guess What's Coming to Dinner
Related Information
Official Summary
R&D SkitView
IMDb entry
Listing of props for this episode
Related Media
@ BW Media
Promotional Materials
Online Purchasing
Amazon: Standard Definition | High Definition
iTunes: [{{{itunes}}} USA]


Overview

The cancer-stricken President Laura Roslin and hotheaded pilot Kara Thrace both must make difficult leaps of faith in order to accept an uneasy alliance with the Cylons.

Summary

Teaser

  • Angry and defiant at Karl Agathon's refusal to obey orders to travel to a basestar, Kara Thrace attempts to jump the ship herself when Athena restrains her.
  • Agathon orders Gaeta to jump the ship back to Galactica. Samuel Anders points out that they will be returning as mutineers, but Agathon responds that Admiral Adama will sort things out.
  • Anders intervenes with a sidearm, shooting Gaeta in the leg to stop him from following Agathon's order to jump back to the Fleet. Chaos ensues as Marines arrive.
  • Everyone stands down as Gaeta is attended to, in severe pain from a leg wound.
  • Realizing that taking the Demetrius itself to the baseship would be too great a risk, Thrace rescinds her original order, suggesting to fly their only Raptor to the baseship with Athena and Anders as crew, taking Leoben Conoy with them. Agathon initially objects but realizes it's the best compromise. He tells her that she has only 15 hours to complete her mission before the Demetrius must jump to rendezvous with the Fleet or be left behind.

Act 1

  • Tory Foster is packing things up on Colonial One. Laura Roslin is at her desk, bald and not wearing her wig. She tells Foster to keep things going as she finishes the last two diloxin treatments, where she'll be on Galactica and indisposed during that time. Roslin tries to encourage Foster to watch out for sudden moves by the Quorum.
  • On day 58 of their mission, the crew prepares the Raptor. Athena promises to work with Thrace as does Jean Barolay, who appreciates Thrace's strong reputation.
  • The Raptor jumps and finds a massive graveyard of dead baseships and Raiders floating dead in space. Thrace is amazed. They are by a large gas giant in a trinary star system, just as her visions suggested.
  • On the Demetrius, Gaeta is heavily medicated with morpha for the pain. He asks Agathon not to have Dr. Cottle amputate his leg, as he realizes that the longer he doesn't get advanced care, the more likely gangrene will set in.
  • The Raptor carefully searches for the baseship amidst the exploding ordnance. Thrace can hear "music" (Leoben confirms this is a rare trait among some Cylons as well) and takes control to fly the Raptor towards the gas giant. She sees the comet she expected, but not in the form; Leoben's stricken baseship is flying past, trailing gas that gives it a comet-like appearance.
  • When approaching the baseship, the Raptor is hit by a piece of debris hurtled at them from an explosion and impacting the cockpit canopy.

Act 2

  • Thrace awakens to find the Raptor safely landed within the baseship interior.
  • Athena arrives to find herself surrounded by an army of other Number Eights, who recognize her independence from all things Cylon. They ask her to help mutiny against the Sixes, whom they feel have been making a series of mistakes. Athena rejects them, telling them to find their own individuality and help her or get out of her way.
  • In sickbay, amidst Gaius Baltar's voice on wireless discussing his God, Roslin encounters a woman in sickbay, Emily Kowalski, who is gravely ill with cancer as well. When Roslin tries to turn off the wireless and Baltar, the woman becomes very upset and yells for Roslin to leave.
  • Thrace's meeting with the surviving leaders of the baseship does not go well, but Leoben succeeds in convincing Natalie that they must work together.
  • Athena accesses the datastream to determine how to mate the Raptor's jump drive to the baseship. Doing so requires disconnecting the Hybrid. As the group preps, Anders slowly reaches down to touch the data-font but pulls his hand back when Thrace calls his name.
  • A Six sees Jean Barolay and recognizes her as the human who killed her on New Caprica. When Barolay doesn't show any remorse and says she would do the same again, the Six attacks her and smashes her head into the Raptor's hull, which kills Barolay. Anders pounces on the Six and is ready to kill the Cylon when Thrace manages to talk him down.
  • The Six that killed Barolay speaks to Natalie, obviously dealing with psychological trauma from the death on New Caprica that she had not been able to shake. After kissing the distraught Six, Natalie grabs Anders's hand and pulls the trigger on his gun, killing the Six permanently as there is no Resurrection Ship nearby, carrying out a form of justice for the Colonials, who are shocked.
  • Roslin meets again with Emily Kowalski, who gives her a scarf, a present. The two make small talk of what they will do after they get well. She warns Roslin that her sickness will get worse and to be prepared.

Act 3

  • Thrace arrives in the Hybrid's chamber, who seems to ignore her, discussing ship functions but repeating one phrase in particular.
  • In sickbay, Emily Kowalski tells Roslin why she listens to Baltar. After speaking to Cottle, she tells of a dream where she saw people standing on the opposite side of a river: dead loved ones. She felt a presence, a warm loving presence that calmed her. Roslin questions the dream but Emily notes that the dream is real.
  • Thrace and Natalie continue to listen to the Hybrid's utterances. Leoben instructs Thrace to listen carefully, not to hurry the construct.
  • Athena is ready to activate the jump augmentations and disconnect the Hybrid. Irritated at getting nowhere with the Hybrid, Thrace orders the jump.
  • When it is unplugged, the Hybrid makes an inhuman scream, which causes a guarding Cylon Centurion (still in sentient mode) to fire in defense, severely wounding an Eight before the group manages to take the Centurion down.
  • The Hybrid gives Thrace a coherent message as the Eight's blood mixes with the fluid in her tank: The dying leader will discover the truth about the Opera House, the missing Three will be used to find the Five, who come from the home of the Thirteenth Tribe, and that she, Thrace, is the harbinger of death that will take all to their end. Thrace is horrified at the message. The Hybrid then deactivates.
  • Kowalski and Roslin continue to discuss the authenticity of the Lords of Kobol and Baltar's God. Roslin becomes upset when she talks of her mother's death from cancer and the striking lack of anything noble or calming at that moment. As Kowalski tries to comfort her, the woman suddenly has a violent seizure of pain. Cottle arrives with medication, but tells Roslin that Kowalski's end is near.

Act 4

  • As the group waits, the dying Eight speaks to Athena, who reaches out for her, but hesitates when she wants to touch her hand. Anders steps in to tenderly comfort the Cylon as she dies, astonished at how similar she is to a human.
  • The group deciphers the Hybrid's message. All come to the conclusion that the final five Cylons came from the Thirteenth Tribe and so must also know the way to Earth. The boxed Number Threes will lead them to the Final Five. Anders is unnerved by the conversation, likely fearing the exposure of his Cylon identity. The group leave to meet the Demetrius, with Anders leaving last, still puzzled that he is drawn to help the Eight.
  • Kowalski's vision of a river comes to pass in a dream Roslin experiences. The two stand on a boat, looking at a shore where human figures begin to appear, smiling and waving at Kowalski. Kowalski disappears to meet them, materializing on the shore. Roslin feels joy, then sees her own mother, smiling and waiting for Roslin to join her. She tells her she is not yet ready, stepping away from the boat's side, as the dream ends.
  • Awakening from her dream, Roslin goes to see Kowalski but finds her bed empty. She died some time while she slept. Only her wireless receiver remains, still switched on.
  • Demetrius is prepping to leave as seconds count down but Agathon lets the clock run over in hesitation and to the crew's astonishment. Just as he is about to order the jump, the baseship arrives and broadcasts a Colonial identity. After communication is established, Agathon enthusiastically begins to prep both ships to leave for the Fleet.
  • On Galactica, Roslin meets with William Adama in his quarters. She tells him that something may be truthful in Baltar's words, but Adama is reluctant. A sorrowful Adama talks of Thrace's death and return, his son's resignation from the military, and laments all the crew he sent with Thrace, wondering if he will see them again. But Roslin comforts him. The two smile as Adama tells her that Roslin helped him to believe that they really will find Earth.

Notes

  • Baltar's radio broadcast contains a number of phrases from the "To be or not to be" soliloquy of Hamlet, including "shuffle off this mortal coil," and "the undiscover'd country, from whose bourn no traveler returns." These phrases refer to death and the afterlife, respectively. The full text of the soliloquy can be found here.

Analysis

  • Even though Baltar is preaching for the "one true God", the symbolism of a boat crossing a river to the land of the dead is very similar to the Greek legends involving the River Styx. It can be expected that Baltar borrows some of his teachings from an established religion that people are familiar with. This also parallels the rise of Christianity, which adopted things from other religions, including some rights of the established Roman polythesistic religons.
  • Emily Kowalski's description of the Lords of Kobol and their behavior is quite consistent with that of Greek mythology.
  • When speaking of her mother's death, Laura Roslin mentions the Fields of Elysium, a portion of the Greek underworld where heroic or virtuous souls end up after death that bears a resemblance to heaven in Christianity. It appears that the Colonials view of the afterlife is almost identical to that of the ancient Greeks.
  • Roslin believes that the Lords of Kobol are not to be taken seriously but are metaphors. Roslin's mother took them more literally. This mirrors real life in which some people take the Jewish Torah (Old Testament), the Christian Bible (New Testament) and the Islamic Koran as literal word for word truth and an accurate record of events, while others believe the stories are metaphors to be used as guidelines in life, but not hard pronouncements or actual history.
  • Some of the writers' misdirection from "He That Believeth in Me" becomes clear. The "giant gas planet with rings", assumed to be Jupiter or Saturn, is revealed to be at the site of the Cylon battle. Moreover, the comet is a damaged and drifting basestar. This also explains how Conoy was able to help Thrace paint the scene in the previous episode, since he had already witnessed it himself.
  • A close-up of Kara Thrace in the Hybrid's chamber evokes the Eye of Jupiter, with Thrace's blue eye at the center, ringed by her bloodied eyebrow and blonde hair.
  • With its inhibitor removed, the Centurion in the Hybrid's chamber seems visibly more aware of its environment. It turns its head to gaze at each member of the group as they enter. This contrasts with what was seen previously, when Centurions on guard duty simply stand immobile unless they perceive a threat, or are given a direct order.

Questions

  • Are the Centurions capable of getting an IFF signal from a humanoid Cylon, like a Raider does? Could one have exposed Anders if he had made direct eye contact?
  • What does the Hybrid's statement that the five come from the home of the thirteenth mean?
  • Will Thrace tell anyone about the Hybrid calling her "the harbinger of death"?
  • Will Helo and the others have to answer for their mutiny?
  • How will Gaeta's injury affect his duties? Will his leg be amputated?
  • What would have happened if Anders had put his hand in the datastream?
  • Why should the Cylons have any trouble figuring out the Raptor's FTL system? They have previously used Raptors (Torn).
  • How will the Fleet respond when the Demetrius returns with the shipwrecked basestar in tow?

Official Statements

Noteworthy Dialogue

Sharon Agathon: You guys make me sick.
Eight: Why?
Agathon: Because you pick your side and you stick. You don't cut and run when things get ugly. Otherwise you'll never have anything. No love. No family. No life to call your own.
Emily Kowalski: Oh, Laura. And the Lords of Kobol are real? Reigning from a metaphysical mountaintop in those silly outfits? Zeus? Handing out fates out of an urn like they were lottery tickets? 'You're gonna work on a tylium ship. You're gonna be an admiral. Your family's gonna be evaporated in an attack on the Colonies but you'll survive for three more years on a moldy compartment on a freighter 'til your body starts to eat itself up alive.' Those are the gods that you worship? Capricious, vindictive...
Laura Roslin: But they're not meant to be taken literally. They're metaphors, Emily.
Kowalski: I don't need metaphors. I need answers.
  • Laura Roslin on her mother's death:
"You're like my mother. She wasn't satisfied with metaphors either. She was convinced that Aphrodite herself was gonna swoop her away when she died. And she believed it even when the diloxin and the radiation failed to stop her cancer. She was a teacher! She was... oh, she was something to behold. And the head of a classroom. And her students— Her students loved her. They'd walk through fire for her and then they see this woman who seemed so eternal. She withered away and I find myself having to change her diaper because she couldn't even— At the moment she died there was no gleaming fields of Elysium stretched out before her. There was this dark, black abyss. And she was terrified. She was so scared."

Guest Stars

References

External Links