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Number Six

From Battlestar Wiki, the free, open content Battlestar Galactica encyclopedia and episode guide
Revision as of 22:15, 8 June 2008 by Serenity (talk | contribs) (Cleanup)
Number Six
Number Six

Human Name

Shelly Godfrey
Gina Inviere
Natalie
Age {{{age}}}
Colony {{{colony}}}
Birth place {{{birthplace}}}
Birth Name {{{birthname}}}
Birth Date {{{birthdate}}}
Callsign {{{callsign}}}
Nickname {{{nickname}}}
Introduced Miniseries
Death {{{death}}}
Parents {{{parents}}}
Siblings {{{siblings}}}
Children {{{children}}}
Marital Status {{{marital status}}}
Family Tree View
Role Cylon Infiltrator, Overseer
Rank {{{rank}}}
Serial Number {{{serial}}}
Portrayed by Tricia Helfer
Number Six is a Cylon
Number Six is a Final Five Cylon
Number Six is a Human/Cylon Hybrid
Number Six is an Original Series Cylon
Related Media
@ BW Media
Additional Information
[[Image:|200px|Number Six]]


"Number Six" is a stunning blonde who plays several key roles in Cylon society. She is the first humanoid Cylon that viewers witness in the re-imagined Battlestar Galactica. Stunningly beautiful, sensual and highly religious this highly driven model is marked by a ruthlessness against all who stand in her way.

Armistice Station Copy

Number Six is a portent of doom for the peoples of the Twelve Colonies; she arrives on Armistice Station shortly before it is destroyed in what are the opening shots of the Cylon attack in the Miniseries. Dressed in a long-sleeved red tunic and matching knee-length skirt, she is the first and last "diplomat" ever sent to the station by the Cylons since its construction. She greets the Colonial officer present with the question "Are you alive?" When he answers that he is alive, she tells him to prove it - by kissing her. After he realizes that Armistice is under attack, she smiles and forces another kiss on him shortly before they are both destroyed.

Later, three Sixes in the same outfit are among the group of Cylons that rescue and debrief Aaron Doral, following his stranding on Ragnar Anchorage by the suspicious Colonials. One of them responds to a comment of the Eight in the group with "By your command," a trademark Cylon phrase in the Original Series.

Caprica-Six

Main article: Caprica-Six

The copy of Number Six that seduced Dr. Gaius Baltar into unwittingly betraying the Twelve Colonies by giving her access to the Colonial defense mainframe.

Baltar's Internal Six

Main article: Virtual beings

Fleeing Caprica City and then the planet itself, Baltar is shocked to discover that the woman he had a relationship with on Caprica lives on - inside his head. The nature and loyalties of this being are unknown.

Caprican Troop Leaders

At least three additional variants of Six have been operational on Caprica, and appear to lead Centurion squads and have a subservient role to the "overseer" Six variants. This variant of Six is distinguished by the white raincoat she wears.

One of these variants distracts Helo, enabling him to be captured. In this, she shares the same seductive characteristic as shown by her "sisters" at the armistice station and with Baltar - her first act on "freeing" the captured Agathon is to ask "Are you alive?" and kiss him. She is subsequently shot by the Caprica copy of Sharon Valerii (33).

The second acts as an observer to Helo's "escape", and this same variant may the one leading the Centurion troops into the Caprican farm Helo and Valerii are hiding in (The Hand of God).

The third is present at Delphi, taking orders from an "overseer" Six (Colonial Day).

Another Number Six in this role boards Pegasus from a Heavy Raider along with a group of Centurions during Pegasus's attack on a Cylon communications relay. She is shot and killed by Kendra Shaw, who then exposes the Pegasus network administrator Gina Inviere as another copy of this Cylon model (Razor).

Caprican Overseer Copies

Number Six beating up Sharon Valerii on Caprica.[1]

On Caprica, Six performs the role of a Cylon overseer, working with a copy of Number Five (Aaron Doral) to ensure their experiment involving the stranded Karl Agathon and the Caprica copy of Sharon Valerii either reaches its desired conclusion, or is suitably terminated ("Bastille Day", "Act of Contrition", "Litmus", "Flesh and Bone", "Tigh Me Up, Tigh Me Down"). These copies of Number Six wear a militaristic black outfit, with a black body-suit underneath suited to martial arts.

Following the destruction of a "troop leader" Six (shot by the Caprica Valerii, in order to enable her to "rescue" Agathon), her "sister" on Caprica demonstrates a certain vindictiveness towards Valerii when giving her a beating that goes far beyond the needs of the experiment (Litmus), thus revealing she may well be experiencing resentment for being shot (remembering that experiences and knowledge are passed from body to body among the various types of Humanoid Cylons), as well as jealousy at the Caprica Valerii's chosen role in the proceedings.

A further "overseer" Six is present at the Cylon's established base at Delphi, and is briefly seen by Karl Agathon when he attempts to gain access to the base in order to steal a ship and get off the planet (Colonial Day).

Another Six surprises Kara Thrace in the Delphi Museum when she returns to Caprica to retrieve the Arrow of Apollo. They engage in an all-out brawl, and just as Six appears to be winning Thrace rushes her, knocking both of them off of a ledge. The Six falls underneath Thrace, breaking her fall, and is impaled on building debris, killing her (Kobol's Last Gleaming, Part II).

Another "overseer" Six is present at the "farm" where Thrace is taken after she is founded by the Cylons and left behind the resistance. While the Cylon doctor Simon operates on her, Six is there to relay orders and see that everything was proceeding smoothly. She is definitely the controlling figure of the operation. This copy is later bashed over the head with a fire extinguisher by Thrace as she makes her escape (The Farm).

Yet another overseer, or possibly one of the previously witnessed copies, viewes D'Anna Biers's broadcast in a theater on Cylon-occupied Caprica in the episode "Final Cut". She remarks that the resilience displayed by the Colonials is impressive, and seems overjoyed that Sharon's hybrid baby survived.

Shelly Godfrey

Main article: Shelly Godfrey

A copy of Number Six that physically appears on board Galactica to try to discredit Baltar as a traitor, using evidence which was flawed, so that he ended up being more popular than before.

Gina Inviere

Main article: Gina Inviere

A copy of Number Six posing as a systems analyst captured aboard the battlestar Pegasus and repeatedly tortured and sexually abused by the crew, before escaping with Baltar's help.

Natalie

Main article: Natalie

A Number Six variant who is leading a faction that advocates for the search for the Final Five Cylons, introduced in "Six of One". She is eventually killed by Sharon Agathon, with no chance to download (Sine Qua None).

"Downloaded"

A Number Six in a gold tunic is one of four 'rebirth nurses' who greets the reincarnated Caprica-Six (this takes place shortly after the Cylon attack has run its course), and it is likely this same group who nurse Boomer as she returns to life several months later. The Six in the group welcomes Boomer home and refers to her as "little sister".

Several other copies of Six were seen on Caprica in a variety of different outfits, which could indicate different functions or simply fashion choices.

New Caprica Copies

Various copies of Number Six form part of the Cylon occupation force that arrives on New Caprica one year after the Colonials settle in there. Throughout their four months stay there, they fall victim to various different attacks from the resistance movement.

When the resistance begins using suicide bombers, the Cylons decide to employ stronger measures against the human population. A vote is taken by six of the seven Cylon models on Colonial One, and while Caprica Six disagrees with this, two other copies overrule her. This implies that Caprica Six no longer has the same amount of power she used to have, not even with those of her own model (Precipice).

Another Six is drowned by Jean Barolay after taping her mouth and throwing her into a septic tank at New Caprica's water treatment plant, where she works during the occupation. Despite attempts at therapy after her resurrection, this Six bears lasting emotional trauma as a result. Roughly a year later, she is on the rebel baseship and meets up with her murderer. A brief altercation at the Raptor occurs, where she kills Barolay who shows no remorse for her actions, instead glibly offering to kill the Six again. Natalie kills this copy immediately after Barolay's murder, thus appeasing the Colonials they have allied themselves with. Just before her execution, the Six—knowing that her actions cannot be without consequences—admits that she is glad that Natalie, whom she views as a sister, will be the one to kill her permanently as with no Resurrection Ship she is unable to download into a new body and dies permanently (Faith).

Notes

  • The name "Number Six" is, according to Battlestar Galactica: The Official Companion, an indirect tribute to Patrick McGoohan's cult 1967 television series The Prisoner — a series that addressed topics such as personal freedom and identity, mind control, illusionary experiences and the infiltration of society's supposed guardians (secret agents) by a nefarious force (those behind The Village). Ron Moore himself later confirmed in his blog that the name is an homage to The Prisoner. Somewhat ironically, in 2006 the BBC announced that they are going to produce a remake of The Prisoner, starring former Doctor Who lead Christopher Eccleston as "Number Six".
  • Also according to Battlestar Galactica: The Official Companion, Edward James Olmos and Mary McDonnell were hand-picked for their roles, while the rest of the characters were cast by audition: among the actresses in the running for the role of "Number Six" was The O.C.'s Melinda Clarke, though the role ultimately went to Tricia Helfer.

References

  1. Note that this is a behind-the-scenes photo, as indicated by the crane in the far background of this shot.