Origins[edit]
The Opera House is a legendary structure said to have existed in the City of the Gods on Kobol, alleged in the Sacred Scrolls to be the birthplace of Humanity, along with other edifices such as the Forum and Temple.
First Sight[edit]
These are the first ruins on Kobol that viewers see after Crashdown's Raptor, damaged by a Cylon Raider attack as they headed to explore the planet, crash-lands on Kobol near the Opera House. Among the surviving passengers on that craft were Galen Tyrol, Tarn, Seelix, Cally, Socinus, and Gaius Baltar.
Baltar and Three[edit]
Shortly after his Raptor crash on Kobol, the virtual Number Six leads Baltar towards the ruins of the Opera House, where viewers and Baltar see the Opera House as it was, millenia ago. It is in that virtual Opera House that Six shows Baltar an image of what she claims is their future child (Kobol's Last Gleaming, Part II).
Much later a Number Three would have similar visions of the Opera House and beings of light therein, who she believed to be the final five (Rapture).
Roslin, Sharon, Hera, and Caprica-Six[edit]
The Opera House is also seen in a dream or vision by President Laura Roslin, induced by taking of chamalla. In the vision, Hera Agathon is scampering through the halls, pursued by both Roslin and her mother, Sharon Agathon. But before either can reach her, Hera is picked up by a Number Six wearing a white dress, ending the dream (Crossroads, Part I).
Just before the Fleet reaches the Ionian nebula, Roslin visits the Opera House again while undergoing her diloxin treatment (but still using chamalla as well) in sickbay. She and Sharon are still chasing Hera through the lobby. This time, however, when the Number Six picks the child up, she takes her through a set of doors. Roslin wakes up with to find that Sharon and Hera shared the vision, all three having awakened screaming simultaneously.
Agathon and Roslin visit the captive Caprica-Six, who confirms that she, too, had shared the dream.
Later, while at the Ionian nebula, Caprica-Six has yet another vision in the Opera House, where she, Gaius Baltar (possibly Virtual Baltar since the real Baltar is not seen waking from the vision), and baby Hera see the robed Final Five (Crossroads, Part II).
Notes[edit]
- The Orpheum Theatre in Vancouver (where Battlestar Galactica is produced) provides the setting of the Opera House interior that Gaius Baltar sees in his dream (Source: The Official Companion).
- In the vision of the Opera House shown to Baltar by Six, there are eight white drapes. When Number Three sees her vision of it, there are six drapes, with five glowing white-robed figures standing on the rightmost five (from her vantage point).