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'''Vince Balunas''' (also credited as Vincent Balunas.<ref name="imdb_balunas_alternative_name_vincent" group="external">{{cite web|url=https://www.imdb.com/name/nm1619147/#:~:text=Alternative%20name,Vincent%20Balunas|title=Vince Balunas - Alternative Name|publisher=IMDb|accessdate=November 17, 2025}}</ref>) is an American dialogue editor, ADR editor, and supervising sound editor who worked on the [[Miniseries]] and 56 episodes of the [[Battlestar Galactica (RDM)|Re-imagined Series]].<ref group="external" name="imdb_balunas_bsg_56_episodes">{{cite web|url=https://www.imdb.com/name/nm1619147/#:~:text=Battlestar%20Galactica,56%20eps|title=Vince Balunas - Battlestar Galactica Credits|publisher=IMDb|accessdate=November 17, 2025}}</ref> Balunas won the 2009 Emmy Award for Outstanding Sound Editing for a Series for the series finale "[[Daybreak, Part II]]" as Dialogue/ADR Editor, working alongside [[Daniel Colman]], MPSE, [[Jack Levy]], Sam C. Lewis, and the sound team.<ref group="external" name="televisionacademy_balunas_daybreak_emmy_win">{{cite web|url=https://www.televisionacademy.com/shows/battlestar-galactica#:~:text=Vince%20Balunas%2C%20Dialogue%2FADR%20Editor|title=Battlestar Galactica - 2009 Emmy Winner|publisher=Television Academy|accessdate=November 17, 2025}}</ref> He also received an Emmy nomination for ''[[Battlestar Galactica: Blood & Chrome]]'' (2012).<ref group="external" name="imdb_balunas_blood_chrome_uncredited">{{cite web|url=https://m.imdb.com/name/nm1619147/fullcredits?ref_=m_nmfm_1#:~:text=2012%20Battlestar%20Galactica%3A%20Blood%20%26%20Chrome|title=Vince Balunas - Blood & Chrome Credits|publisher=IMDb|accessdate=November 17, 2025}}</ref> Balunas also contributed to ''[[Caprica]]'' as dialogue editor on the [[Caprica pilot|pilot episode]] (2009) and supervising dialogue editor on "[[Apotheosis (episode)|Apotheosis]]" (2010).<ref group="external" name="imdb_balunas_caprica_credits">{{cite web|url=https://m.imdb.com/name/nm1619147/fullcredits?ref_=m_nmfm_1#:~:text=Caprica%20(TV%20Series)%20(supervising%20dialogue%20editor%20%2D%201%20episode%2C%202010)%20(dialogue%20editor%20%2D%201%20episode%2C%202009)|title=Vince Balunas - Caprica Credits|publisher=IMDb|accessdate=November 17, 2025}}</ref>
'''Vince Balunas''' (also credited as '''Vincent Balunas'''<ref name="imdb_balunas_alternative_name_vincent" group="external">{{cite web|url=https://www.imdb.com/name/nm1619147/#:~:text=Alternative%20name,Vincent%20Balunas|title=Vince Balunas - Alternative Name|publisher=IMDb|accessdate=November 17, 2025}}</ref>) is an American dialogue editor, ADR editor, and supervising sound editor who worked on the [[Miniseries]] and 56 episodes of the [[Battlestar Galactica (RDM)|Re-imagined Series]].<ref group="external" name="imdb_balunas_bsg_56_episodes">{{cite web|url=https://www.imdb.com/name/nm1619147/#:~:text=Battlestar%20Galactica,56%20eps|title=Vince Balunas - Battlestar Galactica Credits|publisher=IMDb|accessdate=November 17, 2025}}</ref> Balunas won the 2009 Emmy Award for Outstanding Sound Editing for a Series for the series finale "[[Daybreak, Part II]]" as Dialogue/ADR Editor, working alongside [[Daniel Colman]], MPSE, [[Jack Levy]], Sam C. Lewis, and the sound team.<ref group="external" name="televisionacademy_balunas_daybreak_emmy_win">{{cite web|url=https://www.televisionacademy.com/shows/battlestar-galactica#:~:text=Vince%20Balunas%2C%20Dialogue%2FADR%20Editor|title=Battlestar Galactica - 2009 Emmy Winner|publisher=Television Academy|accessdate=November 17, 2025}}</ref> He also received an Emmy nomination for ''[[Battlestar Galactica: Blood & Chrome]]'' (2012).<ref group="external" name="imdb_balunas_blood_chrome_uncredited">{{cite web|url=https://m.imdb.com/name/nm1619147/fullcredits?ref_=m_nmfm_1#:~:text=2012%20Battlestar%20Galactica%3A%20Blood%20%26%20Chrome|title=Vince Balunas - Blood & Chrome Credits|publisher=IMDb|accessdate=November 17, 2025}}</ref> Balunas also contributed to ''[[Caprica]]'' as dialogue editor on the [[Caprica pilot|pilot episode]] (2009) and supervising dialogue editor on "[[Apotheosis (episode)|Apotheosis]]" (2010).<ref group="external" name="imdb_balunas_caprica_credits">{{cite web|url=https://m.imdb.com/name/nm1619147/fullcredits?ref_=m_nmfm_1#:~:text=Caprica%20(TV%20Series)%20(supervising%20dialogue%20editor%20%2D%201%20episode%2C%202010)%20(dialogue%20editor%20%2D%201%20episode%2C%202009)|title=Vince Balunas - Caprica Credits|publisher=IMDb|accessdate=November 17, 2025}}</ref>


Balunas has built an extensive television career with over 78 documented sound department credits spanning from 2003 through 2025.<ref group="external" name="imdb_balunas_78_credits">{{cite web|url=https://www.imdb.com/name/nm1619147/#:~:text=Sound%20Department78|title=Vince Balunas - Sound Department Credits|publisher=IMDb|accessdate=November 17, 2025}}</ref> His career has totaled five wins and 11 nominations across various industry awards.<ref group="external" name="imdb_balunas_5_wins_11_nominations">{{cite web|url=https://www.imdb.com/name/nm1619147/#:~:text=Won%201%20Primetime%20Emmy,5%20wins%20%26%2011%20nominations%20total|title=Vince Balunas - Awards Summary|publisher=IMDb|accessdate=November 17, 2025}}</ref> Major credits include ''[[w:Outlander (TV series)|Outlander]]'' (2014-2025, 90 episodes), ''[[w:For All Mankind (TV series)|For All Mankind]]'' (2019-2024, 40 episodes), and ''[[w:Gossip Girl|Gossip Girl]]'' (2007-2012, 118 episodes).<ref group="external" name="imdb_balunas_major_series_credits">{{cite web|url=https://www.imdb.com/name/nm1619147/#:~:text=Outlander,90%20eps|title=Vince Balunas - Major Television Credits|publisher=IMDb|accessdate=November 17, 2025}}</ref>
Balunas has built an extensive television career with over 78 documented sound department credits spanning from 2003 through 2025.<ref group="external" name="imdb_balunas_78_credits">{{cite web|url=https://www.imdb.com/name/nm1619147/#:~:text=Sound%20Department78|title=Vince Balunas - Sound Department Credits|publisher=IMDb|accessdate=November 17, 2025}}</ref> His career has totaled five wins and 11 nominations across various industry awards.<ref group="external" name="imdb_balunas_5_wins_11_nominations">{{cite web|url=https://www.imdb.com/name/nm1619147/#:~:text=Won%201%20Primetime%20Emmy,5%20wins%20%26%2011%20nominations%20total|title=Vince Balunas - Awards Summary|publisher=IMDb|accessdate=November 17, 2025}}</ref> Major credits include ''[[w:Outlander (TV series)|Outlander]]'' (2014-2025, 90 episodes), ''[[w:For All Mankind (TV series)|For All Mankind]]'' (2019-2024, 40 episodes), and ''[[w:Gossip Girl|Gossip Girl]]'' (2007-2012, 118 episodes).<ref group="external" name="imdb_balunas_major_series_credits">{{cite web|url=https://www.imdb.com/name/nm1619147/#:~:text=Outlander,90%20eps|title=Vince Balunas - Major Television Credits|publisher=IMDb|accessdate=November 17, 2025}}</ref>

Revision as of 21:40, 18 November 2025

Vince Balunas
Role: Dialogue Editor / ADR Editor / Supervising Sound Editor
BSG Universe: Re-imagined Series and Caprica
Date of Birth:
Date of Death: Missing required parameter 1=month! ,
Nationality: USA USA
[{{{site}}} Official Site]
IMDb profile

Vince Balunas (also credited as Vincent Balunas[external 1]) is an American dialogue editor, ADR editor, and supervising sound editor who worked on the Miniseries and 56 episodes of the Re-imagined Series.[external 2] Balunas won the 2009 Emmy Award for Outstanding Sound Editing for a Series for the series finale "Daybreak, Part II" as Dialogue/ADR Editor, working alongside Daniel Colman, MPSE, Jack Levy, Sam C. Lewis, and the sound team.[external 3] He also received an Emmy nomination for Battlestar Galactica: Blood & Chrome (2012).[external 4] Balunas also contributed to Caprica as dialogue editor on the pilot episode (2009) and supervising dialogue editor on "Apotheosis" (2010).[external 5]

Balunas has built an extensive television career with over 78 documented sound department credits spanning from 2003 through 2025.[external 6] His career has totaled five wins and 11 nominations across various industry awards.[external 7] Major credits include Outlander (2014-2025, 90 episodes), For All Mankind (2019-2024, 40 episodes), and Gossip Girl (2007-2012, 118 episodes).[external 8]

Career

Early Work and Battlestar Galactica Franchise

Balunas began his documented television career as a dialogue editor on Miniseries, working on both episodes of the pilot.[external 9] The miniseries sound team, which included supervising sound editor Jack Levy, sound designer Daniel Colman, and re-recording mixers Kevin Patrick Burns and Todd Orr, earned an Emmy nomination for Outstanding Sound Editing for a Miniseries, Movie or a Special in 2004, with Balunas credited as sound editor.[external 10]

Balunas continued as dialogue editor throughout the regular series (2004-2009), working on 56 episodes across all four seasons in various capacities including dialogue editor and ADR editor.[external 2][external 11] He received Emmy nominations for sound editing on "Exodus, Part II" in 2007 and the series finale "Daybreak, Part II" in 2009.[external 12]

The sound team won the 2009 Emmy Award for Outstanding Sound Editing for a Series for "Daybreak (Part 2)," with Balunas serving as Dialogue/ADR Editor alongside Daniel Colman, MPSE (Supervising Sound Editor/Sound Designer), Jack Levy (Supervising Sound Editor), Sam C. Lewis (Sound Effects Editor), Michael Baber (Music Editor), and foley artists Doug Madick and Richard Partlow.[external 13]

Sound Design Philosophy

Balunas's approach to Battlestar Galactica emphasized creating tactile, immersive soundscapes that grounded the science fiction in tangible reality. In discussing his later work on Outlander, Balunas explained how this philosophy originated with Battlestar Galactica: "In Battlestar, the ship would be constantly groaning and you'd hear all of this metal creaking. There is this tactile feel of the CIC (Combat Information Center of the ship's bridge)."[commentary 1] This focus on environmental detail and physical presence would become a hallmark of Balunas's work across his career.

Balunas continued his work in the franchise by contributing to Caprica (2009-2010), working as an uncredited dialogue editor on the pilot episode and as an uncredited supervising dialogue editor on the series finale "Apotheosis."[external 5][external 14] In 2012, Balunas was nominated for another Emmy for Outstanding Sound Editing for a Miniseries, Movie or a Special for Battlestar Galactica: Blood & Chrome as uncredited ADR editor and supervising dialogue editor.[external 4]

Gossip Girl and Network Television

Following his Battlestar Galactica work, Balunas became supervising sound editor on Gossip Girl (2007-2012), working on 118 episodes throughout the series' entire six-season run.[external 15] On Gossip Girl, Balunas worked in multiple capacities including supervising sound editor, dialogue editor, and ADR editor, often collaborating with sound effects editor Daniel Colman and supervising foley editor Sam C. Lewis.[external 16]

Expanding Television Portfolio

Balunas built a diverse portfolio across multiple networks and streaming platforms. His credits include Covert Affairs (2010-2014),[external 17] Wayward Pines (2015-2016),[external 18] Runaways (2017-2019),[external 19] Looking for Alaska (2019),[external 20] Nancy Drew (2019-2023),[external 21] Power Book III: Raising Kanan (2021-2022),[external 22] and Chicago Fire (2018-2025).[external 23]

Outlander and Premium Cable

Beginning in 2014, Balunas became a key member of the sound team for Outlander, working on 90 episodes through 2025 as dialogue editor, supervising sound editor, and sound effects editor.[external 24] This represents one of his longest continuous collaborations on a single series. His work on Outlander reunited him with series creator Ronald D. Moore, with whom he had previously collaborated on Battlestar Galactica and Caprica.[commentary 2]

Adapting Battlestar Techniques to Period Drama

When Moore assembled the Outlander sound team at AnEFX in Burbank, he specifically called on Balunas due to their established working relationship. Balunas previously worked with both Moore and Outlander's picture editor, Michael O'Halloran, on Battlestar Galactica.[commentary 3] While the science fiction experience from Battlestar Galactica might not seem directly applicable to an 18th-century period drama, Balunas explained that understanding Moore and O'Halloran's creative vision was invaluable: "There's a certain grit to the show. Yes it was shot in HD, and next season will possibly be shot in 4K, but there is still a visual grit to it much like there was on Battlestar. Sonically, Outlander is like Battlestar Galactica in that both focus on sounds that make the world on screen seem tangible."[commentary 4]

Balunas explained how he adapted his Battlestar approach to ground Outlander in historical authenticity: "We grounded Outlander the same way; it's like actually being there in 1743."[commentary 5]

Production Scale and Workflow

The scope of Outlander required significantly expanded sound work compared to typical network television productions. Balunas noted that without large orchestral music cues to hide behind, every movement on screen required meticulous sound design: "Without any big music moments to hide behind, Balunas needed sound for every movement that happened on screen because without it, he says, the scene felt naked."[commentary 6] Working with lead sound designer/effects editor Jeff Brunello at AnEFX, Balunas developed elaborate environmental backgrounds: "We understood that we were going to be building this show a whole lot bigger than other shows. It's a very wide build compared to other shows we do for network television."[commentary 7]

The attention to period detail extended to foley work, which doubled in complexity from typical productions. When characters rode horses through the Scottish Highlands, Moore and the Starz team wanted complete sonic immersion: "They wanted to hear a little bit of rattle, leather creaks and other small details to bring the scene to life. My Foley track count doubled in size for this show."[commentary 8] AnEFX handled all foley in-house with a team led by supervising foley editor Sam Lewis and foley artist Brian Straub, who both recorded and edited the foley work.[commentary 9]

Maintaining historical accuracy required absolute vigilance against modern sounds. Balunas credited production sound mixer Brian Milliken for providing exceptionally clean tracks: "There was no evidence of any kind of modern sounds throughout the whole entire production of the first season. Brian [Miliken] did a really good job of giving us good clean audio to work with. There weren't any challenges with the production dialogue."[commentary 10]

In contrast to the 1743 scenes, sequences set in 1945 deliberately emphasized technological sounds to establish temporal context: "When we're in the police station, we really want to hear the phones ringing and cars go by. We want to make sure that people know that scene is in 1945 in Scotland."[commentary 11]

The production schedule for Outlander differed significantly from standard television workflows. Balunas and his team typically spent 8-10 days per episode on sound editorial, working in concentrated waves rather than continuous weekly production: "The schedule was spread apart and we worked on the series in waves. We would do three episodes one month and then take a month and a half off before doing another two episodes."[commentary 12] This flexible scheduling allowed the team to adapt to picture lock timing: "We had a very liquid schedule that wasn't your standard TV schedule of five days to get an episode done, and then next week it's another five days for the next episode."[commentary 13]

Sound editorial, foley, most ADR, and premixes were completed at AnEFX, with final mixing handled by re-recording mixers Nello Torri and Alan Decker at BluWave Audio in NBC Universal's Studio B. The mixers worked with four days per episode, mixing in 7.1 with delivery to Starz in 5.1. Particularly complex episodes like the witch trial sequence required the full allocation: "For episodes like the witch trial episode, we needed every second of that four-day mix. We had everyone and their mother talking on-camera. That was a really big show for us."[commentary 14]

In a 2015 Variety interview during Emmy season, Balunas summarized the unique scope of Outlander: "The show's unique — it's such a big-scope series with a big cast and landscapes, so there's much work in Foley, ADR and dialogue."[commentary 15] He elaborated on the witch trial sequences' technical demands: "All the courtroom reactions were shot, then we augmented that with Gaelic speakers and English ones. And you have old wooden architecture, cobblestone streets and so on, and every little sound has to be just right."[commentary 16] To maintain authenticity throughout the lengthy post-production process, Balunas and his team continuously refined their work: "To keep it authentic, Balunas and his team recut and rework the mix constantly — and (composer) Bear (McCreary)'s beautiful score helps a lot."[commentary 17]

Balunas emphasized that the foundation of excellent post-production sound begins with production: "Starting with good production sound was really a key to the show sounding great. Without having to sync up tons of ADR, or heavily process the dialogue to improve clarity, he was able to focus on his sound team."[commentary 18] He summarized the scale of the endeavor: "The biggest thing about Outlander is its size. It's a very large show with a lot of elements to manage."[commentary 19]

He also worked on the prequel series Outlander: Blood of My Blood (2025) as both dialogue editor and supervising sound editor.[external 25]

For All Mankind and Streaming Era

From 2019 through 2024, Balunas worked as dialogue editor, supervising sound editor, and ADR mixer on Apple TV+'s For All Mankind, contributing to 40 episodes of the alternate history space drama.[external 26] This work demonstrated his continued presence in high-profile streaming productions alongside his ongoing cable and broadcast television commitments. His work on the series earned recognition from the Motion Picture Sound Editors, with Balunas credited as Supervising Sound Editor, Dialogue Editor, and ADR Editor on the episode "And Here's to You."[external 27]

Additional streaming and limited series credits include The Irrational (2024),[external 28] How to Die Alone (2024),[external 29] City on Fire (2023),[external 30] and Netflix's Florida Man (2023).[external 31]

Professional Expertise

Throughout his career, Balunas has worked in multiple sound department capacities, demonstrating versatility across different aspects of post-production audio:

  • Dialogue Editor: Editing and assembling dialogue tracks from production recordings
  • ADR Editor: Managing automated dialogue replacement sessions and editing
  • Supervising Sound Editor: Overseeing entire sound editorial teams and workflows
  • Sound Supervisor: Managing overall sound post-production on projects
  • ADR Mixer: Recording and mixing automated dialogue replacement sessions
  • Sound Effects Editor: Creating and editing sound effects elements

This range of skills has enabled Balunas to work across different production scales and budgets, from network broadcast television to premium cable and streaming platforms. His approach emphasizes creating immersive, tangible sonic environments that ground viewers in the reality of each production's world, whether science fiction, period drama, or contemporary settings.

Balunas sometimes works under the alternative professional name

Awards and Recognition

Balunas has received five wins and 11 nominations across his career.[external 7]

Emmy Awards:

References

Commentary and Interviews

  1. ↑ Jennifer Walden (June 3, 2015). Going back in time sonically for 'Outlander' series (backup available on Archive.org) (in English). postPerspective. Retrieved on November 17, 2025.
  2. ↑ Jennifer Walden (June 3, 2015). Going back in time sonically for 'Outlander' series (backup available on Archive.org) (in English). postPerspective. Retrieved on November 17, 2025.
  3. ↑ Jennifer Walden (June 3, 2015). Going back in time sonically for 'Outlander' series (backup available on Archive.org) (in English). postPerspective. Retrieved on November 17, 2025.
  4. ↑ Jennifer Walden (June 3, 2015). Going back in time sonically for 'Outlander' series (backup available on Archive.org) (in English). postPerspective. Retrieved on November 17, 2025.
  5. ↑ Jennifer Walden (June 3, 2015). Going back in time sonically for 'Outlander' series (backup available on Archive.org) (in English). postPerspective. Retrieved on November 17, 2025.
  6. ↑ Jennifer Walden (June 3, 2015). Going back in time sonically for 'Outlander' series (backup available on Archive.org) (in English). postPerspective. Retrieved on November 17, 2025.
  7. ↑ Jennifer Walden (June 3, 2015). Going back in time sonically for 'Outlander' series (backup available on Archive.org) (in English). postPerspective. Retrieved on November 17, 2025.
  8. ↑ Jennifer Walden (June 3, 2015). Going back in time sonically for 'Outlander' series (backup available on Archive.org) (in English). postPerspective. Retrieved on November 17, 2025.
  9. ↑ Jennifer Walden (June 3, 2015). Going back in time sonically for 'Outlander' series (backup available on Archive.org) (in English). postPerspective. Retrieved on November 17, 2025.
  10. ↑ Jennifer Walden (June 3, 2015). Going back in time sonically for 'Outlander' series (backup available on Archive.org) (in English). postPerspective. Retrieved on November 17, 2025.
  11. ↑ Jennifer Walden (June 3, 2015). Going back in time sonically for 'Outlander' series (backup available on Archive.org) (in English). postPerspective. Retrieved on November 17, 2025.
  12. ↑ Jennifer Walden (June 3, 2015). Going back in time sonically for 'Outlander' series (backup available on Archive.org) (in English). postPerspective. Retrieved on November 17, 2025.
  13. ↑ Jennifer Walden (June 3, 2015). Going back in time sonically for 'Outlander' series (backup available on Archive.org) (in English). postPerspective. Retrieved on November 17, 2025.
  14. ↑ Jennifer Walden (June 3, 2015). Going back in time sonically for 'Outlander' series (backup available on Archive.org) (in English). postPerspective. Retrieved on November 17, 2025.
  15. ↑ Dave McNary (June 2, 2015). 'American Crime' Sound Editor 'Stresses the Reality' of Prison (backup available on Archive.org) (in English). Variety. Retrieved on November 17, 2025.
  16. ↑ Dave McNary (June 2, 2015). 'American Crime' Sound Editor 'Stresses the Reality' of Prison (backup available on Archive.org) (in English). Variety. Retrieved on November 17, 2025.
  17. ↑ Dave McNary (June 2, 2015). 'American Crime' Sound Editor 'Stresses the Reality' of Prison (backup available on Archive.org) (in English). Variety. Retrieved on November 17, 2025.
  18. ↑ Jennifer Walden (June 3, 2015). Going back in time sonically for 'Outlander' series (backup available on Archive.org) (in English). postPerspective. Retrieved on November 17, 2025.
  19. ↑ Jennifer Walden (June 3, 2015). Going back in time sonically for 'Outlander' series (backup available on Archive.org) (in English). postPerspective. Retrieved on November 17, 2025.

External Sources

  1. ↑ Vince Balunas - Alternative Name (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  2. ↑ 2.0 2.1 Vince Balunas - Battlestar Galactica Credits (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  3. ↑ 3.0 3.1 Battlestar Galactica - 2009 Emmy Winner (backup available on Archive.org) (in English). Television Academy. Retrieved on November 17, 2025.
  4. ↑ 4.0 4.1 4.2 Vince Balunas - Blood & Chrome Credits (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  5. ↑ 5.0 5.1 Vince Balunas - Caprica Credits (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  6. ↑ Vince Balunas - Sound Department Credits (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  7. ↑ 7.0 7.1 Vince Balunas - Awards Summary (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  8. ↑ Vince Balunas - Major Television Credits (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  9. ↑ Battlestar Galactica Miniseries - Vince Balunas Credits (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  10. ↑ 10.0 10.1 BSG Miniseries - 2004 Emmy Nomination (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  11. ↑ BSG Series - Vince Balunas Dialogue/ADR Editor (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  12. ↑ 12.0 12.1 Vince Balunas - Exodus Part 2 Nomination (backup available on Archive.org) (in English). Television Academy. Retrieved on November 17, 2025.
  13. ↑ BSG 2009 Emmy Win - Vince Balunas (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  14. ↑ Caprica Pilot - Vince Balunas Dialogue Editor (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  15. ↑ Vince Balunas - Gossip Girl 118 Episodes (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  16. ↑ Gossip Girl - Vince Balunas Multiple Roles (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  17. ↑ Vince Balunas - Covert Affairs (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  18. ↑ Vince Balunas - Wayward Pines (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  19. ↑ Vince Balunas - Runaways (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  20. ↑ Vince Balunas - Looking for Alaska (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  21. ↑ Vince Balunas - Nancy Drew (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  22. ↑ Vince Balunas - Raising Kanan (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  23. ↑ Vince Balunas - Chicago Fire (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  24. ↑ Vince Balunas - Outlander 90 Episodes (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  25. ↑ Vince Balunas - Outlander: Blood of My Blood (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  26. ↑ Vince Balunas - For All Mankind 40 Episodes (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  27. ↑ Motion Picture Sound Editors - Series 1 Hour – Dialogue / ADR (backup available on Archive.org) (in English). Motion Picture Sound Editors. Retrieved on November 17, 2025.
  28. ↑ Vince Balunas - The Irrational (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  29. ↑ Vince Balunas - How to Die Alone (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  30. ↑ Vince Balunas - City on Fire (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  31. ↑ Vince Balunas - Florida Man (backup available on Archive.org) (in English). IMDb. Retrieved on November 17, 2025.
  32. ↑ Vince Balunas - American Experience Nomination (backup available on Archive.org) (in English). Television Academy. Retrieved on November 17, 2025.
  33. ↑ Vince Balunas - 2005 BSG Nomination (backup available on Archive.org) (in English). Television Academy. Retrieved on November 17, 2025.
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