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Please choose a specific reference for the name '''Jonathan:'''
{{DisambigTab|Jonathan Harris|Jonathan Lancaster|Jonathan Lau}}
 
* [[Jonathan Harris]], the actor who provided the voice of [[Lucifer]] in the {{TOS|Battlestar Galactica|Original Series}}.
* [[Jonathan Lancaster]], a set decorator on the [[Battlestar Galactica (RDM)|Re-imagined Series]].
 
{{disambig}}

Revision as of 16:24, 25 March 2023


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Jonathan
Jonathan
{{{credit}}}
Portrays: Lucifer
Date of Birth: November 06, 1914
Date of Death: November 03, 2002
Age at Death: 87
Related Media
@ BW Media

Warning: Default sort key "Harris, Jonathan" overrides earlier default sort key "Jonathan".


Jonathan Harris (born Jonathan Charasuchin on November 6, 1914, died November 3, 2002) was an American actor.

Harris is known by Original Series enthusiasts as the actor who provided the voice of Lucifer, the IL-series Cylon. He may be best known as the villainous Dr. Zachary Smith in the TV series Lost in Space.

Born in the Bronx, New York, the son of Jewish emigrés from Russia, Harris first worked in a pharmacy, and later earned a pharmacology degree at Fordham University. Changing careers to pursue acting, he changed his name and learned to speak without a strong Bronx accent. In 1938, he married Gertrude Bergman.

Harris first appeared on Broadway with Heart of a City in 1942, and went on to perform over 100 plays. His first appearance on television was in 1948, which was then a live media, and he went on to make his film debut in Botany Bay in 1953.

Harris returned to TV, appearing in one of his most recognizable roles on The Third Man as Harry Lime's manservant.

In 1965, he first appeared in Lost in Space in the role of Dr. Zachary Smith. Although Smith was originally cast as a one-shot character, after a stellar introductory appearance, he was made a recurring member of the cast. Smith's relationship with the show's robot is particularly memorable as are his endless putdowns of the machine with such phrases as "You bubble-headed booby!" That Harris would later portray a robot in Battlestar Galactica is an obvious irony.

Harris reprised his role as Dr. Smith in the one-hour TV special Lost in Space Forever in 1998. However, unlike his costars in the original show, he declined to make a cameo appearance in the motion picture version of Lost in Space that was released later that year.

Although occasionally called upon for cameos and guest shots as villains (usually of the Dr. Smith type) Harris spent most of the remainder of his career as a voice actor, appearing in TV commercials as well as animated television and features.

Harris passed away on November 3, 2002 at the age of 87, in Encino, California. He is survived by his wife, Gertrude, and their son, Richard.

Notes

  • Harris is the only Lost in Space cast member to appear in the Original Series. However, Anne Lockhart, daughter of Harris' Lost in Space co-star June Lockhart, later came to join the series as Lieutenant Sheba.

Jonathan
Role: Set Decorator
BSG Universe: Re-imagined Series
Date of Birth:
Date of Death: Missing required parameter 1=month! ,


IMDb profile

Warning: Default sort key "Lancaster, Jonathan" overrides earlier default sort key "Harris, Jonathan".

Jonathan Lancaster is the head of set decoration for the Re-imagined Series.

Career on Battlestar Galactica

Lancaster appears in a video blog episode with David Eick on the sets of Pegasus prior to their debut.

New Caprica Set Design

Lancaster played a crucial role in designing and executing the New Caprica sets that appeared at the end of Season 2 and the beginning of Season 3.[production 1]

Initial Design Concept

The initial design for New Caprica was conceived as "Tent City," a hodgepodge settlement that reflected Baltar's character as someone with good plans but poor execution who constantly protected himself and shifted with changing circumstances.[production 2] The settlement was designed to look like it had been assembled from materials salvaged from the Fleet's ships.[production 2]

Production designer Richard Hudolin designed the overall concept, working collaboratively with Lancaster, art director Douglas McLean, and construction coordinator Chris Claridge.[production 3] The team used Middle Eastern references to nomadic peoples and how they lived in tents, while Hudolin incorporated modern architecture design for what he called "a more feasible system of housing."[production 4] The team researched how people actually lived in desert environments and how the military would run such a settlement, reflecting Galactica's status as a military-run organization despite having a President.[production 4]

Avoiding the "Old West" Look

One major design concern was avoiding an "Old West" or Civil War tent camp appearance with rows of identical tents.[production 5] To address this, the construction team built aluminum structures down the main roadway as a central concourse. Since the settlement was built from ships made of metal alloy, these structures served as protection from the weather and created a more distinctive visual aesthetic.[production 5] Lancaster compared the design theory to Vancouver's telephone poles and alleyways with power running through them.[production 5]

Practical Challenges

The tents were set in sand, but underneath was asphalt from previous film productions, requiring the use of small jackhammers to create holes and drive three-foot pieces of rebar into the ground to secure the tents.[production 6] All the tents used were authentic 1940s-era Second World War military tents.[production 7]

Evolution Between Seasons

In Season 2, New Caprica featured more of a marketplace atmosphere, with rebellion against Baltar depicted in episodes 19 and 20 ("Lay Down Your Burdens, Part I" and Part II).[production 8] In Season 3, the focus shifted to what the Cylons were doing. The Cylons' attempts to create a perfect society ironically caused heavier rebellion, making the city actually worse than before their intervention.[production 8]

Set Components

The main road area was referred to as the "marketplace," serving as a trading center where people could obtain food and supplies.[production 9] The industrial area included the market, a school tent (where President Laura Roslin worked as a teacher, reverting to her pre-apocalypse profession), union hall, build site, and other facilities.[production 9] Additional amenities included a water tank and a bath tent, harking back to Old West traditions.[production 10]

Cylon Detention Facility

The Cylon detention center structure was originally designed to be new housing for New Caprica.[production 11] When the production resumed for Season 3, the structure needed to reflect that the Cylons had been present for four to eight months and had started with good intentions of trying to live with humans and improve conditions.[production 11] The building was designed to show an accomplishment that both humans and Cylons could view positively, before it became the detention center seen in the aired episodes.[production 11]

Scale and Logistics

The sheer scale of New Caprica presented significant challenges.[production 12] The set included:[production 12]

  • 26 tents measuring 16m × 16m
  • 10-12 tents measuring 32m × 16m
  • 2 tents measuring 60m × 16m
  • 2 separate tents measuring 20m × 10m covered in tarps, used as base of operations to hold hardware

The logistics of getting tents erected, markets built, and specific everyday life themes incorporated—including food, religion, and bathing facilities—required bringing in truckloads of equipment.[production 12] Lighting was essential to give the set life.[production 12]

Filming Location Challenges

The New Caprica set was built on the Richmond Sand Dunes location.[production 13] During the previous season's filming, the ground was frozen from cold weather. The production was fortunate not to encounter heavy rain during construction, which Vancouver is known for.[production 13] Lancaster noted that while it was a great set, it was very demanding to work on, and he was happy when filming concluded.[production 13]

Unrealized Visions

Given more time and budget, Lancaster envisioned extending the aluminum trussing around the streets, adding more definite roadways, and incorporating additional long tents as an industrial park.[production 14] These ideas were discussed at the beginning of Season 3 but were not pursued due to cost considerations.[production 14]

Other Work

His other work includes the film Scooby-Doo 2: Monsters Unleashed.

References

Production History

  1. Bryan Cairns (October/November 2006). "For Decorative Purposes". Battlestar Galactica: The Official Magazine (7): 24-25.
  2. 2.0 2.1 Bryan Cairns (October/November 2006). "For Decorative Purposes". Battlestar Galactica: The Official Magazine (7): 24.
  3. Bryan Cairns (October/November 2006). "For Decorative Purposes". Battlestar Galactica: The Official Magazine (7): 24.
  4. 4.0 4.1 Bryan Cairns (October/November 2006). "For Decorative Purposes". Battlestar Galactica: The Official Magazine (7): 24.
  5. 5.0 5.1 5.2 Bryan Cairns (October/November 2006). "For Decorative Purposes". Battlestar Galactica: The Official Magazine (7): 24.
  6. Bryan Cairns (October/November 2006). "For Decorative Purposes". Battlestar Galactica: The Official Magazine (7): 24.
  7. Bryan Cairns (October/November 2006). "For Decorative Purposes". Battlestar Galactica: The Official Magazine (7): 25.
  8. 8.0 8.1 Bryan Cairns (October/November 2006). "For Decorative Purposes". Battlestar Galactica: The Official Magazine (7): 24-25.
  9. 9.0 9.1 Bryan Cairns (October/November 2006). "For Decorative Purposes". Battlestar Galactica: The Official Magazine (7): 25.
  10. Bryan Cairns (October/November 2006). "For Decorative Purposes". Battlestar Galactica: The Official Magazine (7): 25.
  11. 11.0 11.1 11.2 Bryan Cairns (October/November 2006). "For Decorative Purposes". Battlestar Galactica: The Official Magazine (7): 25.
  12. 12.0 12.1 12.2 12.3 Bryan Cairns (October/November 2006). "For Decorative Purposes". Battlestar Galactica: The Official Magazine (7): 25.
  13. 13.0 13.1 13.2 Bryan Cairns (October/November 2006). "For Decorative Purposes". Battlestar Galactica: The Official Magazine (7): 25.
  14. 14.0 14.1 Bryan Cairns (October/November 2006). "For Decorative Purposes". Battlestar Galactica: The Official Magazine (7): 25.

This is a listing of all people who have worked on the various comic books related to any of the Battlestar Galactica series.

Dynamite Entertainment

Salvatore Aiala

Salvatore Aiala is the colorist of the re-imagined Galactica 1980 comic book mini-series.

Dennis Calero

Dennis Calero is a cover artist who created covers for Battlestar Galactica: Ghosts 1 and Battlestar Galactica: Ghosts 4.

Dave Dorman

Dave Dorman is an artist working on covers for Dynamite Entertainment. Dorman has done covers for all five of the comics based on the Original Series.

Romulo Fajardo Jr.

Romulo Fajardo Jr. is a colorist whose works include the Battlestar Galactica: Ghosts series.

Marc Guggenheim

Marc Guggenheim is the writer of the re-imagined Galactica 1980 comic book mini-series.

Jackson Herbert

Jackson Herbert is a penciller whose works include the Battlestar Galactica: Season Zero series.

Brandon Jerwa

Main article: Brandon Jerwa

Brandon Jerwa is a writer whose works include Battlestar Galactica: Ghosts, Battlestar Galactica: Pegasus, Battlestar Galactica: Season Zero and Battlestar Galactica: Zarek.

Jonathan Lau

Jonathan Lau is a cover artist whose works include Battlestar Galactica: Pegasus, Battlestar Galactica: Origins, and Battlestar Galactica 5 through Battlestar Galactica 8.

Lucio Parrillo

Lucio Parrillo is the cover artist for the re-imagined Galactica 1980 comic book mini-series.

Joe Prado

Joe Prado is a cover artist who provided covers for Battlestar Galactica 9 through Battlestar Galactica 12.

Cezar Razek

Cezar Razek is the illustrator of the re-imagined Galactica 1980 comic book mini-series.

Stephen Segovia

Stephen Segovia is a cover artist for various issues, including Battlestar Galactica: Season Zero and Battlestar Galactica 9 through Battlestar Galactica 12.

Stejpan Sejic

Stejpan Sejic is a cover artist for various issues, including Battlestar Galactica: Zarek, Battlestar Galactica: Season Zero and Battlestar Galactica 5 through Battlestar Galactica 8.

For direct navigation sans the tabbed navigational aid above, please select one of the following article links: