Podcast:Black Market: Difference between revisions
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Steelviper (talk | contribs) transcribed Teaser through 1:35 |
Steelviper (talk | contribs) transcribed teaser through 3:18 |
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Hello, and welcome to the podcast for episode 14, "[[Black Market]]." I'm [[Ronald D. Moore]], executive producer and developer of the new Battlestar Galactica. And today's podcast we're gonna be something a little bit different, actually, than the norm. We're going to be talking about an episode that I don't particularly like (Chuckles) and discussing maybe the reasons why it doesn't work and the problems I think are inherent in this particular episode. I think I should also make it clear from the outset that the criticisms and implied criticisms of this episode really should not be laid at the doorstep of the production team, or the cast, or crew, or the writing staff, or anybody else. It's really my responsibility as head writer and one of the executive producers. The decisions that led to this episode being something that I'm not as enamored with really can all be tracked back to decisions that I made at various stages in the creative process. So this is really a- a podcast devoted to self-examination, self-criticism, more than anything else, and going through why this particular episode doesn't seem like it fits as well within the- the pantheon of what we've established. | Hello, and welcome to the podcast for episode 14, "[[Black Market]]." I'm [[Ronald D. Moore]], executive producer and developer of the new Battlestar Galactica. And today's podcast we're gonna be something a little bit different, actually, than the norm. We're going to be talking about an episode that I don't particularly like (Chuckles) and discussing maybe the reasons why it doesn't work and the problems I think are inherent in this particular episode. I think I should also make it clear from the outset that the criticisms and implied criticisms of this episode really should not be laid at the doorstep of the production team, or the cast, or crew, or the writing staff, or anybody else. It's really my responsibility as head writer and one of the executive producers. The decisions that led to this episode being something that I'm not as enamored with really can all be tracked back to decisions that I made at various stages in the creative process. So this is really a- a podcast devoted to self-examination, self-criticism, more than anything else, and going through why this particular episode doesn't seem like it fits as well within the- the pantheon of what we've established. | ||
Ok. Here we are at the top of the show. This particular opening was not scripted this way. This was the ending. And it is- it's a flash-forward to the end of the show, with Lee facing down Bill Duke's character. | Ok. Here we are at the top of the show. This particular opening was not scripted this way. This was the ending. And it is- it's a flash-forward to the end of the show, with Lee facing down Bill Duke's character and the question of whether he's going to shoot him or not and then this provides, essentially, the frame for the entire episode. But this was not as scripted. This came out- this move of putting the confrontation of Lee pointing the gun at Phelan came out of desperation, more than anything else. I saw the cut of "Black Market" initially and I was depressed. I wasn't happy. I was really disappointed in the show and myself and what we had done and didn't feel like the episode really had anything going for it. That it started to slowly, that the initial scenes were not engaging, the story wasn't grabbing me and so one of the ways that we set out to try to fix the episode and to get the best episode that we could. I came up with this idea of, "Well let's take..." It's a classic device. This is not rocket science. It's take the end and put a piece of the end at the head of the episode so that you tease the drama. You're essentially setting up a jeopardy situation that's intriguing and compelling, one would hope, and let that pull the audience into the show so that they will then hang on that- "What was that confrontation about? Who was the Bill Duke character? Why is Lee pointing a gun? Is he gonna shoot him?" And that kind of tension undergirds the rest of the episode. I think the theory works, surprisingly. (Chuckles). It does provide a certain amount of tension throughout the episode. In fact it's one of the few things the episode has going for it, in my opinion, is that we do have that underlying question of, "What is that confrontation about? When are we going to get to it?" | ||
Revision as of 16:30, 15 August 2006
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Hello, and welcome to the podcast for episode 14, "Black Market." I'm Ronald D. Moore, executive producer and developer of the new Battlestar Galactica. And today's podcast we're gonna be something a little bit different, actually, than the norm. We're going to be talking about an episode that I don't particularly like (Chuckles) and discussing maybe the reasons why it doesn't work and the problems I think are inherent in this particular episode. I think I should also make it clear from the outset that the criticisms and implied criticisms of this episode really should not be laid at the doorstep of the production team, or the cast, or crew, or the writing staff, or anybody else. It's really my responsibility as head writer and one of the executive producers. The decisions that led to this episode being something that I'm not as enamored with really can all be tracked back to decisions that I made at various stages in the creative process. So this is really a- a podcast devoted to self-examination, self-criticism, more than anything else, and going through why this particular episode doesn't seem like it fits as well within the- the pantheon of what we've established.
Ok. Here we are at the top of the show. This particular opening was not scripted this way. This was the ending. And it is- it's a flash-forward to the end of the show, with Lee facing down Bill Duke's character and the question of whether he's going to shoot him or not and then this provides, essentially, the frame for the entire episode. But this was not as scripted. This came out- this move of putting the confrontation of Lee pointing the gun at Phelan came out of desperation, more than anything else. I saw the cut of "Black Market" initially and I was depressed. I wasn't happy. I was really disappointed in the show and myself and what we had done and didn't feel like the episode really had anything going for it. That it started to slowly, that the initial scenes were not engaging, the story wasn't grabbing me and so one of the ways that we set out to try to fix the episode and to get the best episode that we could. I came up with this idea of, "Well let's take..." It's a classic device. This is not rocket science. It's take the end and put a piece of the end at the head of the episode so that you tease the drama. You're essentially setting up a jeopardy situation that's intriguing and compelling, one would hope, and let that pull the audience into the show so that they will then hang on that- "What was that confrontation about? Who was the Bill Duke character? Why is Lee pointing a gun? Is he gonna shoot him?" And that kind of tension undergirds the rest of the episode. I think the theory works, surprisingly. (Chuckles). It does provide a certain amount of tension throughout the episode. In fact it's one of the few things the episode has going for it, in my opinion, is that we do have that underlying question of, "What is that confrontation about? When are we going to get to it?"