Talk:Flesh and Bone/Archive 1: Difference between revisions
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:It might be, Ronald. If significant, it would be at least the [[The Music|second time]] that music makes a connection to the fate of the Colonials and the Cylons. --[[User:Spencerian|Spencerian]] 19:16, 18 November 2007 (CST) | :It might be, Ronald. If significant, it would be at least the [[The Music|second time]] that music makes a connection to the fate of the Colonials and the Cylons. --[[User:Spencerian|Spencerian]] 19:16, 18 November 2007 (CST) | ||
:I think we need a citation on the 'The spring pool on the mountain' reference. I think that came from Grace Park in an interview on Scifi.com, but I'm not 100% sure. --[[User:Steelviper|Steelviper]] 19:49, 18 November 2007 (CST) | |||
Revision as of 01:49, 19 November 2007
I am not sure if this is of interest:
The article says (under Notes): "At the beginning of this episode, Boomer is humming a melody when she touches the captured Cylon Raider. The melody is from a Korean children's song, 'The spring pool on the mountain'."
It may be known in Korea as 'The spring pool on the mountain', but I am quite certain that it is a German song known as "Drunten im Unterland" from the 19th century (music by Friedrich Silcher, text by Gottfried Weigle).
See http://www.lieder-archiv.de/lieder/show_song.php?ix=300138
Listen to this MIDI file (seconds 12-22) or another MIDI file.
--Ronald 15:29, 18 November 2007 (CST)
- It might be, Ronald. If significant, it would be at least the second time that music makes a connection to the fate of the Colonials and the Cylons. --Spencerian 19:16, 18 November 2007 (CST)
- I think we need a citation on the 'The spring pool on the mountain' reference. I think that came from Grace Park in an interview on Scifi.com, but I'm not 100% sure. --Steelviper 19:49, 18 November 2007 (CST)