Toggle menu
Toggle preferences menu
Toggle personal menu
Not logged in
Your IP address will be publicly visible if you make any edits.

Editing The Son Also Rises

From the only original and legitimate Battlestar Wiki: the free-as-in-beer, non-corporate, open-content encyclopedia, analytical reference, and episode guide on all things Battlestar Galactica. Accept neither subpar substitutes nor subpar clones.
Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.
The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then publish the changes below to finish undoing the edit.
Latest revision Your text
Line 95: Line 95:
== Notes ==
== Notes ==


== Continuity ==
=== Continuity ===


* Starting with this episode, [[Katee Sackhoff]]'s name is no longer listed in the opening credits.
*Starting with this episode, [[Katee Sackhoff]]'s name is no longer listed in the opening credits.
* The population count at the start of this episode is '''41,399''', accounting for [[Kara Thrace]]'s death in "[[Maelstrom]]". At least one birth must have occurred to set off [[Alan Hughes]]{{'}} death in the teaser. Assuming that Marine [[Henry Cheadle]] dies in the explosion that almost kills Lampkin, the population count would be '''41,398''', a number that does not take into account any births or other deaths that occurred off-screen.
*The population count at the start of this episode is 41,399, accounting for [[Kara Thrace]]'s death in "[[Maelstrom]]". At least one birth must have occurred to set off [[Alan Hughes]]{{'}} death in the teaser. Assuming that Marine [[Henry Cheadle]] dies in the explosion that almost kills Lampkin, the population count would be 41,398, a number that does not take into account any births or other deaths that occurred off-screen.
* {{callsign|Karl Agathon}} is temporarily assigned as [[CAG]], despite not having any previously known experience as a [[Viper (RDM)|Viper]] pilot. After Apollo, Helo is the highest-ranking established pilot left. Experienced Viper pilots passed over for the job include [[Marcia Case]], [[Ricky Richardson]], and [[Hotdog]], of whom the latter had at least as much experience as former CAG {{callsign|Kat}}. This is consistent with the traditions of the U.S. Navy, which does not require the CAG to be a fighter pilot, or indeed any kind of pilot - commissioned aircrew such as Electronic Countermeasures Officers are equally eligible.
*{{callsign|Karl Agathon}} is temporarily assigned as [[CAG]], despite not having any previously known experience as a [[Viper (RDM)|Viper]] pilot. After Apollo, Helo is the highest-ranking established pilot left. Experienced Viper pilots passed over for the job include [[Marcia Case]], [[Ricky Richardson]], and [[Hotdog]], of whom the latter had at least as much experience as former CAG {{callsign|Kat}}. This is consistent with the traditions of the U.S. Navy, which does not require the CAG to be a fighter pilot, or indeed any kind of pilot - commissioned aircrew such as Electronic Countermeasures Officers are equally eligible.
* The [[H.M.S. Glutton o' Punishment|model ship]] which [[William Adama|Adama]] destroyed in [[Maelstrom|the previous episode]] is still sitting o­n a shelf in his quarters, but visibly damaged.
*The model ship which [[William Adama|Adama]] destroyed in [[Maelstrom|the previous episode]] is still sitting on a shelf in his quarters, but visibly damaged.
* The o­ne-armed deckhand with the prosthesis, who first appeared in "[[Dirty Hands]]," can be seen in the far background in the scene with Hughes boarding the Raptor before he is killed.
*The one-armed deckhand - using a prosthetic - who first appeared in "[[Dirty Hands]]" can be seen in the far background in the scene with Hughes boarding the Raptor before he is killed.
* When Adama looks at Thrace's personnel file, o­ne of the sheets is a field commendation for valor and bravery received for an operation called "Blue Mountain Retreat" and "action o­n Hill ER5." Since it mentions a rescue of civilians, this likely refers to the Caprica Rescue mission in "[[Lay Down Your Burdens]]".
*When Adama looks at Thrace's personnel file, one of the sheets is a field commendation for valor and bravery received for an operation called "Blue Mountain Retreat" and "action on Hill ER5." Since it mentions a rescue of civilians, this likely refers to the Caprica Rescue mission in "[[Lay Down Your Burdens]]".
* Lampkin's theory o­n how the person who cares the most is the o­ne that wins is similar to dialogue from ''[[w:Life, the Universe and Everything|Life, the Universe and Everything]]'' by Douglas Adams.  
* Lampkin's theory on how the person who cares the most is the one that wins is similar to dialogue from ''[[w:Life, the Universe and Everything|Life, the Universe and Everything]]'' by Douglas Adams.
{{Quote
<blockquote>"The point is," he said, "that people like you and me, Slartibartfast, and Arthur&mdash;particularly and especially Arthur&mdash;are just dilettantes, eccentrics, layabouts if you like...We're not obsessed with anything, you see... And that's the deciding factor. We can't win against obsession. They care, we don't. They win."<br/>
| text = "The point is," he said, "that people like you and me, Slartibartfast, and Arthur—particularly and especially Arthur—are just dilettantes, eccentrics, layabouts if you like...We're not obsessed with anything, you see... And that's the deciding factor. We can't win against obsession. They care, we don't. They win."
"But unless we determine to take action," said the old man querulously, as if struggling against something deeply insouciant in his nature, "then we shall all be destroyed, we shall all die. Surely we care about that?"<br/>
 
"Not enough to want to get killed over it," said Ford.</blockquote>
"But unless we determine to take action," said the old man querulously, as if struggling against something deeply insouciant in his nature, "then we shall all be destroyed, we shall all die. Surely we care about that?"
 
"Not enough to want to get killed over it," said Ford.
| sign = [[w:Ford Prefect (character)|Ford Prefect]]
}}


=== Development ===
=== Development ===
Line 174: Line 169:
== Official Statements ==
== Official Statements ==


== Official Statements ==
=== Cast Comments ===


{{Quote
* ''[[Mark Sheppard]] discusses how he approached portrayal of [[Romo Lampkin]]:''
| context = [[Mark Sheppard]] discusses how he approached portrayal of [[Romo Lampkin]]:
: '''Mark Sheppard:''' Ron had said that he gave [[Michael Angeli]] ''carte blanche'' to make this character as odd and as wide as he wanted to make it. Michael Angeli is a very, very, very clever writer. It’s wonderful dialog, it’s a wonderfully convoluted, complicated character. You know the glasses idea was his idea, he wears dark glasses a lot, Michael Angeli, and the glasses were very important to him. And he put the cat in and all these strange elements and the kleptomania. and there are all these other questions, is he a Cylon? a manipulator? is he this, is he that. All of these things are kind of irrelevant. I played him as the last sane man in the universe. If you think of the episode "The Son Also Rises," my first episode, it’s the episode after "[[Maelstrom]]". Maelstrom is a disaster, an absolute disaster! The end of "Maelstrom" leaves you with this huge hole, this gap and I walk in to a group of people in mourning. They are in mourning for {{callsign|Starbuck}}. I think I’m the only person paying attention. I think none of them are paying attention because of the events of [[New Caprica]] and everything that has happened since New Caprica. I mean basically they just want to tear [[Gaius Baltar|Baltar]] to pieces, they kind of admit that they will move the trial forward because people need it, they need the trial, they need something.<ref name="tsw">{{cite_web|url=http://www.thescifiworld.net/interviews/mark_sheppard_01.htm|title=The Sci-Fi World: Mark Sheppard interview|date=1 May 2007|accessdate=24 May 2007|last=Nuytens|first=Gilles|format=|language=}}</ref>
| text = Ron had said that he gave [[Michael Angeli]] ''carte blanche'' to make this character as odd and as wide as he wanted to make it. Michael Angeli is a very, very, very clever writer. It’s wonderful dialog, it’s a wonderfully convoluted, complicated character. You know the glasses idea was his idea, he wears dark glasses a lot, Michael Angeli, and the glasses were very important to him. And he put the cat in and all these strange elements and the kleptomania. and there are all these other questions, is he a Cylon? a manipulator? is he this, is he that. All of these things are kind of irrelevant. I played him as the last sane man in the universe. If you think of the episode "The Son Also Rises," my first episode, it’s the episode after "[[Maelstrom]]". Maelstrom is a disaster, an absolute disaster! The end of "Maelstrom" leaves you with this huge hole, this gap and I walk in to a group of people in mourning. They are in mourning for [[Kara Thrace|Starbuck]].
| sign = [[Mark Sheppard]]
| source = <ref name="tsw">{{cite_web|url=http://www.thescifiworld.net/interviews/mark_sheppard_01.htm|title=The Sci-Fi World: Mark Sheppard interview|date=2007-05-01|accessdate=2007-05-24|last=Nuytens|first=Gilles}}</ref>
}}


{{Quote
* ''Mark Sheppard discusses a deleted scene involving [[Jerry]], the [[Lance|cat]]:''
| context = Mark Sheppard discusses a deleted scene involving [[Jerry]], the [[Lance|cat]]:
: '''Mark Sheppard:''' There is this lovely scene that they cut out. At the end of the scene when [[Lee Adama|Lee]] says if anything moves don’t touch it, if anything is in the wrong place, it’s when he is worried about me finding a bomb. And my line is if they want to kill me they’ll find a way, now how do I get to see the [[Caprica-Six|Cylon woman]]. And I looked down and Jerry the cat is sitting there and what is funny is I looked at him and there is a line [where I say], "Please go boom." And what happened is the cat looked up at me when I spoke to him, then as I looked away, he looked away. It was very funny. (laughs) Cats do what they wanna do.<ref name="tsw"/>
| text = There is this lovely scene that they cut out. At the end of the scene when [[Lee Adama|Lee]] says if anything moves don’t touch it, if anything is in the wrong place, it’s when he is worried about me finding a bomb. And my line is if they want to kill me they’ll find a way, now how do I get to see the [[Caprica-Six|Cylon woman]]. And I looked down and Jerry the cat is sitting there and what is funny is I looked at him and there is a line [where I say], "Please go boom." And what happened is the cat looked up at me when I spoke to him, then as I looked away, he looked away. It was very funny. (laughs) Cats do what they wanna do.
| sign = [[Mark Sheppard]]
| source = <ref name="tsw"/>
}}


{{Quote
* ''Sheppard discusses his reaction to [[Ron D. Moore]]'s offer of being Lampkin in three episodes:''
| context = Sheppard discusses his reaction to [[Ron D. Moore]]'s offer and Lampkin's moral values:
: '''Sheppard:''' It’s very, very weird. It was a very, very, very weird day. But it was kind of brilliant. I think he took great delight, and as I take great delight, in the fact that most of the time I tend to play what are termed "villains" – I don’t think of people as villains, but people with massively different agendas than the heroes usually in our pictures, especially in sci-fi. And this, I think, is very, very different. I think Romo is very, very different. I mean…somebody asked me, "Do you think he’s a [[Cylons (RDM)|Cylon]]?" First thing Eddie [[Edward James Olmos|[Edward James Olmos]]] said was, "The first thing I’d be thinking was: he’s a cylon." I’m like, but does it really matter? Does it matter whether he’s a cylon? It actually doesn’t. I mean, his principles are extraordinary. His logic is I think extraordinary.
| text = It’s very, very weird. [...] I think he took great delight, and as I take great delight, in the fact that most of the time I tend to play what are termed "villains" – I don’t think of people as villains, but people with massively different agendas than the heroes [...] And this, I think, is very, very different. I think Romo is very, very different. I mean…somebody asked me, "Do you think he’s a [[Cylons (RDM)|Cylon]]?" First thing Eddie [[Edward James Olmos|[Edward James Olmos]]] said was, "The first thing I’d be thinking was: he’s a cylon." I’m like, but does it really matter? Does it matter whether he’s a cylon? It actually doesn’t. I mean, his principles are extraordinary. His logic is I think extraordinary.


It’s just because he's very deliberate in the way that he executes what he does. As a character – the character is written very deliberately, in a manner that he has a very different set of moral values than the people around him. Which I think is an absolutely amazing thing to play. Plus being a kleptomaniac, you know – if you have a bizarre trait it doesn't hurt along the way.
: It’s just because he's very deliberate in the way that he executes what he does. As a character – the character is written very deliberately, in a manner that he has a very different set of moral values than the people around him. Which I think is an absolutely amazing thing to play. Plus being a kleptomaniac, you know – if you have a bizarre trait it doesn't hurt along the way. Michael Angeli's [writer] kind of brilliant when it comes to that kind of writing.<ref>{{cite_web|url=http://www.buddytv.com/articles/battlestar-galactica/exclusive-interview-mark-shepp-7849.aspx|title=Buddytv.com Exclusive Interview: Mark Sheppard, from 'Battlestar Galactica'|date=3 July 2007|accessdate=13 August 2007|last=|first=|format=|language=}}</ref>
| sign = [[Mark Sheppard]]
| source = <ref>{{cite_web|url=http://www.buddytv.com/articles/battlestar-galactica/exclusive-interview-mark-shepp-7849.aspx|title=Buddytv.com Exclusive Interview: Mark Sheppard, from 'Battlestar Galactica'|date=2007-07-03|accessdate=2007-08-13}}</ref>
}}


=== Podcast ===
=== Podcast ===
Line 208: Line 191:
== Noteworthy Dialogue ==
== Noteworthy Dialogue ==


{{Dialogue
* ''Colonel Saul Tigh tells Admiral William Adama the good news:''
| context = Colonel [[Saul Tigh]] tells Admiral [[William Adama]] the good news:
: '''[[Saul Tigh]]:''' Your Honor. (Adama looks at Tigh, confused) You haven't heard? Where have you been? They've just announced it. You won the lottery. You own exactly 1/5th of [[Gaius Baltar|Baltar]]'s ''skinny ass''.
| lines =
'''[[Saul Tigh]]:''' Your Honor. ''(Adama looks at Tigh, confused)'' You haven't heard? Where have you been? They've just announced it. You won the lottery. You own exactly 1/5th of [[Gaius Baltar|Baltar]]'s ''skinny ass''.
}}
 
{{Dialogue
| context = [[Romo Lampkin]] replies to [[William Adama]]'s question regarding his qualifications for defending [[Gaius Baltar]]:
| lines =
'''[[Romo Lampkin|Lampkin]]:''' I was born for this. That, and the fact I have a pulse.
}}
 
{{Dialogue
| context = Admiral [[William Adama|Adama]] rips [[Lee Adama]] another one regarding the bomb and his performance:
| lines =
'''[[William Adama]]:''' What the hell were you doing out there? I gave you an order. To do a job.
 
'''[[Lee Adama]]:''' Excuse me, I was ''doing my job''.
 
'''Bill:''' Yeah, being led around by the nose! This bastard yanks your chain and you jump.
 
'''Lee:''' He wanted files from ''[[Colonial One]]''–
 
'''Bill:''' It was the middle of the night.
 
'''Lee:''' Well, you assigned me to security.
 
'''Bill:''' Yeah. And there was a bomb o­n [[Raptor|that ship]]. And you ''missed it''. Security? I gave you ''explicit orders''.
 
'''Lee:''' [[Sharon Agathon|Athena]] was piloting.
 
'''Bill:''' You coulda died. Plain and simple. ''You're a soldier. Live like o­ne. Start acting like o­ne!''
 
'''Lee:''' [[Kara Thrace|She]]'s [[Maelstrom|been gone]] two weeks. I didn't realize the clock was running.
 
'''Bill:''' ''(softly)'' Stop.
 
'''Lee:''' No, I'm sorry. Maybe because we're just built differently.
 
'''Bill:''' You stop. Don't you dare quantify my loss.
 
'''Lee:''' You have no idea. ''You have no frakking idea.''
 
'''Bill:''' What, you think yours is deeper?
 
'''Lee:''' Well–
 
'''Bill:''' Yours is greater? ''(Lee doesn't respond)'' In two weeks, there's going to be a trial. And I'm going to do what I was chosen to do, and so are you! You build a [[frak]]king nest around this man and you ''protect his ass''!
}}
 
{{Dialogue
| context = [[Romo Lampkin|Lampkin]] (ostensibly) confides in [[Caprica-Six|Caprica]] about his tortured romantic past:
| lines =
'''[[Romo Lampkin|Lampkin]]:''' I loved a woman. Beautiful, beautiful woman. But so serious. This frowning face, trapped in the middle of a daisy. She had a way of walking, processional. As if she were o­n her way to her own execution. We had ten years. Then it fell apart under its own weight.
 
'''[[Caprica-Six|Caprica]]:''' Is that what you wanted?
 
'''Lampkin:''' I thought if I could get over her, I could get over anything. I could endure. Conquer. Be a man, stand up to any and all kind of punishment. I clung to an empty, spinning bed for months. And that... that is when I finally realized how much I loved her. If I needed ''all that strength,'' ''...what, was the '''point'''?'' I needed to be with her.
}}
 
{{Dialogue
| context = [[Cally Tyrol]] discusses her suspicions with [[Sharon Agathon|Athena]]:
| lines =
'''[[Cally Tyrol|Tyrol]]:''' I believe that the Cylons want us to destroy ourselves and this is how they're doing it. By planting bombs, making us suspicious of each other. You know what's funny? By the time the Cylons catch up with us, they won't even have to attack. They'll just clean up the mess we made. I think they're here.
 
'''{{callsign|Athena}}:''' I think you're wrong.
}}
 
{{Dialogue
| context = [[Lee Adama|Apollo]] and [[Romo Lampkin|Lampkin]] discuss the legacy of [[Joseph Adama]]:
| lines =
'''[[Romo Lampkin|Lampkin]]:''' Everybody has demons. Them, Baltar, you, me. Even the machines. The law is just a way of exorcising them. That's what your father's father told me. You want to know why I hated him? Because he was right.
 
'''[[Lee Adama|Apollo]]:''' So you hated him because he was right, and I hated the law because it was wrong. Because of what— of what it put him through. I mean, he defended the worst of the worst. I remember reading about him. The outrage, helping murderers go free. What I don't understand is why he put himself through all that abuse—
 
'''Lampkin:''' You think he gave a flying frak? Joe Adama cared about o­ne thing: understanding why people do what they do. Why we cheat our friends, why we reward our enemies. Why we go to war, sacrificing our lives for lost causes. Why we build machines in the hope of correcting our flaws and our shortcomings. Why we forgive, defying logic and the laws of nature with o­ne stupid little act of compassion. We're flawed, all of us. I wanted to know why, so I did what he did: I spent my life with the fallen, the corrupt, the damaged. Look at you: you were so ready to get o­n that Raptor with me, be the bad boy, the prodigal son!
 
'''Apollo:''' No, I was just doing my job, protecting you!
 
'''Lampkin:''' What are you doing in my business? Suddenly I'm handcuffed to a serial contrarian?!
 
'''Apollo:''' No, I am not— oh, OK.


'''Lampkin:''' My bed is made. I suggest you toil o­n your own. Now, if this cross-examination is over, I'd like to take a crap.  
* ''[[Romo Lampkin]] replies to [[William Adama]]'s question regarding his qualifications for defending [[Gaius Baltar]]:''
}}
: '''Lampkin:''' I was born for this. That, and the fact I have a pulse.


{{Dialogue
* ''Admiral Adama rips [[Lee Adama]] another one:''
| context = [[Lee Adama]] discovers [[Romo Lampkin|Lampkin]]'s kleptomania:
: '''William Adama:''' What the hell were you doing out there? I gave you an order. To do a job.
| lines =
: '''Lee Adama:''' Excuse me, I was ''doing my job''.
'''[[Romo Lampkin|Lampkin]]:''' My demons. I borrow things. My parents disappeared when I was nine years old. They were kidnapped. Murdered for the money they had o­n them, which wasn't enough. I went to live with an uncle, stole from him until I could run away.
: '''Bill:''' Yeah, being led around by the nose! This bastard yanks your chain and you jump.
: '''Lee:''' He wanted files from ''[[Colonial One]]''–
: '''Bill:''' It was the middle of the night.
: '''Lee:''' Well, you assigned me to security.
: '''Bill:''' Yeah. And there was a bomb on [[Raptor|that ship]]. And you ''missed it''. Security? I gave you ''explicit orders''.
: '''Lee:''' [[Sharon Agathon|Athena]] was piloting.
: '''Bill:''' You coulda died. Plain and simple. ''You're a soldier. Live like one. Start acting like one!''
: '''Lee:''' [[Kara Thrace|She]]'s [[Maelstrom|been gone]] two weeks. I didn't realize the clock was running.  
: '''Bill:''' ''(softly)'' Stop.
: '''Lee:''' No, I'm sorry. Maybe because we're just built differently.
: '''Bill:''' You stop. Don't you dare quantify my loss.
: '''Lee:''' You have no idea. ''You have no frakking idea.''
: '''Bill:''' What, you think yours is deeper?
: '''Lee:''' Well–
: '''Bill:''' Yours is greater? ''(Lee doesn't respond)'' In two weeks, there's going to be a trial. And I'm going to do what I was chosen to do, and so are you! You build a [[frak]]king nest around this man and you ''protect his ass''!


'''[[Lee Adama|Adama]]:''' So what did you take from me?
* ''Lampkin (ostensibly) confides in Caprica about his tortured romantic past:''
: '''Lampkin:''' I loved a woman. Beautiful, beautiful woman. But so serious. This frowning face, trapped in the middle of a daisy. She had a way of walking, processional. As if she were o­n her way to her own execution. We had ten years. Then it fell apart under its own weight.
: '''Caprica:''' Is that what you wanted?
: '''Lampkin:''' I thought if I could get over her, I could get over anything. I could endure. Conquer. Be a man, stand up to any and all kind of punishment. I clung to an empty, spinning bed for months. And that... that is when I finally realized how much I loved her. If I needed ''all that strength,'' ''...what, was the '''point'''?'' I needed to be with her.


'''Lampkin:''' I was thinking the photograph that you carry. The girl. The pilot. The o­ne you carry ''[in your pocket]''. But you've had enough stolen from you already.  
* ''[[Cally Tyrol]] apparently learns from her [[Dirty Hands|mistakes]], and misses the point:''
}}
: '''Tyrol:''' I believe that the Cylons want us to destroy ourselves and this is how they're doing it. By planting bombs, making us suspicious of each other. You know what's funny? By the time the Cylons catch up with us, they won't even have to attack. They'll just clean up the mess we made. I think they're here.
: '''{{callsign|Athena}}:''' I think you're wrong.


{{Dialogue
* ''Apollo and Lampkin discuss Joseph Adama:''
| context = [[Lee Adama]] confronts [[Aaron Kelly|Kelly]] about the bomb:
: '''Lampkin:''' Everybody has demons. Them, Baltar, you, me. Even the machines. The law is just a way of exorcising them. That's what your father's father told me. You want to know why I hated him? Because he was right.
| lines =
: '''Apollo:''' So you hated him because he was right, and I hated the law because it was wrong. Because of what— of what it put him through. I mean, he defended the worst of the worst. I remember reading about him. The outrage, helping murderers go free. What I don't understand is why he put himself through all that abuse—
'''[[Aaron Kelly|Kelly]]:''' I would have never let Athena airborne with you o­n the Raptor. I would have stopped it. You know that.  
: '''Lampkin:''' You think he gave a flying frak? Joe Adama cared about o­ne thing: understanding why people do what they do. Why we cheat our friends, why we reward our enemies. Why we go to war, sacrificing our lives for lost causes. Why we build machines in the hope of correcting our flaws and our shortcomings. Why we forgive, defying logic and the laws of nature with o­ne stupid little act of compassion. We're flawed, all of us. I wanted to know why, so I did what he did: I spent my life with the fallen, the corrupt, the damaged. Look at you: you were so ready to get o­n that Raptor with me, be the bad boy, the prodigal son!
: '''Apollo:''' No, I was just doing my job, protecting you!
: '''Lampkin:''' What are you doing in my business? Suddenly I'm handcuffed to a serial contrarian?!
: '''Apollo:''' No, I am not— oh, OK.
: '''Lampkin:''' My bed is made. I suggest you toil o­n your own. Now, if this cross-examination is over, I'd like to take a crap.  


'''[[Lee Adama|Adama]]:''' Yeah, I know that.  
* ''Lee Adama discovers Lampkin's kleptomania:''
: '''Lampkin:''' My demons. I borrow things. My parents disappeared when I was nine years old. They were kidnapped. Murdered for the money they had o­n them, which wasn't enough. I went to live with an uncle, stole from him until I could run away.
: '''Adama:''' So what did you take from me?
: '''Lampkin:''' I was thinking the photograph that you carry. The girl. The pilot. The one you carry [in your pocket]. But you've had enough stolen from you already.  


'''Kelly:''' You'd better lock me up. And I don't want any trial. I won't stop. I will keep trying. I'll keep at it, I will. I did my job, sir. And I have done my job for two years. Every day I've sent people out to fight. I cleared them all to die. So many people. I just got tired of living with that. You ask that man, if you had to choose between giving up his life for a Cylon or human, what do you think he'd say? I had to do something.
* ''Lee Adama confronts Kelly about the bomb:''
}}
: '''Kelly:''' I would have never let Athena airborne with you on the Raptor. I would have stopped it. You know that.
: '''Adama:''' Yeah, I know that.
: '''Kelly:''' You'd better lock me up. And I don't want any trial. I won't stop. I will keep trying. I'll keep at it, I will. I did my job, sir. And I have done my job for two years. Every day I've sent people out to fight. I cleared them all to die. So many people. I just got tired of living with that. You ask that man, if you had to choose between giving up his life for a Cylon or human, what do you think he'd say? I had to do something.


{{Quote
* ''Baltar reads a note from Lampkin, after retrieving his pen from the envelope:''
| context = [[Gaius Baltar|Baltar]] reads a note from [[Romo Lampkin|Lampkin]]:
: '''Lampkin:''' There's no greater ally, no force more powerful, no enemy more resolved than a son who chooses to step from his father's shadow. Romo Lampkin.
| text = There's no greater ally, no force more powerful, no enemy more resolved than a son who chooses to step from his father's shadow.
| sign = [[Romo Lampkin]]
}}


== Guest Stars ==
== Guest Stars ==

To edit this page, please enter the words that appear below in the box (more info):

Refresh
Cancel Editing help (opens in new window)

  [] · [[]] · [[|]] · {{}} · · “” ‘’ «» ‹› „“ ‚‘ · ~ | ° &nbsp; · ± × ÷ ² ³ ½ · §
     [[Category:]] · [[:File:]] · [[Special:MyLanguage/]] · <code></code> · <nowiki></nowiki> <code><nowiki></nowiki></code> · <syntaxhighlight></syntaxhighlight> · <includeonly></includeonly> · <noinclude></noinclude> · #REDIRECT[[]] · <translate></translate> · <languages/> · {{#translation:}} · <tvar|></> · {{DEFAULTSORT:}} · <categorytree></categorytree> · <div style="clear:both;"></div> <s></s>


Your changes will be visible immediately.
  • For testing, please use the sandbox instead.
  • On talk pages, please sign your comment by typing four tildes (~~~~).