Editing The Son Also Rises
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| prev= [[Maelstrom]] | | prev= [[Maelstrom]] | ||
| next= [[Crossroads, Part I]] | | next= [[Crossroads, Part I]] | ||
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== Overview == | |||
:''With [[Gaius Baltar]]'s trial merely two weeks away, [[Lee Adama]] is tasked with protecting [[Romo Lampkin]], Baltar's second lawyer, and finds himself going up against [[William Adama|his own father]], who himself is appointed as one of the five judges in Baltar's trial.'' | :''With [[Gaius Baltar]]'s trial merely two weeks away, [[Lee Adama]] is tasked with protecting [[Romo Lampkin]], Baltar's second lawyer, and finds himself going up against [[William Adama|his own father]], who himself is appointed as one of the five judges in Baltar's trial.'' | ||
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=== Teaser === | === Teaser === | ||
[[ | [[Image:Adama's b-day card.jpg|thumb|right|Adama happens upon an old, self-made birthday card from [[Kara Thrace]], while reviewing her jacket.]] | ||
* [[William Adama]] reviews [[Kara Thrace]]'s service record file, which includes various disciplinary notices, commendations, and citations. | * [[William Adama]] reviews [[Kara Thrace]]'s service record file, which includes various disciplinary notices, commendations, and citations. | ||
* Meanwhile, on ''[[Colonial One]]'', [[Laura Roslin]] presides over a drawing of ship captains who will comprise the five judges of [[Gaius Baltar]]'s tribunal. [[Tory Foster]] picks up a folded card from the bowl, handing it to Roslin. It reads: Captain [[Elias Meeker]], ''[[Gideon]]''. | * Meanwhile, on ''[[Colonial One]]'', [[Laura Roslin]] presides over a drawing of ship captains who will comprise the five judges of [[Gaius Baltar]]'s tribunal. [[Tory Foster]] picks up a folded card from the bowl, handing it to Roslin. It reads: Captain [[Elias Meeker]], ''[[Gideon]]''. | ||
* Adama looks through more of Thrace's records, including a commendation for bravery regarding her actions in recovering the civilians from [[ | * Adama looks through more of Thrace's records, including a commendation for bravery regarding her actions in recovering the civilians from [[The Twelve Colonies (RDM)#Caprica|Caprica]]. | ||
* Foster draws one last name from the bowl. When Roslin opens it, she initially begins to read the card aloud, but stops herself as she reads the name, clearly shocked. | * Foster draws one last name from the bowl. When Roslin opens it, she initially begins to read the card aloud, but stops herself as she reads the name, clearly shocked. | ||
* As Adama continues to slowly run through the jacket, he happens across a self-made birthday card from Thrace to him. The cover reads: "You were always like a father to me . . ." Upon opening the card, he sees a picture of Thrace, who is wearing his glasses and has doodled a [[Adamastache|mustache]] onto the photo. Above the picture are the words "See the resemblance?" and below, "Happy birthday, <u>young</u> <u>man</u>". It is signed it with "much love, Kara". This elicits a laugh from Adama, who begins to tear up and sniffle. | * As Adama continues to slowly run through the jacket, he happens across a self-made birthday card from Thrace to him. The cover reads: "You were always like a father to me . . ." Upon opening the card, he sees a picture of Thrace, who is wearing his glasses and has doodled a [[Adamastache|mustache]] onto the photo. Above the picture are the words "See the resemblance?" and below, "Happy birthday, <u>young</u> <u>man</u>". It is signed it with "much love, Kara". This elicits a laugh from Adama, who begins to tear up and sniffle. | ||
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===Act 1=== | ===Act 1=== | ||
*A press conference takes place on ''[[Colonial One]]'' with reporters firing questions at President Roslin about the trial, a replacement defense attorney, and other matters. Roslin firmly maintains that no terrorist acts will affect the trial. | *A press conference takes place on ''[[Colonial One]]'' with reporters firing questions at President Roslin about the trial, a replacement defense attorney, and other matters. Roslin firmly maintains that no terrorist acts will affect the trial. | ||
*In the [[Pilot ready rooms|pilot ready room]], the mood is also somber. Major Adama is distracted and making mistakes as he plans a reconnaissance operation. At one point, Adama mistakenly calls Racetrack Starbuck after the [[Raptor]] pilot makes a joke to | *In the [[Pilot ready rooms|pilot ready room]], the mood is also somber. Major Adama is distracted and making mistakes as he plans a reconnaissance operation. At one point, Adama mistakenly calls Racetrack Starbuck after the [[Raptor]] pilot makes a joke to [[Sharon Agathon]] about checking under her seat. An awkward silence descends upon the room. Adama apologizes, then quickly dismisses the group. | ||
*Roslin interviews Baltar's new attorney, [[Romo Lampkin]] with Admiral Adama present. Lampkin abruptly introduces the [[The Fleet (RDM)|Fleet leaders]] to his [[Lance|cat]], who is in a foul mood. | *Roslin interviews Baltar's new attorney, [[Romo Lampkin]] with Admiral Adama present. Lampkin abruptly introduces the [[The Fleet (RDM)|Fleet leaders]] to his [[Lance|cat]], who is in a foul mood. | ||
*Adama asks his son to head up the security detail for the new attorney. When the younger Adama objects to being grounded as [[CAG]] and indicating that he's "okay, | *Adama asks his son to head up the security detail for the new attorney. When the younger Adama objects to being grounded as [[CAG]] and indicating that he's "okay", the admiral tells him that he knows that his son isn't okay because the admiral himself is also still in grief over Thrace's death. | ||
*Lampkin is given his quarters and asks to see Baltar. Lampkin wants to choose a room that is unlikely to be wired for surveillance. He tells Major Adama that he was a student of his grandfather, [[Joseph Adama]]. | *Lampkin is given his quarters and asks to see Baltar. Lampkin wants to choose a room that is unlikely to be wired for surveillance. He tells Major Adama that he was a student of his grandfather, [[Joseph Adama]]. | ||
*The scene shifts to see someone's gloved hands preparing explosive charges. | *The scene shifts to see someone's gloved hands preparing explosive charges. | ||
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===Act 2=== | ===Act 2=== | ||
*Baltar, in a bulletproof vest, is escorted by [[Marine]]s to his attorney in Major Adama's quarters. The major is present, but Lampkin assures Baltar that he has signed a confidentiality agreement. | *Baltar, in a bulletproof vest, is escorted by [[Marine]]s to his attorney in Major Adama's quarters. The major is present, but Lampkin assures Baltar that he has signed a confidentiality agreement. | ||
*Baltar is agitated as he writes more quick notes for his [[My Triumphs, My Mistakes|manifesto]]. He knows that the tribunal will use [[Caprica | *Baltar is agitated as he writes more quick notes for his [[My Triumphs, My Mistakes|manifesto]]. He knows that the tribunal will use [[Caprica Six]] against him. | ||
*When Lampkin asks to be taken to ''Colonial One'', Adama objects. When he insults Adama, the major reacts violently, his stress over the events of the last two weeks coming forth briefly. | *When Lampkin asks to be taken to ''Colonial One'', Adama objects. When he insults Adama, the major reacts violently, his stress over the events of the last two weeks coming forth briefly. | ||
*Adama manages to convince Captain [[Aaron Kelly]] to fly the Raptor with [[Sharon Agathon|Athena]] and Lampkin aboard, despite the admiral's grounding order for the major. | *Adama manages to convince Captain [[Aaron Kelly]] to fly the Raptor with [[Sharon Agathon|Athena]] and Lampkin aboard, despite the admiral's grounding order for the major. | ||
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===Act 4=== | ===Act 4=== | ||
*Lampkin survives the bomb attack, but is in [[sickbay]]. Major Adama speaks with him and has brought a bag containing Lampkin's possessions. | *Lampkin survives the bomb attack, but is in [[sickbay]]. Major Adama speaks with him and has brought a bag containing Lampkin's possessions. | ||
*Lampkin states that he is a [[w:kleptomaniac|kleptomaniac]], and master | *Lampkin states that he is a [[w:kleptomaniac|kleptomaniac]], and master slight-of-hand thief. Major Adama begins to remove the items with Lampkin commenting on the significance of each: Roslin's glasses, a shoe from the prosecuting attorney, a button from the admiral's jacket. "I borrow things," he says. When the major asks what Lampkin took from him, he tells him that he found Thrace's picture, but didn't take it. | ||
*Adama discovers a special object that could only come from an officer. He asks who Lampkin burgled to get this object, which is something only the bomber would have. | *Adama discovers a special object that could only come from an officer. He asks who Lampkin burgled to get this object, which is something only the bomber would have. | ||
*Major Adama interviews Captain Kelly, who admits to being the bomber and warns that he will continue the attacks if left on duty. | *Major Adama interviews Captain Kelly, who admits to being the bomber and warns that he will continue the attacks if left on duty. | ||
*The admiral reinstates his son as [[CAG]], but the younger Adama wants to help Lampkin instead. He does not cave in the face of his father's repeated objections. Eventually, the admiral, furious with the major, declares that he's through giving his son orders. Back on CIC, he orders them to remove the major from the board and re-instate | *The admiral reinstates his son as [[CAG]], but the younger Adama wants to help Lampkin instead. He does not cave in the face of his father's repeated objections. Eventually, the admiral, furious with the major, declares that he's through giving his son orders. Back on CIC, he orders them to remove the major from the board and re-instate [[Helo]] as CAG. He tells everyone there, "My son has more important things to do." | ||
*Adama places Thrace's picture onto the memorial board as she requested, next to | *Adama places Thrace's picture onto the memorial board as she requested, next to [[Kat]]. Anders, on crutches and with his left leg in a cast, comes in. Together the two begin to come to terms with losing the woman they both loved. | ||
*Baltar finds an envelope with his pen, and a note from his attorney. | *Baltar finds an envelope with his pen, and a note from his attorney. | ||
*The note contains a poetic line, telling Baltar that there is no more powerful ally than a son who decides to step away from his father's shadow. | *The note contains a poetic line, telling Baltar that there is no more powerful ally than a son who decides to step away from his father's shadow. | ||
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*Starting with this episode, [[Katee Sackhoff]]'s name is no longer listed in the opening credits. | *Starting with this episode, [[Katee Sackhoff]]'s name is no longer listed in the opening credits. | ||
*The population count at the start of this episode is 41,399, accounting for [[Kara Thrace]]'s death in "[[Maelstrom]]". At least one birth must have occurred to set off [[Alan Hughes]] | *The population count at the start of this episode is 41,399, accounting for [[Kara Thrace]]'s death in "[[Maelstrom]]". At least one birth must have occurred to set off [[Alan Hughes]]'s death in the teaser. Assuming that Marine [[Henry Cheadle]] dies in the explosion that almost kills Lampkin, the population count would be 41,398, a number that does not take into account any births or other deaths that occurred off-screen. | ||
* | *[[Karl Agathon]] is temporarily assigned as [[CAG]], despite not having any previously known experience as a [[Viper (RDM)|Viper]] pilot. After Apollo, Helo is the highest-ranking established pilot left. Experienced Viper pilots passed over for the job include [[Marcia Case]], [[Ricky Richardson]], and [[Hotdog]], of whom the latter had at least as much experience as former CAG [[Kat]]. This is consistent with the traditions of the U.S. Navy, which does not require the CAG to be a fighter pilot, or indeed any kind of pilot - commissioned aircrew such as Electronic Countermeasures Officers are equally eligible. | ||
*The model ship which [[William Adama|Adama]] destroyed in [[Maelstrom|the previous episode]] is still sitting on a shelf in his quarters, but visibly damaged. | *The model ship which [[William Adama|Adama]] destroyed in [[Maelstrom|the previous episode]] is still sitting on a shelf in his quarters, but visibly damaged. | ||
*The one-armed deckhand - using a prosthetic - who first appeared in "[[Dirty Hands]]" can be seen in the far background in the scene with Hughes boarding the Raptor before he is killed. | *The one-armed deckhand - using a prosthetic - who first appeared in "[[Dirty Hands]]" can be seen in the far background in the scene with Hughes boarding the Raptor before he is killed. | ||
*When Adama looks at Thrace's personnel file, one of the sheets is a field commendation for valor and bravery received for an operation called "Blue Mountain Retreat" and "action on Hill ER5." Since it mentions a rescue of civilians, this likely refers to the Caprica Rescue mission in "[[Lay Down Your Burdens]]". | *When Adama looks at Thrace's personnel file, one of the sheets is a field commendation for valor and bravery received for an operation called "Blue Mountain Retreat" and "action on Hill ER5." Since it mentions a rescue of civilians, this likely refers to the New Caprica Rescue mission in "[[Lay Down Your Burdens]]". | ||
* Lampkin's theory on how the person who cares the most is the one that wins is similar to dialogue from ''[[w:Life, the Universe and Everything|Life, the Universe and Everything]]'' by Douglas Adams. | * Lampkin's theory on how the person who cares the most is the one that wins is similar to dialogue from ''[[w:Life, the Universe and Everything|Life, the Universe and Everything]]'' by Douglas Adams. | ||
<blockquote>"The point is," he said, "that people like you and me, Slartibartfast, and Arthur | <blockquote>"The point is," he said, "that people like you and me, Slartibartfast, and Arthur -- particularly and especially Arthur -- are just dilettantes, eccentrics, layabouts if you like...We're not obsessed with anything, you see... And that's the deciding factor. We can't win against obsession. They care, we don't. They win."<br/> | ||
"But unless we determine to take action," said the old man querulously, as if struggling against something deeply insouciant in his nature, "then we shall all be destroyed, we shall all die. Surely we care about that?"<br/> | "But unless we determine to take action," said the old man querulously, as if struggling against something deeply insouciant in his nature, "then we shall all be destroyed, we shall all die. Surely we care about that?"<br/> | ||
"Not enough to want to get killed over it," said Ford.</blockquote> | "Not enough to want to get killed over it," said Ford.</blockquote> | ||
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* This episode's title is a pun on the title of the 1926 [[w:Ernest Hemingway|Ernest Hemingway]] novel "[[w:The Sun Also Rises|The Sun Also Rises]]". | * This episode's title is a pun on the title of the 1926 [[w:Ernest Hemingway|Ernest Hemingway]] novel "[[w:The Sun Also Rises|The Sun Also Rises]]". | ||
* [[Samuel Anders|Sam Anders]]' flipping a coin and continually coming up with heads is reminiscent of the early moments of Tom Stoppard's play | * [[Samuel Anders|Sam Anders]]' flipping a coin and continually coming up with heads is reminiscent of the early moments of Tom Stoppard's play ''Rosencrantz And Guildenstern Are Dead'', in which Rosencrantz has the same result on a coin flip over a dozen times. This leads Guildenstern to comment "Consider - One: Probability is a factor which operates within natural forces. Two: Probability is not operating as a factor. Three: We are now held within un-, sub-, or supernatural forces." The moral is that two minor characters within a play (namely, ''Hamlet'') have no control over their fate, and are condemned to carry out their role in the story regardless of their desperate attempts to change events. | ||
* According to [[Michael Angeli]], Lampkin's first name, Romo, is from the first two letters of [[Ronald D. Moore]]'s first and last names.<ref>{{cite_rdm_podcast|episode=The Son Also Rises Bonus|act=|id=|timestamp=~00:01:05|totalrunning=~00:47:39}}</ref> Romo Lampkin was also initially conceived as a "55 year old [[w:Alan Dershowitz|Alan Dershowitz]] character."<ref>{{cite_rdm_podcast|episode=The Son Also Rises Bonus|act=|id=|timestamp=~00:11:42|totalrunning=~00:47:39}}</ref> | * According to [[Michael Angeli]], Lampkin's first name, Romo, is from the first two letters of [[Ronald D. Moore]]'s first and last names.<ref>{{cite_rdm_podcast|episode=The Son Also Rises Bonus|act=|id=|timestamp=~00:01:05|totalrunning=~00:47:39}}</ref> Romo Lampkin was also initially conceived as a "55 year old [[w:Alan Dershowitz|Alan Dershowitz]] character."<ref>{{cite_rdm_podcast|episode=The Son Also Rises Bonus|act=|id=|timestamp=~00:11:42|totalrunning=~00:47:39}}</ref> | ||
* The door code to Romo Lampkin's temporary quarters on ''Galactica'' is 1234. | * The door code to Romo Lampkin's temporary quarters on ''Galactica'' is 1234. | ||
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** Captain Simpson Markson, ''[[Argo Navis]]'' | ** Captain Simpson Markson, ''[[Argo Navis]]'' | ||
** Captain [[Jules Tarney]], ''[[Pyxis]]'' | ** Captain [[Jules Tarney]], ''[[Pyxis]]'' | ||
** Captain [[Doyle Franks]], ''[[ | ** Captain [[Doyle Franks]], ''[[Prometheus]]'' | ||
* The scene where Foster and Roslin reveal the last ship captain, in this case Admiral [[William Adama]], [[Sources:The Son Also Rises|was unscripted]]. | * The scene where Foster and Roslin reveal the last ship captain, in this case Admiral [[William Adama]], [[Sources:The Son Also Rises|was unscripted]]. | ||
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** In the [[Miniseries]], Bill Adama is trying to get on with his life after the loss of his son Zak, but Lee is still full of rage over the incident and quite unambiguously holds his father responsible for what happened. | ** In the [[Miniseries]], Bill Adama is trying to get on with his life after the loss of his son Zak, but Lee is still full of rage over the incident and quite unambiguously holds his father responsible for what happened. | ||
** When the two Adamas do not agree on the same method of coping with the destruction of the ''Olympic Carrier'' in "[[33]]". This eventually leads to Lee Adama becoming [[Laura Roslin|Roslin]]'s military adviser and eventual co-conspirator during the hunt for the [[Arrow of Apollo]]. | ** When the two Adamas do not agree on the same method of coping with the destruction of the ''Olympic Carrier'' in "[[33]]". This eventually leads to Lee Adama becoming [[Laura Roslin|Roslin]]'s military adviser and eventual co-conspirator during the hunt for the [[Arrow of Apollo]]. | ||
** During the planning for the [[Battle of New Caprica]], the two Adamas butt heads again over strategy and whether it is worth the risk of losing the last remnants of humanity that were with '' | ** During the planning for the [[Battle of New Caprica]], the two Adamas butt heads again over strategy and whether it is worth the risk of losing the last remnants of humanity that were with [[Galactica (RDM)|''Galactica'']] and [[Pegasus (RDM)|''Pegasus'']] at the time. | ||
* Lee Adama has consistently shown a tendency to prove that he is not like his father, even though both are described as stubborn by [[Anastasia Dualla|Dualla]] and [[Carolanne Adama]]. This tendency is evident in the last argument between the two when Apollo accuses Adama of not wanting him to become like his grandfather. | * Lee Adama has consistently shown a tendency to prove that he is not like his father, even though both are described as stubborn by [[Anastasia Dualla|Dualla]] and [[Carolanne Adama]]. This tendency is evident in the last argument between the two when Apollo accuses Adama of not wanting him to become like his grandfather. | ||
* When Lee Adama mistakenly calls | * When Lee Adama mistakenly calls [[Racetrack]] "Starbuck," his mental state is reminiscent of "[[Black Market]]" when he constantly found himself recollecting events on Caprica before the genocide. | ||
* William Adama's failure to listen to Carolanne Adama's pleas and advice to tell his son how proud he is of him comes back with a vengeance when Apollo repeatedly asks his father if he is giving him an order, the implication being that Apollo wants to know if his father is treating him as a son or as a soldier. Adama's refusal to ask Apollo to obey his orders as his son will probably lead to further dissension between the two. | * William Adama's failure to listen to Carolanne Adama's pleas and advice to tell his son how proud he is of him comes back with a vengeance when Apollo repeatedly asks his father if he is giving him an order, the implication being that Apollo wants to know if his father is treating him as a son or as a soldier. Adama's refusal to ask Apollo to obey his orders as his son will probably lead to further dissension between the two. | ||
* [[Romo Lampkin]], though he appears to be a lawyer with little | * [[Romo Lampkin]], though he appears to be a lawyer with little courtroom experience, has demonstrated a deep understanding of the human psyche. He takes Roslin's glasses to prevent her from being taken seriously during the trial. His other feats such as raising doubt and bringing out [[Caprica-Six]]'s feelings for [[Gaius Baltar|Baltar]], and his slow but sure persuasion of Lee Adama into helping with Baltar's case, give hints to a man who obviously has immense experience with the art of manipulation. | ||
* Lee Adama honors [[Kara Thrace|Thrace]]'s request of having her photo posted next to | * Lee Adama honors [[Kara Thrace|Thrace]]'s request of having her photo posted next to [[Louanne Katraine|Kat]]'s. His inability to let go of the photo may represent a possible marriage conflict with Dualla if he is unable to truly move on. | ||
* [[Cally Tyrol]] correctly states that the [[Cylons (RDM)|Cylons]] wouldn't even need to fire one shot because they may find the [[The Fleet (RDM)|Fleet]] had torn itself apart because of humanity's tendency towards self-destruction. However, it is also clear that she has not realized that she and the many workers are just as much a part of the problems when they essentially risked the existence of the Fleet with their work strikes, refusal to refine [[ | * [[Cally Tyrol]] correctly states that the [[Cylons (RDM)|Cylons]] wouldn't even need to fire one shot because they may find the [[The Fleet (RDM)|Fleet]] had torn itself apart because of humanity's tendency towards self-destruction. However, it is also clear that she has not realized that she and the many workers are just as much a part of the problems when they essentially risked the existence of the Fleet with their work strikes, refusal to refine [[tylium]], and disobedience toward military orders ([[Dirty Hands]]). The summary of all those acts cannot be attributed to Cylon intervention as Cally Tyrol is implying that [[Sharon Agathon|Athena]] is responsible for the bombings. | ||
* Two weeks have passed since the events of "[[Maelstrom]]". During this time, Adama apparently has been mulling over his memories of Starbuck, including a review of her military record. The audience sees, amongst the items in the folder, a hand-made birthday card which Thrace gave Adama for his birthday once. It jokingly shows Thrace with a color pen mustache and glasses, and asks if Adama can see the resemblance. This moment reinforces the theme that Starbuck was very much a daughter to Adama, even though he stated otherwise in "[[Torn]]". It is very clear that he still sees Thrace as a daughter to him. | * Two weeks have passed since the events of "[[Maelstrom]]". During this time, Adama apparently has been mulling over his memories of Starbuck, including a review of her military record. The audience sees, amongst the items in the folder, a hand-made birthday card which Thrace gave Adama for his birthday once. It jokingly shows Thrace with a color pen mustache and glasses, and asks if Adama can see the resemblance. This moment reinforces the theme that Starbuck was very much a daughter to Adama, even though he stated otherwise in "[[Torn]]". It is very clear that he still sees Thrace as a daughter to him. | ||
* After the events of "[[The Woman King]], | * After the events of "[[The Woman King]]", Helo has been reinstated amongst the pilots of ''Galactica'', as the original purpose of assigning him to [[Dogsville]] was in response to his objections and sabotage of the Cylon biological weapon. Starting with "[[Dirty Hands]]", Helo is present at briefings in the ready room, and appears to be a squadron leader. Thus, once Apollo's flight status is revoked it is only natural for Adama to promote Helo to the CAG position because of seniority and trust. | ||
* It is unclear whether Helo has experience with a Viper, but numerous Viper pilots have been flying Raptors so far. Whether this goes both ways it yet to be seen, but with Helo's position as head of a squadron and now CAG, it appears that he has at least enough operational and tactical knowledge to do the necessary organizational and administrative duties. His previous experience as ''Galactica'' | * It is unclear whether Helo has experience with a Viper, but numerous Viper pilots have been flying Raptors so far. Whether this goes both ways it yet to be seen, but with Helo's position as head of a squadron and now CAG, it appears that he has at least enough operational and tactical knowledge to do the necessary organizational and administrative duties. His previous experience as ''Galactica's'' [[XO]] may also have been a factor in his appointment. | ||
* Though Kelly tells Apollo that he would never have detonated the bomb with him inside, the fact that the bomb had been planted and that Kelly couldn't anticipate Apollo's impromptu decision to join Lampkin makes it clear that Kelly's original intention was to kill Lampkin ''and'' Athena. Whether this is an indirect statement on Kelly's view on Athena's Cylon heritage or his desire to raise the stakes by not only killing Baltar's lawyer, but sacrifice a member of the crew, is unclear. | * Though Kelly tells Apollo that he would never have detonated the bomb with him inside, the fact that the bomb had been planted and that Kelly couldn't anticipate Apollo's impromptu decision to join Lampkin makes it clear that Kelly's original intention was to kill Lampkin ''and'' Athena. Whether this is an indirect statement on Kelly's view on Athena's Cylon heritage or his desire to raise the stakes by not only killing Baltar's lawyer, but sacrifice a member of the crew, is unclear. | ||
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* What caused the rift between William Adama and his own father? | * What caused the rift between William Adama and his own father? | ||
* Given Karl Agathon's temporary promotion to CAG, does he have previous flight experience as a Viper pilot? | * Given Karl Agathon's temporary promotion to CAG, does he have previous flight experience as a Viper pilot? | ||
* Given the reappearance of [[Playa Palacios]] in this episode, what of her other fellow "[[The Colonial Gang|Colonial Gang]]" correspondents, [[James McManus]] and [[Sekou Hamilton]], or the program itself? | * Given the reappearance of [[Playa Palacios]] in this episode, what of her other fellow "[[The Colonial Gang|Colonial Gang]]" correspondents, [[James McManus]] and [[Sekou Hamilton]], or the program itself? | ||
== Official Statements == | == Official Statements == | ||
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* ''[[Mark Sheppard]] discusses how he approached portrayal of [[Romo Lampkin]]:'' | * ''[[Mark Sheppard]] discusses how he approached portrayal of [[Romo Lampkin]]:'' | ||
: '''Mark Sheppard:''' Ron had said that he gave [[Michael Angeli]] ''carte blanche'' to make this character as odd and as wide as he wanted to make it. Michael Angeli is a very, very, very clever writer. It’s wonderful dialog, it’s a wonderfully convoluted, complicated character. You know the glasses idea was his idea, he wears dark glasses a lot, Michael Angeli, and the glasses were very important to him. And he put the cat in and all these strange elements and the kleptomania. and there are all these other questions, is he a Cylon? a manipulator? is he this, is he that. All of these things are kind of irrelevant. I played him as the last sane man in the universe. If you think of the episode "The Son Also Rises, | : '''Mark Sheppard:''' Ron had said that he gave [[Michael Angeli]] ''carte blanche'' to make this character as odd and as wide as he wanted to make it. Michael Angeli is a very, very, very clever writer. It’s wonderful dialog, it’s a wonderfully convoluted, complicated character. You know the glasses idea was his idea, he wears dark glasses a lot, Michael Angeli, and the glasses were very important to him. And he put the cat in and all these strange elements and the kleptomania. and there are all these other questions, is he a Cylon? a manipulator? is he this, is he that. All of these things are kind of irrelevant. I played him as the last sane man in the universe. If you think of the episode "The Son Also Rises", my first episode, it’s the episode after "[[Maelstrom]]". Maelstrom is a disaster, an absolute disaster! The end of "Maelstrom" leaves you with this huge hole, this gap and I walk in to a group of people in mourning. They are in mourning for [[Kara Thrace|Starbuck]]. I think I’m the only person paying attention. I think none of them are paying attention because of the events of [[New Caprica]] and everything that has happened since New Caprica. I mean basically they just want to tear [[Gaius Baltar|Baltar]] to pieces, they kind of admit that they will move the trial forward because people need it, they need the trial, they need something.<ref name="tsw">{{cite_web|url=http://www.thescifiworld.net/interviews/mark_sheppard_01.htm|title=The Sci-Fi World: Mark Sheppard interview|date=1 May 2007|accessdate=24 May 2007|last=Nuytens|first=Gilles|format=|language=}}</ref> | ||
* ''Mark Sheppard discusses a deleted scene involving [[Jerry]], the [[Lance|cat]]:'' | * ''Mark Sheppard discusses a deleted scene involving [[Jerry]], the [[Lance|cat]]:'' | ||
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* ''[[Cally Tyrol]] apparently learns from her [[Dirty Hands|mistakes]], and misses the point:'' | * ''[[Cally Tyrol]] apparently learns from her [[Dirty Hands|mistakes]], and misses the point:'' | ||
: '''Tyrol:''' I believe that the Cylons want us to destroy ourselves and this is how they're doing it. By planting bombs, making us suspicious of each other. You know what's funny? By the time the Cylons catch up with us, they won't even have to attack. They'll just clean up the mess we made. I think they're here. | : '''Tyrol:''' I believe that the Cylons want us to destroy ourselves and this is how they're doing it. By planting bombs, making us suspicious of each other. You know what's funny? By the time the Cylons catch up with us, they won't even have to attack. They'll just clean up the mess we made. I think they're here. | ||
: ''' | : '''[[Sharon Agathon]]:''' I think you're wrong. | ||
* ''Apollo and Lampkin discuss Joseph Adama:'' | * ''Apollo and Lampkin discuss Joseph Adama:'' | ||
| Line 267: | Line 264: | ||
* [[Alison Matthews]] as [[Karen Fallbrook|Fallbrook]] | * [[Alison Matthews]] as [[Karen Fallbrook|Fallbrook]] | ||
* [[Chris Boyd]] as Marine [[Henry Cheadle|Cheadle]] | * [[Chris Boyd]] as Marine [[Henry Cheadle|Cheadle]] | ||
* [[Colin Corrigan]] as Marine [[ | * [[Colin Corrigan]] as Marine [[Nowart]] | ||
* [[Jerry]] as [[Lance]] (uncredited)<ref name="tsw"/> | * [[Jerry]] as [[Lance]] (uncredited)<ref name="tsw"/> | ||
== References == | == References == | ||
<div style="font-size:85%"><references/></div> | |||
{{Episode list (RDM season 3)}} | {{Episode list (RDM season 3)}} | ||
| Line 285: | Line 281: | ||
[[Category:RDM]] | [[Category:RDM]] | ||
[[de:Berufung]] | [[de:Berufung (Episode)]] | ||
[[ | [[zh:虎子崛起]] | ||