Editing Steampunk Battlestar Galactica 1880 1
From the only original and legitimate Battlestar Wiki: the free-as-in-beer, non-corporate, open-content encyclopedia, analytical reference, and episode guide on all things Battlestar Galactica. Accept neither subpar substitutes nor subpar clones.
More actions
The edit can be undone.
Please check the comparison below to verify that this is what you want to do, and then publish the changes below to finish undoing the edit.
| Latest revision | Your text | ||
| Line 205: | Line 205: | ||
: "Very much a case of being in the right place at the right time. It was back in February this year [2014]; I’d finished the ''[[Battlestar Galactica: Starbuck]]'' series and we were looking for something else to do together. I’d gone over to Los Angeles for a convention, and had arranged to arrive a few days beforehand to take some meetings with producers in relation to a couple of screenplays I have out there. So, there I am, in the office of a very high-up and influential producer, nervous as hell and staring at a selection of posters and props from some of my favourite films ever as I talk about the film – when my phone buzzes, telling me I have an email. | : "Very much a case of being in the right place at the right time. It was back in February this year [2014]; I’d finished the ''[[Battlestar Galactica: Starbuck]]'' series and we were looking for something else to do together. I’d gone over to Los Angeles for a convention, and had arranged to arrive a few days beforehand to take some meetings with producers in relation to a couple of screenplays I have out there. So, there I am, in the office of a very high-up and influential producer, nervous as hell and staring at a selection of posters and props from some of my favourite films ever as I talk about the film – when my phone buzzes, telling me I have an email. | ||
: Now, I always turn my phone onto silent, but for some reason this time it didn’t happen. I apologise, and carry on the pitch. But the producer says to check it, as it could be important. And to be honest, he needs to take a call quickly himself. So, I check my emails, and there’s one from Joe | : Now, I always turn my phone onto silent, but for some reason this time it didn’t happen. I apologise, and carry on the pitch. But the producer says to check it, as it could be important. And to be honest, he needs to take a call quickly himself. So, I check my emails, and there’s one from Joe and Nick saying that they’ve had this idea for a Steampunk ''Battlestar Galactica'' series, they’re not sure how it’d work, did I have any thoughts on it, that sort of thing. The producer comes back in and, from one look on my face, he knows I’ve hit some kind of motherload. So, I tell him. And it turns out he’s a massive ''Battlestar Galactica'' fan. And we spend the next ten minutes bonding as I explain how I’d do a Steampunk ''Battlestar Galactica'' series, before moving back to the movie I was there to pitch. But those ten minutes were invaluable, as it meant that by the time I replied to Joe and Nick, I already had a fully fleshed out idea of what I wanted to do, and how I wanted to play it. And bar a couple of characters, it’s pretty much how I envisioned it back in February.<ref name="westfield"/> | ||
==Related Imagery== | ==Related Imagery== | ||