Editing Podcast:Unfinished Business
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Tahmoh: Yeah. | Tahmoh: Yeah. | ||
RDM: Editors really- the editors, [[imdb:nm1905909|Jeute]](?), I think in particular, the editor, really sweated the fight scenes. [[imdb:nm0336378|Jacques]] and [[imdb:nm0641179|Mikey-O]]. A lot of work into this and in post. I mean, this is really- 'cause there's just a lot of footage here to work with. There's a lot of story. There's a lot of scenes. There's a lot of choices about when you cut to these particular moments and what motivates them, in and out of the ring. [[Michael Taylor]], who wrote this episode had in- he had indicated a lot of in and out moments and [[Robert Young|Bob Young]] shot a lot of the sequences with distinctive editing choice and to get out here and go there, but at a certain point you're in the editing bay and just- you just start throwing the cuts around a little bit to improve the rhythms here and there. And at a certain point those transitional moments, they might be there, still, or they're long gone and you don't even remember what they were. So it's really a lot of guys in post production sitting around and playing with this footage and running it back and forth and feeling the rhythm of it like you were experiencing a piece of music, in terms of how fast something is moving, how slow. When you pick up the pace, when you slow it down. It's interesting. It's an interesting | RDM: Editors really- the editors, [[imdb:nm1905909|Jeute]](?), I think in particular, the editor, really sweated the fight scenes. [[imdb:nm0336378|Jacques]] and [[imdb:nm0641179|Mikey-O]]. A lot of work into this and in post. I mean, this is really- 'cause there's just a lot of footage here to work with. There's a lot of story. There's a lot of scenes. There's a lot of choices about when you cut to these particular moments and what motivates them, in and out of the ring. [[Michael Taylor]], who wrote this episode had in- he had indicated a lot of in and out moments and [[Robert Young|Bob Young]] shot a lot of the sequences with distinctive editing choice and to get out here and go there, but at a certain point you're in the editing bay and just- you just start throwing the cuts around a little bit to improve the rhythms here and there. And at a certain point those transitional moments, they might be there, still, or they're long gone and you don't even remember what they were. So it's really a lot of guys in post production sitting around and playing with this footage and running it back and forth and feeling the rhythm of it like you were experiencing a piece of music, in terms of how fast something is moving, how slow. When you pick up the pace, when you slow it down. It's interesting. It's an interesting (unintellible). | ||
Grace: Would you say this is the show that you have the most control of, in terms of editing, as well? | Grace: Would you say this is the show that you have the most control of, in terms of editing, as well? | ||