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Editing Earth (RDM)

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===Apocalypse===
===Apocalypse===
:''Main article: [[Final Five]]
:''Main article: [[Final Five]]
Approximately two thousand years [[BCH]], the Tribe's robotic creations rebelled against their creators, in an act of [[w:Mutually_assured_destruction|mutually assured destruction]]. The attack caught the population off guard, with many at work or enjoying leisurely activities. Evidence of people going about their lives is still visible on the remains millennia later. However, prior to the apocalypse, [[Final Five|five individuals]] started seeing visions of [[Messengers|strange people]] warning them of the upcoming cataclysm. The five worked hard to recreate the lost organic memory transfer technology, and built a ship in orbit to carry their experiments. After their deaths, the five were resurrected on this ship, and opted to follow the Tribe's original course back to Kobol, leaving Earth behind {{TRS|Revelations|Sometimes a Great Notion|No Exit}}.  
Approximately two thousand years [[BCH]], the Tribe's robotic creations rebelled against their creators, in an act of [http://en.wikipedia.org/wiki/Mutually_assured_destruction mutually assured destruction]. The attack caught the population off guard, with many at work or enjoying leisurely activities. Evidence of people going about their lives is still visible on the remains millennia later. However, prior to the apocalypse, [[Final Five|five individuals]] started seeing visions of [[Messengers|strange people]] warning them of the upcoming cataclysm. The five worked hard to recreate the lost organic memory transfer technology, and built a ship in orbit to carry their experiments. After their deaths, the five were resurrected on this ship, and opted to follow the Tribe's original course back to Kobol, leaving Earth behind {{TRS|Revelations|Sometimes a Great Notion|No Exit}}.  


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Unable to support human life, the planet is abandoned days after its discovery, and is likely never visited again ([[TRS]]: "[[Kobol's Last Gleaming, Part I]]," "[[Kobol's Last Gleaming, Part II]]," "[[Revelations]]," "[[Sometimes a Great Notion]]").   
Unable to support human life, the planet is abandoned days after its discovery, and is likely never visited again ([[TRS]]: "[[Kobol's Last Gleaming, Part I]]," "[[Kobol's Last Gleaming, Part II]]," "[[Revelations]]," "[[Sometimes a Great Notion]]").   
===Musical Significance of the Discovery===
The discovery of the irradiated first Earth represents one of the most emotionally devastating moments in the series, both narratively and musically. Composer [[Bear McCreary]] created some of his darkest compositions to underscore the despair experienced by the fleet upon finding their promised land in ruins.<ref name="McCreary-Season4Album">{{cite web |url=https://bearmccreary.com/battlestar-galactica-season-4-soundtrack-is-out/#more-2539 |title=Battlestar Galactica: Season 4 Soundtrack Is Out! |author=Bear McCreary |date=2009 |access-date=2025-07-28 |website=Bear McCreary Official Website}}</ref>
The track "'''Among the Ruins'''" from the [[Soundtrack (Season 4)|Season 4 soundtrack]] captures the bleakness of this discovery. McCreary described it as "the bleakest and darkest composition I have ever written," designed to reflect the despair in the fleet when they found Earth as "a charred cinder."<ref name="McCreary-Season4Album" /> The piece features an innovative orchestral technique where violins are seated far left and far right instead of together, creating dissonant, antiphonal lines that produce an acoustic "delay" effect. The orchestration deliberately leaves the mid-range empty, with violas, celli and basses holding clusters in their bottom registers while violins play at the top of theirs, contributing to the spooky, desolate atmosphere.<ref name="McCreary-Season4Album" />
The middle section features a stunning erhu solo by Martin St. Pierre, which underscored Kara finding her own body on Earth—one of the series' most haunting revelations.<ref name="McCreary-Season4Album" /> McCreary noted that while this track "can be tough to get through," he promised it would be "incredibly rewarding" for listeners who gave it their attention.<ref name="McCreary-Season4Album" />
The companion piece "'''Funeral Pyre'''" continues the dark emotional territory, featuring [[Kandyse McClure]]'s haunting vocals as her character's ghostly presence. This track underscored Laura's book burning and Kara setting her own body ablaze, representing the symbolic destruction of hope and identity.<ref name="McCreary-Season4Album" />


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==A New Earth: The Promised Land==
==A New Earth: The Promised Land==
[[File:Earth, "Daybreak, Part II".jpg|thumb|right|200px|The Colonial's new home, as it appears from the moon's orbit]]
[[File:Earth, "Daybreak, Part II".jpg|thumb|right|200px|The Colonial's new home, as it appears from the moon's orbit]]
By an infinitesimal chance, a habitable planet is found by pilot [[Kara Thrace|Kara "Starbuck" Thrace]], after she is able to extrapolate [[FTL]] jump coordinates from a [[The Music|song]] she used to play as a child. Captain Thrace inputs these FTL coordinates into ''Galactica''{{'|s}} FTL computer in a desperate attempt to escape from the Cylon [[The Colony|Colony]]. ''Galactica'', damaged from battle, limps into orbit of the planet.  
By an infinitesimal chance, a habitable planet is found by pilot [[Kara Thrace|Kara "Starbuck" Thrace]], after she is able to extrapolate [[FTL]] jump coordinates from a [[The Music|song]] she used to play as a child. Lt. Thrace inputs these FTL coordinates into ''Galactica''{{'|s}} FTL computer in a desperate attempt to escape from the Cylon [[The Colony|Colony]]. ''Galactica'', damaged from battle, limps into orbit of the planet.  


:''As depicted in "[[Crossroads, Part II]]," this planet is located relatively close to the [[Ionian Nebula]].''  
:''As depicted in "[[Crossroads, Part II]]," this planet is located relatively close to the [[Ionian Nebula]].''  
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===Colonial/Cylon Settlement and Future Evolution===
===Colonial/Cylon Settlement and Future Evolution===
[[File:Settlement.jpg|thumb|right|200px|Survivors heading for shelter]]   
[[File:Settlement.jpg|thumb|right|200px|Survivors heading for shelter]]   
With ''Galactica'' in pieces, and the Colonial Fleet not fairing any better, it is decided that the planet will be settled, with the remaining [[humanoid Cylons]] and surviving members of the [[Final Five]] soon joining them. Plans begin for new cities to be built, but those plans are soon abandoned in favor of starting fresh in an attempt to break the historical cycle of violence. Colonial units scout the planet, and eventually determine the best possible chance for survival is to split the survivors into groups, and spread them across different sites around the globe. These locations are documented, and presented to each of the groups for future use. After the survivors set up their camps, the fleet and any remaining advanced technology are scuttled. The settlers christen this new planet "Earth," in honor of the promised land they have been chasing for four years.
With ''Galactica'' in pieces, and the Colonial Fleet not fairing any better, it is decided that the planet will be settled, with the remaining Cylons soon joining them. Plans begin for new cities to be built, but those plans are soon abandoned in favor of starting fresh in an attempt to break the historical cycle of violence. Colonial units scout the planet, and eventually determine the best possible chance for survival is to split the survivors into groups, and spread them across different sites around the globe. These locations are documented, and presented to each of the groups for future use. After the survivors set up their camps, the fleet and any remaining advanced technology are scuttled. The settlers christen this new planet "Earth," in honor of the promised land they have been chasing for four years.
 
The surviving Colonial and Cylon settlers and their descendants begin interbreeding with the indigenous humanoids, creating a new race, with [[Hera Agathon|the first human-Cylon hybrid]] becoming "Mitochondrial Eve," the most recent common matrilineal ancestor of all living humans. Her fossilized remains are uncovered nearly one hundred fifty thousand years later, around the time that another advanced human society is on the brink of major breakthroughs in robotics: much like the Twelve Colonies, the first Earth, and Kobol before them {{TRS|Daybreak, Part II}}. 
 
===Musical Theme of the New Earth===
The discovery of the new, habitable Earth marked a dramatic shift in the series' musical landscape. The track "'''Earth'''" from the Season 4 soundtrack introduces what McCreary described as the "Earth Theme," which actually originated as the "[[Caprica Flashback Theme]]" in the opening of "[[Daybreak]]."<ref name="McCreary-Season4Album" /> This theme represents hope, renewal, and the promise of a fresh start—a stark contrast to the despair of the irradiated first Earth.
 
McCreary crafted this theme to be "pastoral and symphonic," introducing a new musical chapter that accompanies humanity's final journey to their true promised land.<ref name="McCreary-Season4Album" /> The Earth Theme weaves throughout the final episodes, symbolizing the transition from the dark journey through space to the hope of settlement and peace.


The surviving Colonial and Cylon settlers and their descendants begin interbreeding with the indigenous humanoids, creating a new race, with [[Hera Agathon|the first human-Cylon hybrid]] becoming "Mitochondrial Eve," the most recent common matrilineal ancestor of all living humans. Her fossilized remains are uncovered nearly one hundred fifty thousand years later, around the time that another advanced human society is on the brink of major breakthroughs in robotics - much like the Twelve Colonies, the first Earth, and Kobol before them {{TRS|Daybreak, Part II}}. 


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* [[Gaeta]] comments in "[[Revelations]]" that the constellations seen from orbit of the Earth they had just found match those seen in the [[Tomb of Athena]]. This was later proven incorrect, as those constellations are actually visible from a different Earth over one hundred centuries later {{TRS|Daybreak, Part II}}. It would have been extremely improbable that the constellations visible from the Earth found in "[[Revelations]]" would have looked the same as those of New Earth.  That being said, while on the first Earth, all of the constellations of Zodiac could all be seen at once-this is not possible on the current Earth.
* [[Gaeta]] comments in "[[Revelations]]" that the constellations seen from orbit of the Earth they had just found match those seen in the [[Tomb of Athena]]. This was later proven incorrect, as those constellations are actually visible from a different Earth over one hundred centuries later {{TRS|Daybreak, Part II}}. It would have been extremely improbable that the constellations visible from the Earth found in "[[Revelations]]" would have looked the same as those of New Earth.  That being said, while on the first Earth, all of the constellations of Zodiac could all be seen at once-this is not possible on the current Earth.


*From what is known of the nature of navigation in FTL jumps, the odds of the coordinates used by Kara Thrace to jump ''Galactica'' from the Colony to the new Earth and actually achieving the end they did are no less than infinitesimal.  One of the elements in FTL navigation is the point of origin. A point of origin is a necessary factor in many navigational forms in order to plot direction and distance to a required destination, and FTL navigation is no different. Essentially, what this means is that the coordinates entered by Kara Thrace into the FTL computer aboard ''Galactica'' would only jump the ship to its new Earth destination from the precise astral location of ''Galactica'' when it initiated the jump from the Colony. Given the coordinates' origins in the Music and the revelation that a divine entity is in some way shaping the events which have taken place in the series, as seen by Pythia, it could be suggested that the attack on the Colony and the resulting success and retreat were in some way destined. While this may seem logical, it is purely conjectural. The way these events have took place cannot be explained by rational means.
*From what is known of the nature of navigation in FTL jumps, the odds of the coordinates used by Kara Thrace to jump ''Galactica'' from the Colony to the new Earth and actually achieving the end they did are no less than infinitesimal.  One of the elements in FTL navigation is the point of origin. A point of origin is a necessary factor in many navigational forms in order to plot direction and distance to a required destination, and FTL navigation is no different. Essentially, what this means is that the coordinates entered by Kara Thrace into the FTL computer aboard Galactica would only jump the ship to its new Earth destination from the precise astral location of ''Galactica'' when it initiated the jump from the Colony. Given the coordinates' origins in the Music and the revelation that a divine entity is in some way shaping the events which have taken place in the series, as seen by Pythia, it could be suggested that the attack on the Colony and the resulting success and retreat were in some way destined. While this may seem logical, it is purely conjectural. The way these events have took place cannot be explained by rational means.


== Official Statements ==
== Official Statements ==
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[[Category:Planets (RDM)]]
[[Category:Planets (RDM)]]
[[Category:RDM]]
[[Category:RDM]]
{{indicator|TRS}}
 


[[de:Erde (RDM)]]
[[de:Erde (RDM)]]

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