Editing Dirty Hands
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* The stripping scene within Baltar's cell originally had Roslin completely strip Baltar of all his clothes and having the last pages of his book fall out. Moore wanted to depict Baltar's inner conflict: a feeling of victory for not submitting to Roslin, but also the humiliation of being completely stripped down. The actors, though, persuaded Moore that the scene would work if Baltar did maintain his dignity. | * The stripping scene within Baltar's cell originally had Roslin completely strip Baltar of all his clothes and having the last pages of his book fall out. Moore wanted to depict Baltar's inner conflict: a feeling of victory for not submitting to Roslin, but also the humiliation of being completely stripped down. The actors, though, persuaded Moore that the scene would work if Baltar did maintain his dignity. | ||
* Moore goes into detail about how difficult it is to show different vessels within the Fleet simply because it would require these ships to "look right" within the Fleet. | * Moore goes into detail about how difficult it is to show different vessels within the Fleet simply because it would require these ships to "look right" within the Fleet. | ||
* Moore confirms that in the [[series bible]], Baltar does in fact come from a rural community. When the story originally focused on Dualla, Baltar was written to be from Sagittaron. However, once the story concept changed, Moore wanted to still keep the scene that had Dualla meet Baltar in his cell, but | * Moore confirms that in the [[series bible]], Baltar does in fact come from a rural community. When the story originally focused on Dualla, Baltar was written to be from Sagittaron. However, once the story concept changed, Moore wanted to still keep the scene that had Dualla meet Baltar in his cell, but change Dualla with Tyrol. Because the story no longer needed a connection to the Sagittarons, Baltar's home planet was changed to Aerilon. | ||
== Noteworthy Dialogue == | == Noteworthy Dialogue == | ||