Editing Crossroads, Part I
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*The episode has one of the most sparse musical scores yet. The only major pieces are during Roslin's dream at the beginning and the music Tigh keeps hearing. According to a [http://bearmccreary.com/html/blog/blog027.htm blog entry] by composer [[Bear McCreary]], director [[Michael Rymer]] and the editors decided not to use any music during the court room part, in order to let the scenes speak for themselves. | *The episode has one of the most sparse musical scores yet. The only major pieces are during Roslin's dream at the beginning and the music Tigh keeps hearing. According to a [http://bearmccreary.com/html/blog/blog027.htm blog entry] by composer [[Bear McCreary]], director [[Michael Rymer]] and the editors decided not to use any music during the court room part, in order to let the scenes speak for themselves. | ||
*It is the first episode without an intro sequence, thus increasing the effective running time a little bit. Because of that, no updated [[Survivor Count]] is available. The last known count was 41,398, accounting for [[ | *It is the first episode without an intro sequence, thus increasing the effective running time a little bit. Because of that, no updated [[Survivor Count]] is available. The last known count was 41,398, accounting for [[Cheadle]]'s apparent death in "[[The Son Also Rises]]". | ||
*The bitterness of chamalla and that it can be sweetened to make it taste better, is first mentioned by the oracle [[Dodona Selloi]] in "[[Exodus, Part I]]". | *The bitterness of chamalla and that it can be sweetened to make it taste better, is first mentioned by the oracle [[Dodona Selloi]] in "[[Exodus, Part I]]". | ||
*One of the shots of others listening to the trial on the [[wireless]] shows the [[refinery ship]] from "[[Dirty Hands]]". | *One of the shots of others listening to the trial on the [[wireless]] shows the [[refinery ship]] from "[[Dirty Hands]]". | ||