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==Private Life==
==Private Life==
Fasjovik's father was a [[w:mining engineer|mining engineer]] who later became a professor at [[Promethea A&M|Promethea A & M]]. Despite this family connection, Fasjovik elected to attend the [[University of Aerilon]], first intending to be a [[w:playwright|playwright]], then later deciding to study [[w:music|music]] and becoming a skilled [[w:pianist|pianist]]. While taking shelter at an abandoned [[w:ski lodge|ski lodge]] on [[Djerba]], he plays on a [[w:grand piano|grand piano]], and laments to [[William Adama|Ensign Adama]] about the rarity of such opportunities in his life. He also has a wife, Katie, but is reluctant to discuss her. Before passing out from his wounds, he gives [[William Adama|Adama]] a photo of her for safe keeping {{Ep|trs1=Blood and Chrome|trs_del1=y}}.
Fasjovik's father was a [[w:mining engineer|mining engineer]] who later became a professor at [[Promethea A&M|Promethea A & M]]. Despite this family connection, Fasjovik elected to attend the [[University of Aerilon]], first intending to be a [[w:playwright|playwright]], then later deciding to study [[w:music|music]] and becoming a skilled [[w:pianist|pianist]]. While taking shelter at an abandoned [[w:ski lodge|ski lodge]] on [[Djerba]], he plays on a [[w:grand piano|grand piano]], and laments to [[William Adama|Ensign Adama]] about the rarity of such opportunities in his life. He also has a wife, Katie, but is reluctant to discuss her. Before passing out from his wounds, he gives [[William Adama|Adama]] a photo of her for safe keeping {{Ep|trs1=Blood and Chrome|trs_del1=y}}.
== Script Version Differences ==
The pre-production script for ''[[Blood and Chrome]]'' contains significantly more character development and backstory for Coker Fasjovik than appears in the final production.
=== Extended Personal Background ===
The script provides much more detail about Coker's family and educational background. His father worked for major [[Tylium]] companies before becoming a professor at [[Promethea A&M]], and Coker "broke his heart" by choosing to attend the [[University of Aerilon]] instead, an arts school where he initially wanted to be a playwright before switching to music.<ref>''[[Blood and Chrome]]'' [{{fullurl:File:B&C Pre-Production Draft - 11-30-10 - Version 01.FDX.pdf|page=30}} pre-production script dated 30 November 2010], pg. 30</ref>
=== Marriage and Emotional Distance ===
The script reveals that Coker's wife [[Katie]] lives on [[Aerilon]] and had been writing letters to him, but he stopped responding during his second tour. When [[William Adama|Adama]] asks about this, Coker explains his psychological defense mechanism: soldiers sometimes stop thinking about what they have waiting for them at home because "it's easier not to sweat the future if you think you don't have one."<ref>''[[Blood and Chrome]]'' [{{fullurl:File:B&C Pre-Production Draft - 11-30-10 - Version 01.FDX.pdf|page=97}} pre-production script dated 30 November 2010], pg. 97</ref>
=== Piano Bar Scene ===
The script includes an extensive piano bar sequence where Coker plays a mournful melody while drinking expensive alcohol at the abandoned resort on [[Djerba]]. During this scene, he reflects on his failed artistic aspirations and engages in deeper philosophical discussions with [[William Adama|Adama]] about war and survival. He admits that back home he couldn't afford such luxury items but "figured it'd be a crime to let it go to waste."<ref>''[[Blood and Chrome]]'' [{{fullurl:File:B&C Pre-Production Draft - 11-30-10 - Version 01.FDX.pdf|page=76}} pre-production script dated 30 November 2010], pg. 76</ref>
=== Friendship with Jim Kirby ===
The script features an expanded subplot involving Coker's friendship with [[Jim Kirby]], a [[Viper]] pilot presumed dead but actually serving in the ghost fleet. Coker informs Kirby that he has become a father―his wife [[Janey]] gave birth to a son named [[Anslem]] (after her father). This revelation causes Kirby to change his call sign from "Goldbrick" to "Anslem" and ultimately influences his decision to abandon the mission when the stakes become too high.<ref>''[[Blood and Chrome]]'' [{{fullurl:File:B&C Pre-Production Draft - 11-30-10 - Version 01.FDX.pdf|page=54}} pre-production script dated 30 November 2010], pgs. 54-55</ref>
=== Enhanced Character Arc ===
The script version shows Coker's evolution more gradually, with extended dialogue exploring themes of survival, cynicism, and the psychological toll of extended combat. His relationship with [[William Adama|Adama]] develops through more detailed conversations about their respective backgrounds and motivations, providing greater context for his eventual respect for the young pilot.<ref>''[[Blood and Chrome]]'' [{{fullurl:File:B&C Pre-Production Draft - 11-30-10 - Version 01.FDX.pdf|page=96}} pre-production script dated 30 November 2010], pgs. 96-97</ref>


== Notes ==
== Notes ==

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