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Initially envisioned as a series of TV movies for ABC, consisting of a three hour premiere and two additional movies of two hours in length<ref group="production" name="meyers_starlog_battlestar_galactica_august_1978">{{cite magazine|author=Richard Meyers|title=Get Ready For... BATTLE STAR "GALACTICA"|magazine=Starlog|issue=19|pages=52-53|date=August 1978}}</ref>, ''Battlestar Galactica'' was ultimately developed into a regular television series. The "first seven hours" of the series, consisting of "[[Saga of a Star World]]," "[[Lost Planet of the Gods]]," and "[[The Gun on Ice Planet Zero]]," was reported to have cost–"at over one million dollars an hour," according to ''Galactica'''s publicist, Joe Santley–over $7 million dollars<ref group="production" name="meyers_starlog_battlestar_galactica_august_1978"/>. However, this figure is contradicted by [[Richard Colla]], who revealed that the budgets for the three-hour pilot were nine million dollars alone, despite the fact that it was sold to ABC for 1.8 million.<ref group="commentary" name="colla_galactica_tv_interview_2008">{{cite_web|url=http://www.galactica.tv/battlestar-galactica-1978---interviews/richard-colla-galactica.tv-interview.html|title=Richard Colla GALACTICA.TV Interview|date=29 April 2008|accessdate=30 April 2008|last=Egnor|first=Mike|archive=Y}}</ref> | Initially envisioned as a series of TV movies for ABC, consisting of a three hour premiere and two additional movies of two hours in length<ref group="production" name="meyers_starlog_battlestar_galactica_august_1978">{{cite magazine|author=Richard Meyers|title=Get Ready For... BATTLE STAR "GALACTICA"|magazine=Starlog|issue=19|pages=52-53|date=August 1978}}</ref>, ''Battlestar Galactica'' was ultimately developed into a regular television series. The "first seven hours" of the series, consisting of "[[Saga of a Star World]]," "[[Lost Planet of the Gods]]," and "[[The Gun on Ice Planet Zero]]," was reported to have cost–"at over one million dollars an hour," according to ''Galactica'''s publicist, Joe Santley–over $7 million dollars<ref group="production" name="meyers_starlog_battlestar_galactica_august_1978"/>. However, this figure is contradicted by [[Richard Colla]], who revealed that the budgets for the three-hour pilot were nine million dollars alone, despite the fact that it was sold to ABC for 1.8 million.<ref group="commentary" name="colla_galactica_tv_interview_2008">{{cite_web|url=http://www.galactica.tv/battlestar-galactica-1978---interviews/richard-colla-galactica.tv-interview.html|title=Richard Colla GALACTICA.TV Interview|date=29 April 2008|accessdate=30 April 2008|last=Egnor|first=Mike|archive=Y}}</ref> | ||
Academy Award-winning special effects supervisor [[John Dykstra]] served as both the show's visual effects director and line producer.<ref group="production" name="meyers_starlog_battlestar_galactica_august_1978"/> Dykstra, working with his Industrial Light & Magic crew, oversaw the series' extensive special effects sequences. The initial seven hours of programming were structured as three television movies—one three-hour premiere followed by two two-hour productions. Each installment was designed as a self-contained story written and directed by Larson, whose previous television work included creating ''The Hardy Boys/Nancy Drew'' series.<ref group="production" name="meyers_starlog_battlestar_galactica_august_1978"/> | Academy Award-winning special effects supervisor [[John Dykstra]] served as both the show's visual effects director and line producer.<ref group="production" name="meyers_starlog_battlestar_galactica_august_1978"/> [[Dykstra]], working with his Industrial Light & Magic crew, oversaw the series' extensive special effects sequences. The initial seven hours of programming were structured as three television movies—one three-hour premiere followed by two two-hour productions. Each installment was designed as a self-contained story written and directed by Larson, whose previous television work included creating ''The Hardy Boys/Nancy Drew'' series.<ref group="production" name="meyers_starlog_battlestar_galactica_august_1978"/> | ||
[[Maren Jensen]], who portrays [[Athena]] in the series, discussed the challenges of her role as the only daughter of Commander [[Adama]] ([[Lorne Greene]]). In a contemporary interview, Jensen noted that "Athena has her work cut out for her, stressing her feminine persona aboard a starshipful of blatantly macho types."<ref group="commentary" name="naha_starlog_maren_jensen_athena_interview">{{cite magazine|author=Ed Naha|title=Adama's Daughter Grows Up|magazine=Starlog|issue=19|date=February 1979|pages=28}}</ref> Jensen also revealed insights into her character development process: "The show is still establishing itself," she stresses. "But I think that the series is going to have to appeal to viewers because of both its special effects ''and'' its characterizations. It's right now that it's the special effects that dominate it and people are watching primarily for that great look. Eventually, I feel that the accent will have to be put on human relationships... and viewers will start identifying with the regular characters."<ref group="commentary" name="naha_starlog_maren_jensen_athena_interview"/> | [[Maren Jensen]], who portrays [[Athena]] in the series, discussed the challenges of her role as the only daughter of Commander [[Adama]] ([[Lorne Greene]]). In a contemporary interview, Jensen noted that "Athena has her work cut out for her, stressing her feminine persona aboard a starshipful of blatantly macho types."<ref group="commentary" name="naha_starlog_maren_jensen_athena_interview">{{cite magazine|author=Ed Naha|title=Adama's Daughter Grows Up|magazine=Starlog|issue=19|date=February 1979|pages=28}}</ref> Jensen also revealed insights into her character development process: "The show is still establishing itself," she stresses. "But I think that the series is going to have to appeal to viewers because of both its special effects ''and'' its characterizations. It's right now that it's the special effects that dominate it and people are watching primarily for that great look. Eventually, I feel that the accent will have to be put on human relationships... and viewers will start identifying with the regular characters."<ref group="commentary" name="naha_starlog_maren_jensen_athena_interview"/> | ||
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: ''"Fleeing from the Cylon tyranny, the last Battlestar, ''Galactica'', leads a ragtag, fugitive fleet, on a lonely quest—for a shining planet known as Earth."'' | : ''"Fleeing from the Cylon tyranny, the last Battlestar, ''Galactica'', leads a ragtag, fugitive fleet, on a lonely quest—for a shining planet known as Earth."'' | ||
== | ==Cast and Characters== | ||
The series featured several prominent cast members whose production experiences provided insight into the show's development. [[Maren Jensen]], who portrayed [[Athena]], served as the primary female lead in the predominantly male-centered space adventure. Jensen described the evolution of her character during the series' development: "Athena is about my age and very much like me in certain ways," Jensen observed. "She's smart, courageous, emotional, sensitive but still young. Athena ''today'' isn't that dissimilar to the way I first thought about her months ago. I do think that she's a little more sassy now. I first thought of her as being a bit straight, but as the show got going and she interacted with some of the other characters, she got spunkier. She's more willing to take chances now. And if someone does something nasty to her, she's willing to pay them back."<ref group="commentary" name="naha_starlog_maren_jensen_athena_interview"/> | |||
Jensen also discussed the series' balance between visual spectacle and character development: "The show is still establishing itself," she noted. "But I think that the series is going to have to appeal to viewers because of both its special effects ''and'' its characterizations. It's right now that it's the special effects that dominate it and people are watching primarily for that great look. Eventually, I feel that the accent will have to be put on human relationships... and viewers will start identifying with the regular characters."<ref group="commentary" name="naha_starlog_maren_jensen_athena_interview"/> Regarding the potential for character exploration, Jensen commented: "There's a lot of potential there. I think the show's characters, for the bum that he is, is very interesting. There usually aren't good guys on TV that are such philanderers. I tend to like that, as well as his being so serious and just a tad on the pompous side. And what makes Athena so interesting for me is that she does have a few faults. She is, at times, daddy's little girl and yet she chases around after this guy who really is a bum. There are interesting areas that could be explored in that."<ref group="commentary" name="naha_starlog_maren_jensen_athena_interview"/> | |||
{{mainarticle|Battlestar Galactica: Year Two proposal}} | {{mainarticle|Battlestar Galactica: Year Two proposal}} | ||
In recent years, Glen Larson's son, Chris, discovered various memorabilia from his father's personal collection. In addition to packets for the official Battlestar Galactica Fan Club, he also came across [[Battlestar Galactica: Year Two proposal|a treatment]] for the second season of ''Battlestar Galactica''. In the treatment, many changes were proposed, including the reduction of the cast size, the addition of [[w:Issac Asimov|Issac Asimov]] as a story and science consultant, and massive character changes. | In recent years, Glen Larson's son, Chris, discovered various memorabilia from his father's personal collection. In addition to packets for the official Battlestar Galactica Fan Club, he also came across [[Battlestar Galactica: Year Two proposal|a treatment]] for the second season of ''Battlestar Galactica''. In the treatment, many changes were proposed, including the reduction of the cast size, the addition of [[w:Issac Asimov|Issac Asimov]] as a story and science consultant, and massive character changes. | ||
While it is uncertain as to whether this document ever made it to Universal Studios, the document does shed light on the origin of various concepts introduced in ''[[Galactica 1980]]''. These concepts included the human android Cylons, the concept of Boomer being ''Galactica''{{'|s}} executive officer, and the character of "Troy. | While it is uncertain as to whether this document ever made it to Universal Studios, the document does shed light on the origin of various concepts introduced in ''[[Galactica 1980]]''. These concepts included the human android Cylons, the concept of Boomer being ''Galactica''{{'|s}} executive officer, and the character of "Troy". | ||
==Cancellation and Rebirths (of a sort)== | ==Cancellation and Rebirths (of a sort)== | ||