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'''Adam "Mojo" Lebowitz''' currently acts as a Visual Effects Artist & Sequence Designer for the re-imagined ''[[Re-imagined Series|Battlestar Galactica]]''. He has been with the show since "[[33]]," making him the longest-running FX artist on the series (second only to Visual Effects Supervisor [[Gary Hutzel]]). Highlights of Mojo's work have been designing the chase in "[[Scar]]" and the climactic moments of "[[Exodus, Part II]]," when the ''[[Pegasus (RDM)|Pegasus]]'' sacrifices herself to save ''{{RDM|Galactica}}''. | '''Adam "Mojo" Lebowitz''' currently acts as a Visual Effects Artist & Sequence Designer for the re-imagined ''[[Re-imagined Series|Battlestar Galactica]]''. He has been with the show since "[[33]]," making him the longest-running FX artist on the series (second only to Visual Effects Supervisor [[Gary Hutzel]]). Highlights of Mojo's work have been designing the chase in "[[Scar]]" and the climactic moments of "[[Exodus, Part II]]," when the ''[[Pegasus (RDM)|Pegasus]]'' sacrifices herself to save ''{{RDM|Galactica}}''. | ||
Along with his fellow artists at [[Zoic Studios]], he was nominated for an Emmy Award in 2003 for the episode "33" and in 2007, Mojo and the current in-house Visual Effects team won the Emmy for "Exodus, Part II" (yes, it's true that he attended the awards ceremony in his [[ | Along with his fellow artists at [[Zoic Studios]], he was nominated for an Emmy Award in 2003 for the episode "33" and in 2007, Mojo and the current in-house Visual Effects team won the Emmy for "Exodus, Part II" (yes, it's true that he attended the awards ceremony in his [[original series]] [[Colonial Warrior]] uniform)<ref>[http://darthmojo.wordpress.com/2008/05/07/bsg-nerd-wins-emmy-cops-open-fire-almost/ BSG nerd wins Emmy, cops open fire (almost)]</ref>. No one would argue that he is the biggest fan of the original series currently working on the show, and when the series is over he plans to pursue a career in vagrancy because he can't imagine any job is better than this one<ref>[http://darthmojo.wordpress.com/2008/05/12/bsg-vfx-anatomy-of-a-cylon/#more-172 Anatomy of a Cylon]</ref>. | ||
Prior to Battlestar Galactica, Mojo served as a CG Supervisor for ''Star Trek: Voyager'' and as Visual Effects Supervisor for the Las Vegas attraction "Borg Invasion." His career began in 1992 with Foundation Imaging, the very first company to use computer graphics as a visual effects tool on the series ''Babylon 5''. His other credits on genre shows and movies include ''Serenity'' and the re-mastered version of ''Star Trek: The Motion Picture''. He won an Emmy Award for his work on the ''Voyager'' episode "Dark Frontier". He was previously nominated for the episode "Year of Hell, Part II". | Prior to Battlestar Galactica, Mojo served as a CG Supervisor for ''Star Trek: Voyager'' and as Visual Effects Supervisor for the Las Vegas attraction "Borg Invasion." His career began in 1992 with Foundation Imaging, the very first company to use computer graphics as a visual effects tool on the series ''Babylon 5''. His other credits on genre shows and movies include ''Serenity'' and the re-mastered version of ''Star Trek: The Motion Picture''. He won an Emmy Award for his work on the ''Voyager'' episode "Dark Frontier". He was previously nominated for the episode "Year of Hell, Part II". | ||