Toggle menu
Toggle preferences menu
Toggle personal menu
Not logged in
Your IP address will be publicly visible if you make any edits.

Sources:Harvey Frand

From Battlestar Wiki, the free, open content Battlestar Galactica encyclopedia and episode guide
Revision as of 17:30, 21 March 2007 by Serenity (talk | contribs) (New page: {{official bsg staff posting|member=Bradley Thompson}} == Harvey Frand == What is this guy's job exactly? He doesn't seem to be directly involved in the creative side of the show. Is...)
(diff) ← Older revision | Latest revision (diff) | Newer revision → (diff)
This page contains an official posting.
The contents of these postings are posted by an official Battlestar Galactica (RDM) crew/actor directly onto the Battlestar Wiki. This post came directly from Bradley Thompson.


Harvey Frand[edit]

What is this guy's job exactly? He doesn't seem to be directly involved in the creative side of the show. Is he more of an administrative producer? Making sure the logistics work, sets are built, actors hired, etc. I'm not saying that that's not important, just curious :) --Serenity 07:20, 13 March 2007 (CDT)

Without Harvey Frand, Galactica would not be nearly as spectacular as it is. He keeps everything on time and on budget, makes sure the scripts can be done with the resources available, finds the most efficient way to allot those resources -- and when something is necessary to make the story work -- yet is financially impossible to do, he finds a way. Harvey is the man who literally makes the show happen in the real world, which calls for tremendous creativity and risk-taking. He's the guy on Maelstrom who pointed out that we had an eight page day to shoot on location in Socrata's apartment -- and a location day can make at best six pages. It was impossible to do, even with overtime, given what we'd accomplished in seasons previous.
As David Weddle was trying to cut those scenes down to something we could shoot, he realized that doing so would gut their emotional impact. He brought this to the attention of Michael Nankin, who agreed - we needed all eight pages. We went to Harvey with the problem and swore that everything would go right, that the guest star would know her lines, that Michael could cut some corners on coverage to be able to make the day. If anything fell apart (camera failure, safety issue, botched lines... anything like that and we'd be hosed. We couldn't stay late. (You can't keep the trucks on the street after a certain hour in that section of Vancouver or you're busted, fined and can never shoot there again.) Not only that, but the rest of the schedule would be thrown out of whack and it wouldn't just be these critical scenes that would be unfinished... would there be budget left to do the spectacular end of the season? Or even the humungous dogfight at the end of Maelstrom? Harvey had a tough call to make.
Harvey rolled the hard six. And Dorothy had her lines down cold. And Katee was perfect. Nothing broke. And we got out of there with less than seconds to spare.
That's just one of the calls Harvey has to make every day. He's frakking awesome. - Ngarenn 18:52, 20 March 2007 (CDT)