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Editing The Passage

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== Official Statements ==
== Official Statements ==
{{Quote
*''In [[Ron Moore]]'s blog on [http://blog.scifi.com/battlestar/ July 27th, 2006]:''
| context = In [[Ron Moore]]'s blog on July 27th, 2006:
:"We were pretty excited to have Jane too. I actually took Jane's first pitch way back in my early days at ''[[MemoryAlpha:Star Trek|Star Trek]]'' and I had the pleasure of buying what turned out to be her first sale. I hadn't seen her since, but I'd followed her career from afar and was very proud to see her do so well. Turns out that Jane was a huge fan of ''Galactica'' and really wanted to do a script for us, so we jumped on the chance. I think we're all hoping that we could get her on staff at some point in the future, but we'll have to wait and see how everything shakes out for Season Four—and whether she's even available, she's very much in demand these days. Her episode this year is "The Passage" (originally Ep 9) and deals with a harrowing voyage of the rag-tag fleet and focuses on Kat."
| text = We were pretty excited to have Jane too. I actually took Jane's first pitch way back in my early days at ''[[MemoryAlpha:Star Trek|Star Trek]]'' and I had the pleasure of buying what turned out to be her first sale. I hadn't seen her since, but I'd followed her career from afar and was very proud to see her do so well. Turns out that Jane was a huge fan of ''Galactica'' and really wanted to do a script for us, so we jumped o­n the chance. I think we're all hoping that we could get her o­n staff at some point in the future, but we'll have to wait and see how everything shakes out for Season Four—and whether she's even available, she's very much in demand these days. Her episode this year is "The Passage" (originally Ep 9) and deals with a harrowing voyage of the rag-tag fleet and focuses o­n Kat.
| sign = [[Ron Moore]]
}}


{{Quote
*''[[Jane Espenson]] discusses writing the episode''
| context = [[Jane Espenson]] discusses writing the episode and the parts that were cut:
: "My episode originally had a [[Laura Roslin|Laura]] story threaded through it that had to be cut in later drafts because there was just too much story in the episode as a whole, and I missed it, just because she was so much fun to write. And any character with a strong opinion on what's going on in the episode is always fun and easy to write.
| text = My episode originally had a [[Laura Roslin|Laura]] story threaded through it that had to be cut in later drafts because there was just too much story in the episode as a whole, and I missed it, just because she was so much fun to write. And any character with a strong opinion o­n what's going o­n in the episode is always fun and easy to write.


The hardest stuff to write in this episode wasn't because of any hard-to-capture voices but because there was a big chunk of mission-planning exposition that had to be done as clearly and as quickly as possible. That is always the very hardest stuff to write, setting down the rules without sounding like a textbook. It was challenging, but so nice when I felt like I'd gotten it right.
: "The hardest stuff to write in this episode wasn't because of any hard-to-capture voices but because there was a big chunk of mission-planning exposition that had to be done as clearly and as quickly as possible. That is always the very hardest stuff to write, setting down the rules without sounding like a textbook. It was challenging, but so nice when I felt like I'd gotten it right."<ref>{{cite_web|url=http://www.tvsquad.com/2006/12/06/jane-espenson-answers-your-battlestar-questions/|title=TV Squad: Jane Espenson answers your Battlestar questions|date=6 December 2006|accessdate=11 December 2006|last=McDuffee|first=Keith|format=|language=English}}</ref>
| sign = [[Jane Espenson]]
| source = <ref>{{cite_web|url=http://www.tvsquad.com/2006/12/06/jane-espenson-answers-your-battlestar-questions/|title=TV Squad: Jane Espenson answers your Battlestar questions|date=2006-12-06|accessdate=2006-12-11|last=McDuffee|first=Keith|language=English}}</ref>
}}


{{Quote
* ''Epsenson talks about the scientific aspects of the episode:''
| context = Espenson talks about the scientific aspects and research for the episode:
| text = When I was given this episode, all the technical stuff about globular star clusters was given to me. And the writers were really patient in explaining technical stuff about the FTL drive and jump co-ordinates and the fact that you can't talk o­n the wireless over a jump-boundary—I originally had Galactica in contact with Sharon-Athena while she out in the cluster doing her original recon, but that obviously didn't make sense. I received lots of help from the show's tech adviser, who is wonderful, and who explained all sorts of interesting things to me about how radiation differs from radioactivity and how gravitational forces are more likely to damage large ships than small o­nes.... The research that I really did o­n my o­wn was about figuring out how the fleet had been making food prior to this crisis. The explanation was cut for length, but in o­ne draft it was stated that the fleet "grown" meat from cloned cells and that it was this system that got so badly contaminated. As for the algae, I think that was already in place when I was given the story... it's just an obvious alternative protein source.
| sign = [[Jane Espenson]]
| source = <ref name="espenson-2">{{cite_web|url=http://www.tvsquad.com/2006/12/11/jane-espenson-on-post-the-passage-questions/|title=TV Squad: Jane Espenson o­n post-The Passage questions|date=2006-11-11|accessdate=2006-11-11|last=McDuffee|first=Keith|language=English}}</ref>
}}


{{Quote
: "When I was given this episode, all the technical stuff about globular star clusters was given to me. And the writers were really patient in explaining technical stuff about the FTL drive and jump co-ordinates and the fact that you can't talk on the wireless over a jump-boundary&mdash;I originally had Galactica in contact with Sharon-Athena while she out in the cluster doing her original recon, but that obviously didn't make sense. I received lots of help from the show's tech adviser, who is wonderful, and who explained all sorts of interesting things to me about how radiation differs from radioactivity and how gravitational forces are more likely to damage large ships than small ones.... The research that I really did on my own was about figuring out how the fleet had been making food prior to this crisis. The explanation was cut for length, but in one draft it was stated that the fleet "grew" meat from cloned cells and that it was this system that got so badly contaminated. As for the algae, I think that was already in place when I was given the story... it's just an obvious alternative protein source."<ref name="espenson-2">{{cite_web|url=http://www.tvsquad.com/2006/12/11/jane-espenson-on-post-the-passage-questions/|title=TV Squad: Jane Espenson on post-The Passage questions|date=11 November 2006|accessdate=11 November 2006|last=McDuffee|first=Keith|format=|language=English}}</ref>
| context = Espenson discusses the [[Hybrid]]'s dialogue:
| text = I wrote this for the Hybrid in that pre-grab moment: 'Seascape portrait of the woman-child cavern of the soul under pressure-heat ratio--' which is, I think, what we hear. But there is at least o­ne BSG writer who can generate pages of beautiful, haunting and resonant Hybrid-speak at will. He writes lots of her stuff and more power to him!
| sign = [[Jane Espenson]]
| source = <ref name="espenson-2"/>
}}


{{Quote
* ''Espenson discusses the [[Hybrid]]'s dialogue:''
| context = Espenson discusses scenes that were cut from the script due to time constraints:
| text = I think I got a more-than-fair edit! I was amazed! The draft that was shot was way too long—we all knew it was too long. So lots of scenes had to be cut—two Adama/Kat scenes that I can think of. A Lee/Dualla scene, a Lee/Starbuck scene, an Adama/Tigh scene, lots and lots of Sharon/Helo stuff... the fact that the episode holds together, that it makes sense and has emotional punch... wow. And that's not even counting lots of Cylon stuff, Laura stuff and [[Samuel Anders|Anders]] stuff that got cut before shooting! This show is so rich, the world is so full, and there are emotions along every axis between every pairing of characters, that it's incredibly easy to find things that you just HAVE to explore. This is part of what gives the series such a great voyeuristic quality... as a viewer you just KNOW that there are scenes that have played out between these people that you have never seen, and you get to infer what they must've been. I like that the edit of this episode hints at the things unseen. And I love that despite the time pressures, moments were allowed to play out... Kat watching her fellow pilots suffer, Kat in the mirror, the final hospital scene... I think it was a lovely edit.
| sign = [[Jane Espenson]]
| source = <ref name="espenson-2"/>
}}


{{Quote
: "I wrote this for the Hybrid in that pre-grab moment: 'Seascape portrait of the woman-child cavern of the soul under pressure-heat ratio--' which is, I think, what we hear. But there is at least one BSG writer who can generate pages of beautiful, haunting and resonant Hybrid-speak at will. He writes lots of her stuff and more power to him!"<ref name="espenson-2"/>
| context = Espenson discusses the use of humor in "The Passage":
| text = I know people expect humor from me. I hope they understand why, given a story about Kat's redemptive and unglamorous death, I kept the funny knob turned down—couldn't resist the giddy Tigh-Adama scene, however, and my personal favorite line the piece, Baltar's "You've got goo in your hair." Anyway, I hope the fans liked what they saw; I hope it felt real; I hope I get to write more Battlestar episodes, and get to play some more with these wonderful characters and their tragic, human, uplifting lives.
| sign = [[Jane Espenson]]
| source = <ref name="espenson-2"/>
}}


{{Quote
* ''Espenson discusses scenes that were cut from the script due to time constraints:''
| context = [[G. Patrick Currie]], the actor who portrayed [[Enzo]], discusses preparing for the role:
| text = Oh, it was very good. I loved the character from the very beginning. I remember I woke up that morning and I knew from the script how Enzo felt and how his world felt to me. Before the audition I woke up and I said "Enzo lives in a world by himself. Also, in the script he was starving. When I woke up I had no breakfast and I went for a walk for two miles by myself and then I went to the audition.
| sign = [[G. Patrick Currie]]
| source = <ref name="cc-curie">{{cite_web|url=http://www.caprica-city.de/index.php?seite=artikel&aktion=show&ID=97|title=Caprica-City.de Interview with G. Patrick Currie|date=2007-11-15|accessdate=2007-11-22|author=Mirco Neubauer (xshrekx) and René Kissien (Lex)|language=English}}</ref>
}}


{{Quote
: "I think I got a more-than-fair edit! I was amazed! The draft that was shot was way too long&mdash;we all knew it was too long. So lots of scenes had to be cut&mdash;two Adama/Kat scenes that I can think of. A Lee/Dualla scene, a Lee/Starbuck scene, an Adama/Tigh scene, lots and lots of Sharon/Helo stuff... the fact that the episode holds together, that it makes sense and has emotional punch... wow. And that's not even counting lots of Cylon stuff, Laura stuff and [[Samuel Anders|Anders]] stuff that got cut before shooting! This show is so rich, the world is so full, and there are emotions along every axis between every pairing of characters, that it's incredibly easy to find things that you just HAVE to explore. This is part of what gives the series such a great voyeuristic quality... as a viewer you just KNOW that there are scenes that have played out between these people that you have never seen, and you get to infer what they must've been. I like that the edit of this episode hints at the things unseen. And I love that despite the time pressures, moments were allowed to play out... Kat watching her fellow pilots suffer, Kat in the mirror, the final hospital scene... I think it was a lovely edit."<ref name="espenson-2"/>
| context = Currie discusses shooting the episode and working with the cast:
| text = [The shoot took] four days. Those were fun days. I knew [[Tahmoh Penikett|Tahmoh [Penikett]], {{callsign|Helo}}] from the show. He was also o­n "[[w:Stargate SG-1|Stargate]]" with me. When I played "Fifth," he was, I think, "First" or "Second". Whatever, o­ne of the four. We haven't seen each other since then. When I arrived at the set, he came up to me and he said, "I heard you got this part and I'm excited to see you again. The director said your audition was very good". That was very nice and very welcoming.


And I saw a few other people who I met there; it's good to see old faces. I spend o­ne afternoon speaking with [[Kandyse McClure]] [[Anastasia Dualla|[Dualla]]], she's hilarious. It was a little difficult because o­ne moment Enzo was laughing and having a good time and then I have to get o­n the Set and be all dark again. She's such a beautiful girl and she is so funny. I had a great time.
*''Espenson discusses fan's expectation of humor from her stories and their pertinence to "The Passage":''
| sign = [[G. Patrick Currie]]
| source = <ref name="cc-curie"/>
}}


== Noteworthy Dialogue ==
: "I know people expect humor from me. I hope they understand why, given a story about Kat's redemptive and unglamorous death, I kept the funny knob turned down&mdash;couldn't resist the giddy Tigh-Adama scene, however, and my personal favorite line the piece, Baltar's "You've got goo in your hair." Anyway, I hope the fans liked what they saw; I hope it felt real; I hope I get to write more Battlestar episodes, and get to play some more with these wonderful characters and their tragic, human, uplifting lives."<ref name="espenson-2"/>


{{Quote
* ''[[G. Patrick Currie]], the actor who portrayed [[Enzo]], discusses preparing for the role:''
| context = [[Lee Adama|Apollo]] to the first group of [[Raptor]]s as they prepare for the first trip through the cluster:
| text = "Shepards, find your ships, stay close and never let them go - these crews are counting o­n us to guide them through."
| sign = [[Lee Adama|Apollo]]
}}


{{Dialogue
: Oh, it was very good. I loved the character from the very beginning. I remember I woke up that morning and I knew from the script how Enzo felt and how his world felt to me. Before the audition I woke up and I said "Enzo lives in a world by himself. Also, in the script he was starving. When I woke up I had no breakfast and I went for a walk for two miles by myself and then I went to the audition.  
| context = [[William Adama|Adama]] and [[Saul Tigh|Tigh]] discuss the food shortage:
| lines =
'''Adama:''' I hear they're still eating paper. Is that true?


'''Tigh:''' No. Paper shortage.
* ''Currie discusses shooting the episode:''


''(The two break down into helpless laughter.)''
: [The shoot took] four days. Those were fun days. I knew [[Tahmoh Penikett|Tahmoh [Penikett]], {{callsign|Helo}}] from the show. He was also on "[[w:Stargate SG-1|Stargate]]" with me. When I played "Fifth," he was, I think, "First" or "Second". Whatever, one of the four. We haven't seen each other since then. When I arrived at the set, he came up to me and he said, "I heard you got this part and I'm excited to see you again. The director said your audition was very good". That was very nice and very welcoming.<ref name="cc-curie">{{cite_web|url=http://www.caprica-city.de/index.php?seite=artikel&aktion=show&ID=97|title=Caprica-City.de Interview with G. Patrick Currie|date=15 November 2007|accessdate=22 November 2007|author=Mirco Neubauer (xshrekx) and René Kissien (Lex)|format=|language=English}}</ref>
}}


{{Quote
: And I saw a few other people who I met there; it's good to see old faces. I spend one afternoon speaking with [[Kandyse McClure]] [[Anastasia Dualla|[Dualla]]], she's hilarious. It was a little difficult because one moment Enzo was laughing and having a good time and then I have to get on the Set and be all dark again. She's such a beautiful girl and she is so funny. I had a great time.<ref name="cc-curie"/>
| context = [[Kara Thrace|Starbuck]] gives a last minute pep talk to the pilots:
| text = Remember, we're all flying solo o­n this mission. So that means there'll be nobody there to bitch slap you if you start to get tired or start seeing little [[Cylon Raider (RDM)#Toaster|toasters]] o­n your wing.
| sign = [[Kara Thrace|Starbuck]]
}}


{{Quote
== Noteworthy Dialogue ==
| context = The [[Hybrid]] seemingly breaks the [[w:Fourth wall|fourth wall]]:
| text = Throughout history, the nexus between man and machine has spawned some of the most dramatic, compelling, and entertaining fiction.
| sign = [[Hybrid]]
}}
 
{{Dialogue
| context = [[Gaius Baltar|Baltar]] and [[Number Three]] confront the [[Hybrid]]:
| lines =
'''Hybrid:''' ''(Suddenly grabs Baltar's hand)'' Intelligence! A mind that burns like a fire!
 
'''Baltar:''' Yes, I'm here.
 
'''Hybrid:''' Find the hand that lies in the shadow of the light, in the eye of the husband of the eye of the cow.
 
'''Baltar:''' ''(Removes his hand from the [[Hybrid]]'s tank.)''
 
'''Three:''' You all right? It just speaks nonsense, doesn't it?
 
'''Baltar:''' I don't think anything she says is nonsense.
}}
 
{{Dialogue
| context = [[Kara Thrace]] confronts [[Louanne Katraine|Katraine]] about her past:
| lines =
'''Katraine:''' You think I'm a traitor. You think I'm a ''traitor''?
 
'''Thrace:''' No. I don't think you're a traitor. You're a smart young woman, that's what the old man said. ''(Kat swallows.)'' You're just not smart enough to accept who you are. ''(Kat whimpers.)'' You see, you lied your way into the company of good people.
 
'''Katraine:''' ''(begins to weep)'' Starbuck, don't tell the admiral. Please. Please don't, or I—
 
'''Thrace:''' Or what?
 
'''Katraine:''' Starbuck, please just let me tell him myself. Please just let me. Can you do that?
 
'''Thrace:''' ''(pauses for a long time)'' Gods.
 
''(Kat sobs as Starbuck leaves her alone.)''
}}
 
{{Dialogue
| context = Admiral [[William Adama|Adama]] comforts [[Louanne Katraine|Katraine]] o­n her deathbed:
| lines =  
'''Katraine:''' Admiral, I—I know, I'm so sorry…
 
'''Adama:''' I'm not here to lecture. I'm letting you know about a promotion. I'm making you [[CAG]] again.
 
'''Katraine:''' ''(crying)'' Sir, you know I'm not getting out of here, right?
 
'''Adama:''' You earned it. What you did was harder than facing a bullet. And you did it without putting o­ne other soul in harm's way. Don't know if I could've done that. I wish there something more that I could give you.


'''Katraine:''' No. It's good. I liked to be CAG very much. Thank you. Sir, there—there's a thing. A reason why you might not want to do this. Kara knows what it is, but I wanted to tell you myself.
*''[[Apollo]] to the first group of Raptors as they were preparing for their first trip guiding the Civ ships through the storm by splitting the dangerous jump in to segments with the Raptors plotting and replotting the beam of the FTL course along the way:''
:Apollo:""Shepards, find your ships, stay close and never let them go - these crews are counting on us to guide them through."


'''Adama:''' I don't need to know anything other than what I already know. When you were CAG, you protected your people. Made them feel safe enough to be brave. What you were gonna say, does it change that?
*''Adama and Tigh discuss the food shortage''
:'''Adama:''' I hear they're still eating paper. Is that true?
:'''Tigh:''' No. Paper shortage.
:''The two break down into helpless laughter.''


''(She stares, mute. He pulls up a chair and sits at her side.)''
*''Starbuck gives a last minute pep talk to the pilots''
:'''Starbuck:''' Remember, we're all flying solo on this mission. So that means there'll be nobody there to bitch slap you if you start to get tired or start seeing little [[toaster]]s on your wing.


'''Katraine:''' Are you...you staying?
*''Breaking the [[w:Fourth wall|fourth wall]]'':
:'''Hybrid''': Throughout history, the nexus between man and machine has spawned some of the most dramatic, compelling, and entertaining fiction.


'''Adama:''' Oh, I'm staying. I love this sickbay in a way. ''(chuckles)'' Reminds me where my son [[Zak Adama|Zak]] was born. [[Carolanne Adama|Carolanne]] was so happy. She was convinced, both times, that she was having a girl. So it was a surprise at the end.
*''Baltar and Three confront the Hybrid'':
:'''Hybrid''': [Suddenly grabs Baltar's hand] Intelligence!  A mind that burns like a fire!
:'''Baltar''': Yes, I'm here.
:'''Hybrid''': Find the hand that lies in the shadow of the light, in the eye of the husband of the eye of the cow.
:'''Baltar''': [Removes his hand from the [[Hybrid]]'s tank.]
:'''Three''': You all right?  It just speaks nonsense, doesn't it?
:'''Baltar''': I don't think anything she says is nonsense.


'''Katraine:''' Did you want a girl too?
*''Kara Thrace confronts Katraine about her past'':
:'''Katraine:''' You think I'm a traitor. You think I'm a ''traitor''?
:'''Thrace:''' No. I don't think you're a traitor. You're a smart young woman, that's what the old man said. (Kat swallows.) You're just not smart enough to accept who you are. (Kat whimpers.) You see, you lied your way into the company of good people.
:'''Katraine:''' (begins to weep) Starbuck, don't tell the admiral. Please. Please don't, or I&mdash;
:'''Thrace:''' Or what?
:'''Katraine:''' Starbuck, please just let me tell him myself. Please just let me. Can you do that?  
:'''Thrace:''' (pauses for a long time)  Gods.
:(Kat sobs as Starbuck leaves her alone.)


'''Adama:''' Yeah. Three's a good round number.
*''Admiral Adama comforts Katraine on her deathbed'':
}}
:'''Katraine:''' Admiral, I&mdash;I know, I'm so sorry…
:'''Adama:''' I'm not here to lecture. I'm letting you know about a promotion. I'm making you [[CAG]] again.
:'''Katraine:''' (crying) Sir, you know I'm not getting out of here, right?
:'''Adama:''' You earned it. What you did was harder than facing a bullet. And you did it without putting o­ne other soul in harm's way. Don't know if I could've done that. I wish there something more that I could give you.
:'''Katraine:''' No. It's good. I liked to be CAG very much. Thank you. Sir, there&mdash;there's a thing. A reason why you might not want to do this. Kara knows what it is, but I wanted to tell you myself.
:'''Adama:''' I don't need to know anything other than what I already know. When you were CAG, you protected your people. Made them feel safe enough to be brave. What you were gonna say, does it change that?
:(She stares, mute. He pulls up a chair and sits at her side.)
:'''Katraine:''' Are you...you staying?
:'''Adama:''' Oh, I'm staying. I love this sickbay in a way. (chuckles) Reminds me where my son [[Zak Adama|Zak]] was born. [[Carolanne Adama|Carolanne]] was so happy. She was convinced, both times, that she was having a girl. So it was a surprise at the end.
:'''Katraine:''' Did you want a girl too?
:'''Adama:''' Yeah. Three's a good round number.


== Guest Stars ==
== Guest Stars ==

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