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== Notes ==
== Notes ==
 
*This is one of the few times an Air Group organization chart is visible. Kat, as the honorary [[CAG]], is in the top slot, while directly below her are the squadron leaders, which are [[Lee Adama|Apollo]], {{callsign|Starbuck}}, [[Two Times]], and a fourth whose name is never visible to the camera. Other names visible on the chart include [[Narcho]], Chopper (also on the locker door left to Helo's), [[Raygun]], {{callsign|Helo}}, [[Fuzzy]], [[Sharon Agathon|Athena]], {{callsign|Racetrack}}, and Sever (See also ''[[List of pilots#Mentioned_Only|List of pilots]]''). Pilots and [[ECO]]s may be listed below their squadron leaders in descending order of seniority, as both [[Karl Agathon|Helo]] and {{callsign|Hot Dog}}, for example, are listed directly beneath Starbuck, and the two of them are among ''Galactica''{{'|s}} senior flight officers.
=== Production ===
*This is one of the few times an Air Group organization chart is visible. Kat, as the honorary [[CAG]], is in the top slot, while directly below her are the squadron leaders, which are [[Lee Adama|Apollo]], {{callsign|Starbuck}}, [[Two Times]], and a fourth whose name is never visible to the camera. Other names visible on the chart include [[Narcho]], Chopper (also on the locker door left to Helo's), [[Raygun]], {{callsign|Helo}}, [[Fuzzy]], [[Sharon Agathon|Athena]], {{callsign|Racetrack}}, and Sever (See also ''[[List of pilots#Mentioned_Only|List of pilots]]''). Pilots and [[ECO]]s may be listed below their squadron leaders in descending order of seniority, as both {{callsign|Helo}} and {{callsign|Hot Dog}}, for example, are listed directly beneath Starbuck, and the two of them are among ''Galactica''{{'|s}} senior flight officers.
*A [[Straits of Madagon|perilous journey]] by the [[The Fleet (TOS)|"rag-tag" Fleet]] in the [[Original Series]], where pilots are also critical to the Fleet's safety, appears in its series premiere, "[[Saga of a Star World]]" .
*A [[Straits of Madagon|perilous journey]] by the [[The Fleet (TOS)|"rag-tag" Fleet]] in the [[Original Series]], where pilots are also critical to the Fleet's safety, appears in its series premiere, "[[Saga of a Star World]]" .
=== Writing and Development ===
*"The Passage" was written by ''Galactica'' newcomer [[Jane Espenson]].  The episode arose when the show brought in Dr. [[Kevin Grazier]], a scientist from the [[w:Jet Propulsion Laboratory|Jet Propulsion Laboratory]], who talked about how one would navigate through space; how one would figure out how to get from one point in the to universe to, for example, Earth. Grazier's talk prompted the story at the heart of Espenson's episode.
*"The Passage" was written by ''Galactica'' newcomer [[Jane Espenson]].  The episode arose when the show brought in Dr. [[Kevin Grazier]], a scientist from the [[w:Jet Propulsion Laboratory|Jet Propulsion Laboratory]], who talked about how one would navigate through space; how one would figure out how to get from one point in the to universe to, for example, Earth. Grazier's talk prompted the story at the heart of Espenson's episode.
*Espenson actively pursued the opportunity to write for ''Battlestar Galactica''. She had previously worked with [[Ronald D. Moore]] during his tenure at ''[[MemoryAlpha:Star Trek: The Next Generation|Star Trek: The Next Generation]]'', where she sold him her first script while he was a story editor. When the opportunity arose to write for ''Galactica'', Espenson met with Moore and [[David Eick]], telling them directly: "I want to write for this show."<ref group="commentary" name="dilullo_bsg_mag_7_espenson_p39">{{cite magazine|magazine=Battlestar Galactica: The Official Magazine|issue=7|pages=39|date=October/November 2006|publisher=[[Titan Magazines]]|title=Jane Espenson Interview|author=Tara DiLullo}}</ref> At the time, the show's budget allowed for only one freelance episode, and Espenson, who was simultaneously joining the staff of ''[[Wikipedia:Andy Barker, P.I.|Andy Barker P.I.]]'', had limited time available.<ref group="commentary" name="dilullo_bsg_mag_7_espenson_p39"/>
*Unlike many freelance situations where writers pitch their own stories, the ''Battlestar Galactica'' staff had already broken "The Passage" into scenes on 3x5 cards before assigning it to Espenson.<ref group="commentary" name="dilullo_bsg_mag_7_espenson_p39_cards">{{cite magazine|magazine=Battlestar Galactica: The Official Magazine|issue=7|pages=39|date=October/November 2006|publisher=[[Titan Magazines]]|title=Jane Espenson Interview|author=Tara DiLullo}}</ref> Espenson compared the episode's structure to "[[33]]," noting that both drop viewers "right into the middle of this tense situation from the very first frame."<ref group="commentary" name="dilullo_bsg_mag_7_espenson_p39_33">{{cite magazine|magazine=Battlestar Galactica: The Official Magazine|issue=7|pages=39|date=October/November 2006|publisher=[[Titan Magazines]]|title=Jane Espenson Interview|author=Tara DiLullo}}</ref>
*Espenson was given unusual creative freedom for a freelance writer. The staff told her she could "have fun," experiment with the structure, introduce elements, and move act breaks around.<ref group="commentary" name="dilullo_bsg_mag_7_espenson_p40_freedom">{{cite magazine|magazine=Battlestar Galactica: The Official Magazine|issue=7|pages=40|date=October/November 2006|publisher=[[Titan Magazines]]|title=Jane Espenson Interview|author=Tara DiLullo}}</ref> Despite this freedom, she remained concerned about potentially damaging the series, later stating: "I could be ruining the whole thing. I could be ruining my favorite show!"<ref group="commentary" name="dilullo_bsg_mag_7_espenson_p40_ruining">{{cite magazine|magazine=Battlestar Galactica: The Official Magazine|issue=7|pages=40|date=October/November 2006|publisher=[[Titan Magazines]]|title=Jane Espenson Interview|author=Tara DiLullo}}</ref>
*The notes Espenson received included the recurring feedback she had gotten throughout her career: "a little too much comedy."<ref group="commentary" name="dilullo_bsg_mag_7_espenson_p40_notes">{{cite magazine|magazine=Battlestar Galactica: The Official Magazine|issue=7|pages=40|date=October/November 2006|publisher=[[Titan Magazines]]|title=Jane Espenson Interview|author=Tara DiLullo}}</ref> She also received technical corrections, including proper ship naming conventions and the fact that ships cannot communicate via wireless after one has jumped to FTL.<ref group="commentary" name="dilullo_bsg_mag_7_espenson_p40_technical">{{cite magazine|magazine=Battlestar Galactica: The Official Magazine|issue=7|pages=40|date=October/November 2006|publisher=[[Titan Magazines]]|title=Jane Espenson Interview|author=Tara DiLullo}}</ref>
*Espenson wrote four drafts of the script, cutting ten pages to reach the proper length.<ref group="commentary" name="dilullo_bsg_mag_7_espenson_p40_41_drafts">{{cite magazine|magazine=Battlestar Galactica: The Official Magazine|issue=7|pages=40-41|date=October/November 2006|publisher=[[Titan Magazines]]|title=Jane Espenson Interview|author=Tara DiLullo}}</ref> The collaborative nature of the writers' room meant that the episode evolved as other episodes developed, with Espenson receiving subsequent drafts of other scripts and adjusting accordingly.<ref group="commentary" name="dilullo_bsg_mag_7_espenson_p41_collaboration">{{cite magazine|magazine=Battlestar Galactica: The Official Magazine|issue=7|pages=41|date=October/November 2006|publisher=[[Titan Magazines]]|title=Jane Espenson Interview|author=Tara DiLullo}}</ref>
*The biggest challenge came when Espenson was brought back to Moore's house where the staff was breaking episodes 10 and 11. After observing the process, she had to completely rewrite episode 9 to set up elements needed for the following episodes.<ref group="commentary" name="dilullo_bsg_mag_7_espenson_p41_retroactive">{{cite magazine|magazine=Battlestar Galactica: The Official Magazine|issue=7|pages=41|date=October/November 2006|publisher=[[Titan Magazines]]|title=Jane Espenson Interview|author=Tara DiLullo}}</ref>
=== Continuity ===
*This episode marks the destruction of two civilian ships, the ''[[Adriatic]]'' and ''[[Carina]]''. This results in more crowded conditions on the other ships in the [[The Fleet (RDM)|Fleet]], including ''Galactica'', as evidenced in "[[The Woman King]]".
*This episode marks the destruction of two civilian ships, the ''[[Adriatic]]'' and ''[[Carina]]''. This results in more crowded conditions on the other ships in the [[The Fleet (RDM)|Fleet]], including ''Galactica'', as evidenced in "[[The Woman King]]".
*This is the second episode in which dialog has been censored in the [[w:Sci Fi Channel (United States)|Sci Fi Channel]] broadcast. Starbuck sarcastically proclaims she gave Dr. [[Cottle]] "[[w:fellatio|head]]" in response to Kat saying she gave him her protein bar. The last word is simply muted, but Starbuck clearly opens her mouth. The line was not edited on its first showing on Sky One.
*Though the actual dialog between Baltar and Three employs the name "Jupiter," the closed-captioning subtitles uses "Zeus" instead. This discrepancy and the question as to why the Roman name Jupiter would be used instead of its Greek counterpart may indicate that the original script employed the name Zeus before. However, there is a precedent for using gods from the Roman pantheon; namely Mars and Mercury.
*[[Brendan Costanza|Brendan "Hot Dog" Costanza]] is now the only survivor of the three nuggets originally introduced in "[[Act of Contrition]]".
*[[Brendan Costanza|Brendan "Hot Dog" Costanza]] is now the only survivor of the three nuggets originally introduced in "[[Act of Contrition]]".
*[[Louis Hoshi]] appears in the CIC, assuming Dualla's former duties. Other ''Pegasus'' crew members to have made the transfer to ''Galactica'' include [[Marcia Case|Marcia "Showboat" Case]], seen on the flight roster at the end of the episode, and [[Noel Allison|Noel "Narcho" Allison]] seen in "[[Torn]]".
*[[Louis Hoshi]] appears in the CIC, assuming Dualla's former duties. Other ''Pegasus'' crew members to have made the transfer to ''Galactica'' include [[Marcia Case|Marcia "Showboat" Case]], seen on the flight roster at the end of the episode, and [[Noel Allison|Noel "Narcho" Allison]] seen in "[[Torn]]".
*On the memorial wall Kat's picture is placed below the one of [[Reilly]]'s girlfriend she herself put there in "[[Scar]]".
*On the memorial wall Kat's picture is placed below the one of [[Reilly]]'s girlfriend she herself put there in "[[Scar]]".
*A note just above it reads "God rest your souls" - not "''Gods'' rest your souls". A rare departure from the established [[Religion in the Twelve Colonies|Colonial polytheism]].
*A note just above it reads "God rest your souls" - not "''Gods'' rest your souls". A rare departure from the established [[Religion in the Twelve Colonies|Colonial polytheism]].
=== Broadcast and Censorship ===
*This is the second episode in which dialog has been censored in the [[w:Sci Fi Channel (United States)|Sci Fi Channel]] broadcast. Starbuck sarcastically proclaims she gave Dr. [[Cottle]] "[[w:fellatio|head]]" in response to Kat saying she gave him her protein bar. The last word is simply muted, but Starbuck clearly opens her mouth. The line was not edited on its first showing on Sky One.
*Though the actual dialog between Baltar and Three employs the name "Jupiter," the closed-captioning subtitles uses "Zeus" instead. This discrepancy and the question as to why the Roman name Jupiter would be used instead of its Greek counterpart may indicate that the original script employed the name Zeus before. However, there is a precedent for using gods from the Roman pantheon; namely Mars and Mercury.
=== Deleted Scenes and Cut Content ===
*Scenes cut either during the the writing process or after being shot include Helo fearing radiation poisoning, [[anti-radiation medication]] being reserved for Adama and Roslin, a scene in which Helo and Sharon discuss the loss of Hera, and a scene where Apollo and Starbuck seemingly chew bubble gum only for it to be revealed as paper. An additional scene where Admiral Adama shows his trust of Kat was shot for "Exodus," but cut ([[Battlestar Galactica: The Official Companion Season Three]]).
*Scenes cut either during the the writing process or after being shot include Helo fearing radiation poisoning, [[anti-radiation medication]] being reserved for Adama and Roslin, a scene in which Helo and Sharon discuss the loss of Hera, and a scene where Apollo and Starbuck seemingly chew bubble gum only for it to be revealed as paper. An additional scene where Admiral Adama shows his trust of Kat was shot for "Exodus," but cut ([[Battlestar Galactica: The Official Companion Season Three]]).
*A B-plot had Roslin experiencing shared visions with Sharon Agathon. This was reworked into "[[Crossroads, Part I]]" (Season 3 Companion).
*A B-plot had Roslin experiencing shared visions with Sharon Agathon. This was reworked into "[[Crossroads, Part I]]" (Season 3 Companion).
=== Behind the Scenes ===
*The scene in which Tigh and Adama begin laughing hysterically after Tigh's paper shortage joke may not have been completely acting, as evidenced by an outtake from the scene included in the [[Season 3 gag reel]] in which Edward James Olmos and Michael Hogan go into hysterics over a minor bodily function mishap on Olmos' behalf.
*The scene in which Tigh and Adama begin laughing hysterically after Tigh's paper shortage joke may not have been completely acting, as evidenced by an outtake from the scene included in the [[Season 3 gag reel]] in which Edward James Olmos and Michael Hogan go into hysterics over a minor bodily function mishap on Olmos' behalf.


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* ''Currie discusses shooting the episode:''
* ''Currie discusses shooting the episode:''


: [The shoot took] four days. Those were fun days. I knew [[Tahmoh Penikett|Tahmoh [Penikett]], {{callsign|Helo}}] from the show. He was also on "[[w:Stargate SG-1|Stargate]]" with me. When I played "Fifth," he was, I think, "First" or "Second". Whatever, one of the four. We haven't seen each other since then. When I arrived at the set, he came up to me and he said, "I heard you got this part and I'm excited to see you again. The director said your audition was very good". That was very nice and very welcoming.<ref name="cc-curie">{{cite_web|url=http://www.caprica-city.de/index.php?seite=artikel&aktion=show&ID=97|title=Caprica-City.de Interview with G. Patrick Currie|date=15 November 2007|accessdate=22 November 2007|author=Mirco Neubauer (xshrekx) and René Kissien (Lex)|format=|language=English}}</ref>
: [The shoot took] four days. Those were fun days. I knew [[Tahmoh Penikett|Tahmoh [Penikett]], [[Karl Agathon|Helo]]] from the show. He was also on "[[w:Stargate SG-1|Stargate]]" with me. When I played "Fifth," he was, I think, "First" or "Second". Whatever, one of the four. We haven’t seen each other since then. When I arrived at the set, he came up to me and he said, "I heard you got this part and I'm excited to see you again. The director said your audition was very good". That was very nice and very welcoming.<ref name="cc-curie">{{cite_web|url=http://www.caprica-city.de/index.php?seite=artikel&aktion=show&ID=97|title=Caprica-City.de Interview with G. Patrick Currie|date=15 November 2007|accessdate=22 November 2007|author=Mirco Neubauer (xshrekx) and René Kissien (Lex)|format=|language=English}}</ref>


: And I saw a few other people who I met there; it's good to see old faces. I spend one afternoon speaking with [[Kandyse McClure]] [[Anastasia Dualla|[Dualla]]], she's hilarious. It was a little difficult because one moment Enzo was laughing and having a good time and then I have to get on the Set and be all dark again. She's such a beautiful girl and she is so funny. I had a great time.<ref name="cc-curie"/>
: And I saw a few other people who I met there; it's good to see old faces. I spend one afternoon speaking with [[Kandyse McClure]] [[Anastasia Dualla|[Dualla]]], she's hilarious. It was a little difficult because one moment Enzo was laughing and having a good time and then I have to get on the Set and be all dark again. She's such a beautiful girl and she is so funny. I had a great time.<ref name="cc-curie"/>
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* [[Sean Roche]] as The Hungry Boy
* [[Sean Roche]] as The Hungry Boy
* [[Ian Rozylo]] as Convulsing Pilot
* [[Ian Rozylo]] as Convulsing Pilot
* [[Paul Ouellette]] as [[Galactica crew member (Paul Ouellette)|unnamed ''Galactica'' officer]] (uncredited)


== References ==
== References ==
{{reflist}}
{{reflist}}
=== Commentary and Interviews ===
{{reflist|group=commentary}}


{{episode list (RDM season 3)}}
{{episode list (RDM season 3)}}

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