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== Official Statements ==
== Official Statements ==
*''In [[Ron Moore]]'s blog on [http://blog.scifi.com/battlestar/ July 27th, 2006]:''
*''In [[Ron Moore]]'s blog on [http://blog.scifi.com/battlestar/ July 27th, 2006]:''
:"We were pretty excited to have Jane too. I actually took Jane's first pitch way back in my early days at ''[[MemoryAlpha:Star Trek|Star Trek]]'' and I had the pleasure of buying what turned out to be her first sale. I hadn't seen her since, but I'd followed her career from afar and was very proud to see her do so well. Turns out that Jane was a huge fan of ''Galactica'' and really wanted to do a script for us, so we jumped on the chance. I think we're all hoping that we could get her on staff at some point in the future, but we'll have to wait and see how everything shakes out for Season Four—and whether she's even available, she's very much in demand these days. Her episode this year is "The Passage" (originally Ep 9) and deals with a harrowing voyage of the rag-tag fleet and focuses on Kat."
:"We were pretty excited to have Jane too. I actually took Jane's first pitch way back in my early days at ''[[MemoryAlpha:Star Trek|Star Trek]]'' and I had the pleasure of buying what turned out to be her first sale. I hadn't seen her since, but I'd followed her career from afar and was very proud to see her do so well. Turns out that Jane was a huge fan of ''Galactica'' and really wanted to do a script for us, so we jumped on the chance. I think we're all hoping that we could get her on staff at some point in the future, but we'll have to wait and see how everything shakes out for Season Four -- and whether she's even available, she's very much in demand these days. Her episode this year is "The Passage" (originally Ep 9) and deals with a harrowing voyage of the rag-tag fleet and focuses on Kat."


*''[[Jane Espenson]] discusses writing the episode''
*''[[Jane Espenson]] discusses writing the episode''
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* ''Epsenson talks about the scientific aspects of the episode:''
* ''Epsenson talks about the scientific aspects of the episode:''


: "When I was given this episode, all the technical stuff about globular star clusters was given to me. And the writers were really patient in explaining technical stuff about the FTL drive and jump co-ordinates and the fact that you can't talk on the wireless over a jump-boundary&mdash;I originally had Galactica in contact with Sharon-Athena while she out in the cluster doing her original recon, but that obviously didn't make sense. I received lots of help from the show's tech adviser, who is wonderful, and who explained all sorts of interesting things to me about how radiation differs from radioactivity and how gravitational forces are more likely to damage large ships than small ones.... The research that I really did on my own was about figuring out how the fleet had been making food prior to this crisis. The explanation was cut for length, but in one draft it was stated that the fleet "grew" meat from cloned cells and that it was this system that got so badly contaminated. As for the algae, I think that was already in place when I was given the story... it's just an obvious alternative protein source."<ref name="espenson-2">{{cite_web|url=http://www.tvsquad.com/2006/12/11/jane-espenson-on-post-the-passage-questions/|title=TV Squad: Jane Espenson on post-The Passage questions|date=11 November 2006|accessdate=11 November 2006|last=McDuffee|first=Keith|format=|language=English}}</ref>
: "When I was given this episode, all the technical stuff about globular star clusters was given to me. And the writers were really patient in explaining technical stuff about the FTL drive and jump co-ordinates and the fact that you can't talk on the wireless over a jump-boundary -- I originally had Galactica in contact with Sharon-Athena while she out in the cluster doing her original recon, but that obviously didn't make sense. I received lots of help from the show's tech adviser, who is wonderful, and who explained all sorts of interesting things to me about how radiation differs from radioactivity and how gravitational forces are more likely to damage large ships than small ones.... The research that I really did on my own was about figuring out how the fleet had been making food prior to this crisis. The explanation was cut for length, but in one draft it was stated that the fleet "grew" meat from cloned cells and that it was this system that got so badly contaminated. As for the algae, I think that was already in place when I was given the story... it's just an obvious alternative protein source."<ref name="espenson-2">{{cite_web|url=http://www.tvsquad.com/2006/12/11/jane-espenson-on-post-the-passage-questions/|title=TV Squad: Jane Espenson on post-The Passage questions|date=11 November 2006|accessdate=11 November 2006|last=McDuffee|first=Keith|format=|language=English}}</ref>


* ''Espenson discusses the [[Hybrid]]'s dialogue:''
* ''Espenson discusses the [[Hybrid]]'s dialogue:''
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* ''Espenson discusses scenes that were cut from the script due to time constraints:''
* ''Espenson discusses scenes that were cut from the script due to time constraints:''


: "I think I got a more-than-fair edit! I was amazed! The draft that was shot was way too long&mdash;we all knew it was too long. So lots of scenes had to be cut&mdash;two Adama/Kat scenes that I can think of. A Lee/Dualla scene, a Lee/Starbuck scene, an Adama/Tigh scene, lots and lots of Sharon/Helo stuff... the fact that the episode holds together, that it makes sense and has emotional punch... wow. And that's not even counting lots of Cylon stuff, Laura stuff and [[Samuel Anders|Anders]] stuff that got cut before shooting! This show is so rich, the world is so full, and there are emotions along every axis between every pairing of characters, that it's incredibly easy to find things that you just HAVE to explore. This is part of what gives the series such a great voyeuristic quality... as a viewer you just KNOW that there are scenes that have played out between these people that you have never seen, and you get to infer what they must've been. I like that the edit of this episode hints at the things unseen. And I love that despite the time pressures, moments were allowed to play out... Kat watching her fellow pilots suffer, Kat in the mirror, the final hospital scene... I think it was a lovely edit."<ref name="espenson-2"/>
: "I think I got a more-than-fair edit! I was amazed! The draft that was shot was way too long -- we all knew it was too long. So lots of scenes had to be cut -- two Adama/Kat scenes that I can think of. A Lee/Dualla scene, a Lee/Starbuck scene, an Adama/Tigh scene, lots and lots of Sharon/Helo stuff... the fact that the episode holds together, that it makes sense and has emotional punch... wow. And that's not even counting lots of Cylon stuff, Laura stuff and [[Samuel Anders|Anders]] stuff that got cut before shooting! This show is so rich, the world is so full, and there are emotions along every axis between every pairing of characters, that it's incredibly easy to find things that you just HAVE to explore. This is part of what gives the series such a great voyeuristic quality... as a viewer you just KNOW that there are scenes that have played out between these people that you have never seen, and you get to infer what they must've been. I like that the edit of this episode hints at the things unseen. And I love that despite the time pressures, moments were allowed to play out... Kat watching her fellow pilots suffer, Kat in the mirror, the final hospital scene... I think it was a lovely edit."<ref name="espenson-2"/>


*''Espenson discusses fan's expectation of humor from her stories and their pertinence to "The Passage":''
*''Espenson discusses fan's expectation of humor from her stories and their pertinence to "The Passage":''


: "I know people expect humor from me. I hope they understand why, given a story about Kat's redemptive and unglamorous death, I kept the funny knob turned down&mdash;couldn't resist the giddy Tigh-Adama scene, however, and my personal favorite line the piece, Baltar's "You've got goo in your hair." Anyway, I hope the fans liked what they saw; I hope it felt real; I hope I get to write more Battlestar episodes, and get to play some more with these wonderful characters and their tragic, human, uplifting lives."<ref name="espenson-2"/>
: "I know people expect humor from me. I hope they understand why, given a story about Kat's redemptive and unglamorous death, I kept the funny knob turned down -- couldn't resist the giddy Tigh-Adama scene, however, and my personal favorite line the piece, Baltar's "You've got goo in your hair." Anyway, I hope the fans liked what they saw; I hope it felt real; I hope I get to write more Battlestar episodes, and get to play some more with these wonderful characters and their tragic, human, uplifting lives."<ref name="espenson-2"/>


* ''[[G. Patrick Currie]], the actor who portrayed [[Enzo]], discusses preparing for the role:''
* ''[[G. Patrick Currie]], the actor who portrayed [[Enzo]], discusses preparing for the role:''
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:'''Katraine:''' You think I'm a traitor. You think I'm a ''traitor''?
:'''Katraine:''' You think I'm a traitor. You think I'm a ''traitor''?
:'''Thrace:''' No. I don't think you're a traitor. You're a smart young woman, that's what the old man said. (Kat swallows.) You're just not smart enough to accept who you are. (Kat whimpers.) You see, you lied your way into the company of good people.  
:'''Thrace:''' No. I don't think you're a traitor. You're a smart young woman, that's what the old man said. (Kat swallows.) You're just not smart enough to accept who you are. (Kat whimpers.) You see, you lied your way into the company of good people.  
:'''Katraine:''' (begins to weep) Starbuck, don't tell the admiral. Please. Please don't, or I&mdash;
:'''Katraine:''' (begins to weep) Starbuck, don't tell the admiral. Please. Please don't, or I --
:'''Thrace:''' Or what?
:'''Thrace:''' Or what?
:'''Katraine:''' Starbuck, please just let me tell him myself. Please just let me. Can you do that?  
:'''Katraine:''' Starbuck, please just let me tell him myself. Please just let me. Can you do that?  
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*''Admiral Adama comforts Katraine on her deathbed'':
*''Admiral Adama comforts Katraine on her deathbed'':
:'''Katraine:''' Admiral, I&mdash;I know, I'm so sorry…
:'''Katraine:''' Admiral, I -- I know, I'm so sorry…
:'''Adama:''' I'm not here to lecture. I'm letting you know about a promotion. I'm making you [[CAG]] again.
:'''Adama:''' I'm not here to lecture. I'm letting you know about a promotion. I'm making you [[CAG]] again.
:'''Katraine:''' (crying) Sir, you know I'm not getting out of here, right?
:'''Katraine:''' (crying) Sir, you know I'm not getting out of here, right?
:'''Adama:''' You earned it. What you did was harder than facing a bullet. And you did it without putting o­ne other soul in harm's way. Don't know if I could've done that. I wish there something more that I could give you.
:'''Adama:''' You earned it. What you did was harder than facing a bullet. And you did it without putting o­ne other soul in harm's way. Don't know if I could've done that. I wish there something more that I could give you.
:'''Katraine:''' No. It's good. I liked to be CAG very much. Thank you. Sir, there&mdash;there's a thing. A reason why you might not want to do this. Kara knows what it is, but I wanted to tell you myself.
:'''Katraine:''' No. It's good. I liked to be CAG very much. Thank you. Sir, there -- there's a thing. A reason why you might not want to do this. Kara knows what it is, but I wanted to tell you myself.
:'''Adama:''' I don't need to know anything other than what I already know. When you were CAG, you protected your people. Made them feel safe enough to be brave. What you were gonna say, does it change that?
:'''Adama:''' I don't need to know anything other than what I already know. When you were CAG, you protected your people. Made them feel safe enough to be brave. What you were gonna say, does it change that?
:(She stares, mute. He pulls up a chair and sits at her side.)
:(She stares, mute. He pulls up a chair and sits at her side.)

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