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Editing The Night the Cylons Landed, Part II

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:''The human-looking [[Cylons (1980)|Cylon]] android [[Andromus]] and [[Centurion (TOS)|Centurion]] [[Centuri]] plan to use a [[WQSL|radio station]] to broadcast a distress signal so that the Cylon fleet can destroy [[Earth (1980)|Earth]], and it is up to [[Troy (1980)|Troy]] and [[Dillon]] to stop them.''
:''The human-looking [[Cylons (1980)|Cylon]] android [[Andromus]] and [[Centurion (TOS)|Centurion]] [[Centuri]] plan to use a [[WQSL|radio station]] to broadcast a distress signal so that the Cylon fleet can destroy [[Earth (1980)|Earth]], and it is up to [[Troy (1980)|Troy]] and [[Dillon]] to stop them.''


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* At the crash site of the A-B Raider, investigators are pouring over it without much success. Also at the scene is Colonel [[Briggs]]. Behind him is a Highway Patrol officer questioning [[Max]] and [[Leroy]], apparently showing them pictures. The officer reports to Briggs, saying that the colonel was right and tells him that the two men climbed out of the ship (which is untrue). They presume they are smugglers.  
* At the crash site of the A-B Raider, investigators are pouring over it without much success. Also at the scene is Colonel [[Briggs]]. Behind him is a Highway Patrol officer questioning [[Max]] and [[Leroy]], apparently showing them pictures. The officer reports to Briggs, saying that the colonel was right and tells him that the two men climbed out of the ship (which is untrue). They presume they are smugglers.  
* Briggs orders the cops to get their likeness out to every police department in the Tri-State Area. Max notes that this is already been done. Briggs makes it clear that he wants the men taken alive, to which Leroy replies that this would be up to them.  
* Briggs orders the cops to get their likeness out to every police department in the Tri-State Area. Max notes that this is already been done. Briggs makes it clear that he wants the men taken alive, to which Leroy replies that this would be up to them.  
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* Behind the stage, the director is walking over the cop (and his partner) that pursued them to the edge of the stage, pointing Troy and Dillon out. The Warriors notice and say they have to get out of there.  
* Behind the stage, the director is walking over the cop (and his partner) that pursued them to the edge of the stage, pointing Troy and Dillon out. The Warriors notice and say they have to get out of there.
* They are prompted to pick up the [[Lollipop star|star]] of the show and they do so. They also take the opportunity to engage their [[invisibility field]]s, which has the unintended side effect of making the performer appear as if she's floating in the air.  
* They are prompted to pick up the [[Lollipop star|star]] of the show and they do so. They also take the opportunity to engage their [[invisibility field]]s, which has the unintended side effect of making the performer appear as if she's floating in the air.
* The director and the cops look at the display in astonishment and disbelief. The crowd is wowed by the display and, during this, Troy and Dillon make their escape. The cop asks if the director felt something, after he is bumped by the Warriors.
* The director and the cops look at the display in astonishment and disbelief. The crowd is wowed by the display and, during this, Troy and Dillon make their escape. The cop asks if the director felt something, after he is bumped by the Warriors.
* Troy and Dillon exit the stage, now visible. Troy rues over the fact that they've lost a lot of time. Dillon notes that the Cylon signal remains constant at 4.6 [[acron ions]] in strength. This means that they either reached their destination or have been stopped by something.
* Troy and Dillon exit the stage, now visible. Troy rues over the fact that they've lost a lot of time. Dillon notes that the Cylon signal remains constant at 4.6 [[acron ions]] in strength. This means that they either reached their destination or have been stopped by something.
* Dillon hails a taxi, which, much to his surprise, works out.
* Dillon hails a taxi, which, much to his surprise, works out.  
* Wolfman Jack arrives at the party with his trademark wolf howl and gets the party goers psyched.
* Wolfman Jack arrives at the party with his trademark wolf howl and gets the party goers psyched.  
* On a balcony, Andromus tells Centuri that he'll need his help; he's learned about the location of the transmission centers and the need of a special key for emergency admittance. Centuri is tasked with finding the keys or taking one of the people who have the keys with them, and will start by investigating Arnie.
* On a balcony, Andromus tells Centuri that he'll need his help; he's learned about the location of the transmission centers and the need of a special key for emergency admittance. Centuri is tasked with finding the keys or taking one of the people who have the keys with them, and will start by investigating Arnie.  
* Tommy runs up to the Wolfman with his group of friends, telling them that he was right about Wolfman attending the party. He tells all the "little ghost and goblins and part-time Frankensteins" to have a good time. Shirley arrives to bring Wolfman to the balcony, when he notices Centuri and is amazed, and asks "who's the chrome head". She tells him his name and Wolfman notes that he has all his fans here, but convinces him to make his way to the balcony to meet a fan that's been dying to meet him all night. He accepts, saying that "anybody with taste like that, I can't keep waiting". He excuses himself from the children.
* Tommy runs up to the Wolfman with his group of friends, telling them that he was right about Wolfman attending the party. He tells all the "little ghost and goblins and part-time Frankensteins" to have a good time. Shirley arrives to bring Wolfman to the balcony, when he notices Centuri and is amazed, and asks "who's the chrome head". She tells him his name and Wolfman notes that he has all his fans here, but convinces him to make his way to the balcony to meet a fan that's been dying to meet him all night. He accepts, saying that "anybody with taste like that, I can't keep waiting". He excuses himself from the children.
* Shirley introduces Andromus to Wolfman Jack. Wolfman tells him to "lay it on him" and does the finger wiggle shake, which, in reply, Andy tries to emulate. Shirley leaves them alone. Wolfman begins the conversation by saying that the "walking monument" belongs to him, which initially confuses him, but Wolfman describes Centuri as having a big dude with a silver hairdo.
* Shirley introduces Andromus to Wolfman Jack. Wolfman tells him to "lay it on him" and does the finger wiggle shake, which, in reply, Andy tries to emulate. Shirley leaves them alone. Wolfman begins the conversation by saying that the "walking monument" belongs to him, which initially confuses him, but Wolfman describes Centuri as having a big dude with a silver hairdo.  
* Andromus notes that he and Centuri enjoyed hearing his transmission very much, but noted it to be primitive. Wolfman replies that primitive is his style, but goes further and notes that what was even more primitive was when Marconi sent the letter "S" across the English Channel in 1901.
* Andromus notes that he and Centuri enjoyed hearing his transmission very much, but noted it to be primitive. Wolfman replies that primitive is his style, but goes further and notes that what was even more primitive was when Marconi sent the letter "S" across the English Channel in 1901.  
* Andromus does not reply to this directly, saying that he's interested in radio. Wolfman replies by giving him his own take on radio, which he says is the "real music of the spheres" and says that each planet and star are sending out their own signals, "just like the old Wolfman who is a heavenly body in his own right". He adds that the only thing that can stop radio cold is a "big old solar wave" and discusses this further, comparing the sun's coronal ejections to eating spicy food and experiencing flatulence. Andromus notes that this would stop radio transmissions, to which Wolfman replies "Yeah, can you dig it?" Andromus replies that he quite possibly digs it.
* Andromus does not reply to this directly, saying that he's interested in radio. Wolfman replies by giving him his own take on radio, which he says is the "real music of the spheres" and says that each planet and star are sending out their own signals, "just like the old Wolfman who is a heavenly body in his own right". He adds that the only thing that can stop radio cold is a "big old solar wave" and discusses this further, comparing the sun's coronal ejections to eating spicy food and experiencing flatulence. Andromus notes that this would stop radio transmissions, to which Wolfman replies "Yeah, can you dig it?" Andromus replies that he quite possibly digs it.
* Troy and Dillon are dropped off at [[Central Park]]. Troy notes the "vegetation center in the middle of all this concrete" and tells Dillon that the signal they're getting is coming from the buildings beyond the Park. Dillon observes that it isn't the place where a powerful transmitter would be held.
* Troy and Dillon are dropped off at [[Central Park]]. Troy notes the "vegetation center in the middle of all this concrete" and tells Dillon that the signal they're getting is coming from the buildings beyond the Park. Dillon observes that it isn't the place where a powerful transmitter would be held.  
* Regardless of that fact, Troy tells Dillon that there's a link to the Cylon mission at the dwelling and begin their trek through the park.
* Regardless of that fact, Troy tells Dillon that there's a link to the Cylon mission at the dwelling and begin their trek through the park.
* Dillon notes that it's too bad that they're on such a serious mission, since New York appears to be a nice place. A bunch of people hiding behind bushes begin to move out as the Warriors walk by.
* Dillon notes that it's too bad that they're on such a serious mission, since New York appears to be a nice place. A bunch of people hiding behind bushes begin to move out as the Warriors walk by.  
* Dillon notes that the signals from the distress beacon are growing stronger. As they continue on the path, they are stopped by a quartet of muggers.
* Dillon notes that the signals from the distress beacon are growing stronger. As they continue on the path, they are stopped by a quartet of muggers.  
* The lead mugger notes the "fancy Dans" and asks them if they are going to a party. Troy notes that they are and are also in a hurry. The mugger is satisfied with going through things quickly, making it "short and sweet," saying "your money or your life".
* The lead mugger notes the "fancy Dans" and asks them if they are going to a party. Troy notes that they are and are also in a hurry. The mugger is satisfied with going through things quickly, making it "short and sweet," saying "your money or your life".  
* Dillon notes that it doesn't seem like an equitable trade and Troy says they don't have any money they can use.
* Dillon notes that it doesn't seem like an equitable trade and Troy says they don't have any money they can use.  
* In response to the mugger's question about the kind of money they're carrying, Dillon explains that it is [[The Super Scouts, Part I|stolen money]], Troy elaborates that he's correct: while it was obtained [[Bank Teller|due to a misunderstanding]] the money is technically stolen.
* In response to the mugger's question about the kind of money they're carrying, Dillon explains that it is [[The Super Scouts, Part I|stolen money]], Troy elaborates that he's correct: while it was obtained [[Bank Teller|due to a misunderstanding]] the money is technically stolen.  
* Now that "Fancy Dan" has been heard from, the thug leader says to hand over the stolen money and they will worry about it from there. They say they can't do that, since it would implicate you in a bank robbery which would be unfair to them.
* Now that "Fancy Dan" has been heard from, the thug leader says to hand over the stolen money and they will worry about it from there. They say they can't do that, since it would implicate you in a bank robbery which would be unfair to them.  
* The lead mugger notes that he's heard "some jive in his time, but this is prime stuff". He offers them one more chance to give up their money. Dillon suggests taking advantage of the vegetation, and they soon jump up on a large branch of the nearby tree despite being rushed by the muggers. The muggers look up at the tree in shock and disbelief. Dillon reminds Troy that they're in a hurry and, after saying farewell to the muggers, they jump from the tree limb to the top of a nearby roof. The main mugger notes that he believes he's seeing things because of all the junk food he's been eating.
* The lead mugger notes that he's heard "some jive in his time, but this is prime stuff". He offers them one more chance to give up their money. Dillon suggests taking advantage of the vegetation, and they soon jump up on a large branch of the nearby tree despite being rushed by the muggers. The muggers look up at the tree in shock and disbelief. Dillon reminds Troy that they're in a hurry and, after saying farewell to the muggers, they jump from the tree limb to the top of a nearby roof. The main mugger notes that he believes he's seeing things because of all the junk food he's been eating.


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