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* Did the 240 FTL jumps the Fleet executed in "33" contribute to the fuel shortage?
* Did the 240 FTL jumps the Fleet executed in "33" contribute to the fuel shortage?


== Official Statements ==
== Official Statements ==  


=== Concept and Development ===
=== Cast ===
The production team discusses the genesis of the episode as a "Big Mac"—a large-scale combat show intended to remind viewers of the series' epic scope.


{{Quote
* ''[[Jamie Bamber]] on the episode's character dynamics:''
| text = I had done an [[Litmus|interior courtroom drama]], we had done an [[Six Degrees of Separation|inside-Baltar's-head episode]], we had done a [[Flesh and Bone|torture room episode]] and a [[Tigh Me Up, Tigh Me Down|somewhat absurd episode]], and I thought we needed to remind viewers why the show's called ''Battlestar Galactica''. So I asked David and Bradley to give us a 'Big Mac' — a big combat show.
: '''Jamie Bamber:''' "I thought that was an important episode because of the way it brings Lee's relationship with Kara back to the center of the show. I enjoyed the way it compared and contrasted Lee and Kara as pilots, addressed the rivalry between them, and explored their relationship."<ref name="companion82">{{cite book|last=Bassom|first=David|title=[[Battlestar Galactica: The Official Companion]]|page=82|publisher=Titan Books}}</ref>
| sign = [[David Eick]]
| source = ''Battlestar Galactica: The Official Companion'' <ref name="companion81">{{cite book|last=Bassom|first=David|title=[[Battlestar Galactica: The Official Companion]]|page=81|publisher=Titan Books}}</ref>
}}


{{Quote
* ''[[Katee Sackhoff]] on Starbuck's strategic role:''
| text = Our first ideas were very elaborately described and then way down the list on the third page we had a three-liner which said something like, 'The Battle of Midway: It's time to turn on the Cylons and win one!' David looked at our list and said, 'That one's got to be next!'
: '''Katee Sackhoff:''' "I really liked 'The Hand of God'. It was interesting to see Kara having to put her faith in Lee, as a pilot."<ref name="companion82">{{cite book|last=Bassom|first=David|title=[[Battlestar Galactica: The Official Companion]]|page=82|publisher=Titan Books}}</ref>
| sign = [[Bradley Thompson]]
| source = Thompson on the episode's genesis <ref name="companion80-81">{{cite book|last=Bassom|first=David|title=[[Battlestar Galactica: The Official Companion]]|pages=80-81|publisher=Titan Books}}</ref>
}}


{{Quote
* ''Sackhoff discusses her dislike for Viper scenes, and why she wanted the writers to "break [her] knee again, please":''
| text = Personally, I thought it was a deliberate homage on the part of David and Bradley. But when I talked to them about it, they didn't know anything about [[The Hand of God (TOS)|the original episode]]! It was just a very odd coincidence.
: I despise [the Viper cockpit scenes]. It is very uncomfortable in that tight space. All of a sudden, you're claustrophobic, you're hot and sweaty, and then you're cold, you have to pee, you need water, but you can't drink it because you'll have to pee again. . . .  You have these rubber space suits and you get stuck to the seat. Gross! Then there's wind in your face and you are falling asleep because it is so hot. You are trying to memorise all this dialogue – 50 pages – all this technical mumbo jumbo. You're like, 'Break my knee again, please.' That was the best thing that happened to me in season one.<ref>{{cite_news|first=Ian M.|last=Cullen|url=http://scifipulse.net/battlestarnews/Sackhoff_Vipers.html|title=Sackhoff Admits To Hating The Viper Scenes|publisher=SciFi Pulse|page=|date=30 January 2007|accessdate=9 February 2007|language=}}</ref>
| sign = [[Ronald D. Moore]]
| source = Moore on the original series coincidence <ref name="companion82">{{cite book|last=Bassom|first=David|title=[[Battlestar Galactica: The Official Companion]]|page=82|publisher=Titan Books}}</ref>
}}


=== Tactical Planning and Visual Effects ===
=== Crew ===
The writers developed a "Trojan Horse" strategy to create a unique space battle, while the VFX team pushed the boundaries of the show's documentary style.


{{Quote
* ''[[Bradley Thompson]] on the episode's genesis:''
| text = We talked about the Trojan Horse, and suddenly we got the whole idea of hiding the Vipers in the freighter. We then took that back to Ron and David, and they loved it! [...] We originally wrote the whole thing as a radio show — viewers would follow the battle by listening to the pilots and watching the models being moved around in the big board room.
: '''Thompson:''' "In about the middle of the season, David became worried we were going to run out of stories and said, 'We've got to come up with twelve story ideas!' He asked for three or four ideas from each writer, so we turned in about sixteen or eighteen! Our first ideas were very elaborately described and then way down the list on the third page we had a three-liner which said something like, 'The Battle of Midway: It's time to turn on the Cylons and win one!' David looked at our list and said, 'That one's got to be next!'"<ref name="companion80-81">{{cite book|last=Bassom|first=David|title=[[Battlestar Galactica: The Official Companion]]|pages=80-81|publisher=Titan Books}}</ref>
| sign = [[Bradley Thompson]]
| source = Thompson on the Trojan Horse plan and original "radio show" concept <ref name="companion81-82">{{cite book|last=Bassom|first=David|title=[[Battlestar Galactica: The Official Companion]]|pages=81-82|publisher=Titan Books}}</ref>
}}


{{Quote
* ''[[David Eick]] on wanting a "Big Mac" episode:''
| text = I always saw the episode as a fun 'ship show' that provided a chance to break all the rules. David and Ron were concerned at first that it was going to be too slick and would be too much of a break from our usual documentary style, but they went with it in the end.
: '''Eick:''' "I had done an [[Litmus|interior courtroom drama]], we had done an [[Six Degrees of Separation|inside-Baltar's-head episode]], we had done a [[Flesh and Bone|torture room episode]] and a [[Tigh Me Up, Tigh Me Down|somewhat absurd episode]], and I thought we needed to remind viewers why the show's called ''Battlestar Galactica''. So I asked David and Bradley to give us a 'Big Mac' — a big combat show."<ref name="companion81">{{cite book|last=Bassom|first=David|title=[[Battlestar Galactica: The Official Companion]]|page=81|publisher=Titan Books}}</ref>
| sign = [[Gary Hutzel]]
| source = Hutzel on expanding the visual effects <ref name="companion83">{{cite book|last=Bassom|first=David|title=[[Battlestar Galactica: The Official Companion]]|page=83|publisher=Titan Books}}</ref>
}}


=== Character Dynamics and Performance ===
* ''Thompson on developing the [[w:Trojan_Horse|Trojan Horse]] battle plan:''
The episode focuses on the rivalry and professional respect between [[Lee Adama|Apollo]] and [[Kara Thrace|Starbuck]], as well as the physical discomfort of filming cockpit scenes.
: '''Thompson:''' "We wanted to come up with a space battle that had some thought behind it and was unlike anything people had seen before. So we developed what became the first layer of attack, and pitched it to Ron and David [Eick]. They went, 'The plan's not good enough. It has to be trickier.' We then went for a walk along the whole of the vast Universal backlot, and we came up with the rest of the plan you see in the episode. I don't know how we did it — we talked about the Trojan Horse, and suddenly we got the whole idea of hiding the Vipers in the freighter. We then took that back to Ron and David, and they loved it!"<ref name="companion81-82">{{cite book|last=Bassom|first=David|title=[[Battlestar Galactica: The Official Companion]]|pages=81-82|publisher=Titan Books}}</ref>


{{Dialogue
* ''[[David Weddle]] on the episode's character focus:''
| context = [[Jamie Bamber]] and [[David Weddle]] on the shift in leadership between the CAG and Starbuck:
: '''Weddle:''' "Brad and I were really excited about the idea that Starbuck has to take a strategic role and can't go on the mission, which is really difficult for her. From that, it naturally emerged that if Starbuck wasn't going, it was going to be a challenge for Apollo. Everyone thinks of Starbuck as the brilliant impulsive pilot who always pulls one out of the bag at the last minute, and Apollo would have to face people's concerns that he couldn't do it without her."<ref name="companion82">{{cite book|last=Bassom|first=David|title=[[Battlestar Galactica: The Official Companion]]|page=82|publisher=Titan Books}}</ref>
| lines =
'''Jamie Bamber:''' I thought that was an important episode because of the way it brings Lee's relationship with Kara back to the center of the show... I enjoyed the way it addressed the rivalry between them.


'''David Weddle:''' Brad and I were really excited about the idea that Starbuck has to take a strategic role and can't go on the mission, which is really difficult for her. [...] Apollo would have to face people's concerns that he couldn't do it without her.
* ''Thompson on the original "radio show" concept:''
| source = ''Battlestar Galactica: The Official Companion'', p. 82 <ref name="companion82">{{cite book|last=Bassom|first=David|title=[[Battlestar Galactica: The Official Companion]]|page=82|publisher=Titan Books}}</ref>
: '''Thompson:''' "We originally wrote the whole thing as a radio show — viewers would follow the battle by listening to the pilots and watching the models being moved around in the big board room. We had a very limited number of effects shots and were saving them for the final moment of the attack. We hoped the audience would experience the same sense of frustration Kara was feeling in the Ops Room."<ref name="companion82">{{cite book|last=Bassom|first=David|title=[[Battlestar Galactica: The Official Companion]]|page=82|publisher=Titan Books}}</ref>
}}


{{Quote
* ''[[Gary Hutzel]] on expanding the visual effects:''
| text = I despise ''(the Viper cockpit scenes)''. It is very uncomfortable in that tight space. All of a sudden, you're claustrophobic, you're hot and sweaty... you have these rubber space suits and you get stuck to the seat. Gross! [...] You're like, 'Break my knee again, please.' That was the best thing that happened to me in season one.
: '''Hutzel:''' "I always saw the episode as a fun 'ship show' that provided a chance to break all the rules. David and Ron were concerned at first that it was going to be too slick and would be too much of a break from our usual documentary style, but they went with it in the end. Atmosphere just did a fantastic job for us — they were very anxious to make this the best episode of the season and threw everything they had into it."<ref name="companion83">{{cite book|last=Bassom|first=David|title=[[Battlestar Galactica: The Official Companion]]|page=83|publisher=Titan Books}}</ref>
| sign = [[Katee Sackhoff]]
| source = Sackhoff on the physical demands of filming <ref>{{cite_news|first=Ian M.|last=Cullen|url=http://scifipulse.net/battlestarnews/Sackhoff_Vipers.html|title=Sackhoff Admits To Hating The Viper Scenes|publisher=SciFi Pulse|date=30 January 2007}}</ref>
}}


=== Musical Score and Atmosphere ===
* ''Weddle on the final result:''
Composer [[Bear McCreary]] explains the diverse instrumentation used to score the episode's celebratory and disturbing moments.
: '''Weddle:''' "Brad and I watched the final mix of 'The Hand of God' on this huge screen at Universal and we both thought, 'Wow! We wrote a movie'. Sure, it's not as long as a movie, but it's got everything a movie would have."<ref name="companion83">{{cite book|last=Bassom|first=David|title=[[Battlestar Galactica: The Official Companion]]|page=83|publisher=Titan Books}}</ref>


{{Quote
* ''[[Bear McCreary]] on the episode's musical elements:''
| text = The producers wanted choir, bagpipes and drums for the final celebration at the end. I wove them into the rest of the score... Roslin's vision of snakes in the beginning was equally creepy and challenging to score. It's set to wailing duduks and vocalists.
: '''McCreary:''' "The producers wanted choir, bagpipes and drums for the final celebration at the end. I wove them into the rest of the score, including the bombastic battle scene on the asteroid. Baltar's final scene with Number Six in that episode also stands out for me — there's an ambient and bizarre metallic riff that builds steadily as he slowly gives in to her seduction. Roslin's vision of snakes in the beginning was equally creepy and challenging to score. It's set to wailing duduks and vocalists."<ref name="companion83">{{cite book|last=Bassom|first=David|title=[[Battlestar Galactica: The Official Companion]]|page=83|publisher=Titan Books}}</ref>
| sign = [[Bear McCreary]]
 
| source = McCreary on the episode's musical elements <ref name="companion83">{{cite book|last=Bassom|first=David|title=[[Battlestar Galactica: The Official Companion]]|page=83|publisher=Titan Books}}</ref>
* ''[[Ronald D. Moore]] on the original series coincidence:''
}}
: '''Moore:''' "Personally, I thought it was a deliberate homage on the part of David and Bradley. But when I talked to them about it, they didn't know anything about [[The Hand of God (TOS)|the original episode]]! It was just a very odd coincidence."<ref name="companion82">{{cite book|last=Bassom|first=David|title=[[Battlestar Galactica: The Official Companion]]|page=82|publisher=Titan Books}}</ref>


== Noteworthy Dialogue ==
== Noteworthy Dialogue ==

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