Editing The Dirteaters
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* "[[Dirt eater]]" is a derogatory term for a [[Tauron]]. | * "[[Dirt eater]]" is a derogatory term for a [[Tauron]]. | ||
* Joseph is seen for the first time with the lighter that, according to his son [[William Adama|William]], he always carried with him into court when arguing cases. Nearly sixty years later, William lends the same lighter to [[Leland Adama|his own son]] for good luck before a [[Battle for the Tylium Asteroid|key battle]] {{TRS|The Hand of God (RDM)}}.<ref>[[Podcast:The Dirteaters|Podcast for "The Dirteaters"]], timestamp 21:13</ref> | * Joseph is seen for the first time with the lighter that, according to his son [[William Adama|William]], he always carried with him into court when arguing cases. Nearly sixty years later, William lends the same lighter to [[Leland Adama|his own son]] for good luck before a [[Battle for the Tylium Asteroid|key battle]] {{TRS|The Hand of God (RDM)}}.<ref>[[Podcast:The Dirteaters|Podcast for "The Dirteaters"]], timestamp 21:13</ref> | ||
* Black-and-white film of atrocity victims from the Tauron Civil War is taken (at least in part) from footage of bodies discovered in [[wikipedia:Nazi_concentration_camps|Nazi concentration camps]] by Allied forces at the end of World War II | * Black-and-white film of atrocity victims from the Tauron Civil War is taken (at least in part) from footage of bodies discovered in [[wikipedia:Nazi_concentration_camps|Nazi concentration camps]] by Allied forces at the end of World War II<ref>[https://www.youtube.com/watch?v=mYxepV5nk28 ''Nazi Death Mills'']</ref> Older scenes of agricultural life and more recent file footage of ground rocket bombardments and protests are also used in the episode. | ||
* The episode was unofficially known as "Adamarama" by the production staff.<ref>[[Podcast:The Dirteaters|Podcast for "The Dirteaters"]], timestamp 00:00</ref> | * The episode was unofficially known as "Adamarama" by the production staff.<ref>[[Podcast:The Dirteaters|Podcast for "The Dirteaters"]], timestamp 00:00</ref> | ||
* The script was written by [[Matt Roberts]].<ref>[[Podcast:The Dirteaters|Podcast for "The Dirteaters"]], timestamp 04:29</ref> | * The script was written by [[Matt Roberts]].<ref>[[Podcast:The Dirteaters|Podcast for "The Dirteaters"]], timestamp 04:29</ref> | ||
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* The emotional climax of the episode, where the Adama brothers confront their past, was considered a major turning point for their relationship by the actors and writers.<ref>[[Podcast:The Dirteaters|Podcast for "The Dirteaters"]], timestamp 37:04</ref> | * The emotional climax of the episode, where the Adama brothers confront their past, was considered a major turning point for their relationship by the actors and writers.<ref>[[Podcast:The Dirteaters|Podcast for "The Dirteaters"]], timestamp 37:04</ref> | ||
* The scene where the young Adama brothers witness their parents' murder was noted as being particularly intense and foundational for their characters' motivations and shared trauma.<ref>[[Podcast:The Dirteaters|Podcast for "The Dirteaters"]], timestamp 23:50</ref> | * The scene where the young Adama brothers witness their parents' murder was noted as being particularly intense and foundational for their characters' motivations and shared trauma.<ref>[[Podcast:The Dirteaters|Podcast for "The Dirteaters"]], timestamp 23:50</ref> | ||
* The tattoos for the Sam Adama character took two and a half hours to apply.<ref>[[Podcast:The Dirteaters|Podcast for "The Dirteaters"]], timestamp 02:49</ref> | * The tattoos for the Sam Adama character took two and a half hours to apply.<ref>[[Podcast:The Dirteaters|Podcast for "The Dirteaters"]], timestamp 02:49</ref> | ||
* Sasha Roiz was initially concerned that the storyline involving [[Willie Adama]]'s death would make his character unlikable to the audience.<ref>Podcast for {{CAP|The Dirteaters|prose=y}}, timestamp 37:32</ref> | * Sasha Roiz was initially concerned that the storyline involving [[Willie Adama]]'s death would make his character unlikable to the audience.<ref>Podcast for {{CAP|The Dirteaters|prose=y}}, timestamp 37:32</ref> | ||
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== Analysis == | == Analysis == | ||
*After being gunned down in New Cap City, Olaf complains that he had been working on his avatar inside the game for five years. This puts a minimum age on the game, and possibly approximates the age of holoband technology | *After being gunned down in New Cap City, Olaf complains that he had been working on his avatar inside the game for five years. This puts a minimum age on the game, and possibly approximates the age of holoband technology. | ||
== Questions == | == Questions == | ||
*Are Zoe-A and Tamara-A's ability to alter the virtual world around them limited to New Cap City, or does it work in other areas of V-World? ([[Apotheosis (episode)|Answer]]) | *Are Zoe-A and Tamara-A's ability to alter the virtual world around them limited to New Cap City, or does it work in other areas of V-World? ([[Apotheosis (episode)|Answer]]) | ||
== Official Statements == | == Official Statements == | ||