Editing The 20 Yahren Reunion
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Now I'll talk about the guests. It was a lot different here than at the Xena convention I attended in Cherry Hill, NJ only a week earlier. There were about 1500 people at the Xena convention and only 500 at this one. The difference is that you were able to walk up to the guests and actually talk to them! At the Xena con there was absolutely no personalizing with the guests. I still had a fun time, but this was so much better. | Now I'll talk about the guests. It was a lot different here than at the Xena convention I attended in Cherry Hill, NJ only a week earlier. There were about 1500 people at the Xena convention and only 500 at this one. The difference is that you were able to walk up to the guests and actually talk to them! At the Xena con there was absolutely no personalizing with the guests. I still had a fun time, but this was so much better. | ||
It was fun talking to [[Jim Carlson]] and [[Terrence McDonnell]]. I asked them what a centon was, and McDonnell said that a centon was originally supposed to be an hour, but Glen Larson would continually screw it up in his scripts. One day, they were having a meeting and Glen would sit higher than everyone else. It was his form of "psychological bullsh--" if I remember | It was fun talking to [[Jim Carlson]] and [[Terrence McDonnell]]. I asked them what a centon was, and McDonnell said that a centon was originally supposed to be an hour, but Glen Larson would continually screw it up in his scripts. One day, they were having a meeting and Glen would sit higher than everyone else. It was his form of "psychological bullsh--" if I remember his words correctly. After the meeting ended, McDonnell said to Larson, "I noticed some problems in your script." Larson was like "Well, what?" Larson didn't seem too happy with McDonnell's input, so he never brought it up again. | ||
I talked to some of the special effects people on Friday night and asked if they knew what happened to any of the sets. They said the sets were eventually destroyed (although some of them were repainted and reused on Buck Rogers). Hollywood sets are never built to last. They said that ''Galactica'' bridge set was so cheaply made that someone could (if there was a fire, for example) run right through one of the walls if they wanted to. One of them told me that there was a production company that spent a fortune to put a movie set into storage for nostalgia's sake. When they checked on it six months later, it had completely fallen apart. They also mentioned that the mechanically opening viper hatch was always breaking down (as evidenced in [[Murder on the Rising Star]] when Starbuck is going to launch; it closes very sloppily). They also told a story about when they were setting up for [[Galactica 1980]]. During a meeting, Glen Larson said, "At least we don't have to build another shuttle." Everyone looked at each other uncomfortably, knowing that the original shuttle was no longer around. | I talked to some of the special effects people on Friday night and asked if they knew what happened to any of the sets. They said the sets were eventually destroyed (although some of them were repainted and reused on Buck Rogers). Hollywood sets are never built to last. They said that ''Galactica'' bridge set was so cheaply made that someone could (if there was a fire, for example) run right through one of the walls if they wanted to. One of them told me that there was a production company that spent a fortune to put a movie set into storage for nostalgia's sake. When they checked on it six months later, it had completely fallen apart. They also mentioned that the mechanically opening viper hatch was always breaking down (as evidenced in [[Murder on the Rising Star]] when Starbuck is going to launch; it closes very sloppily). They also told a story about when they were setting up for [[Galactica 1980]]. During a meeting, Glen Larson said, "At least we don't have to build another shuttle." Everyone looked at each other uncomfortably, knowing that the original shuttle was no longer around. | ||