Editing Sometimes a Great Notion
From the only original and legitimate Battlestar Wiki: the free-as-in-beer, non-corporate, open-content encyclopedia, analytical reference, and episode guide on all things Battlestar Galactica. Accept neither subpar substitutes nor subpar clones.
More actions
The edit can be undone.
Please check the comparison below to verify that this is what you want to do, and then publish the changes below to finish undoing the edit.
| Latest revision | Your text | ||
| Line 65: | Line 65: | ||
===Act 3=== | ===Act 3=== | ||
* [[Samuel Anders]] finds the remains of a stringed instrument, probably a guitar. He holds the neck piece, placing his fingers on it as if to play as he recalls a song: [[The Music|"So let us not talk falsely now, 'cause the hour is getting late."]] He drops the neck and runs to find Tyrol, sitting placidly by the wall and the vision. They both share their visions, both realizing they lived there, in that area, once. Anders recalls that he played that song for a woman he loved. They are joined by [[Tory Foster]], who also recalls that he played that song for [[Final Five|all of | * [[Samuel Anders]] finds the remains of a stringed instrument, probably a guitar. He holds the neck piece, placing his fingers on it as if to play as he recalls a song: [[The Music|"So let us not talk falsely now, 'cause the hour is getting late."]] He drops the neck and runs to find Tyrol, sitting placidly by the wall and the vision. They both share their visions, both realizing they lived there, in that area, once. Anders recalls that he played that song for a woman he loved. They are joined by [[Tory Foster]], who also recalls that he played that song for [[Final Five|all of us]]. | ||
* "That was me," Tyrol says, pointing to the flash-silhouette on the wall. | * "That was me," Tyrol says, pointing to the flash-silhouette on the wall. | ||
* Anders angrily questions the paradox. Why they were all still alive? How did they come to the Colonies, to believe they were human? "Two thousand years is a long time to forget!" he says. | * Anders angrily questions the paradox. Why they were all still alive? How did they come to the Colonies, to believe they were human? "Two thousand years is a long time to forget!" he says. | ||
| Line 74: | Line 74: | ||
* In the twilight, Kara Thrace creates a funeral pyre, burning the corpse of herself found in the wreckage, sitting alone as the flames consume it. | * In the twilight, Kara Thrace creates a funeral pyre, burning the corpse of herself found in the wreckage, sitting alone as the flames consume it. | ||
* Lee Adama and Dualla come back from her date as he humorously (and drunkenly) recalls his report to the Quorum. "We are no longer enslaved to the ramblings of Pythia, no longer pecking at the bread crumbs of the Thirteenth Tribe...We are now free to go where we want to go, be who we want to be." Dualla smiles back warmly as they kiss. They stop kissing mutually | * Lee Adama and Dualla come back from her date as he humorously (and drunkenly) recalls his report to the Quorum. "We are no longer enslaved to the ramblings of Pythia, no longer pecking at the bread crumbs of the Thirteenth Tribe...We are now free to go where we want to go, be who we want to be." Dualla smiles back warmly as they kiss. They stop kissing mutually both stopping from it getting further. Dualla bids Lee goodbye and enters her quarters. Inside, [[Felix Gaeta]] watches her as she hums. "You're glowing," he says with slight amazement. Then he makes a comment on how Earth is a waste of a planet. Dualla chides him for bringing up the subject. "I want to hold on to this feeling for as long as I can." She looks at a childhood picture of herself in her opened locker, taking off her pendant. "She has no idea what she has ahead of her," she says of her younger self. Gaeta leaves as Dualla stops humming briefly looking at him leave in the mirror, then resumes humming. She looks at a cameo of her parents and then calmly places her wedding ring on the locker hook. | ||
* Without any hesitation at all, Dualla pulls out a sidearm from her locker, places it against her temple, and fires. | * Without any hesitation at all, Dualla pulls out a sidearm from her locker, places it against her temple, and fires. | ||
* [[Diana Seelix]] arrives inside first, with Gaeta not far behind. Both are aghast at the sight of Dualla's body, blood pooling around her hands. They call for medics repeatedly in fear and distress as the scene ends. | * [[Diana Seelix]] arrives inside first, with Gaeta not far behind. Both are aghast at the sight of Dualla's body, blood pooling around her hands. They call for medics repeatedly in fear and distress as the scene ends. | ||