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:''[[Kara Thrace]] rediscovers a memory of a [[The Music|musical piece]] taught by [[Dreilide Thrace|her father]], while [[Sharon Valerii|Sharon "Boomer" Valerii]] awaits her fate at the hands of the Colonials and the rebel Cylons, who want to execute her for treason.'' | :''[[Kara Thrace]] rediscovers a memory of a [[The Music|musical piece]] taught by [[Dreilide Thrace|her father]], while [[Sharon Valerii|Sharon "Boomer" Valerii]] awaits her fate at the hands of the Colonials and the rebel Cylons, who want to execute her for treason.'' | ||
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* In [[Joe's Bar]], Kara complains to the piano player about performing "the same lame-ass song" over and over. He counters, saying that he has been in the process of composing for four days, and that his music is meant to bring beauty to a terrible existence. Kara reacts angrily, asking him rhetorically whether his music stopped one bomb during the Cylon attack on the Twelve Colonies. | * In [[Joe's Bar]], Kara complains to the piano player about performing "the same lame-ass song" over and over. He counters, saying that he has been in the process of composing for four days, and that his music is meant to bring beauty to a terrible existence. Kara reacts angrily, asking him rhetorically whether his music stopped one bomb during the Cylon attack on the Twelve Colonies. | ||
* Human and Cylon workers are struggling to repair ''Galactica''. Tyrol looks up from his own work and stares at a Cylon Eight. He recalls moments spent with Boomer, good and bad. In his mind, he asks, "How many of us ended up with the people we really wanted to be with?" | * Human and Cylon workers are struggling to repair ''Galactica''. Tyrol looks up from his own work and stares at a Cylon Eight. He recalls moments spent with Boomer, good and bad. In his mind, he asks, "How many of us ended up with the people we really wanted to be with?" | ||
* Kara visits | * Kara visits [[Karl Agathon|Helo]]'s quarters, who surprises her with a box of Kara's belongings, found and bought and stolen back over the past few months since her return. She takes only one item from the box, a cassette tape labeled "Dreilide Thrace Live at the Helice Opera House." Before Kara leaves, [[Hera Agathon|Hera]] hands her a crayon drawing of stars. | ||
* Tyrol visits Boomer in the reinforced brig reserved for Cylons. The two look at each other tentatively for a moment before beginning to talk. Boomer explains [[Battle of New Caprica|New Caprica]] as a "way to set things right" with Tyrol after her shooting of William Adama. They both admit thinking about one another on a daily basis. Boomer puts her hand on the glass. Tyrol reaches out--and is instantly transported to the house they had planned to build on Picon after mustering out of the Colonial Fleet. Tyrol is confused and angered by the illusion, disconnects from Boomer, and runs away. | * Tyrol visits Boomer in the reinforced brig reserved for Cylons. The two look at each other tentatively for a moment before beginning to talk. Boomer explains [[Battle of New Caprica|New Caprica]] as a "way to set things right" with Tyrol after her shooting of William Adama. They both admit thinking about one another on a daily basis. Boomer puts her hand on the glass. Tyrol reaches out--and is instantly transported to the house they had planned to build on Picon after mustering out of the Colonial Fleet. Tyrol is confused and angered by the illusion, disconnects from Boomer, and runs away. | ||
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=== Act 4 === | === Act 4 === | ||
* Boomer finishes washing blood off her hands when Helo comes into the locker room. She tries to pull away when Helo suggests an intimate moment before she leaves on her recon mission, but she eventually gives in. Boomer and Helo continue having sex. In a stall, Athena, bound and gagged, slowly comes back to consciousness and sees the two through the slightly opened door. | * Boomer finishes washing blood off her hands when Helo comes into the locker room. She tries to pull away when Helo suggests an intimate moment before she leaves on her recon mission, but she eventually gives in. Boomer and Helo continue having sex. In a stall, Athena, bound and gagged, slowly comes back to consciousness and sees the two through the slightly opened door. | ||
* In Joe's, Saul Tigh tells Ellen Tigh and Tory Foster about the pain of seeing Liam after Caprica | * In Joe's, Saul Tigh tells Ellen Tigh and Tory Foster about the pain of seeing Liam after Caprica Six's miscarriage. | ||
* Slick realizes where Starbuck's hesitant music is going and writes a few notes. Starbuck realizes that his notes line up perfectly with the stars in Hera' drawing. The two resume playing, and the music flows more confidently. Saul, Ellen, and Tory stop their conversation and listen to the music. | * Slick realizes where Starbuck's hesitant music is going and writes a few notes. Starbuck realizes that his notes line up perfectly with the stars in Hera' drawing. The two resume playing, and the music flows more confidently. Saul, Ellen, and Tory stop their conversation and listen to the music. | ||
* Dressed in a flight suit, Boomer finds Hera in the day care center, and encourages her to drink something on the way out. | * Dressed in a flight suit, Boomer finds Hera in the day care center, and encourages her to drink something on the way out. | ||
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* Weeks have passed since the end of [[Gaeta's Mutiny|the mutiny]], as evidenced by [[Cottle]]'s comment about how long Anders' EEG readings have remained steady, and Starbuck's comment about how long she has repeated the same mission briefing. | * Weeks have passed since the end of [[Gaeta's Mutiny|the mutiny]], as evidenced by [[Cottle]]'s comment about how long Anders' EEG readings have remained steady, and Starbuck's comment about how long she has repeated the same mission briefing. | ||
* Starbuck acknowledges, in her address to the other pilots, that the mutiny has "thinned our numbers". This, combined with the apparent absence of pilots such as [[Margaret Edmonson]] and [[Diana Seelix]], confirms their involvement in the mutiny did not go unpunished. In the Podcast for "[[Deadlock]]" RDM states that all the mutineers were imprisoned on the ''[[Astral Queen]]''. | * Starbuck acknowledges, in her address to the other pilots, that the mutiny has "thinned our numbers". This, combined with the apparent absence of pilots such as [[Margaret Edmonson]] and [[Diana Seelix]], confirms their involvement in the mutiny did not go unpunished. In the Podcast for "[[Deadlock]]" RDM states that all the mutineers were imprisoned on the ''[[Astral Queen]]''. | ||
* After her apparent death in "[[Maelstrom]], | * After her apparent death in "[[Maelstrom]]", Kara's personal belongings were auctioned off. Helo has managed to get them all back for her. However, the only thing Kara is interested in is the tape of her father's music. | ||
*The seven notes that Slick plays over and over again after completing his 1st movement — identified by Kara as "[[Nomion's 3rd Sonata]], second movement" — was actually used in the [[Original Series]] as the somewhat sinister sounding fanfare of the "Exploration Theme" which served as the intro to "[[Saga of a Star World]]". This is not the first time music from the original series has shown up (i.e. the [[Colonial Anthem]]), and lends to the idea that everything 'has happened before, and will happen again'. | *The seven notes that Slick plays over and over again after completing his 1st movement — identified by Kara as "[[Nomion's 3rd Sonata]], second movement" — was actually used in the [[Original Series]] as the somewhat sinister sounding fanfare of the "Exploration Theme" which served as the intro to "[[Saga of a Star World]]". This is not the first time music from the original series has shown up (i.e. the [[Colonial Anthem]]), and lends to the idea that everything 'has happened before, and will happen again'. | ||
* The brand of "[[Tauron|Tauron]] toothpaste" offered as a prize to the pilots is called "[[Felgercarb (RDM)|Felgercarb]]," a word used in the [[Original Series]] to mean "shit." Tauron comes from Taurus the bull. In essence, Kara is offering the pilot who finds a new planet "bullshit toothpaste." | * The brand of "[[Tauron|Tauron]] toothpaste" offered as a prize to the pilots is called "[[Felgercarb (RDM)|Felgercarb]]," a word used in the [[Original Series]] to mean "shit." Tauron comes from Taurus the bull. In essence, Kara is offering the pilot who finds a new planet "bullshit toothpaste." | ||
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**Helo did notice that Boomer did smell different. Boomer covered for this saying she found some soap. | **Helo did notice that Boomer did smell different. Boomer covered for this saying she found some soap. | ||
***Helo said she smelled good, not different, and she was washing her hands at the time. However there is a relevance to Helo mentioning her smell. In a scene from [[Litmus]] Tyrol and Boomer were in bed together shortly after engaging in intercourse. He said to her: "Sometimes at work I try to conjure up what your face looks like...Curve of your lips.....The way your hair falls. How you smell." Helo as just noted told Boomer she smelled good just before they had sex. | ***Helo said she smelled good, not different, and she was washing her hands at the time. However there is a relevance to Helo mentioning her smell. In a scene from [[Litmus]] Tyrol and Boomer were in bed together shortly after engaging in intercourse. He said to her: "Sometimes at work I try to conjure up what your face looks like...Curve of your lips.....The way your hair falls. How you smell." Helo as just noted told Boomer she smelled good just before they had sex. | ||
* Boomer has sex with | * Boomer has sex with [[Helo]] by pretending to be [[Sharon Agathon|Athena]] after he mistook her for his wife and he insisted after she tried to leave, but then enthusiastically let him believe she was Athena and willingly had sex with him. This is ironic, as Athena originally seduced Helo on {{RDM|Caprica}}, by pretending to be Boomer. | ||
** Boomer's willingness to have sex with Agathon - in the presence of Athena - was motivated by a desire to exact revenge on Athena for having effectively taken over her old life on ''Galactica'' according to the show writers. | ** Boomer's willingness to have sex with Agathon - in the presence of Athena - was motivated by a desire to exact revenge on Athena for having effectively taken over her old life on ''Galactica'' according to the show writers. | ||
***Though she initially hesitated, a knowing glance to the corner where Athena was hidden, is the clue to her decision to defile Athena's relationship with Helo. | ***Though she initially hesitated, a knowing glance to the corner where Athena was hidden, is the clue to her decision to defile Athena's relationship with Helo. | ||
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** [[w:Helike_(mythology)|Helice/Helike]] was also the name of a nymph in Greek mythology who nursed the infant [[Zeus]], along with another nymph, Melissa (which name itself means "honey" or "honey bee"). <ref>http://www.constellationsofwords.com/Constellations/UrsaMajor.html</ref> | ** [[w:Helike_(mythology)|Helice/Helike]] was also the name of a nymph in Greek mythology who nursed the infant [[Zeus]], along with another nymph, Melissa (which name itself means "honey" or "honey bee"). <ref>http://www.constellationsofwords.com/Constellations/UrsaMajor.html</ref> | ||
** [[w:Helike_(moon)|Helike]] is also a newly-discovered moon of [[w:Jupiter|Jupiter]]. | ** [[w:Helike_(moon)|Helike]] is also a newly-discovered moon of [[w:Jupiter|Jupiter]]. | ||
** However, the appearance of the word <i>Helice</i> in the show may simply be a tongue-in-cheek reference to [[Bear McCreary]]'s heavy involvement with this episode | ** However, the appearance of the word <i>Helice</i> in the show may simply be a tongue-in-cheek reference to [[Bear McCreary]]'s heavy involvement with this episode -- Ursa Major, and McCreary, both being "The Great Bear."<ref>http://tvbacon.wordpress.com/2009/02/28/battlestar-galactica-someone-to-watch-over-me-live-at-the-helice-opera-house/</ref> | ||
* It is possible that Starbuck also has the ability of Projection and she projected the Piano Player beside her when she played a section of "All Along the Watchtower" from the drawing Hera made, which turned out to be musical notation. She, from her POV, was playing a long side of him but when Saul Tigh, Ellen Tigh, and Tory Foster confronted her about where she learned to play that music he was gone. Perhaps it was just standard human daydreaming, or a [[Virtual beings|Virtual being]], but it could have been projection. | * It is possible that Starbuck also has the ability of Projection and she projected the Piano Player beside her when she played a section of "All Along the Watchtower" from the drawing Hera made, which turned out to be musical notation. She, from her POV, was playing a long side of him but when Saul Tigh, Ellen Tigh, and Tory Foster confronted her about where she learned to play that music he was gone. Perhaps it was just standard human daydreaming, or a [[Virtual beings|Virtual being]], but it could have been projection. | ||
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*The Final Five have the same [[Projection|projection]] ability as the Cylons they created. Cylons can share projections. | *The Final Five have the same [[Projection|projection]] ability as the Cylons they created. Cylons can share projections. | ||
* Projections can include not just imaginary environments but also imaginary people, such as Boomer and Tyrol's "daughter" Dionne. | * Projections can include not just imaginary environments but also imaginary people, such as Boomer and Tyrol's "daughter" Dionne. | ||
* It also appears that projections might be a form of persistent environment | * It also appears that projections might be a form of persistent environment -- similar to real-life virtual worlds such as [[w:Second Life|Second Life]], as Tyrol re-enters Boomer's projection after she escapes with Hera, as if expecting to find her and Dionne still in there. | ||
* The Final Five, [[Hera Agathon]], and [[Kara Thrace]] are all somehow connected to each other by [[The Music]]. Also possibly connected via the song is Kara's [[Dreilide Thrace|mysterious father]]. | * The Final Five, [[Hera Agathon]], and [[Kara Thrace]] are all somehow connected to each other by [[The Music]]. Also possibly connected via the song is Kara's [[Dreilide Thrace|mysterious father]]. | ||
*Both the Agathons and Tyrol suffer the loss of a daughter: Hera and Tyrol's imaginary daughter from his and Boomer's shared projection; both taken by Boomer. Hera actually, Tyrol's symbolically in Tyrol's solo projection. Both Athena and Tyrol suffer great grief and display it: Athena's primal howls and beating her arm against Helo's back in rage/despair; Tyrol's sinking to his knees and burying his head in his arms in his child's empty room in his projection. Helo initially took the situation stoically, but in the previews for the next episode "[[Islanded in a Stream of Stars]]," it appears the emotional toll over the loss of his daughter is telling on Helo when Adama, presumably taking about Hera, says-uncharacteristically-"get over it" to a disheveled Helo. | *Both the Agathons and Tyrol suffer the loss of a daughter: Hera and Tyrol's imaginary daughter from his and Boomer's shared projection; both taken by Boomer. Hera actually, Tyrol's symbolically in Tyrol's solo projection. Both Athena and Tyrol suffer great grief and display it: Athena's primal howls and beating her arm against Helo's back in rage/despair; Tyrol's sinking to his knees and burying his head in his arms in his child's empty room in his projection. Helo initially took the situation stoically, but in the previews for the next episode "[[Islanded in a Stream of Stars]]," it appears the emotional toll over the loss of his daughter is telling on Helo when Adama, presumably taking about Hera, says-uncharacteristically-"get over it" to a disheveled Helo. | ||
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* Why did nobody say anything about Kara talking to herself before Saul, Ellen, Galen, and Tory realised what she was playing? | * Why did nobody say anything about Kara talking to herself before Saul, Ellen, Galen, and Tory realised what she was playing? | ||
* If FTL drives cause spacial distortions with the potential to significantly damage ships, then why hasn't the FTL drive been weaponized by either side? | * If FTL drives cause spacial distortions with the potential to significantly damage ships, then why hasn't the FTL drive been weaponized by either side? | ||
*In "[[Rapture]], | *In "[[Rapture]]", Hera recognizes Athena as her mother even though they had been separated since her birth and even though Boomer had been caring for her. Has Hera lost that ability, or did she recognize Boomer and go with her anyway? | ||
== Official Statements == | == Official Statements == | ||
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* [[Sonja Bennett]] as Specialist [[Marcie Brasko]] | * [[Sonja Bennett]] as Specialist [[Marcie Brasko]] | ||
* [[David Weddle]] as Smoking man in [[Joe's bar]] (uncredited) | * [[David Weddle]] as Smoking man in [[Joe's bar]] (uncredited) | ||
== References == | == References == | ||