Editing Someone to Watch Over Me
From Battlestar Wiki, the free, open content Battlestar Galactica encyclopedia and episode guide
More actions
The edit can be undone.
Please check the comparison below to verify that this is what you want to do, and then publish the changes below to finish undoing the edit.
| Latest revision | Your text | ||
| Line 123: | Line 123: | ||
** [[w:Helike_(mythology)|Helice/Helike]] was also the name of a nymph in Greek mythology who nursed the infant [[Zeus]], along with another nymph, Melissa (which name itself means "honey" or "honey bee"). <ref>http://www.constellationsofwords.com/Constellations/UrsaMajor.html</ref> | ** [[w:Helike_(mythology)|Helice/Helike]] was also the name of a nymph in Greek mythology who nursed the infant [[Zeus]], along with another nymph, Melissa (which name itself means "honey" or "honey bee"). <ref>http://www.constellationsofwords.com/Constellations/UrsaMajor.html</ref> | ||
** [[w:Helike_(moon)|Helike]] is also a newly-discovered moon of [[w:Jupiter|Jupiter]]. | ** [[w:Helike_(moon)|Helike]] is also a newly-discovered moon of [[w:Jupiter|Jupiter]]. | ||
** However, the appearance of the word <i>Helice</i> in the show may simply be a tongue-in-cheek reference to [[Bear McCreary]]'s heavy involvement with this episode | ** However, the appearance of the word <i>Helice</i> in the show may simply be a tongue-in-cheek reference to [[Bear McCreary]]'s heavy involvement with this episode -- Ursa Major, and McCreary, both being "The Great Bear."<ref>http://tvbacon.wordpress.com/2009/02/28/battlestar-galactica-someone-to-watch-over-me-live-at-the-helice-opera-house/</ref> | ||
* It is possible that Starbuck also has the ability of Projection and she projected the Piano Player beside her when she played a section of "All Along the Watchtower" from the drawing Hera made, which turned out to be musical notation. She, from her POV, was playing a long side of him but when Saul Tigh, Ellen Tigh, and Tory Foster confronted her about where she learned to play that music he was gone. Perhaps it was just standard human daydreaming, or a [[Virtual beings|Virtual being]], but it could have been projection. | * It is possible that Starbuck also has the ability of Projection and she projected the Piano Player beside her when she played a section of "All Along the Watchtower" from the drawing Hera made, which turned out to be musical notation. She, from her POV, was playing a long side of him but when Saul Tigh, Ellen Tigh, and Tory Foster confronted her about where she learned to play that music he was gone. Perhaps it was just standard human daydreaming, or a [[Virtual beings|Virtual being]], but it could have been projection. | ||
| Line 129: | Line 129: | ||
*The Final Five have the same [[Projection|projection]] ability as the Cylons they created. Cylons can share projections. | *The Final Five have the same [[Projection|projection]] ability as the Cylons they created. Cylons can share projections. | ||
* Projections can include not just imaginary environments but also imaginary people, such as Boomer and Tyrol's "daughter" Dionne. | * Projections can include not just imaginary environments but also imaginary people, such as Boomer and Tyrol's "daughter" Dionne. | ||
* It also appears that projections might be a form of persistent environment | * It also appears that projections might be a form of persistent environment -- similar to real-life virtual worlds such as [[w:Second Life|Second Life]], as Tyrol re-enters Boomer's projection after she escapes with Hera, as if expecting to find her and Dionne still in there. | ||
* The Final Five, [[Hera Agathon]], and [[Kara Thrace]] are all somehow connected to each other by [[The Music]]. Also possibly connected via the song is Kara's [[Dreilide Thrace|mysterious father]]. | * The Final Five, [[Hera Agathon]], and [[Kara Thrace]] are all somehow connected to each other by [[The Music]]. Also possibly connected via the song is Kara's [[Dreilide Thrace|mysterious father]]. | ||
*Both the Agathons and Tyrol suffer the loss of a daughter: Hera and Tyrol's imaginary daughter from his and Boomer's shared projection; both taken by Boomer. Hera actually, Tyrol's symbolically in Tyrol's solo projection. Both Athena and Tyrol suffer great grief and display it: Athena's primal howls and beating her arm against Helo's back in rage/despair; Tyrol's sinking to his knees and burying his head in his arms in his child's empty room in his projection. Helo initially took the situation stoically, but in the previews for the next episode "[[Islanded in a Stream of Stars]]," it appears the emotional toll over the loss of his daughter is telling on Helo when Adama, presumably taking about Hera, says-uncharacteristically-"get over it" to a disheveled Helo. | *Both the Agathons and Tyrol suffer the loss of a daughter: Hera and Tyrol's imaginary daughter from his and Boomer's shared projection; both taken by Boomer. Hera actually, Tyrol's symbolically in Tyrol's solo projection. Both Athena and Tyrol suffer great grief and display it: Athena's primal howls and beating her arm against Helo's back in rage/despair; Tyrol's sinking to his knees and burying his head in his arms in his child's empty room in his projection. Helo initially took the situation stoically, but in the previews for the next episode "[[Islanded in a Stream of Stars]]," it appears the emotional toll over the loss of his daughter is telling on Helo when Adama, presumably taking about Hera, says-uncharacteristically-"get over it" to a disheveled Helo. | ||