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* After the jump, Gaeta reads DRADIS, reporting several signals which turn out to all be Colonial. The calculations were correct and fleet has been found, elating the crew. Tigh is quick to order ''Rising Star'' to send Cottle over ''Galactica'' ASAP.
* After the jump, Gaeta reads DRADIS, reporting several signals which turn out to all be Colonial. The calculations were correct and fleet has been found, elating the crew. Tigh is quick to order ''Rising Star'' to send Cottle over ''Galactica'' ASAP.
* In sickbay, Tigh congratulates Ishay for her work to revive Adama, and stop the bleeding. After she leaves, Tigh talks to Adama who is still unconscious, and wonders if he can hear him.
* In sickbay, Tigh congratulates Ishay for her work to revive Adama, and stop the bleeding. After she leaves, Tigh talks to Adama who is still unconscious, and wonders if he can hear him.
* Tigh has another flashback, involving the same "3" door seen earlier.  It opens with Tigh dousing his sash and medals liberally in lighter fluid, preparing to set them — and potentially anything nearby — alight. He hears a knock on the door and after some hesitation, he answers it. Two MPs inform him that  he is back in the fleet courtesy of "Major Adama".
* Tigh has another flashback, involving the same "3" door seen earlier.  It opens with Tigh dousing his uniform and metals in lighter fuel preparing for what appears to be self-immolation. He hears a knock on the door and after some hesitation, he answers it. Two MPs, inform him that  he is back in the fleet courtesy of "Major Adama".
* After the flashback, Tigh tells Adama that he shouldn't have let him back into the service, instead letting him die along with the other billions of people killed during the Cylon attack. He never wanted command, and urges Bill not to die.
* After the flashback, Tigh tells Adama that he shouldn't have let him back into the service, instead letting him die along with the other billions of people killed during the Cylon attack. He never wanted command, and urges Bill not to die.
* Meanwhile, in the starboard flight pod, the wreckage of Heavy Raider seems completely quiet as it rests in ''Galactica'''s museum.  Suddenly the red pulsating eyes of several  [[Cylon Centurion]]s appear as they emerge from  the damaged craft and into ''Galactica''.
* Meanwhile, in the starboard flight pod, the wreckage of Heavy Raider seems completely quiet as it rests in ''Galactica'''s museum.  Suddenly the red pulsating eyes of several  [[Cylon Centurion]]s appear as they emerge from  the damaged craft and into ''Galactica''.
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* This episode introduces the first combat depiction of the Cylon [[Heavy Raider]], previously seen during "[[Colonial Day]]".
* This episode introduces the first combat depiction of the Cylon [[Heavy Raider]], previously seen during "[[Colonial Day]]".
* This episode shows the first change in the intro sequence, including subtitles, a lack of the "episode clip" sequence, and the use of the theme music previously used only in the UK showings of the first season.
* This episode shows the first change in the intro sequence, including subtitles, a lack of the "episode clip" sequence, and the use of the theme music previously used only in the UK showings of the first season.
*[[Kerry Norton]] (paramedic [[Layne Ishay]]) is the wife of [[Jamie Bamber]] ({{callsign|Apollo|nolink=y}})
*[[Kerry Norton]] (paramedic [[Layne Ishay]]) is the wife of [[Jamie Bamber]] {{{{callsign|Apollo|nolink=y}}}}
== Analysis ==
== Analysis ==
[[File:Firewallbreech.jpg|left|thumb|Gaeta's firewall under attack, but not (yet) breached.]]
[[File:Firewallbreech.jpg|left|thumb|Gaeta's firewall under attack, but not (yet) breached.]]
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{{Dialogue
{{Dialogue
| context = On the scene in which Tigh is about to set his medals on fire:
| context = On the scene in which Tigh is about to commit suicide:
| lines =  
| lines =  
'''[[Ronald D. Moore]]:''' The great thing here is this is- there's a definite homage quality in this to ''[[w:Apocalypse Now|Apocalypse Now]]'' which is one of our- a brilliant film. One of our all-time favorites and we certainly wanted to pay respect to that in certain ways with this scene.  
'''[[Ronald D. Moore]]:''' The great thing here is this is- there's a definite homage quality in this to ''[[w:Apocalypse Now|Apocalypse Now]]'' which is one of our- a brilliant film. One of our all-time favorites and we certainly wanted to pay respect to that in certain ways with this scene.  

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