Editing Scattered
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* The team decides to stop and Seelix looks for some more serisone. Tyrol asks Socinus how he is doing to which he replies that he can hear birds, something they have not heard for a while. | * The team decides to stop and Seelix looks for some more serisone. Tyrol asks Socinus how he is doing to which he replies that he can hear birds, something they have not heard for a while. | ||
* Seelix is unable to find the second med kit which contains the needed serisone. Crashdown blames [[Tarn]] for not bringing it and orders him to retrieve it alone; however, the Chief and Cally are able to convince Crashdown that they should go with Tarn as backup. The three then head back to the Raptor crash site. | * Seelix is unable to find the second med kit which contains the needed serisone. Crashdown blames [[Tarn]] for not bringing it and orders him to retrieve it alone; however, the Chief and Cally are able to convince Crashdown that they should go with Tarn as backup. The three then head back to the Raptor crash site. | ||
* On {{RDM|Caprica}}, in the [[Delphi Museum of the Colonies]], [[Kara Thrace]] and | * On {{RDM|Caprica}}, in the [[Delphi Museum of the Colonies]], [[Kara Thrace]] and [[Karl Agathon]] look over the body of the dead Six. [[Sharon Agathon|Sharon]] then warns them that they need to leave, as the Six will [[download]] into another body and reveal their location to the other Cylons. | ||
* Starbuck is annoyed that they are to listening to a Cylon though Helo counters that Sharon has gotten him this far. Sharon also tries to convince Starbuck by reciting a memory she has of her. | * Starbuck is annoyed that they are to listening to a Cylon though Helo counters that Sharon has gotten him this far. Sharon also tries to convince Starbuck by reciting a memory she has of her. | ||
* Starbuck reacts by pulling out her gun and pointing it a her. Helo tries to stop her from shooting but Starbuck doesn't listen and pulls the trigger her shot missing when Helo pushes her arm and then revealing Sharon is carrying his child. | * Starbuck reacts by pulling out her gun and pointing it a her. Helo tries to stop her from shooting but Starbuck doesn't listen and pulls the trigger her shot missing when Helo pushes her arm and then revealing Sharon is carrying his child. | ||
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* The second firewall is breached while the jump calculations are only halfway done, followed soon after by a breach of the third. | * The second firewall is breached while the jump calculations are only halfway done, followed soon after by a breach of the third. | ||
[[File:Flakfield.jpg|thumb|Apollo nears the flak field while trying to stop the Heavy Raider.]] | [[File:Flakfield.jpg|thumb|Apollo nears the flak field while trying to stop the Heavy Raider.]] | ||
* Apollo nears the strange Cylon vessel, which turns around and tries to destroy Apollo's Viper. He manages to damage the ship, but it reverses course and heads directly towards ''Galactica''. Kat urges Apollo to halt pursuit, since he is getting too near ''Galactica'''s guns. Eventually, Apollo has no choice but to disengage and | * Apollo nears the strange Cylon vessel, which turns around and tries to destroy Apollo's Viper. He manages to damage the ship, but it reverses course and heads directly towards ''Galactica''. Kat urges Apollo to halt pursuit, since he is getting too near ''Galactica'''s guns. Eventually, Apollo has no choice but to disengage and Heavy Raider crashes into ''Galactica''{{'|s}} starboard flight pod. | ||
* Ishay opens Adama's chest and performs a heart massage. | * Ishay opens Adama's chest and performs a heart massage. | ||
* The fourth firewall is breached leaving only one protecting the ship's computers from being overtaken by the Cylons. | * The fourth firewall is breached leaving only one protecting the ship's computers from being overtaken by the Cylons. | ||
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* This episode introduces the first combat depiction of the Cylon [[Heavy Raider]], previously seen during "[[Colonial Day]]". | * This episode introduces the first combat depiction of the Cylon [[Heavy Raider]], previously seen during "[[Colonial Day]]". | ||
* This episode shows the first change in the intro sequence, including subtitles, a lack of the "episode clip" sequence, and the use of the theme music previously used only in the UK showings of the first season. | * This episode shows the first change in the intro sequence, including subtitles, a lack of the "episode clip" sequence, and the use of the theme music previously used only in the UK showings of the first season. | ||
*[[Kerry Norton]] (paramedic [[Layne Ishay]]) is the wife of [[Jamie Bamber]] | *[[Kerry Norton]] (paramedic [[Layne Ishay]]) is the wife of [[Jamie Bamber]] ({{callsign|Apollo|nolink=y}}) | ||
== Analysis == | == Analysis == | ||
[[File:Firewallbreech.jpg|left|thumb|Gaeta's firewall under attack, but not (yet) breached.]] | [[File:Firewallbreech.jpg|left|thumb|Gaeta's firewall under attack, but not (yet) breached.]] | ||
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== Official Statements == | == Official Statements == | ||
=== From [http://blog.scifi.com/battlestar/ RDM's blog] === | === From [http://blog.scifi.com/battlestar/ RDM's blog] === | ||
* We've almost completed shooting the opening of Season Two, with [[Michael Rymer]] back at the helm filming a two-parter written by [[David Weddle]] & [[Bradley Thompson]] called 'Scattered' and '[[Valley of Darkness]].' Things have been going well so far, with a good mood on the set and a feeling of satisfaction and pride running through the whole team at their accomplishments in year one and anticipation for year two." | |||
Things have been going well so far, with a good mood on the set and a feeling of satisfaction and pride running through the whole team at their accomplishments in year one and anticipation for year two." | |||
=== From the [[Podcast:Scattered|podcast]] === | === From the [[Podcast:Scattered|podcast]] === | ||
* ''Regarding the bar room scenes (i.e. how [[Saul Tigh]] and [[William Adama]] met) that were filmed, but weren't fully utilized:'' | |||
*: "We were going to open this show, with just that scene, to show how the two men met. And then come into this scene we're watching now, where Tigh takes command of ''Galactica'', and Adama's been shot, and there's all this chaos. And the episode was going to continue to sort of flashback onto their relationship. On the early days of Tigh and Adama. [...] And we shot those sequences. And edited it together, and we looked at them, but ultimately we didn't like them. We just didn't feel—they weren't quite the show. [...] You can't really put your finger on any particular person, except maybe me, because it is my concept. [...] I don't know if I created, or had the writers of this episode, [[Bradley Thompson]] and [[David Weddle]], I don't know if I really gave them a rich enough environment to tell that backstory. " | |||
* ''On splitting the original "Scattered" into "Scattered" and "[[Valley of Darkness]]":'' | |||
'' | *: "We've always struggled with the length of our scripts, the length of our episodes. If you look at it, there's only 40 minutes and change of actual program content. And our scripts tend to run, in the early drafts, in the 50s or low 50s. [...] 60 page scripts are not unheard of. An ideal page script for us, going into shooting, is usually around 46-47 pages. Sometimes we make that, sometimes we don't. [...] And I think we did on 'Scattered', I think in the final draft it was around 47-48 pages. The shows are still too huge. They're still too long. The style of storytelling—I might have talked about this before—just requires spending more time on character, creating moments, really, sort of, taking your time as you go through the show. [...] So we essentially divided it into two and created another action storyline for part two." | ||
* ''On the scene in which Tigh is about to commit suicide:'' | |||
And the episode was going to continue to sort of flashback onto their relationship. On the early days of Tigh and Adama. [...] And we shot those sequences. And edited it together, and we looked at them, but ultimately we didn't like them. | *:"The great thing here is this is- there's a definite homage quality in this to ''[[w:Apocalypse Now|Apocalypse Now]]'' which is one of our- a brilliant film. One of our all-time favorites and we certainly wanted to pay respect to that in certain ways with this scene. But it's not the same scene. They don't put him in the shower and sober him up. It's- he just goes off and pulls himself together. Which, for our story, is more effective. There was something great about him getting ready to light his own medals on fire with the lighter fluid and I wanted to convey this idea that he might- the whole place might go up but we didn't q- we weren't able to quite convey that." | ||
We just didn't | |||
'' | |||
An ideal page script for us, going into shooting, is usually around 46-47 pages. Sometimes we make that, sometimes we don't. [...] And I think we did on 'Scattered', I think in the final draft it was around 47-48 pages. | |||
The shows are still too huge. They're still too long. The style of | |||
'' | |||
But it's not the same scene. They don't put him in the shower and sober him up. It's- he just goes off and pulls himself together. Which, for our story, is more effective. | |||
There was something great about him getting ready to light his own medals on fire with the lighter fluid and I wanted to convey this idea that he might- the whole place might go up but we didn't q- we weren't able to quite convey that. | |||
=== Interviews === | === Interviews=== | ||
* ''[[Jamie Bamber]] talks about the challenge of filming the episode's opening act:'' | |||
[[Michael Rymer]] | : So far this season I've been given great stuff to do, and [[Lee Adama|as my character]] I've been very careful not to apologize for the decision he made in ''[[Kobol's Last Gleaming, Part II|Kobol's Last Gleaming]]''. It's the one thing that Lee can claim as his own act and he's not about to second guess himself. [[Michael Rymer]] [who directed ''Kobol's Last Gleaming'' and ''Scattered''] and I got together early on and decided that would be the case. We could have taken Lee down either path. He could have felt massive guilt in the way in which his father is gunned down seconds after betraying him, and then not having the chance to put that right. It would have been easy to go back and question what he did, but I think the character is far more interesting and stronger for not doing that. Lee is standing on his own two feet and moving forward, which he has to do. <ref name="starburst_71_19-20">Steven Eramo, "Jamie Bamber: A Man for all Seasons". <u>Starburst</u>, Special 71: [http://bsgmedia.org/gallery/albums/StarburstScans/BSGscan11.jpg 19]-[http://bsgmedia.org/gallery/albums/StarburstScans/BSGscan12.jpg 20]</ref> | ||
* ''In issue #348 of ''Starlog'' magazine, p.33, Nicki Clyne (Cally) said:'' | |||
:"Cally is supposed to provide the Chief firecover by shooting at the Cylons. I focused on doing it right, because the weapons experts showed me how to aim and fire the guns, but the director said "No, you're shooting those weapons ''too'' well. Remember, Cally hasn't fired a weapon since basic training!" But I figured, "Hey, if ''I'' can learn to shoot a gun that quickly, then Cally certainly can". That was my defense!" | |||
* "We shot a scene where I’m in the brig, and [[Saul Tigh|Tigh]] is trying to get in my face, and I’m all, 'Just shoot me now, you pussy.' It was great."—[[Grace Park]], <ref>http://scifi.about.com/od/bgsonscifi/a/parkinter2_2.htm</ref> | |||
== Noteworthy Dialogue == | == Noteworthy Dialogue == | ||
* ''In ''Galactica'''s sickbay:'' | |||
*:<b>Colonel Tigh:</b> (to Commander Adama) You never should have brought me back into the service. If you had just let me be, I'd have died back there on Caprica along with everyone else, and been happier for it. I don't want a command. I never did. Don't you dare die on me now. | |||
''' | * ''During a flashback sequence:'' | ||
*:<b>Saul Tigh:</b> So, how'd you do it? How'd you get off this [[frak]]king freighter? | |||
*:<b>William Adama:</b> Connections. [[Anne Adama|Anne's]] father has a friend in the Defense Committee. | |||
*:<b>Saul Tigh:</b> So the new wife comes through. I wish I had in-laws with pull. | |||
*:<b>William Adama:</b> Give me a couple years. I'll have some pull. You watch me. I'll have my own battlestar someday. | |||
''' | * ''In ''Galactica'''s brig:'' | ||
*:<b>President Laura Roslin:</b> (to Tigh) Colonel, once we find the fleet, I'd like to have a word with you. | |||
*:<b>Colonel Tigh:</b> There's nothing to talk about. You went up against [[William Adama | the old man]] and you lost. | |||
''' | * ''Tigh's pep talk to the [[CIC]] crew:'' | ||
*: '''Tigh''': This is his command. His orders are still the word of the Gods on board this ship. Just so we're clear. This will be Adama's command until the day he dies. And we are not going to let him die. So say we all. | |||
* ''On Caprica Valerii being "right":'' | |||
*: '''Starbuck''': She's right, huh? Sharon the Cylon is right. Let's all just listen to Sharon the Cylon. Do whatever she says. Because that's a good idea. | |||
*: '''Helo''': Hey, Kara, she helped me get this far. | |||
''' | *: '''Starbuck''': OK. I get it. I get it, Helo. You and I go way back, so I get it. All right? I remember how you felt about her, but she is not the real Sharon. That is some cheap, knock-off copy. | ||
''' | * ''After Starbuck shoots at Caprica Valerii:'' | ||
*: '''Helo''': I'm not going to let you kill her. She's carrying my child. | |||
*: '''Starbuck''': My Gods, men are so painfully stupid sometimes! How do you know that? | |||
*: '''Helo''': I know, all right? She's not lying. | |||
*: '''Starbuck''': They lie about ''everything'', Helo. Their entire existence is a ''lie''. They're not human, Helo, they're machines. You can't have a baby with a ''machine''. | |||
*: '''Helo''': I don't know what to tell you, OK? But I believe her. It's hard to describe, we've been together for a long time. I mean, I know what she is, but she's not like the others! Look at me, she is not. | |||
'''Adama:''' Right. | * ''Lee Adama gives his word to Tigh regarding his parole:'' | ||
*: '''Adama''': All right, you have my parole. When I'm on duty, I will make no attempt to free her or sow insurrection among the crew. When I'm not on duty, I'll report back to this cell. | |||
*: '''Tigh''': (matter-of-factly) Pre-flight brief is underway in the ready room. | |||
*: '''Adama''': Right. | |||
*{{audio|BitchTookMyRide.mp3|''Starbuck, upon the realization that Caprica Valerii has just stolen her Cylon Raider:''}} | |||
*: '''Starbuck''': Bitch took my ride... | |||
== Guest stars == | == Guest stars == | ||