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== Official Statements ==  
== Official Statements ==  


=== From [http://blog.scifi.com/battlestar/ RDM's blog] ===
=== From [http://blog.scifi.com/battlestar/ RDM's blog] ===


{{Dialogue
* We've almost completed shooting the opening of Season Two, with [[Michael Rymer]] back at the helm filming a two-parter written by [[David Weddle]] & [[Bradley Thompson]] called 'Scattered' and '[[Valley of Darkness]].' Things have been going well so far, with a good mood on the set and a feeling of satisfaction and pride running through the whole team at their accomplishments in year one and anticipation for year two."
| context = {{from_RDM_blog}}
| lines =
'''[[Ronald D. Moore]]:''' We've almost completed shooting the opening of Season Two, with [[Michael Rymer]] back at the helm filming a two-parter written by [[David Weddle]] & [[Bradley Thompson]] called 'Scattered' and '[[Valley of Darkness]].'  
 
Things have been going well so far, with a good mood on the set and a feeling of satisfaction and pride running through the whole team at their accomplishments in year one and anticipation for year two."  
}}


=== From the [[Podcast:Scattered|podcast]] ===
=== From the [[Podcast:Scattered|podcast]] ===


{{Dialogue
* ''Regarding the bar room scenes (i.e. how [[Saul Tigh]] and [[William Adama]] met) that were filmed, but weren't fully utilized:''
| context = Regarding the bar room scenes ''(i.e. how [[Saul Tigh]] and [[William Adama]] met)'' that were filmed, but weren't fully utilized:
*: "We were going to open this show, with just that scene, to show how the two men met. And then come into this scene we're watching now, where Tigh takes command of ''Galactica'', and Adama's been shot, and there's all this chaos. And the episode was going to continue to sort of flashback onto their relationship. On the early days of Tigh and Adama. [...] And we shot those sequences. And edited it together, and we looked at them, but ultimately we didn't like them. We just didn't feel—they weren't quite the show. [...] You can't really put your finger on any particular person, except maybe me, because it is my concept. [...] I don't know if I created, or had the writers of this episode, [[Bradley Thompson]] and [[David Weddle]], I don't know if I really gave them a rich enough environment to tell that backstory. "
| lines =
* ''On splitting the original "Scattered" into "Scattered" and "[[Valley of Darkness]]":''
'''[[Ronald D. Moore]]:''' We were going to open this show, with just that scene, to show how the two men met. And then come into this scene we're watching now, where Tigh takes command of ''Galactica'', and Adama's been shot, and there's all this chaos.  
*: "We've always struggled with the length of our scripts, the length of our episodes. If you look at it, there's only 40 minutes and change of actual program content. And our scripts tend to run, in the early drafts, in the 50s or low 50s. [...] 60 page scripts are not unheard of. An ideal page script for us, going into shooting, is usually around 46-47 pages. Sometimes we make that, sometimes we don't. [...] And I think we did on 'Scattered', I think in the final draft it was around 47-48 pages. The shows are still too huge. They're still too long. The style of storytelling—I might have talked about this before—just requires spending more time on character, creating moments, really, sort of, taking your time as you go through the show. [...] So we essentially divided it into two and created another action storyline for part two."
 
* ''On the scene in which Tigh is about to commit suicide:''
And the episode was going to continue to sort of flashback onto their relationship. On the early days of Tigh and Adama. [...] And we shot those sequences. And edited it together, and we looked at them, but ultimately we didn't like them.  
*:"The great thing here is this is- there's a definite homage quality in this to ''[[w:Apocalypse Now|Apocalypse Now]]'' which is one of our- a brilliant film. One of our all-time favorites and we certainly wanted to pay respect to that in certain ways with this scene. But it's not the same scene. They don't put him in the shower and sober him up. It's- he just goes off and pulls himself together. Which, for our story, is more effective. There was something great about him getting ready to light his own medals on fire with the lighter fluid and I wanted to convey this idea that he might- the whole place might go up but we didn't q- we weren't able to quite convey that."
 
We just didn't feel—they weren't quite the show. [...] You can't really put your finger on any particular person, except maybe me, because it is my concept. [...] I don't know if I created, or had the writers of this episode, [[Bradley Thompson]] and [[David Weddle]], I don't know if I really gave them a rich enough environment to tell that backstory.  
}}
 
{{Dialogue
| context = On splitting the original "Scattered" into "Scattered" and "[[Valley of Darkness]]":
| lines =
'''[[Ronald D. Moore]]:''' We've always struggled with the length of our scripts, the length of our episodes. If you look at it, there's only 40 minutes and change of actual program content. And our scripts tend to run, in the early drafts, in the 50s or low 50s. [...] 60 page scripts are not unheard of.  
 
An ideal page script for us, going into shooting, is usually around 46-47 pages. Sometimes we make that, sometimes we don't. [...] And I think we did on 'Scattered', I think in the final draft it was around 47-48 pages.  
 
The shows are still too huge. They're still too long. The style of storytelling—I might have talked about this before—just requires spending more time on character, creating moments, really, sort of, taking your time as you go through the show. [...] So we essentially divided it into two and created another action storyline for part two.  
}}
 
{{Dialogue
| context = On the scene in which Tigh is about to commit suicide:
| lines =
'''[[Ronald D. Moore]]:''' The great thing here is this is- there's a definite homage quality in this to ''[[w:Apocalypse Now|Apocalypse Now]]'' which is one of our- a brilliant film. One of our all-time favorites and we certainly wanted to pay respect to that in certain ways with this scene.  
 
But it's not the same scene. They don't put him in the shower and sober him up. It's- he just goes off and pulls himself together. Which, for our story, is more effective.  
 
There was something great about him getting ready to light his own medals on fire with the lighter fluid and I wanted to convey this idea that he might- the whole place might go up but we didn't q- we weren't able to quite convey that.  
}}
 
=== Interviews ===


{{Dialogue
=== Interviews===
| context = [[Jamie Bamber]] talks about the challenge of filming the episode's opening act:
| lines =  
'''[[Jamie Bamber]]:''' So far this season I've been given great stuff to do, and [[Lee Adama|as my character]] I've been very careful not to apologize for the decision he made in ''[[Kobol's Last Gleaming, Part II|Kobol's Last Gleaming]]''. It's the one thing that Lee can claim as his own act and he's not about to second guess himself.


[[Michael Rymer]] ''[who directed ''Kobol's Last Gleaming'' and ''Scattered'']'' and I got together early on and decided that would be the case. We could have taken Lee down either path. He could have felt massive guilt in the way in which his father is gunned down seconds after betraying him, and then not having the chance to put that right.
* ''[[Jamie Bamber]] talks about the challenge of filming the episode's opening act:''


It would have been easy to go back and question what he did, but I think the character is far more interesting and stronger for not doing that. Lee is standing on his own two feet and moving forward, which he has to do.  
: So far this season I've been given great stuff to do, and [[Lee Adama|as my character]] I've been very careful not to apologize for the decision he made in ''[[Kobol's Last Gleaming, Part II|Kobol's Last Gleaming]]''.  It's the one thing that Lee can claim as his own act and he's not about to second guess himself.  [[Michael Rymer]] [who directed ''Kobol's Last Gleaming'' and ''Scattered''] and I got together early on and decided that would be the case.  We could have taken Lee down either path.  He could have felt massive guilt in the way in which his father is gunned down seconds after betraying him, and then not having the chance to put that right.  It would have been easy to go back and question what he did, but I think the character is far more interesting and stronger for not doing that. Lee is standing on his own two feet and moving forward, which he has to do. <ref name="starburst_71_19-20">Steven Eramo, "Jamie Bamber: A Man for all Seasons". <u>Starburst</u>, Special 71: [http://bsgmedia.org/gallery/albums/StarburstScans/BSGscan11.jpg 19]-[http://bsgmedia.org/gallery/albums/StarburstScans/BSGscan12.jpg 20]</ref>
| source = <ref name="starburst_71_19-20">Steven Eramo, "Jamie Bamber: A Man for all Seasons". <u>Starburst</u>, Special 71: [http://bsgmedia.org/gallery/albums/StarburstScans/BSGscan11.jpg 19]-[http://bsgmedia.org/gallery/albums/StarburstScans/BSGscan12.jpg 20]</ref>
}}


{{Dialogue
* ''In issue #348 of ''Starlog'' magazine, p.33, Nicki Clyne (Cally) said:''
| context = In issue #348 of ''Starlog'' magazine, p.33, [[Nicki Clyne]] ''(Cally)'' said:
| lines =
'''[[Nicki Clyne]]:''' Cally is supposed to provide the Chief firecover by shooting at the Cylons. I focused on doing it right, because the weapons experts showed me how to aim and fire the guns, but the director said "No, you're shooting those weapons ''too'' well. Remember, Cally hasn't fired a weapon since basic training!"


But I figured, "Hey, if ''I'' can learn to shoot a gun that quickly, then Cally certainly can". That was my defense!"  
:"Cally is supposed to provide the Chief firecover by shooting at the Cylons.  I focused on doing it right, because the weapons experts showed me how to aim and fire the guns, but the director said "No, you're shooting those weapons ''too'' well.  Remember, Cally hasn't fired a weapon since basic training!"  But I figured, "Hey, if ''I'' can learn to shoot a gun that quickly, then Cally certainly can". That was my defense!"
}}


{{Quote
* "We shot a scene where I’m in the brig, and [[Saul Tigh|Tigh]] is trying to get in my face, and I’m all, 'Just shoot me now, you pussy.' It was great."&mdash;[[Grace Park]], <ref>http://scifi.about.com/od/bgsonscifi/a/parkinter2_2.htm</ref>
| context = [[Grace Park]] on a deleted scene between [[Sharon Valerii]] and [[Saul Tigh]]:
| text = We shot a scene where I’m in the brig, and [[Saul Tigh|Tigh]] is trying to get in my face, and I’m all, 'Just shoot me now, you pussy.' It was great.  
| sign = [[Grace Park]]
| source = <ref>http://scifi.about.com/od/bgsonscifi/a/parkinter2_2.htm</ref>
}}


== Noteworthy Dialogue ==
== Noteworthy Dialogue ==

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