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As two of the most ardent classic ''Star Trek'' fans on ''Deep Space Nine''{{'|s}} writing staff, Moore and [[MemoryAlpha:Rene Echevarria|Rene Echevarria]] were chosen to write the teleplay for "[[MemoryAlpha:Trials and Tribble-ations|Trials and Tribble-ations]]" as a tribute to the original ''Star Trek'''s 30th Anniversary. Besides bringing [[MemoryAlpha:James T. Kirk|Captain Kirk]] and Captain Sisko together on screen via seamless Emmy Award-nominated visual effects, the episode also brought the pair a Hugo nomination. They went on to write the series penultimate episode, "[[MemoryAlpha:The Dogs of War|The Dogs of War]]," which introduced the new ''Defiant'', formerly the [[MemoryAlpha:USS São Paulo|USS ''São Paulo'']]. The name of the ship and Sisko's line "Hello, ship," were a tribute to the [[w:Steve McQueen|Steve McQueen]] film ''[[w:The Sand Pebbles (film)|The Sand Pebbles]]''. By the time ''Deep Space Nine'' ended, he was a co-executive producer, and moved on to his third ''Star Trek'' spin-off series: ''Voyager''. | As two of the most ardent classic ''Star Trek'' fans on ''Deep Space Nine''{{'|s}} writing staff, Moore and [[MemoryAlpha:Rene Echevarria|Rene Echevarria]] were chosen to write the teleplay for "[[MemoryAlpha:Trials and Tribble-ations|Trials and Tribble-ations]]" as a tribute to the original ''Star Trek'''s 30th Anniversary. Besides bringing [[MemoryAlpha:James T. Kirk|Captain Kirk]] and Captain Sisko together on screen via seamless Emmy Award-nominated visual effects, the episode also brought the pair a Hugo nomination. They went on to write the series penultimate episode, "[[MemoryAlpha:The Dogs of War|The Dogs of War]]," which introduced the new ''Defiant'', formerly the [[MemoryAlpha:USS São Paulo|USS ''São Paulo'']]. The name of the ship and Sisko's line "Hello, ship," were a tribute to the [[w:Steve McQueen|Steve McQueen]] film ''[[w:The Sand Pebbles (film)|The Sand Pebbles]]''. By the time ''Deep Space Nine'' ended, he was a co-executive producer, and moved on to his third ''Star Trek'' spin-off series: ''Voyager''. | ||
After a two-episode stint as a co-executive producer on ''Star Trek: Voyager'', Moore departed the series over creative differences in the show's production, namely with his prior writing partner, Brannon Braga. This lead him to his first collaboration with [[David Eick]] as Moore assumed the role of consulting producer on the final season of the Sci-Fi Channel's fantasy series, ''[[w:G vs E|Good vs. Evil]]''. <ref | After a two-episode stint as a co-executive producer on ''Star Trek: Voyager'', Moore departed the series over creative differences in the show's production, namely with his prior writing partner, Brannon Braga. This lead him to his first collaboration with [[David Eick]] as Moore assumed the role of consulting producer on the final season of the Sci-Fi Channel's fantasy series, ''[[w:G vs E|Good vs. Evil]]''. <ref>{{cite_book|last=Bassom|first=David|authorlink=|authorlinkurl=|coauthors=|year=2005|title=[[Battlestar Galactica: The Official Companion]]|pages=10|editor=ed. Adam "Adama" Newell|publisher=Titan Books|location=|id=ISBN 1-84576-0972}}</ref> Eventually, Moore made his way to [[w:Jason Katim|Jason Katim]]'s teen SF/Drama series, ''[[w:Roswell (TV series)|Roswell]]'', which first aired on [[w:The WB|The WB]], joining former ''Star Trek: The Next Generation'' cast member, [[MemoryAlpha:Jonathan Frakes|Jonathan Frakes]] (Commander [[MemoryAlpha:William T. Riker|William Riker]]) as a co-executive producer. Due to his work on ''Roswell'', he was able to develop [[w:Anne McCaffrey|Anne McCaffrey]]'s ''[[w:Dragonriders of Pern|Dragonriders of Pern]]'' as a pilot for [[w:The WB|The WB]], but it was canceled before production began due to creative differences Moore had with [[w:Warner Brothers|Warner Brothers]]. Moore served as a co-executive producer on ''Roswell'' as the series moved to [[w:UPN|UPN]] for the 2001-2002 television season. | ||
From ''Roswell'', Moore worked on the [[w:HBO|HBO]] series ''[[w:Carnivàle|Carnivàle]]'', but left after its first year to dedicate his work on the [[SDS|a second attempt in as many years]] at reviving a ''Battlestar Galactica'' series. | From ''Roswell'', Moore worked on the [[w:HBO|HBO]] series ''[[w:Carnivàle|Carnivàle]]'', but left after its first year to dedicate his work on the [[SDS|a second attempt in as many years]] at reviving a ''Battlestar Galactica'' series. | ||
Moore has three children. He remarried in 2004 to [[Terry Dresbach]], whom the fans have come to know as "Mrs. Ron" on the Sci Fi Channel [http://forums.scifi.com/ chat forums]. Dresbach frequently participated in the [[podcast]]s for the series episodes and other audio commentaries. | Moore has three children. He remarried in 2004 to [[Terry Dresbach]], whom the fans have come to know as "Mrs. Ron" on the Sci Fi Channel [http://forums.scifi.com/ chat forums]. Dresbach frequently participated in the [[podcast]]s for the series episodes and other audio commentaries. | ||
== ''Caprica'' Development and Philosophy == | == ''Caprica'' Development and Philosophy == | ||
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===Creative Philosophy=== | ===Creative Philosophy=== | ||
* Moore carried over the core philosophy from ''Battlestar Galactica'' of grounding the series in a sense of | * Moore carried over the core philosophy from ''Battlestar Galactica'' of grounding the series in a sense of truth and realism, wanting ''Caprica'' to be a "drama first and foremost that was all about the characters."<ref>[[Podcast:Caprica pilot|Podcast for ''Caprica'' pilot]], timestamp 00:05:44</ref> | ||
* He deliberately avoided common science fiction tropes that he felt were distracting, such as "silly chairs and silly hair and spandex costumes."<ref>[[Podcast:Caprica pilot|Podcast for ''Caprica'' pilot]], timestamp 00:05:34</ref> | * He deliberately avoided common science fiction tropes that he felt were distracting, such as "silly chairs and silly hair and spandex costumes."<ref>[[Podcast:Caprica pilot|Podcast for ''Caprica'' pilot]], timestamp 00:05:34</ref> | ||
* The inclusion of widespread smoking was a conscious and "perverse" choice, intended to defy anti-smoking trends and serve as a bonding element for the male characters.<ref>[[Podcast:Caprica pilot|Podcast for ''Caprica'' pilot]], timestamp 00:14:44</ref> | * The inclusion of widespread smoking was a conscious and "perverse" choice, intended to defy anti-smoking trends and serve as a bonding element for the male characters.<ref>[[Podcast:Caprica pilot|Podcast for ''Caprica'' pilot]], timestamp 00:14:44</ref> | ||
* Moore later reflected that the original subplot of | * Moore later reflected that the original subplot of Amanda Graystone having an affair was a "misstep" by the writers, as it made the character "very unlikable" in early cuts, leading to its removal.<ref>[[Podcast:Caprica pilot|Podcast for ''Caprica'' pilot]], timestamp 00:32:14</ref> | ||
===Story and World-Building=== | ===Story and World-Building=== | ||
* The concept for the | * The concept for the paper-thin computers originated from a conversation Moore had nearly 20 years prior with a college friend, Naren Shankar, who explained the theoretical physics behind such a device.<ref>[[Podcast:Caprica pilot|Podcast for ''Caprica'' pilot]], timestamp 00:21:25</ref> | ||
* He provided a detailed explanation of the political landscape of the | * He provided a detailed explanation of the political landscape of the Twelve Colonies at the time, clarifying that they were not a unified government but separate "nation-states." The tension between colonies like Caprica and Tauron was an intentional element to set up future conflicts.<ref>[[Podcast:Caprica pilot|Podcast for ''Caprica'' pilot]], timestamp 01:22:35</ref> | ||
===Production Anecdotes=== | ===Production Anecdotes=== | ||
* Moore recounted the "kid-like thrill" of being on set when both ''Caprica'' and ''Battlestar Galactica'' were filming on adjacent sound stages, allowing him to walk between the two productions.<ref>[[Podcast:Caprica pilot|Podcast for ''Caprica'' pilot]], timestamp 00:08:08</ref> | * Moore recounted the "kid-like thrill" of being on set when both ''Caprica'' and ''Battlestar Galactica'' were filming on adjacent sound stages, allowing him to walk between the two productions.<ref>[[Podcast:Caprica pilot|Podcast for ''Caprica'' pilot]], timestamp 00:08:08</ref> | ||
* Regarding vehicles, he and David Eick decided to | * Regarding vehicles, he and David Eick decided to use real-world cars instead of futuristic concepts to maintain the show's grounded feel. The mandate was to use "interesting" vintage or exotic cars that would look unfamiliar to American audiences.<ref>[[Podcast:Caprica pilot|Podcast for ''Caprica'' pilot]], timestamp 00:09:22</ref> | ||
== Director credits for ''Battlestar Galactica'' == | == Director credits for ''Battlestar Galactica'' == | ||
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== References == | == References == | ||
{{reflist}} | {{reflist}} | ||
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* [http://www.rondmoore.com/Site/Blog/Blog.html Ron Moore's personal blog] | * [http://www.rondmoore.com/Site/Blog/Blog.html Ron Moore's personal blog] | ||
* [http://blog.scifi.com/battlestar/ The Ron Moore Battlestar Blog] | * [http://blog.scifi.com/battlestar/ The Ron Moore Battlestar Blog] | ||
* [http://www.galactica.tv/battlestar-galactica-2003---interviews/ronald-d.-moore-and-david-eick-conference-call.html Conference Call with Ron Moore and David Eick of January 6. 2009] | * [http://www.galactica.tv/battlestar-galactica-2003---interviews/ronald-d.-moore-and-david-eick-conference-call.html Conference Call with Ron Moore and David Eick of January 6. 2009] | ||
* [http://www.galactica.tv/battlestar-galactica-2003---interviews/press-conference-with-ronald-d.-moore-and-david-eick.html Press Conference with Ron Moore and David Eick of June 1, 2007] | * [http://www.galactica.tv/battlestar-galactica-2003---interviews/press-conference-with-ronald-d.-moore-and-david-eick.html Press Conference with Ron Moore and David Eick of June 1, 2007] | ||
* [http://www.next-gen.biz/index.php?option=com_content&task=view&id=2561&Itemid=46 Next Gen Coverage of GDC Keynote] | * [http://www.next-gen.biz/index.php?option=com_content&task=view&id=2561&Itemid=46 Next Gen Coverage of GDC Keynote] | ||