Toggle menu
Toggle preferences menu
Toggle personal menu
Not logged in
Your IP address will be publicly visible if you make any edits.

Editing Robert M. Young

From the only original and legitimate Battlestar Wiki: the free-as-in-beer, non-corporate, open-content encyclopedia, analytical reference, and episode guide on all things Battlestar Galactica. Accept neither subpar substitutes nor subpar clones.
Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.
The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then publish the changes below to finish undoing the edit.
Latest revision Your text
Line 31: Line 31:
Young made his feature directorial debut with ''[[w:Short Eyes (film)|Short Eyes]]'' (1977), filmed in the Manhattan House of Detention for Men with a cast that included both professional actors and real-life prisoners.<ref group="external" name="thr_young_obit_short_eyes">{{cite web|url=https://www.hollywoodreporter.com/movies/movie-news/robert-m-young-dead-extremities-dominick-eugene-1235823595/#:~:text=Young%20made%20his%20feature%20directorial%20debut%20with%20Short%20Eyes%20%281977%29|title=Robert M. Young, 'Extremities' and 'Dominick and Eugene' Director, Dies at 99|author=Barnes, Mike|publisher=The Hollywood Reporter|date=February 13, 2024|accessdate=22 May 2026}}</ref> That same year he directed ''[[w:Alambrista!|¡Alambrista!]]'' (1977), a drama about undocumented Mexican immigrants that he also wrote and co-photographed; it won the inaugural [[w:Caméra d'Or|Caméra d'Or]] for best first film at the [[w:Cannes Film Festival|Cannes Film Festival]] and the best picture award at the [[w:San Sebastián International Film Festival|San Sebastián International Film Festival]].<ref group="external" name="criterion_alambrista_camera_dor">{{cite web|url=https://www.criterion.com/films/28101--alambrista#:~:text=winner%20of%20the%20Cannes%20Film%20Festival%27s%20inaugural%20Cam%C3%A9ra%20d%27Or|title=¡Alambrista! (1977)|publisher=The Criterion Collection|accessdate=22 May 2026}}</ref> Independent filmmaker [[w:Christopher Munch|Christopher Munch]], who first saw ''¡Alambrista!'' at a public library screening in 1978, described it as "a milestone of American neorealism" and credited it with drawing him toward fiction filmmaking.<ref group="commentary" name="talkhouse_munch_alambrista_milestone">{{cite web|url=https://www.talkhouse.com/staunchly-independent-a-personal-remembrance-of-robert-m-young/#:~:text=I%20was%20deeply%20moved%20by%20Alambrista%21%27s%20realistic%20portrayal%20of%20a%20migrant%20farm%20worker%27s%20plight|title=Staunchly Independent: A Personal Remembrance of Robert M. Young|author=Munch, Christopher|publisher=Talkhouse|date=April 15, 2024|accessdate=22 May 2026}}</ref>
Young made his feature directorial debut with ''[[w:Short Eyes (film)|Short Eyes]]'' (1977), filmed in the Manhattan House of Detention for Men with a cast that included both professional actors and real-life prisoners.<ref group="external" name="thr_young_obit_short_eyes">{{cite web|url=https://www.hollywoodreporter.com/movies/movie-news/robert-m-young-dead-extremities-dominick-eugene-1235823595/#:~:text=Young%20made%20his%20feature%20directorial%20debut%20with%20Short%20Eyes%20%281977%29|title=Robert M. Young, 'Extremities' and 'Dominick and Eugene' Director, Dies at 99|author=Barnes, Mike|publisher=The Hollywood Reporter|date=February 13, 2024|accessdate=22 May 2026}}</ref> That same year he directed ''[[w:Alambrista!|¡Alambrista!]]'' (1977), a drama about undocumented Mexican immigrants that he also wrote and co-photographed; it won the inaugural [[w:Caméra d'Or|Caméra d'Or]] for best first film at the [[w:Cannes Film Festival|Cannes Film Festival]] and the best picture award at the [[w:San Sebastián International Film Festival|San Sebastián International Film Festival]].<ref group="external" name="criterion_alambrista_camera_dor">{{cite web|url=https://www.criterion.com/films/28101--alambrista#:~:text=winner%20of%20the%20Cannes%20Film%20Festival%27s%20inaugural%20Cam%C3%A9ra%20d%27Or|title=¡Alambrista! (1977)|publisher=The Criterion Collection|accessdate=22 May 2026}}</ref> Independent filmmaker [[w:Christopher Munch|Christopher Munch]], who first saw ''¡Alambrista!'' at a public library screening in 1978, described it as "a milestone of American neorealism" and credited it with drawing him toward fiction filmmaking.<ref group="commentary" name="talkhouse_munch_alambrista_milestone">{{cite web|url=https://www.talkhouse.com/staunchly-independent-a-personal-remembrance-of-robert-m-young/#:~:text=I%20was%20deeply%20moved%20by%20Alambrista%21%27s%20realistic%20portrayal%20of%20a%20migrant%20farm%20worker%27s%20plight|title=Staunchly Independent: A Personal Remembrance of Robert M. Young|author=Munch, Christopher|publisher=Talkhouse|date=April 15, 2024|accessdate=22 May 2026}}</ref>


''¡Alambrista!'' was the first of eight films Young made with actor [[w:Edward James Olmos|Edward James Olmos]]: ''[[w:The Ballad of Gregorio Cortez (film)|The Ballad of Gregorio Cortez]]'' (1982), ''Saving Grace'' (1986), ''[[w:Triumph of the Spirit|Triumph of the Spirit]]'' (1989), ''Talent for the Game'' (1991), ''[[w:Roosters (1993 film)|Roosters]]'' (1993), the television film ''Slave of Dreams'' (1995), and ''[[w:Caught (1996 film)|Caught]]'' (1996).<ref group="external" name="thr_young_obit_olmos_eight_films">{{cite web|url=https://www.hollywoodreporter.com/movies/movie-news/robert-m-young-dead-extremities-dominick-eugene-1235823595/#:~:text=The%20two%20then%20reteamed%20for%20The%20Ballad%20of%20Gregorio%20Cortez|title=Robert M. Young, 'Extremities' and 'Dominick and Eugene' Director, Dies at 99|author=Barnes, Mike|publisher=The Hollywood Reporter|date=February 13, 2024|accessdate=22 May 2026}}</ref> Olmos later described the directorial philosophy he learned from Young: "I always brought the aesthetic I brought from Bob. The aesthetic was simple. You don't romanticize. You don't glamorize. You don't exploit. You don't manipulate."<ref group="commentary" name="criterion_olmos_aesthetic_quote">{{cite web|url=https://www.criterion.com/current/posts/8385-the-independent-spirit-of-robert-m-young#:~:text=I%20always%20brought%20the%20aesthetic%20I%20brought%20from%20Bob.%20The%20aesthetic%20was%20simple.%20You%20don%27t%20romanticize|title=The Independent Spirit of Robert M. Young|author=Hudson, David|publisher=The Criterion Collection|date=February 2024|accessdate=22 May 2026}}</ref> Young also produced Olmos's directorial debut, ''[[w:American Me|American Me]]'' (1992).<ref group="external" name="thr_young_obit_american_me_producer">{{cite web|url=https://www.hollywoodreporter.com/movies/movie-news/robert-m-young-dead-extremities-dominick-eugene-1235823595/#:~:text=He%20also%20produced%20Olmos%27%20directorial%20debut%2C%20American%20Me|title=Robert M. Young, 'Extremities' and 'Dominick and Eugene' Director, Dies at 99|author=Barnes, Mike|publisher=The Hollywood Reporter|date=February 13, 2024|accessdate=22 May 2026}}</ref>
''¡Alambrista!'' was the first of eight films Young made with actor [[w:Edward James Olmos|Edward James Olmos]]: ''[[w:The Ballad of Gregorio Cortez (film)|The Ballad of Gregorio Cortez]]'' (1982), ''Saving Grace'' (1986), ''[[w:Triumph of the Spirit|Triumph of the Spirit]]'' (1989), ''Talent for the Game'' (1991), ''[[w:Roosters (1993 film)|Roosters]]'' (1993), the television film ''Slave of Dreams'' (1995), and ''[[w:Caught (1996 film)|Caught]]'' (1996).<ref group="external" name="thr_young_obit_olmos_eight_films">{{cite web|url=https://www.hollywoodreporter.com/movies/movie-news/robert-m-young-dead-extremities-dominick-eugene-1235823595/#:~:text=The%20two%20then%20reteamed%20for%20The%20Ballad%20of%20Gregorio%20Cortez|title=Robert M. Young, 'Extremities' and 'Dominick and Eugene' Director, Dies at 99|author=Barnes, Mike|publisher=The Hollywood Reporter|date=February 13, 2024|accessdate=22 May 2026}}</ref> Olmos later described the directorial philosophy he took from the collaboration: "I always brought the aesthetic I brought from Bob. The aesthetic was simple. You don't romanticize. You don't glamorize. You don't exploit. You don't manipulate."<ref group="commentary" name="criterion_olmos_aesthetic_quote">{{cite web|url=https://www.criterion.com/current/posts/8385-the-independent-spirit-of-robert-m-young#:~:text=I%20always%20brought%20the%20aesthetic%20I%20brought%20from%20Bob.%20The%20aesthetic%20was%20simple.%20You%20don%27t%20romanticize|title=The Independent Spirit of Robert M. Young|author=Hudson, David|publisher=The Criterion Collection|date=February 2024|accessdate=22 May 2026}}</ref> Young also produced Olmos's directorial debut, ''[[w:American Me|American Me]]'' (1992).<ref group="external" name="thr_young_obit_american_me_producer">{{cite web|url=https://www.hollywoodreporter.com/movies/movie-news/robert-m-young-dead-extremities-dominick-eugene-1235823595/#:~:text=He%20also%20produced%20Olmos%27%20directorial%20debut%2C%20American%20Me|title=Robert M. Young, 'Extremities' and 'Dominick and Eugene' Director, Dies at 99|author=Barnes, Mike|publisher=The Hollywood Reporter|date=February 13, 2024|accessdate=22 May 2026}}</ref>


His other theatrical features include ''[[w:Rich Kids (film)|Rich Kids]]'' (1979), ''[[w:One-Trick Pony (film)|One-Trick Pony]]'' (1980) with [[w:Paul Simon|Paul Simon]], ''[[w:Extremities (film)|Extremities]]'' (1986) with [[w:Farrah Fawcett|Farrah Fawcett]], ''[[w:Dominick and Eugene|Dominick and Eugene]]'' (1988) with [[w:Tom Hulce|Tom Hulce]] and [[w:Ray Liotta|Ray Liotta]], and ''Human Error'' (2004).<ref group="external" name="dga_young_visual_history_feature_list">{{cite web|url=https://www.dga.org/Craft/VisualHistory/Interviews/Robert-Young#:~:text=Young%27s%20feature%20film%20work%20includes%20Short%20Eyes%20%281977%29%2C%20Rich%20Kids%20%281979%29%2C%20One%20Trick%20Pony|title=Visual History with Robert Young|publisher=Directors Guild of America|accessdate=22 May 2026}}</ref> Three of his works entered the [[w:National Film Registry|Library of Congress National Film Registry]]: ''[[w:Nothing But a Man|Nothing But a Man]]'' (1964, co-written and photographed by Young, inducted 1993), ''The Ballad of Gregorio Cortez'' (inducted 2022), and ''¡Alambrista!'' (inducted 2023).<ref group="external" name="thr_young_obit_national_film_registry">{{cite web|url=https://www.hollywoodreporter.com/movies/movie-news/robert-m-young-dead-extremities-dominick-eugene-1235823595/#:~:text=Nothing%20But%20a%20Man%20was%20inducted%20into%20the%20Library%20of%20Congress%27%20National%20Film%20Registry%20in%201993%2C%20followed%20by%20Gregorio%20Cortez%20in%202022%20and%20Alambrista%21%20in%202023|title=Robert M. Young, 'Extremities' and 'Dominick and Eugene' Director, Dies at 99|author=Barnes, Mike|publisher=The Hollywood Reporter|date=February 13, 2024|accessdate=22 May 2026}}</ref>
His other theatrical features include ''[[w:Rich Kids (film)|Rich Kids]]'' (1979), ''[[w:One-Trick Pony (film)|One-Trick Pony]]'' (1980) with [[w:Paul Simon|Paul Simon]], ''[[w:Extremities (film)|Extremities]]'' (1986) with [[w:Farrah Fawcett|Farrah Fawcett]], ''[[w:Dominick and Eugene|Dominick and Eugene]]'' (1988) with [[w:Tom Hulce|Tom Hulce]] and [[w:Ray Liotta|Ray Liotta]], and ''Human Error'' (2004).<ref group="external" name="dga_young_visual_history_feature_list">{{cite web|url=https://www.dga.org/Craft/VisualHistory/Interviews/Robert-Young#:~:text=Young%27s%20feature%20film%20work%20includes%20Short%20Eyes%20%281977%29%2C%20Rich%20Kids%20%281979%29%2C%20One%20Trick%20Pony|title=Visual History with Robert Young|publisher=Directors Guild of America|accessdate=22 May 2026}}</ref> Three of his works entered the [[w:National Film Registry|Library of Congress National Film Registry]]: ''[[w:Nothing But a Man|Nothing But a Man]]'' (1964, co-written and photographed by Young, inducted 1993), ''The Ballad of Gregorio Cortez'' (inducted 2022), and ''¡Alambrista!'' (inducted 2023).<ref group="external" name="thr_young_obit_national_film_registry">{{cite web|url=https://www.hollywoodreporter.com/movies/movie-news/robert-m-young-dead-extremities-dominick-eugene-1235823595/#:~:text=Nothing%20But%20a%20Man%20was%20inducted%20into%20the%20Library%20of%20Congress%27%20National%20Film%20Registry%20in%201993%2C%20followed%20by%20Gregorio%20Cortez%20in%202022%20and%20Alambrista%21%20in%202023|title=Robert M. Young, 'Extremities' and 'Dominick and Eugene' Director, Dies at 99|author=Barnes, Mike|publisher=The Hollywood Reporter|date=February 13, 2024|accessdate=22 May 2026}}</ref>
Line 43: Line 43:
=== ''Battlestar Galactica'' ===
=== ''Battlestar Galactica'' ===


Young directed five episodes of the [[Re-imagined Series]] across four seasons between 2004 and 2009.<ref group="external" name="imdb_young_bsg_five_episodes">{{cite web|url=https://www.imdb.com/name/nm0950005/#:~:text=Battlestar%20Galactica|title=Robert M. Young|publisher=IMDb|accessdate=22 May 2026}}</ref> Executive producer [[Ronald D. Moore]] attributed Young's casting to his documentary background. On the podcast for "[[Final Cut]]", Moore explained: "Robert Young, who directed this episode and also directed last year's 'Six Degrees of Separation', is a noted documentarian. Has done many feature films and many actual documentaries in his day and will tell you fascinating stories about being with the Eskimos and living with them and doing all sorts of wild, crazy things — and it felt like a natural fit to have Robert do this, 'cause he understood what a documentarian was looking for and how the scene would be staged."<ref group="production" name="moore_podcast_final_cut_young_hire">{{cite podcast|url=https://en.battlestarwiki.org/Podcast:Final_Cut#:~:text=Robert%20Young%2C%20who%20directed%20this%20episode%20and%20also%20directed%20last%20year%27s%20%22Six%20Degrees%20of%20Separation%22%20is%20a%20noted%20documentarian|title=Podcast: Final Cut|publisher=BattlestarWiki / Ronald D. Moore|date=2005}}</ref>
Young directed five episodes of the [[Re-imagined Series]] across four seasons between 2004 and 2009.<ref group="external" name="imdb_young_bsg_five_episodes">{{cite web|url=https://www.imdb.com/name/nm0950005/#:~:text=Battlestar%20Galactica|title=Robert M. Young|publisher=IMDb|accessdate=22 May 2026}}</ref> Executive producer [[Ronald D. Moore]] attributed Young's casting to his documentary background. On the podcast for "[[Final Cut]]", Moore explained: "Robert Young, who directed this episode and also directed last year's 'Six Degrees of Separation', is a noted documentarian. Has done many feature films and many actual documentaries in his day and will tell you fascinating stories about being with the Eskimos and living with them and doing all sorts of wild, crazy things — and it felt like a natural fit to have Robert do this, 'cause he understood what a documentarian was looking for and how the scene would be staged."<ref group="production" name="moore_podcast_final_cut_young_hire">{{cite podcast|url=http://www.scifi.com/battlestar/downloads/podcast/mp3/208/bsg_ep208_2of5.mp3|title=Podcast: Final Cut (Act 1)|publisher=Sci Fi Channel / Ronald D. Moore|date=2005}}</ref>


For "[[Final Cut]]", Moore and Young agreed the episode should be shot in genuine documentary style, with a working cameraman rather than an actor operating the in-universe camera. Young held auditions, filming cameramen and actors handling a camera in live scenes and screening the results with Moore, before casting a working cameraman in the part.<ref group="production" name="moore_podcast_final_cut_cameraman_auditions">{{cite podcast|url=https://en.battlestarwiki.org/Podcast:Final_Cut#:~:text=Bob%20Young%20did%20tests-%20he%20got%20a%20bunch%20of%20ca-%20actors%20and%20cameramen%20and%20had%20them%20audition%20with%20the%20camera|title=Podcast: Final Cut|publisher=BattlestarWiki / Ronald D. Moore|date=2005}}</ref>
For "[[Final Cut]]", Moore required the episode to be shot in genuine documentary style, with a working cameraman rather than an actor operating the in-universe camera. Young held auditions, filming cameramen and actors handling a camera in live scenes and screening the results with Moore, before casting a working cameraman in the part.<ref group="production" name="moore_podcast_final_cut_cameraman_auditions">{{cite podcast|url=http://www.scifi.com/battlestar/downloads/podcast/mp3/208/bsg_ep208_2of5.mp3|title=Podcast: Final Cut (Act 1)|publisher=Sci Fi Channel / Ronald D. Moore|date=2005}}</ref>


For "[[Unfinished Business]]", Moore recalled visiting the hangar deck set during production: "I remember coming down to the set when Bob was shooting this — and walking to the hangar deck and really hoping that I was gonna feel like I'd walked into a boxing match. And when I walked in there it was just like — it felt so perfect. And the way everybody was hanging out around the boxing set — felt authentic." Moore described Young as "a remarkable human being and just an amazing man," adding that he had "really put 'em on the map, in a certain way."<ref group="production" name="moore_podcast_unfinished_business_young_hangar">{{cite podcast|url=https://en.battlestarwiki.org/Podcast:Unfinished_Business#:~:text=I%20remember%20coming%20down%20to%20the%20set%20when%20Bob%20was%20shooting%20this|title=Podcast: Unfinished Business|publisher=BattlestarWiki / Ronald D. Moore|date=2006}}</ref> [[w:Edward James Olmos|Edward James Olmos]], who had worked with Young on eight feature films, cited "Unfinished Business" as one of his most memorable episodes: "The reason I liked this one so much was because, one I got to work with Robert Young, who I have admired and love to watch him work, with actors."<ref group="production" name="olmos_ejo_unfinished_business_scifiworld">{{cite web|url=https://www.thescifiworld.net/interviews/bodie_olmos_01.htm#:~:text=My%20most%20memorable%2C%20was%20probably%2C%20Unfinished%20Business|title=Bodie Olmos interview — Hot Dog Battlestar Galactica|author=Nuytens, Gilles|publisher=The Scifi World|date=January 20, 2007|accessdate=22 May 2026}}</ref>
For "[[Unfinished Business]]", Moore recalled visiting the hangar deck set during production: "I remember coming down to the set when Bob was shooting this — and walking to the hangar deck and really hoping that I was gonna feel like I'd walked into a boxing match. And when I walked in there it was just like — it felt so perfect. And the way everybody was hanging out around the boxing set — felt authentic." Moore described Young as "a remarkable human being and just an amazing man," adding that he had "really put 'em on the map, in a certain way" when it came to documentary filmmaking.<ref group="production" name="moore_podcast_unfinished_business_young_hangar">{{cite podcast|url=http://www.scifi.com/battlestar/downloads/podcast/mp3/309/bsg_ep309_1of5.mp3|title=Podcast: Unfinished Business (Tease)|publisher=Sci Fi Channel / Ronald D. Moore|date=2006}}</ref> [[w:Edward James Olmos|Edward James Olmos]], who had worked with Young on eight feature films, cited "Unfinished Business" as one of his most memorable episodes: "The reason I liked this one so much was because, one I got to work with Robert Young, who I have admired and love to watch him work, with actors."<ref group="production" name="olmos_ejo_unfinished_business_scifiworld">{{cite web|url=https://www.thescifiworld.net/interviews/bodie_olmos_01.htm#:~:text=My%20most%20memorable%2C%20was%20probably%2C%20Unfinished%20Business|title=Bodie Olmos interview — Hot Dog Battlestar Galactica|author=Nuytens, Gilles|publisher=The Scifi World|date=January 20, 2007|accessdate=22 May 2026}}</ref>


For "[[The Son Also Rises]]", Young objected to the cat written into the role of defense attorney [[Romo Lampkin]], pressing Moore repeatedly to cut the animal from the script. Moore's wife Terry noted on the podcast that one should never shoot with a cat; Moore kept the cat regardless.<ref group="production" name="moore_podcast_son_also_rises_cat">{{cite podcast|url=https://en.battlestarwiki.org/Podcast:The_Son_Also_Rises#:~:text=Bob%20Young%2C%20who%20directed%20this%20episode%2C%20however%2C%20hated%20the%20cat|title=Podcast: The Son Also Rises|publisher=BattlestarWiki / Ronald D. Moore|date=2007}}</ref>
For "[[The Son Also Rises]]", Young objected to a scripted element: defense attorney [[Romo Lampkin]] was written to carry a cat throughout the episode, and Young repeatedly pressed Moore to cut the animal. Moore's wife Terry noted on the podcast that one should never shoot with a cat; Moore kept the cat regardless.<ref group="production" name="moore_podcast_son_also_rises_cat">{{cite podcast|url=http://www.scifi.com/battlestar/downloads/podcast/mp3/318/bsg_ep318_2of5.mp3|title=Podcast: The Son Also Rises|publisher=Sci Fi Channel / Ronald D. Moore|date=2007}}</ref>


For "[[Deadlock]]", Moore noted that the director's cut needed very little adjustment: "Bob Young directed this episode and he has just a natural feel for where the drama in the scene is. He shoots everything from the psychological standpoint — meaning, going to where the emotion is and where the intention is of a scene or a character — and you can just feel, as we go through it, it's pretty much a seamless piece."<ref group="production" name="moore_podcast_deadlock_young_instincts">{{cite podcast|url=https://en.battlestarwiki.org/Podcast:Deadlock#:~:text=Bob%20Young%20directed%20this%20episode%20and%20he%20has-%20just%20a%20natural%20feel%20for%20where%20the%20drama%20in%20the%20scene%20is|title=Podcast: Deadlock|publisher=BattlestarWiki / Ronald D. Moore|date=2009}}</ref>
For "[[Deadlock]]", Moore noted that the director's cut came in with very few notes from either the production office or the network: "Bob Young directed this episode and he has just a natural feel for where the drama in the scene is. He shoots everything from the psychological standpoint — meaning, going to where the emotion is and where the intention is of a scene or a character — and you can just feel, as we go through it, it's pretty much a seamless piece."<ref group="production" name="moore_podcast_deadlock_young_instincts">{{cite podcast|url=http://www.scifi.com/battlestar/downloads/podcast/mp3/418/bsg_ep418_1of5.mp3|title=Podcast: Deadlock|publisher=Sci Fi Channel / Ronald D. Moore|date=2009}}</ref>


==== Director credits for ''Battlestar Galactica'' ====
==== Director credits for ''Battlestar Galactica'' ====
Line 69: Line 69:
== Personal life ==
== Personal life ==


Young was born in the Bronx and raised on [[w:Long Island|Long Island]].<ref group="external" name="thr_young_obit_bronx_long_island">{{cite web|url=https://www.hollywoodreporter.com/movies/movie-news/robert-m-young-dead-extremities-dominick-eugene-1235823595/#:~:text=Robert%20Milton%20Young%20was%20born%20in%20the%20Bronx%20on%20Nov.%2022%2C%201924%2C%20and%20raised%20on%20Long%20Island|title=Robert M. Young, 'Extremities' and 'Dominick and Eugene' Director, Dies at 99|author=Barnes, Mike|publisher=The Hollywood Reporter|date=February 13, 2024|accessdate=22 May 2026}}</ref> He was married to Lili Partridge from 1975 until his death.<ref group="external" name="imdb_young_spouse_lili">{{cite web|url=https://www.imdb.com/name/nm0950005/#:~:text=Lili%20Partridge|title=Robert M. Young|publisher=IMDb|accessdate=22 May 2026}}</ref> His son Andrew Young is also a filmmaker. On his father's death, Andrew stated that Young had given him his first camera and his first job on a film set, describing him as "a rebel in the industry who made the films he dreamed of and lived the life he wanted, whether it was trekking through the Congo, swimming with sharks or plumbing the depths of the human experience."<ref group="external" name="thr_young_obit_andrew_statement">{{cite web|url=https://www.hollywoodreporter.com/movies/movie-news/robert-m-young-dead-extremities-dominick-eugene-1235823595/#:~:text=%22He%20gave%20me%20my%20first%20camera%2C%20my%20first%20job%20on%20set%2C%20and%20inspired%20me%20to%20go%20out%20and%20tell%20my%20own%20stories%22|title=Robert M. Young, 'Extremities' and 'Dominick and Eugene' Director, Dies at 99|author=Barnes, Mike|publisher=The Hollywood Reporter|date=February 13, 2024|accessdate=22 May 2026}}</ref> His younger brother, [[w:Irwin Young|Irwin Young]], who produced ''Nothing But a Man'' and ''¡Alambrista!'' and ran DuArt Film Laboratories, died in 2022.<ref group="external" name="thr_young_obit_irwin_brother">{{cite web|url=https://www.hollywoodreporter.com/movies/movie-news/robert-m-young-dead-extremities-dominick-eugene-1235823595/#:~:text=His%20younger%20brother%2C%20Irwin%20Young%2C%20who%20produced%20Nothing%20but%20a%20Man%20and%20Alambrista%21%2C%20died%20in%202022|title=Robert M. Young, 'Extremities' and 'Dominick and Eugene' Director, Dies at 99|author=Barnes, Mike|publisher=The Hollywood Reporter|date=February 13, 2024|accessdate=22 May 2026}}</ref>
Young was born in the Bronx and raised on [[w:Long Island|Long Island]].<ref group="external" name="thr_young_obit_bronx_long_island">{{cite web|url=https://www.hollywoodreporter.com/movies/movie-news/robert-m-young-dead-extremities-dominick-eugene-1235823595/#:~:text=Robert%20Milton%20Young%20was%20born%20in%20the%20Bronx%20on%20Nov.%2022%2C%201924%2C%20and%20raised%20on%20Long%20Island|title=Robert M. Young, 'Extremities' and 'Dominick and Eugene' Director, Dies at 99|author=Barnes, Mike|publisher=The Hollywood Reporter|date=February 13, 2024|accessdate=22 May 2026}}</ref> He was married to Lili Partridge from 1975 until his death.<ref group="external" name="imdb_young_spouse_lili">{{cite web|url=https://www.imdb.com/name/nm0950005/#:~:text=Lili%20Partridge|title=Robert M. Young|publisher=IMDb|accessdate=22 May 2026}}</ref> His son Andrew Young is also a filmmaker. On his father's death, Andrew stated that Young had given him his first camera and his first job on a film set, describing him as "a rebel in the industry who made the films he dreamed of and lived the life he wanted, whether it was trekking through the Congo, swimming with sharks or plumbing the depths of the human experience."<ref group="external" name="thr_young_obit_andrew_statement">{{cite web|url=https://www.hollywoodreporter.com/movies/movie-news/robert-m-young-dead-extremities-dominick-eugene-1235823595/#:~:text=%22He%20gave%20me%20my%20first%20camera%2C%20my%20first%20job%20on%20set%2C%20and%20inspired%20me%20to%20go%20out%20and%20tell%20my%20own%20stories%22|title=Robert M. Young, 'Extremities' and 'Dominick and Eugene' Director, Dies at 99|author=Barnes, Mike|publisher=The Hollywood Reporter|date=February 13, 2024|accessdate=22 May 2026}}</ref> His younger brother, [[w:Irwin Young|Irwin Young]], who produced ''Nothing But a Man'' and ''¡Alambrista!'' and for decades ran DuArt Film Laboratories, died in 2022.<ref group="external" name="thr_young_obit_irwin_brother">{{cite web|url=https://www.hollywoodreporter.com/movies/movie-news/robert-m-young-dead-extremities-dominick-eugene-1235823595/#:~:text=His%20younger%20brother%2C%20Irwin%20Young%2C%20who%20produced%20Nothing%20but%20a%20Man%20and%20Alambrista%21%2C%20died%20in%202022|title=Robert M. Young, 'Extremities' and 'Dominick and Eugene' Director, Dies at 99|author=Barnes, Mike|publisher=The Hollywood Reporter|date=February 13, 2024|accessdate=22 May 2026}}</ref>


Young died on February 6, 2024, in Los Angeles, at the age of 99.<ref group="external" name="deadline_young_obit_death_date">{{cite web|url=https://deadline.com/2024/02/robert-m-young-dead-independent-film-director-was-99-obituary-1235821091/#:~:text=died%20Tuesday%20in%20Los%20Angeles|title=Robert M. Young Dies: Groundbreaking Independent Film Director, Camera d'Or And Peabody Award Winner Was 99|publisher=Deadline Hollywood|date=February 9, 2024|accessdate=22 May 2026}}</ref><ref group="footnotes" name="death_date_nyt_discrepancy">The ''New York Times'' obituary ("Robert M. Young, Filmmaker Who Indulged His Wanderlust, Dies at 99," March 1, 2024) gives the date of death as February 4, 2024. All other major obituaries — ''The Hollywood Reporter'', ''Deadline'', and ''IndieWire'' — as well as the announcement by his son Andrew Young, give February 6, 2024. This article uses the family-confirmed date.</ref>
Young died on February 6, 2024, in Los Angeles, at the age of 99.<ref group="external" name="deadline_young_obit_death_date">{{cite web|url=https://deadline.com/2024/02/robert-m-young-dead-independent-film-director-was-99-obituary-1235821091/#:~:text=died%20Tuesday%20in%20Los%20Angeles|title=Robert M. Young Dies: Groundbreaking Independent Film Director, Camera d'Or And Peabody Award Winner Was 99|publisher=Deadline Hollywood|date=February 9, 2024|accessdate=22 May 2026}}</ref><ref group="footnotes" name="death_date_nyt_discrepancy">The ''New York Times'' obituary ("Robert M. Young, Filmmaker Who Indulged His Wanderlust, Dies at 99," March 1, 2024) gives the date of death as February 4, 2024. All other major obituaries — ''The Hollywood Reporter'', ''Deadline'', and ''IndieWire'' — as well as the announcement by his son Andrew Young, give February 6, 2024. This article uses the family-confirmed date.</ref>

To protect the wiki against automated edit spam, please solve the following captcha:

Cancel Editing help (opens in new window)

  [] · [[]] · [[|]] · {{}} · · “” ‘’ «» ‹› „“ ‚‘ · ~ | ° &nbsp; · ± × ÷ ² ³ ½ · §
     [[Category:]] · [[:File:]] · [[Special:MyLanguage/]] · <code></code> · <nowiki></nowiki> <code><nowiki></nowiki></code> · <syntaxhighlight></syntaxhighlight> · <includeonly></includeonly> · <noinclude></noinclude> · #REDIRECT[[]] · <translate></translate> · <languages/> · {{#translation:}} · <tvar|></> · {{DEFAULTSORT:}} · <categorytree></categorytree> · <div style="clear:both;"></div> <s></s>


Your changes will be visible immediately.
  • For testing, please use the sandbox instead.
  • On talk pages, please sign your comment by typing four tildes (~~~~).