Editing Razor
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**This bears a passing semblance to a poem by Japanese [[Wikipedia:Isoroku Yamamoto|Admiral Isoroku Yamamoto]]: "I am still the sword/Of my Emperor/I will not be sheathed/Until I die." Admiral Yamamoto knew about America, Americans and their potential from his time as a student at Harvard and as a naval attaché in Washington, DC. Despite misgivings about declaring war on America, he served his Emperor and planned the attack on Pearl Harbor. | **This bears a passing semblance to a poem by Japanese [[Wikipedia:Isoroku Yamamoto|Admiral Isoroku Yamamoto]]: "I am still the sword/Of my Emperor/I will not be sheathed/Until I die." Admiral Yamamoto knew about America, Americans and their potential from his time as a student at Harvard and as a naval attaché in Washington, DC. Despite misgivings about declaring war on America, he served his Emperor and planned the attack on Pearl Harbor. | ||
**A razor is a physically present symbol throughout the episode in the form of a folding knife, which Cain found as a child when her home colony was attacked by the Cylons. She used it to overcome her fear of a Centurion and kept it over the decades. After Cain's death, the blade passes to Kendra Shaw and eventually to Kara Thrace. It appears several times in the episode, and is used by Cain to explain the concept of becoming a razor to Shaw. | **A razor is a physically present symbol throughout the episode in the form of a folding knife, which Cain found as a child when her home colony was attacked by the Cylons. She used it to overcome her fear of a Centurion and kept it over the decades. After Cain's death, the blade passes to Kendra Shaw and eventually to Kara Thrace. It appears several times in the episode, and is used by Cain to explain the concept of becoming a razor to Shaw. | ||
*The woman shot by Shaw could have been [[Peter Laird]]'s wife, given the pan shot from his expression as he looks at the bodies, to the dead woman's face. His evasiveness when asked about the rumors circulating about the ''Scylla'' in the episode "[[Pegasus (episode)|Pegasus]]" would support this. His reaction to the woman's execution, however, can be taken one of two ways. He was either a man in complete shock of witnessing his wife's death or a man who was horrified from what he didn't believe was possible of Colonial military. Laird never mentions a wife explicitly, but Fisk implies he had family aboard the ''Scylla'' | *The woman shot by Shaw could have been [[Peter Laird]]'s wife, given the pan shot from his expression as he looks at the bodies, to the dead woman's face. His evasiveness when asked about the rumors circulating about the ''Scylla'' in the episode "[[Pegasus (episode)|Pegasus]]" would support this. His reaction to the woman's execution, however, can be taken one of two ways. He was either a man in complete shock of witnessing his wife's death or a man who was horrified from what he didn't believe was possible of Colonial military. Laird never mentions a wife explicitly, but Fisk implies he had family aboard the ''Scylla'' ([[Pegasus (episode)|Pegasus]]). | ||
=== Characters === | === Characters === | ||
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*Although she may have sacrificed herself in atonement, Kendra Shaw ended her life as a razor, casting aside fear and self-preservation to stay behind and die to complete her mission, echoing Admiral Cain's observation that "sometimes we have to leave people behind so that we can go on, so that we can continue to fight. Sometimes you have to do things that we never thought we were capable of ..." When she arrives on ''Pegasus'', she is regarded as an opportunist, but in the end she is quite the opposite. | *Although she may have sacrificed herself in atonement, Kendra Shaw ended her life as a razor, casting aside fear and self-preservation to stay behind and die to complete her mission, echoing Admiral Cain's observation that "sometimes we have to leave people behind so that we can go on, so that we can continue to fight. Sometimes you have to do things that we never thought we were capable of ..." When she arrives on ''Pegasus'', she is regarded as an opportunist, but in the end she is quite the opposite. | ||
*Kendra Shaw's death marks the final transition from Cain's legacy to Admiral Adama's. Shaw was the last of Cain's inner circle. She was one of the officers who had Cain's utmost respect and trust. Her death signifies the complete replacement of ''Pegasus'''s original leadership and opens up the merging of the two battlestar crews. | *Kendra Shaw's death marks the final transition from Cain's legacy to Admiral Adama's. Shaw was the last of Cain's inner circle. She was one of the officers who had Cain's utmost respect and trust. Her death signifies the complete replacement of ''Pegasus'''s original leadership and opens up the merging of the two battlestar crews. | ||
*Admiral Cain suggests that Kendra Shaw used her mother's connections to secure an upwardly-mobile assignment on ''Pegasus'' — an ironic criticism, since then-Commander William Adama mentions to President Roslin how well-connected Cain is, helping her jump over half the commanders list for promotion to admiral | *Admiral Cain suggests that Kendra Shaw used her mother's connections to secure an upwardly-mobile assignment on ''Pegasus'' — an ironic criticism, since then-Commander William Adama mentions to President Roslin how well-connected Cain is, helping her jump over half the commanders list for promotion to admiral ([[Pegasus (episode)|Pegasus]]). | ||
*Both Shaw and Thrace have been noticed and mentored by Admiral Cain. In this respect, the friction between the two takes on aspects of sibling rivalry. | *Both Shaw and Thrace have been noticed and mentored by Admiral Cain. In this respect, the friction between the two takes on aspects of sibling rivalry. | ||
*Based on the restored scenes on the "Razor" DVD, Admiral Cain's past plays a huge role in how she approached the second Cylon War. As a child, Cain abandoned her little sister in order to hide from Centurions. Though this scene of a young Cain is mixed in Cain's speech of the need to leave some behind in order to go on fighting, it implies a sense of guilt on Cain's part for having abandoned her sister to the Cylons. Her entire rationale in actively fighting the Cylons and not running portrays a need for her to take a stand and fight. She had a need to stop running. | *Based on the restored scenes on the "Razor" DVD, Admiral Cain's past plays a huge role in how she approached the second Cylon War. As a child, Cain abandoned her little sister in order to hide from Centurions. Though this scene of a young Cain is mixed in Cain's speech of the need to leave some behind in order to go on fighting, it implies a sense of guilt on Cain's part for having abandoned her sister to the Cylons. Her entire rationale in actively fighting the Cylons and not running portrays a need for her to take a stand and fight. She had a need to stop running. | ||