Toggle menu
Toggle preferences menu
Toggle personal menu
Not logged in
Your IP address will be publicly visible if you make any edits.

Editing Rapture

From the only original and legitimate Battlestar Wiki: the free-as-in-beer, non-corporate, open-content encyclopedia, analytical reference, and episode guide on all things Battlestar Galactica. Accept neither subpar substitutes nor subpar clones.
Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.
The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then publish the changes below to finish undoing the edit.
Latest revision Your text
Line 83: Line 83:
*Samuel Anders and Kara Thrace reunite. Lee Adama and Dualla, each on opposite sides of Thrace and Anders, see this as well. Adama moves to embrace his wife.  Thrace and Adama's eyes meet over the shoulders of their spouses. Sharon and Caprica-Six arrive as well and Colonel Tigh orders Caprica-Six taken to the brig while Helo and Sharon take Hera to see Doctor Cottle for treatment.
*Samuel Anders and Kara Thrace reunite. Lee Adama and Dualla, each on opposite sides of Thrace and Anders, see this as well. Adama moves to embrace his wife.  Thrace and Adama's eyes meet over the shoulders of their spouses. Sharon and Caprica-Six arrive as well and Colonel Tigh orders Caprica-Six taken to the brig while Helo and Sharon take Hera to see Doctor Cottle for treatment.
*In a briefing, Tyrol, Lieutenant [[Felix Gaeta|Gaeta]], Roslin, Admiral Adama and Helo analyze the new supernova and compare it to the Temple's mandala, realizing that the [[Thirteenth Tribe (RDM)|Thirteenth Tribe]] must have wanted anyone who followed after them to look for this mandala, or specifically, another supernova. Gaeta finds the remains of a similar supernova 13,000 light years away, in a cloud of gas know as the [[Ionian nebula]].
*In a briefing, Tyrol, Lieutenant [[Felix Gaeta|Gaeta]], Roslin, Admiral Adama and Helo analyze the new supernova and compare it to the Temple's mandala, realizing that the [[Thirteenth Tribe (RDM)|Thirteenth Tribe]] must have wanted anyone who followed after them to look for this mandala, or specifically, another supernova. Gaeta finds the remains of a similar supernova 13,000 light years away, in a cloud of gas know as the [[Ionian nebula]].
*Helo is fascinated by a picture of the temple's mandala. He makes his way to Kara Thrace's quarters and asks if she had any photos of her old apartment on [[Caprica (RDM)|Caprica]].
*Helo is fascinated by a picture of the temple's mandala. He makes his way to Kara Thrace's quarters and asks if she had any photos of her old apartment on [[The Twelve Colonies of Kobol#Caprica|Caprica]].
*He finds a painting that Thrace had made on one of her apartment's walls. It is very similar to the temple's mandala, which was created 4,000 years before.
*He finds a painting that Thrace had made on one of her apartment's walls. It is very similar to the temple's mandala, which was created 4,000 years before.
*When Thrace sees this, her mood darkens. She tells Helo that she had doodled this symbol often as child because she liked the patterns, having no prior source for the symbol. She relates something that a [[Leoben Conoy|Leoben]] Cylon told her [[Flesh and Bone|over a year before]]: Thrace had a [[Maelstrom|destiny]], and, according to Leoben, it was already pre-written.
*When Thrace sees this, her mood darkens. She tells Helo that she had doodled this symbol often as child because she liked the patterns, having no prior source for the symbol. She relates something that a [[Leoben Conoy|Leoben]] Cylon told her [[Flesh and Bone|over a year before]]: Thrace had a [[Maelstrom|destiny]], and, according to Leoben, it was already pre-written.
Line 147: Line 147:


* ''Information from the [[Podcast:Rapture|podcast]]:''
* ''Information from the [[Podcast:Rapture|podcast]]:''
{{Quote
** "We had talked a lot about what this moment was, in terms of how did the mes— how did they— how does she see the final five and what is the message that is left to ''Galactica'' and the Colonials about where Earth is. At first we went out of our way to avoid doing the well of lost souls, which is— y'know you're standing in the well of souls and— [[w:Indiana Jones|Indiana Jones]] in the first ''[[w:Raiders of the Lost Ark|Raiders of the Lost Ark]]'' movie, and the sun comes in a certain position and the light shines in. And we tried various versions of all kinds of tech things happened with the supernova that sent messengers or sent arrows and— not literal arrows, but metaphorical light beams in a certain direction— and ultimately, in the cut, we said "No, it's the well of souls." The light comes in, and the light shines down and it takes you to a certain spot. 'Cause it works. And that's what you go with." <ref>{{cite_rdm_podcast|episode=Rapture|act=3|id=wellofsouls|timestamp=|totalrunning=43:18}}</ref>
| context = [[Ronald D. Moore]] on the "well of souls" concept in the Temple of Five:
** "Here's— I like this little bit of business with Baltar's body coming back in a body bag, which I believe was— if I'm not mistaken— was something they made up on the set. Michael Rymer and James came up with this whole thing about hiding him in the body bag, and I heard about this afterward, in fact, I got a call from the studio, from Todd Sharp, who's the head of production at Universal, (laughs) called me and said "Are you aware that Baltar comes back to ''Galactica'' in a body bag?" And I said "Yeah! Yeah! Yeah, that was a co— Yeah. Yeah, we talked about that, it was a complicated decision. And we'll talk about that more later.," and then I hung up on him. "Baltar comes back— what the fuck are they doing down on the set!?" And then I called Rymer, and "WHAT?!?," and he said— he explained it to me, and I said "Oh. Well that's smart." (laughs) Sometimes you just have to let— you have to be— you have to be willing to let them be smart, because they come up with some really nice stuff, and that was a really nice way of getting Baltar back aboard ''Galactica'' without having to play a whole big thing of hoopla, of bringing him back in chains or something."<ref>{{cite_rdm_podcast|episode=Rapture|act=4|id=bodybag|timestamp=|totalrunning=43:18}}</ref>
| text = "We had talked a lot about what this moment was, in terms of how did the mes— how did they— how does she see the final five and what is the message that is left to ''Galactica'' and the Colonials about where Earth is. At first we went out of our way to avoid doing the well of lost souls, which is— y'know you're standing in the well of souls and— [[w:Indiana Jones|Indiana Jones]] in the first ''[[w:Raiders of the Lost Ark|Raiders of the Lost Ark]]'' movie, and the sun comes in a certain position and the light shines in. And we tried various versions of all kinds of tech things happened with the supernova that sent messengers or sent arrows and— not literal arrows, but metaphorical light beams in a certain direction— and ultimately, in the cut, we said "No, it's the well of souls." The light comes in, and the light shines down and it takes you to a certain spot. 'Cause it works. And that's what you go with."
| sign = [[Ronald D. Moore]]
| source = <ref>{{cite_rdm_podcast|episode=Rapture|act=3|id=wellofsouls|timestamp=|totalrunning=43:18}}</ref>
}}


{{Quote
* ''[[Kandyse McClure]] on her scenes with [[Katee Sackhoff]]:''
| context = Ronald D. Moore on Gaius Baltar returning to ''Galactica'' in a body bag:
| text = "Here's— I like this little bit of business with Baltar's body coming back in a body bag, which I believe was— if I'm not mistaken— was something they made up on the set. Michael Rymer and James came up with this whole thing about hiding him in the body bag, and I heard about this afterward, in fact, I got a call from the studio, from Todd Sharp, who's the head of production at Universal, ''(laughs)'' called me and said "Are you aware that Baltar comes back to ''Galactica'' in a body bag?" And I said "Yeah! Yeah! Yeah, that was a co— Yeah. Yeah, we talked about that, it was a complicated decision. And we'll talk about that more later.," and then I hung up on him. "Baltar comes back— what the fuck are they doing down on the set!?" And then I called Rymer, and "WHAT?!?," and he said— he explained it to me, and I said "Oh. Well that's smart." ''(laughs)'' Sometimes you just have to let— you have to be— you have to be willing to let them be smart, because they come up with some really nice stuff, and that was a really nice way of getting Baltar back aboard ''Galactica'' without having to play a whole big thing of hoopla, of bringing him back in chains or something."
| sign = [[Ronald D. Moore]]
| source = <ref>{{cite_rdm_podcast|episode=Rapture|act=4|id=bodybag|timestamp=|totalrunning=43:18}}</ref>
}}


{{Quote
: I loved that episode too! I have a great deal of respect for Katee and her work. I was really excited for the opportunity to finally get a real meaty scene with her. Contrary to what the scene is about, there was actually a lot of laughing going on… Katee is hysterical! We definitely don’t let what’s going on in the writing affect the quality of our work environment.<ref>{{cite_web|url=http://community.livejournal.com/battlestar_blog/854094.html|title=battlestar_blog: The CIC's #1 Girl|date=27 February 2008|accessdate=27 February 2008|last=Gould|first=Grant|format=|language=}}</ref>
| context = [[Kandyse McClure]] on her scenes with [[Katee Sackhoff]]:
| text = "I loved that episode too! I have a great deal of respect for Katee and her work. I was really excited for the opportunity to finally get a real meaty scene with her. Contrary to what the scene is about, there was actually a lot of laughing going on… Katee is hysterical! We definitely don’t let what’s going on in the writing affect the quality of our work environment."
| sign = [[Kandyse McClure]]
| source = <ref>{{cite_web|url=http://community.livejournal.com/battlestar_blog/854094.html|title=battlestar_blog: The CIC's #1 Girl|date=2008-02-27|accessdate=2008-02-27|last=Gould|first=Grant}}</ref>
}}


== Noteworthy Dialogue ==
== Noteworthy Dialogue ==

To protect the wiki against automated edit spam, please solve the following captcha:

Cancel Editing help (opens in new window)

  [] · [[]] · [[|]] · {{}} · · “” ‘’ «» ‹› „“ ‚‘ · ~ | ° &nbsp; · ± × ÷ ² ³ ½ · §
     [[Category:]] · [[:File:]] · [[Special:MyLanguage/]] · <code></code> · <nowiki></nowiki> <code><nowiki></nowiki></code> · <syntaxhighlight></syntaxhighlight> · <includeonly></includeonly> · <noinclude></noinclude> · #REDIRECT[[]] · <translate></translate> · <languages/> · {{#translation:}} · <tvar|></> · {{DEFAULTSORT:}} · <categorytree></categorytree> · <div style="clear:both;"></div> <s></s>


Your changes will be visible immediately.
  • For testing, please use the sandbox instead.
  • On talk pages, please sign your comment by typing four tildes (~~~~).