Editing Podcast:The Battlestar Roundtable
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{{podcast | {{podcast|author=Madbrood|emailAuthor2=,[http://en.battlestarwiki.org/wiki/Special:Emailuser/Kahran Kahran], [http://en.battlestarwiki.org/wiki/Special:Emailuser/Steelviper Steelviper],|suffix=s|additionalCopyright=, Jamie Bamber, James Callis, Harry Wells, Terry Dresbach, Tahmoh Penikett, and Mark Sheppard}} | ||
==Introduction== | ==Introduction== | ||
'''Ronald D. Moore''': Hello and welcome to a very special podcast. I'm | '''Ronald D. Moore''': Hello and welcome to a very special podcast. I'm Ronald D. Moore, executive producer and developer of the new [[Battlestar Galactica (RDM)|Battlestar Galactica]], and tonight we're going to feature a round-table discussion of the show, with | ||
some special guests here at the apartment in Vancouver. And we'll go round the table, and introduce everyone who's here tonight. | some special guests here at the apartment in Vancouver. And we'll go round the table, and introduce everyone who's here tonight. | ||
'''Jamie Bamber''': Hi, I'm | '''Jamie Bamber''': Hi, I'm Jamie Bamber, at Ron and Terry's house, and I'm drinking fine scotch. | ||
'''James Callis''': Um, I'm | '''James Callis''': Um, I'm James Callis, who plays [[Gaius Baltar]]. I'm also here in Ron and Terry's lovely place, and we're gonna discuss the, uh, the season. | ||
'''Harry Wells''': Hi, I'm Harry Wells, I'm completely random... friend of Jamie Bamber's from school! So, uh... | '''Harry Wells''': Hi, I'm Harry Wells, I'm completely random... friend of Jamie Bamber's from school! So, uh... | ||
| Line 16: | Line 16: | ||
'''Wells''': (laughs) There you go. | '''Wells''': (laughs) There you go. | ||
''' | '''Tamoh Penikett''': Hi, I'm Tamoh Penikett, and uh, I play [[Helo]], and I'm also drinking fine scotch... | ||
'''Mrs. Ron''': Like, like... like they don't know who you guys play! You guys are modest, they're very modest. Okay! | '''Mrs. Ron''': Like, like... like they don't know who you guys play! You guys are modest, they're very modest. Okay! | ||
'''Mark Sheppard''': I'm | '''Mark Sheppard''': I'm Mark Sheppard... | ||
'''Bamber''': Wha... who's he? I've been wondering who you are all night... | '''Bamber''': Wha... who's he? I've been wondering who you are all night... | ||
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'''Crosstalk''' | '''Crosstalk''' | ||
'''Penikett''': | '''Penikett''': [...] every story I'd always tell right, every time I came in to see everybody because I'd be working on location I'd have somebody ask me what I was doing, or where I was going... | ||
'''Bamber''': How was it in the rain on Tuesday? | '''Bamber''': How was it in the rain on Tuesday? | ||
'''Penikett''': | '''Penikett''': ...They didn't even see the show, they'd be like extras tent, this way buddy, where are you going? Who are you? Who is this guy? | ||
'''Bamber''': Can I help you? | '''Bamber''': Can I help you? | ||
| Line 87: | Line 87: | ||
'''RDM''': So how was it when you saw the show complete, when you saw your part in it? Because you didn't see the - you read the scripts obviously but you didn't see the rest of it. | '''RDM''': So how was it when you saw the show complete, when you saw your part in it? Because you didn't see the - you read the scripts obviously but you didn't see the rest of it. | ||
'''Penikett''': I didn't see the rest of it | '''Penikett''': I didn't see the rest of it... | ||
'''RDM''': | '''RDM''': ...Until it was on the air. | ||
'''Penikett''': Yeah, I mean when I saw the finished product I was, I was happy, I thought it was great. | '''Penikett''': Yeah, I mean when I saw the finished product I was, I was happy, I thought it was great. | ||
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'''RDM''': Was it what you imagined it to be? | '''RDM''': Was it what you imagined it to be? | ||
'''Penikett''': You know what, its always different, some episodes where but I think sometimes when we had a lot of the Cylon stuff, a lot of the CGI stuff that was imagined, the way I perceived it, it actually a lot of the times it ended up a lot better. I was really impressed, I remember the one episode we did, I think it was five I can't remember the title, but you know the restaurant | '''Penikett''': You know what, its always different, some episodes where but I think sometimes when we had a lot of the Cylon stuff, a lot of the CGI stuff that was imagined, the way I perceived it, it actually a lot of the times it ended up a lot better. I was really impressed, I remember the one episode we did, I think it was five I can't remember the title, but you know the restaurant... | ||
'''RDM''': | '''RDM''': ...Home Again, [[You Can't Go Home Again]]. | ||
'''Penikett''': Okay, yeah so I'm inside and I'm making the toast or what have you when the Cylon comes in, and it's one of my | '''Penikett''': Okay, yeah so I'm inside and I'm making the toast or what have you when the Cylon comes in, and it's one of my favourites... | ||
'''RDM''': | '''RDM''': ...Yeah, with the reflection on the toaster. | ||
'''Penikett''': Yeah, yeah that's great but I remember doing the scene and how excited I was, I was like "Oh, this is going to be awesome, I can't wait to see how its going to look," but I thought they did an incredible job with that. | '''Penikett''': Yeah, yeah that's great but I remember doing the scene and how excited I was, I was like "Oh, this is going to be awesome, I can't wait to see how its going to look," but I thought they did an incredible job with that. | ||
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'''Callis''': That's very nice to know, thank you. | '''Callis''': That's very nice to know, thank you. | ||
'''Penikett''': James and I did | '''Penikett''': James and I did DragonCon and you should have seen, he was, I mean out of the two of us people were like [[Galen Tyrol|Chief]] [Aaron Douglas], Helo, Chief, Helo, they weren't even recognizing him. So he had this baseball cap on and this big ass beard... | ||
'''Mrs. Ron''': | '''Mrs. Ron''': ...His disguise. | ||
'''RDM''': What was your favourite episode of the first season whether you were in it or not? Most enjoyed watching. | '''RDM''': What was your favourite episode of the first season whether you were in it or not? Most enjoyed watching. | ||
'''Penikett''': Hmmm | '''Penikett''': Hmmm... | ||
'''RDM''': | '''RDM''': Year one. | ||
'''Penikett''': Off the top of my head I'm really not sure, to be honest with you the first one | '''Penikett''': Off the top of my head I'm really not sure, to be honest with you the first one... | ||
'''RDM''': | '''RDM''': …[[33]]. | ||
'''Penikett''': 33 was an amazing episode. | '''Penikett''': 33 was an amazing episode. | ||
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'''Penikett''': It was so well written, we were all coming back, we were all very excited about it, and just the idea, the premise behind it you know everyone not sleeping and of course when you cut down to the planet, I really liked my stuff. | '''Penikett''': It was so well written, we were all coming back, we were all very excited about it, and just the idea, the premise behind it you know everyone not sleeping and of course when you cut down to the planet, I really liked my stuff. | ||
'''RDM''': You know what, I loved 33 a lot | '''RDM''': You know what, I loved 33 a lot... | ||
'''Sheppard''': | '''Sheppard''': ...The every 33 minutes episode? | ||
'''RDM''': Yeah, every 33 minutes, first episode of the first season, and I liked it a lot because when I saw the film coming and I start seeing dailies it was really apparent within the first three or four days that basically the show had dramatically moved forward from the Miniseries, which I loved, the Miniseries was like an amazing piece of work in my opinion, I mean I really enjoyed it and was proud of it, and then I saw the dailies come in on 33 and I was really just like taken with what [Michael] [[Michael Rymer|Rymer]] was doing on the set and what the cast, it was like the cast had had time to think about the roles in between the Miniseries and the series and everybody's performance was suddenly this really interesting rich thing. | '''RDM''': Yeah, every 33 minutes, first episode of the first season, and I liked it a lot because when I saw the film coming and I start seeing dailies it was really apparent within the first three or four days that basically the show had dramatically moved forward from the Miniseries, which I loved, the Miniseries was like an amazing piece of work in my opinion, I mean I really enjoyed it and was proud of it, and then I saw the dailies come in on 33 and I was really just like taken with what [Michael] [[Michael Rymer|Rymer]] was doing on the set and what the cast, it was like the cast had had time to think about the roles in between the Miniseries and the series and everybody's performance was suddenly this really interesting rich thing. | ||
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'''Crosstalk''' | '''Crosstalk''' | ||
'''Bamber''': Honestly because the structure of that repeating | '''Bamber''': Honestly because the structure of that repeating... | ||
'''RDM''': (laughs) | '''RDM''': ...(laughs) | ||
'''Bamber''': ...Honestly, it was so tight, you know repetitive in the sense that you're dealing with a bunch of people that are running from the common enemy the whole time and you actually nutshelled it in an episode... | |||
'''RDM''': ...It was a fun piece to write... | |||
'''RDM''': | |||
'''Bamber''': | '''Bamber''': ...Every 33 minutes... | ||
'''RDM''': | '''RDM''': ...I wrote that with Terri, and I, Terri and I were in Russian River... | ||
'''Mrs. Ron''': | '''Mrs. Ron''': ...Oh yeah... | ||
'''RDM''': | '''RDM''': ...Over Christmas, because we didn't know if the show was getting picked up or not. | ||
'''Penikett''': What's Russian River? | '''Penikett''': What's Russian River? | ||
'''RDM''': [[w:Russian River (California)|Russian River]] is this area up in the Bay area, north of [[w:San Francisco|San Francisco]] | '''RDM''': [[w:Russian River (California)|Russian River]] is this area up in the Bay area, north of [[w:San Francisco|San Francisco]]... | ||
'''Mrs. Ron''': | '''Mrs. Ron''':...In this little house we rented... | ||
'''RDM''': | '''RDM''': ...Northern California, redwood trees, we're in this little cottage in the woods, and the Miniseries had aired and Sci-Fi was debating whether they were going to pick up the show or not, and over the course of that... | ||
'''Mrs. Ron''': | '''Mrs. Ron''': ...And it was raining, the whole time... | ||
'''RDM''': | '''RDM''': ...It was raining, and there was a real possibility that [[w:UPN|UPN]] was going to pick up the show, Sci-Fi hesitated for just a moment and UPN almost picked up the show... | ||
'''Sheppard''': | '''Sheppard''': ...Thank God, (laughs)... | ||
'''Penikett''': | '''Penikett''': ...Thank God... | ||
'''RDM''': They swooped in suddenly, but because suddenly there were all these balls in the air and I had pitched out like the first, they'd asked me for pitches on what the stories would be for season one and I lined out like ten episodes, ideas for episodes in various degrees of development and there was one log line that just said the Cylon, they had to jump every 33 minutes because the Cylons keep chasing them. And that was the one that caught everyone’s' attention just from the log line, and over Christmas when we were like sitting around, we didn't know whether we had a show or not | '''RDM''': They swooped in suddenly, but because suddenly there were all these balls in the air and I had pitched out like the first, they'd asked me for pitches on what the stories would be for season one and I lined out like ten episodes, ideas for episodes in various degrees of development and there was one log line that just said the Cylon, they had to jump every 33 minutes because the Cylons keep chasing them. And that was the one that caught everyone’s' attention just from the log line, and over Christmas when we were like sitting around, we didn't know whether we had a show or not... | ||
'''Callis''': | '''Callis''': ...You didn't know that was going to be the first one? | ||
'''RDM''': I just decided to write it, it was like okay let's make this the first episode and I just, just, I started to write it really quickly because UPN might be picking up the show and I had to give it to them like immediately and I just wrote it | '''RDM''': I just decided to write it, it was like okay let's make this the first episode and I just, just, I started to write it really quickly because UPN might be picking up the show and I had to give it to them like immediately and I just wrote it... | ||
'''Sheppard''': | '''Sheppard''': ...Wow... | ||
'''Bamber''': | '''Bamber''': ...And it's still the quintessential episode, it's got every element of the show... | ||
'''RDM''': | '''RDM''': ...It's interesting | ||
'''Bamber''': | '''Bamber''': ...That you need on exactly the right day... | ||
'''Callis''': | '''Callis''': ...Well, Rymer was saying at the time... | ||
'''RDM''': | '''RDM''': ...Its been hard to recapture that, I've thought quite a bit in the intervening seasons "I want to do another show as good as 33" and I haven't been able to find another one. | ||
'''Callis''': Well, Rymer was saying at the time, and maybe you know at the time it was like "listen, this is a very important episode for all of us, because we're re-establishing something" | '''Callis''': Well, Rymer was saying at the time, and maybe you know at the time it was like "listen, this is a very important episode for all of us, because we're re-establishing something"... | ||
'''RDM''': | '''RDM''': ...Yeah, he knew that... | ||
'''Callis''': | '''Callis''': ...And in a way, I want to do a four hour miniseries in one hour, because we're re-establishing the beats of the people who you've met and we have to show you again who we are... | ||
'''RDM''': | '''RDM''': ...And it was a bad situation... | ||
'''Bamber''': | '''Bamber''': ...It was a cross-section of the whole, you know, fleet... | ||
'''Callis''': | '''Callis''': ...I just want to say to you that when we came back to do that in, like for 33, on set there was a real sense of excitement... | ||
'''RDM''': | '''RDM''': ...Uhhmm... | ||
'''Callis''': | '''Callis''': ...Cause we, we we're like coming back again and this was the firs time that we we're all coming back again, a bit like when you're at school and you come back after the holidays, and we didn't necessarily know whether we would be coming back to see each other again, and then we like received the script and it was kind of, um, yes... | ||
'''RDM''': | '''RDM''': ...You've got to see it, Terri's got this thing up... | ||
'''Sheppard''': | '''Sheppard''': ...I've got to tell you as a viewer though, it was exhausting. It is the most exhausting hour of television. | ||
'''Bamber''': But it's the best way | '''Bamber''': But it's the best way... | ||
'''Mrs. Ron''': (laughs) | '''Mrs. Ron''': (laughs) | ||
'''Sheppard''': | '''Sheppard''': ...They're looking at a question. | ||
'''RDM''': We're looking at this thing online | '''RDM''': We're looking at this thing online... | ||
'''Mrs. Ron''': | '''Mrs. Ron''': ...It's from Raymond Shaw... | ||
'''RDM''': | '''RDM''': ...From, ah, BSGViewer it says... | ||
'''Mrs. Ron''': | '''Mrs. Ron''': ...Raymond Shaw... | ||
'''RDM''': | '''RDM''': ...Oh, its Raymond Shaw, it's some thing of Jake saying various lines; My question for the cast would be when you fled [[New Caprica]] did you forget someone? Anyone? | ||
'''Everyone''': (laughs) | '''Everyone''': (laughs) | ||
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'''Crosstalk''' | '''Crosstalk''' | ||
'''RDM | '''RDM''': ...This is: [Ferris] Buhler... Buhler... Moving on... | ||
'''Callis''': | '''Callis''': ...Its the dog... | ||
'''Sheppard''': | '''Sheppard''': ...Is this poll up-side down? Is what I want to know... | ||
'''RDM''': | '''RDM''': ...It's "will you write me back into the show Ron?" | ||
'''Sheppard''': | '''Sheppard''': ...Oh dear.... | ||
'''RDM''': | '''RDM''': ...Or "Did you like the sound of scores of garbage trucks backing all the way up your street, legions of leaf blowers, barking dogs and doorbelling blaring during every podcast?" Yes, there's a running... | ||
'''Mrs. Ron''': | '''Mrs. Ron''': ...Just a thought... | ||
'''RDM''': | '''RDM''': ...Just a though... | ||
'''Mrs. Ron''': | '''Mrs. Ron''': ..."You can all go to hell" Jake says. (laughs) | ||
'''RDM''': We have a very strange crew, the internet crew. | '''RDM''': We have a very strange crew, the internet crew. | ||
'''Penikett''': I read the build-up to that episode too, it was good, I remember Eddie concentrating when we had the table read | '''Penikett''': I read the build-up to that episode too, it was good, I remember Eddie concentrating when we had the table read... | ||
'''Bamber''': | '''Bamber''': ...Oh, listen... | ||
'''Callis''': | '''Callis''': ...Eddie was pretty intense... | ||
'''Bamber''': | '''Bamber''': ...I thought I was going to fall about laughing when he said... | ||
'''Penikett''': | '''Penikett''': ...The way everybody's killing each other... | ||
'''Crosstalk''' | '''Crosstalk''' | ||
'''Bamber''': | '''Bamber''': ...No he said, "listen you guys, you've got three days before you start shooting and I don't want anybody to go to sleep." | ||
'''Everyone''': (laughs) | '''Everyone''': (laughs) | ||
'''Callis''': | '''Callis''': ...I remember that... | ||
'''RDM''': | '''RDM''': ...But you guys did that, didn't you guys do that? | ||
'''Callis''': | '''Callis''': ...No, well like we tried... | ||
'''Bamber''': | '''Bamber''': ...Oh, we told Eddie we... | ||
'''Callis''': No! | '''Callis''': No! | ||
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'''Bamber''': Eddie brought in a sleep expert as well. | '''Bamber''': Eddie brought in a sleep expert as well. | ||
'''Callis''': Now Eddie was, I think the first thing that was said was, and it was like at the round table and Eddie was like "If we're gonna go and do this thing and you're talking about people being seriously sleep deprived I think that we need to have shots of people, you know, committing suicide" | '''Callis''': Now Eddie was, I think the first thing that was said was, and it was like at the round table and Eddie was like "If we're gonna go and do this thing and you're talking about people being seriously sleep deprived I think that we need to have shots of people, you know, committing suicide"... | ||
'''RDM''': | '''RDM''': ...Right!... | ||
'''Callis''': | '''Callis''': ...And then like there was these looks at the end of the table from [[Harvey Frand|Harvey]] [Frand, Line Producer] and from Michael and these guys were like "If we're not going to see them committing suicide then we've got to hear them, hear about them..." | ||
'''RDM''': | '''RDM''': ...And then I had to cut the line where he said it, because it was like, you know... | ||
'''Callis''': | '''Callis''': ...It's too much?... | ||
'''RDM''': | '''RDM''': ...There was a scene where he was, where [[William Adama|Adama]] was walking in the corridor with [[Dualla]]... | ||
'''Callis''': | '''Callis''': ...15 people have just committed... | ||
'''Callis, RDM''': | '''Callis, RDM''': ...suicide... | ||
'''Callis''': Ah, yes! | '''Callis''': Ah, yes! | ||
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'''RDM''': And I had to cut it, it was one of those battle you fight and you lose, and that was like, it was too much, it was just like "Oh my God, you know what I'm saying, people are committing suicide!" First episode and they're committing suicide! | '''RDM''': And I had to cut it, it was one of those battle you fight and you lose, and that was like, it was too much, it was just like "Oh my God, you know what I'm saying, people are committing suicide!" First episode and they're committing suicide! | ||
'''Bamber''': The other great comment at the end of the read through when Eddie had done this pitch and he had brought in a sleep depravation expert to tell us what it was all going to be about, who had very little to say what I would actually be about, but everybody would be really grumpy is that he had to say | '''Bamber''': The other great comment at the end of the read through when Eddie had done this pitch and he had brought in a sleep depravation expert to tell us what it was all going to be about, who had very little to say what I would actually be about, but everybody would be really grumpy is that he had to say... | ||
'''Everyone''': (laughs) | '''Everyone''': (laughs) | ||
'''Callis''': | '''Callis''': ...And Eddie was like "what about the suicides?" Well not so much on the suicides... | ||
'''Crosstalk''' | '''Crosstalk''' | ||
'''Bamber''': | '''Bamber''': ...Yeah, it undermined what he was saying entirely... | ||
'''Crosstalk''' | '''Crosstalk''' | ||
'''Bamber''': | '''Bamber''': ...But Eddie was really like "But we really have to like not sleep and understand what that means" and then Rymer said "Well, you know that's all well and good Eddie, but if everyone's really sleepy its going to be piss poor tedious". | ||
'''Everyone''': (laughs) | '''Everyone''': (laughs) | ||
| Line 350: | Line 351: | ||
'''Crosstalk''' | '''Crosstalk''' | ||
'''Bamber, imitating Michael Rymer''': | '''Bamber, imitating Michael Rymer''': ...Maybe play against the tiredness... | ||
'''RDM''': | '''RDM''': ...Uhuh... | ||
'''Bamber, imitating Michael Rymer''': You got that, play against it now. | '''Bamber, imitating Michael Rymer''': You got that, play against it now. | ||
| Line 358: | Line 359: | ||
'''Crosstalk''' | '''Crosstalk''' | ||
'''Bamber''': | '''Bamber''': ...Lose your temper! | ||
'''Callis''': That final note is true because, like, there's all this stuff about, when you do the thing that is like, you know, as you would be, I've seen these thing like people with hypothermia and like they're waiting for the rescue, apparently what happens in, like, | '''Callis''': That final note is true because, like, there's all this stuff about, when you do the thing that is like, you know, as you would be, I've seen these thing like people with hypothermia and like they're waiting for the rescue, apparently what happens in, like, [unintelligible] is like you slow down... | ||
'''Everyone''': (laughs) | '''Everyone''': (laughs) | ||
| Line 366: | Line 367: | ||
'''Crosstalk''' | '''Crosstalk''' | ||
'''Mrs. Ron''': | '''Mrs. Ron''': Yeah... It makes for very bad television. | ||
'''RDM''': It takes a long time to film | '''RDM''': It takes a long time to film | ||
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'''Crosstalk''' | '''Crosstalk''' | ||
'''Callis''': ...So whenever you're watching | '''Callis''': ...So whenever you're watching [unintelligible] you're like "Get the thing! Get the thing!" it's like "God, you're speaking quickly for someone who's about to drop dead." | ||
'''Mrs. Ron''': (laughs) | '''Mrs. Ron''': (laughs) ... As your heart is slowing down... | ||
'''RDM''': | '''RDM''': ... And it's hard to tell a story in that moment, it's like... | ||
'''Callis''': | '''Callis''': ...The Tragedy of Very Similitude. | ||
'''Bamber''': But that is very much the | '''Bamber''': But that is very much the... | ||
'''Sheppard''': Ooo, oh, very good one | '''Sheppard''': Ooo, oh, very good one... | ||
'''RDM''': The | '''RDM''': The Tragedy... | ||
'''Sheppard''': | '''Sheppard''': ...of Very Similitude | ||
'''Crosstalk''' | '''Crosstalk''' | ||
'''Callis''': | '''Callis''': ...Somebody said that after watching me do something like a take of something and they went "You see, it looks dreadful, you were trying to be natural, you're trying to look like a normal human being and and it looks like the worst acting that's ever been seen!" | ||
'''RDM:''' Who said that to you? | '''RDM:''' Who said that to you? | ||
'''Callis''': One actor, I can't remember, he's like "that is called the | '''Callis''': One actor, I can't remember, he's like "that is called the Tragedy of Very Similitude." | ||
'''Everyone''': (laughs) | '''Everyone''': (laughs) | ||
'''Bamber''': That's very true, that's very true, there's nothing worse than an actor crying because you look stupid | '''Bamber''': That's very true, that's very true, there's nothing worse than an actor crying because you look stupid... | ||
'''Callis''': (laughs) | '''Callis''': (laughs) | ||
'''Bamber''': | '''Bamber''': ...It's like, oh it doesn't matter. | ||
'''RDM''': So James. | '''RDM''': So James. | ||
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'''Callis''': Well took off or something? | '''Callis''': Well took off or something? | ||
'''RDM''': For you, what's, even if subsequent seasons didn't like up to it, what's like the time when you think you really hit the stride of something | '''RDM''': For you, what's, even if subsequent seasons didn't like up to it, what's like the time when you think you really hit the stride of something... | ||
'''Callis''': | '''Callis''': ... Okay, well on the truthful aspect of Baltar is like, you know, I think coming back to 33, Michael again was directing using us and he was like, you know... | ||
'''RDM''': | '''RDM''': ... But that's one episode, for like the season... | ||
'''Callis''': | '''Callis''': ...I know, but it was, this was the thing where he was like "listen, we're gonna have quite a bit of you guys in this episode, because you guys in this thing, it's something that not a lot of other shows are doing, and you can be," in the sense of me and [[Tricia Helfer|Tricia]] [Helfer], "you can be dark, but at the same time amusing, and like like on vibe with this thing," and I remember being kind of slightly... At least at that time I was thinking, yeah basically I'd been lucky enough to be twinned with (laughs) beautiful Tricia, so you know, and there's the director going "people are interested in this thing" and I'm like "yeah, I wonder why?" | ||
'''Everyone''': (laughs) | '''Everyone''': (laughs) | ||
'''Callis''': You know, I can see that, so I don't really have, you ask me like about favourites, or when like | '''Callis''': You know, I can see that, so I don't really have, you ask me like about favourites, or when like... | ||
'''RDM''': | '''RDM''': ...Just in general... | ||
'''Callis''': | '''Callis''': ...The thing like sunk in, I remember there were like, there was a conf- okay, yes it was 33. Okay viewers, here it comes: basically there's a lot of stuff that we film doesn't necessarily end up in the show... | ||
'''RDM''': | '''RDM''': ...Right... | ||
'''Callis''': | '''Callis''': ...One of these things was a scene where, it happens in every season, when you finally make the DVDs of like, whatever, the whole unexposed version, and people actually have a lifetime to watch it, or through... | ||
'''RDM''': (laughs) | '''RDM''': (laughs) | ||
'''Callis''': | '''Callis''': ... There was a scene that we shot, or basically [[Number Six]] and Baltar are making love... | ||
'''Everyone''': (laughs) | '''Everyone''': (laughs) | ||
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'''Bamber''': Yeah, remind us all again, what do you get to do? | '''Bamber''': Yeah, remind us all again, what do you get to do? | ||
'''Mrs. Ron''': Kind of like the last story | '''Mrs. Ron''': Kind of like the last story... | ||
'''Callis''': (laughs) | '''Callis''': (laughs)...I haven't finished! | ||
'''Crosstalk''' | '''Crosstalk''' | ||
'''Callis''': Basically | '''Callis''': Basically... | ||
'''RDM''': I see | '''RDM''': I see... | ||
'''Callis''': There was a scene of us making love | '''Callis''': There was a scene of us making love... | ||
'''Bamber''': | '''Bamber''': ... Simple actor, simple pleasures... | ||
'''Callis''': | '''Callis''': ...And... | ||
'''Sheppard''': | '''Sheppard''': ...Got any girls? | ||
'''Everyone''': (laughs) | '''Everyone''': (laughs) | ||
'''RDM''': | '''RDM''': ... But no, there's something really... | ||
'''Callis''': | '''Callis''': ...So, basically we shot this scene and it totally didn't work, there was all of this dialog over it and there was the way that it was happening and stylistically it was funny, and there were things that I can't, whatever, say on like a podcast... | ||
'''Bamber''': (laughs) | '''Bamber''': (laughs) | ||
'''Callis''': | '''Callis''': ...which is terribly, terribly funny... | ||
'''RDM''': | '''RDM''': ... It's good you got them in really early before he's had more scotch. | ||
'''Callis''': So it's terribly funny, and okay I can say one terr- | '''Callis''': So it's terribly funny, and okay I can say one terr- | ||
'''RDM''': Well no, wait! The poin- the point of this | '''RDM''': Well no, wait! The poin- the point of this... | ||
'''Callis''': (laughs) | '''Callis''': (laughs) ... Say dreadful things on the podcast? | ||
'''Crosstalk''' | '''Crosstalk''' | ||
'''RDM''': The point of this was | '''RDM''': The point of this was... | ||
'''Callis''': | '''Callis''': ...This was to say that we shot this scene again, and we shot the scene on [[Colonial One]], and it was the same dialog and it was basically a bit where Number Six say to Gaius, she's like "Do you want children Gaius?" ... | ||
'''RDM''': | '''RDM''': ...Oh yeah! Did we cut that? | ||
'''Callis''': | '''Callis''': ...No, that's in it... | ||
'''RDM''': | '''RDM''': ...That's in... | ||
'''Callis''': Yeah, but we shot the scene twice, that's what I'm saying, we shot this dialog once like, having making love, and then one on Colonial One because we weren’t sure whether we were going to come into one, and it was at that moment then that I kind of, in the sense of finding Baltar, or finding this person, was like, because I have kids and I kind of, I, you know I love children, like my kids, whatever, so this man who certainly DIDN'T want children on any level and certainly not with this lady who might be some message in his head, it kind of galvanized me in this strange way, and ah she was like "Darling don't you want children?" I remember the answer like " | '''Callis''': Yeah, but we shot the scene twice, that's what I'm saying, we shot this dialog once like, having making love, and then one on Colonial One because we weren’t sure whether we were going to come into one, and it was at that moment then that I kind of, in the sense of finding Baltar, or finding this person, was like, because I have kids and I kind of, I, you know I love children, like my kids, whatever, so this man who certainly DIDN'T want children on any level and certainly not with this lady who might be some message in his head, it kind of galvanized me in this strange way, and ah she was like "Darling don't you want children?" I remember the answer like "...no." | ||
'''Everyone''': (laughs) | '''Everyone''': (laughs) | ||
'''RDM''': I wrote that very well | '''RDM''': I wrote that very well... "...no!" | ||
'''Callis''': | '''Callis''': ...And I felt "My God, I know!"... | ||
'''RDM''': | '''RDM''': ...He gave an immediate answer, he didn't think about it... | ||
'''Callis''': | '''Callis''': ...Let me think about it for a minute... | ||
'''RDM''': | '''RDM''': ...He just went ... | ||
'''Callis, RDM''': | '''Callis, RDM''': ..."No!" | ||
'''Everyone''': (laughs) | '''Everyone''': (laughs) | ||
| Line 516: | Line 517: | ||
'''Bamber''': That's right. | '''Bamber''': That's right. | ||
'''Callis''': And, in that one moment there was something about | '''Callis''': And, in that one moment there was something about... yes... | ||
'''RDM''': | '''RDM''': ...That defined the character... | ||
'''Callis''': | '''Callis''': ...It was so real, and it took away, or at least it grounded or galvanized me away from the explosions, from being in love with a robot, from being, you know, in an alter-reality where spaceships run and you're on board one, this thing, a basic thing about a man who was like "I love playing around and the women, everything, do I want children? Forget it already!" and was like, that, that took me somewhere, it was a great line to kind of... to go on I think in that sense I think I found it pretty quickly, and I think that I found it... | ||
'''RDM''': | '''RDM''': ...Moreso than the Minisereis? | ||
'''Callis''': Miniseries, I genuinely had a bit of a problem with | '''Callis''': Miniseries, I genuinely had a bit of a problem with... | ||
'''RDM''': Yeah, really? | '''RDM''': Yeah, really? | ||
'''Callis''': | '''Callis''': ...I gen-, well, but my problem with it, my only problem... | ||
'''RDM''': | '''RDM''': ...Was it a difficult shoot? | ||
'''Callis''': No. My problem with it was that Number Six didn't have a name, on a realistic level. | '''Callis''': No. My problem with it was that Number Six didn't have a name, on a realistic level. | ||
| Line 536: | Line 537: | ||
'''RDM''': Oh, I remember this. | '''RDM''': Oh, I remember this. | ||
'''Callis''': And I was like forgot I'm a scientist and I've like been going out with this woman for two years and I don't know | '''Callis''': And I was like forgot I'm a scientist and I've like been going out with this woman for two years and I don't know here name? | ||
'''RDM''': Well I was working on '' | '''RDM''': Well I was working on ''Carnivale'', but this question got back to me... | ||
'''Callis''': Okay, so like my question is | '''Callis''': Okay, so like my question is... | ||
'''RDM''': | '''RDM''': ...got back to me and I quickly said "he doesn't need to know what the name of Number Six is," (laughs) | ||
'''Mrs. Ron''': Thank you, thank you very much. | '''Mrs. Ron''': Thank you, thank you very much. | ||
| Line 548: | Line 549: | ||
'''Crosstalk''' | '''Crosstalk''' | ||
'''Callis''': | '''Callis''': ...There was a great [unintelligible] where Rymer was like "actually James, the whole thing is, it's one of those things that you're this guy, you've got this beautiful lady, she likes you and like at the introduction you just missed her name, " (laughs) "and you've never asked her." | ||
'''Bamber''': And I've never been able to get it! | '''Bamber''': And I've never been able to get it! | ||
| Line 554: | Line 555: | ||
'''Crosstalk''' | '''Crosstalk''' | ||
'''Callis''': | '''Callis''': ...It's so awful, that you don't know! (laughs) | ||
'''RDM''': It was a '' | '''RDM''': It was a ''Seinfeild'' moment, and that's why I really liked it, I had the same, it essentially the same... | ||
'''Callis''': It's like you never over two years | '''Callis''': It's like you never over two years... | ||
'''Bamber''': | '''Bamber''': ...And you never found a credit card, you never found anything lying around... | ||
'''RDM''': | '''RDM''': ...Because he didn't care enough! | ||
'''Peniket''': | '''Peniket''': ...Because he didn't care enough! | ||
'''RDM''': | '''RDM''': ...He'd have known at some point, my take, here, seriously, my take is Gaius Baltar at some point realised, at some point Gaius Baltar realised that he did not know the name of Number Six... | ||
'''Callis''': Yes. | '''Callis''': Yes. | ||
'''RDM''': And at that point he was so tickled by that knowledge, and so loved the joke of it that he never bothered to find out, and then wanted to see how long he could do it without ever revealing that he didn't know | '''RDM''': And at that point he was so tickled by that knowledge, and so loved the joke of it that he never bothered to find out, and then wanted to see how long he could do it without ever revealing that he didn't know... | ||
'''Mrs. Ron''': | '''Mrs. Ron''': ...Did you think of that at the time? Or are you saying it now? | ||
'''RDM''': | '''RDM''': ...It was a challenge to extend... | ||
'''Crosstalk''' | '''Crosstalk''' | ||
| Line 580: | Line 581: | ||
'''Everyone''': (laughs) | '''Everyone''': (laughs) | ||
'''Callis''': Gaius had a big journey to go on in the Miniseries | '''Callis''': Gaius had a big journey to go on in the Miniseries... | ||
'''RDM''': Yes, he did | '''RDM''': Yes, he did... | ||
'''Callis''': | '''Callis''': ...And, ah, he was the person who it was revealed to first of all that the Cylons look like human beings... | ||
'''RDM''': | '''RDM''': ...Yes... | ||
'''Callis''': | '''Callis''': ...And I imagine that for any person sitting in a room like we are now, somebody in the group turns around and goes "heh, guess what, you know? You thought that I was from Orange County, BUT!"... | ||
'''Sheppard''': | '''Sheppard''': ...My friends... | ||
'''Callis''': | '''Callis''': ..."But!" Wait a minute, "I've actually been manufactured!" | ||
'''Everyone''': (laughs) | '''Everyone''': (laughs) | ||
'''Callis''': It's so | '''Callis''': It's so... | ||
'''Crosstalk''' | '''Crosstalk''' | ||
'''Bamber''': | '''Bamber''': ...That I would believe. Hasn't everyone? You have no problem with that? | ||
'''RDM''': That's a big question. | '''RDM''': That's a big question. | ||
| Line 606: | Line 607: | ||
'''Crosstalk''' | '''Crosstalk''' | ||
'''Callis''': There were things, there were things to get over and surmount, and I remember one of the things at the end was this thing about looking at the, looking at the screens as the world blew up and it went | '''Callis''': There were things, there were things to get over and surmount, and I remember one of the things at the end was this thing about looking at the, looking at the screens as the world blew up and it went breserk... | ||
'''RDM''': Yeah, yeah | '''RDM''': Yeah, yeah... | ||
'''Callis''': | '''Callis''': ...And there was this thing about, the line was written about "what am I going to do, what am I going to do?" and I remember thinking, I was like "before you say what are you going to do, you've got to say what have I done?" If it's hit you, and I remember saying that bit and then David coming up onto set, maybe it was in 33 going "you know, we actually really needed that moment of culpability." | ||
'''RDM''': Oh, really? | '''RDM''': Oh, really? | ||
| Line 660: | Line 661: | ||
'''Sheppard''': It's a guy in the back going, "Bang!" | '''Sheppard''': It's a guy in the back going, "Bang!" | ||
'''RDM''': The windows are breakin' and the clouds and smoke | '''RDM''': The windows are breakin' and the clouds and smoke... no. It's a guy doin' this. | ||
'''Callis''': That was the thing about watching the show afterwards, in the same way that Tahmoh had said about looking at the CGI when he was with the Cylon. The show looked so much more amazing than I could ever have conceived in my mind. | '''Callis''': That was the thing about watching the show afterwards, in the same way that Tahmoh had said about looking at the CGI when he was with the Cylon. The show looked so much more amazing than I could ever have conceived in my mind. | ||
| Line 692: | Line 693: | ||
'''RDM''': So you felt like you were- stepping into a completed world. | '''RDM''': So you felt like you were- stepping into a completed world. | ||
'''Bamber''': | '''Bamber''': Absoulutely. | ||
'''RDM''': Mmm. | '''RDM''': Mmm. | ||
| Line 744: | Line 745: | ||
'''Bamber''': -Yeah- | '''Bamber''': -Yeah- | ||
'''RDM''': -Like less than 10%. And I felt like "you know what, okay fine," those people will be in for a big fucking shock | '''RDM''': -Like less than 10%. And I felt like "you know what, okay fine," those people will be in for a big fucking shock [unintelligible]- | ||
'''Sheppard''': (laughs) | '''Sheppard''': (laughs) | ||
'''RDM''': -But most people who watch the show are going to know that there's an apocalyptic attack coming, so let that dread kind of like inform the beginning. You know it's going to happen, you know, you set up the pieces; [[Number Six|she's]] deadly, [[Fall of the Twelve Colonies|something bad is coming]]- | '''RDM''': -But most people who watch the show are going to know that there's an apocalyptic attack coming, so let that dread kind of like inform the beginning. You know it's going to happen, you know, you set up the pieces; [[Number Six|she's]] deadly, [[The Fall of the Twelve Colonies|something bad is coming]]- | ||
'''Sheppard''': -It permeates- | '''Sheppard''': -It permeates- | ||
| Line 754: | Line 755: | ||
'''RDM''': -You feel this sense of doom impinging on the characters and eventually there's a payoff to that, and I just felt that, that's a really, that's how you structure it- | '''RDM''': -You feel this sense of doom impinging on the characters and eventually there's a payoff to that, and I just felt that, that's a really, that's how you structure it- | ||
'''Bamber''': -But it's | '''Bamber''': -But it's [unintelligible] very useful, because my mind is always thrown back to those first 45 minutes, because in everything that we do, every character on the show is always remembering what life was like- | ||
'''RDM''': -Yeah- | '''RDM''': -Yeah- | ||
| Line 778: | Line 779: | ||
'''RDM''': -When life completely changed irrevocably, that okay, who were they for that one second? | '''RDM''': -When life completely changed irrevocably, that okay, who were they for that one second? | ||
'''Bamber''': Yeah, I think | '''Bamber''': Yeah, I think [unintelligible]. | ||
'''Callis''': But, can I just say the shot that really sold the whole that, and it's a strange, the shot that sold the whole miniseries to me was [[Mary McDonnell|Mary]] [McDonnell] finding out that she, [[Laura Roslin|Laura]] has the cancer, and in that room in this glass room in the day time, suddenly I looked up- | '''Callis''': But, can I just say the shot that really sold the whole that, and it's a strange, the shot that sold the whole miniseries to me was [[Mary McDonnell|Mary]] [McDonnell] finding out that she, [[Laura Roslin|Laura]] has the cancer, and in that room in this glass room in the day time, suddenly I looked up- | ||
| Line 800: | Line 801: | ||
'''Mrs. Ron''': -Like how we see police helicopters!- | '''Mrs. Ron''': -Like how we see police helicopters!- | ||
'''Callis''': - | '''Callis''': -[unintelligible] disaster that happened to her person, you know I was so involved in that and the last thing I was looking for were like beautiful things rolling through the sky, and there was this thing about in that way it was kind of like, it's all so beautiful, the glass and the electricity and everything... It's going to be a disaster- | ||
'''RDM''': -That is all- | '''RDM''': -That is all- | ||
| Line 810: | Line 811: | ||
'''Callis''': -You've made it so, so pretty and so lovely, what- | '''Callis''': -You've made it so, so pretty and so lovely, what- | ||
'''RDM''': -That is entirely Michael Rymer, that, that's re-, that's not in the script and it wasn't the way I visualised it, they told me about it, is Michael wanted to do this and I was like intrigued by it and I, but again I was producing '' | '''RDM''': -That is entirely Michael Rymer, that, that's re-, that's not in the script and it wasn't the way I visualised it, they told me about it, is Michael wanted to do this and I was like intrigued by it and I, but again I was producing ''Carneval'', and I said "oh yeah, sounds, sounds great, okay." | ||
'''Callis''': Okay. | '''Callis''': Okay. | ||
| Line 830: | Line 831: | ||
'''RDM''': -It's one of the defining images of our back story, when I think about Caprica- | '''RDM''': -It's one of the defining images of our back story, when I think about Caprica- | ||
'''Penikett''': -Beautiful | '''Penikett''': -Beautiful [unintelligible]- | ||
'''RDM''': -Or anything about these people before the attack, the image of Laura sitting in that big space with the ships going over is the one thing that I think of. | '''RDM''': -Or anything about these people before the attack, the image of Laura sitting in that big space with the ships going over is the one thing that I think of. | ||
| Line 842: | Line 843: | ||
'''Sheppard''': -Amazing- | '''Sheppard''': -Amazing- | ||
'''RDM''': -Of anything else, I always think of | '''RDM''': -Of anything else, I always think of [unintelligible]- | ||
'''Sheppard''': -I remember it vividly, it's a very poignant piece- Caprica- | '''Sheppard''': -I remember it vividly, it's a very poignant piece- Caprica- | ||
| Line 856: | Line 857: | ||
'''RDM''': Any category, in any category, just what would you change about the show? | '''RDM''': Any category, in any category, just what would you change about the show? | ||
'''Mrs. Ron''': - | '''Mrs. Ron''': -Being fat- | ||
'''Bamber''': -No, I love being fat, that was- | '''Bamber''': -No, I love being fat, that was- | ||
| Line 912: | Line 913: | ||
'''Callis''': I think that- | '''Callis''': I think that- | ||
'''RDM''': -When you're doing '' | '''RDM''': -When you're doing ''Star Trek''’s and you're doing these whole space operas, when you're doing shows that have, or an ''Alias'' or something that has an outside sort of organization that you're struggling against and there's a conflict- | ||
'''Bamber''': -Don't you think that- | '''Bamber''': -Don't you think that- | ||
'''RDM''': -There's just a need on behalf of the writer that at some point you want to do the episode that shows you another point of view from the other side, the show that opens the door and says the other's a little more familiar than you think they are, and then you close that door again. | '''RDM''': -There's just a need on behalf of the writer that at some point you want to do the episode that shows you another point of view from the other side, the show that opens the door and says the other's a little more familiar than you think they are, and then you close that door again. | ||
==Hour Two== | ==Hour Two== | ||
==Hour Three== | ==Hour Three== | ||