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Later, Sharon Agathon runs after Hera through ''Galactica''{{'|s}} hallways, where Hera runs into a Six known as [[Natalie]], thus mirroring what she saw in her visions of the Opera House. Fearing that Natalie will take away her daughter, like the Six in the dreams, Agathon shoots the other Cylon {{TRS|Guess What's Coming to Dinner?}}. | Later, Sharon Agathon runs after Hera through ''Galactica''{{'|s}} hallways, where Hera runs into a Six known as [[Natalie]], thus mirroring what she saw in her visions of the Opera House. Fearing that Natalie will take away her daughter, like the Six in the dreams, Agathon shoots the other Cylon {{TRS|Guess What's Coming to Dinner?}}. | ||
During the [[Battle of The Colony]], as Cylon Centurions board ''Galactica'', the vision is paralleled in actual events. Hera runs away from her parents when | During the [[Battle of The Colony]], as Cylon Centurions board ''Galactica'', the vision is paralleled in actual events. Hera runs away from her parents when [[Karl Agathon]] is shot in the leg, and {{callsign|Athena}} abandons him to go after her. At the same time, Roslin leaves her post at the sickbay when she begins to have the Opera House dream again. Eventually, just as the vision showed, [[Caprica-Six]] and [[Gaius Baltar|Baltar]] find Hera and take her into what they perceive as the Opera House, which is, in actuality, ''Galactica''{{'|s}} [[CIC]]. The Final Five cylons stand above them on one of the higher levels, looking down upon Baltar and Caprica-Six, just as the vision foretold. {{TRS|Daybreak, Part II}} | ||
== Notes== | == Notes== | ||