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[[File:Opera House ruins.jpg|thumb|300px|Ruins of the Opera House on Kobol.]]
[[Image:Opera House ruins.jpg|thumb|300px|Ruins of the Opera House on Kobol.]]
The '''Opera House''' is an ancient structure in the [[City of the Gods]] on {{RDM|Kobol}}, along with other edifices such as the [[Forum]] and [[Temple]]. By the time of the arrival of the Colonials, the building has been reduced to a few scattered ruins. As a sketch of this area of the city is included in the [[Sacred Scrolls]], the building may have had religious significance.
The '''Opera House''' is an ancient structure in the [[City of the Gods]] on {{RDM|Kobol}}, along with other edifices such as the [[Forum]] and [[Temple]]. By the time of the arrival of the Colonials, the building has been reduced to a few scattered ruins. As a sketch of this area of the city is included in the [[Sacred Scrolls]], the building may have had religious significance.


==First Sight==
==First Sight==


[[File:OperaHouse inside.jpg|thumb|Inside the Opera House {{TRS|Kobol's Last Gleaming, Part II}}.]]
[[Image:OperaHouse inside.jpg|thumb|Inside the Opera House {{TRS|Kobol's Last Gleaming, Part II}}.]]
These are the ruins on Kobol near the crash site of [[Raptor 1]], which is forced to land on the planet after being damaged by a [[Cylon Raider (RDM)|Cylon Raider]] as it jumps into Kobol's orbit. Among the surviving passengers are {{callsign|Crashdown}}, [[Galen Tyrol]], [[Tarn]], [[Diana Seelix|Seelix]], [[Cally]], [[Socinus]], and [[Gaius Baltar]].
These are the ruins on Kobol near the crash site of [[Raptor 1]], which is forced to land on the planet after being damaged by a [[Cylon Raider (RDM)|Cylon Raider]] as it jumps into Kobol's orbit. Among the surviving passengers are {{callsign|Crashdown}}, [[Galen Tyrol]], [[Tarn]], [[Diana Seelix|Seelix]], [[Cally]], [[Socinus]], and [[Gaius Baltar]].


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Later, Sharon Agathon runs after Hera through ''Galactica''{{'|s}} hallways, where Hera runs into a Six known as [[Natalie]], thus mirroring what she saw in her visions of the Opera House. Fearing that Natalie will take away her daughter, like the Six in the dreams, Agathon shoots the other Cylon {{TRS|Guess What's Coming to Dinner?}}.
Later, Sharon Agathon runs after Hera through ''Galactica''{{'|s}} hallways, where Hera runs into a Six known as [[Natalie]], thus mirroring what she saw in her visions of the Opera House. Fearing that Natalie will take away her daughter, like the Six in the dreams, Agathon shoots the other Cylon {{TRS|Guess What's Coming to Dinner?}}.


During the [[Battle of The Colony]], as Cylon Centurions board ''Galactica'', the vision is paralleled in actual events. Hera runs away from her parents when {{callsign|Karl Agathon}} is shot in the leg, and {{callsign|Athena}} abandons him to go after her. At the same time, Roslin leaves her post at the sickbay when she begins to have the Opera House dream again. Eventually, just as the vision showed, [[Caprica-Six]] and [[Gaius Baltar|Baltar]] find Hera and take her into what they perceive as the Opera House, which is, in actuality, ''Galactica''{{'|s}} [[CIC]]. The Final Five cylons stand above them on one of the higher levels, looking down upon Baltar and Caprica-Six, just as the vision foretold. {{TRS|Daybreak, Part II}}
During the [[Battle of The Colony]], as Cylon Centurions board ''Galactica'', the vision is paralleled in actual events. Hera runs away from her parents when [[Karl Agathon]] is shot in the leg, and {{callsign|Athena}} abandons him to go after her. At the same time, Roslin leaves her post at the sickbay when she begins to have the Opera House dream again. Eventually, just as the vision showed, [[Caprica-Six]] and [[Gaius Baltar|Baltar]] find Hera and take her into what they perceive as the Opera House, which is, in actuality, ''Galactica''{{'|s}} [[CIC]]. The Final Five cylons stand above them on one of the higher levels, looking down upon Baltar and Caprica-Six, just as the vision foretold. {{TRS|Daybreak, Part II}}


== Notes==
== Notes==

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