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Shortly after the Raptor crash on Kobol, the virtual [[Virtual beings|Number Six]] in a white dress leads Baltar towards the ruins of the Opera House, where viewers and Baltar see the Opera House as it was, millennia ago. It is in that virtual Opera House that Six shows Baltar an image of what she claims is their future [[Hera Agathon|child]] {{TRS|Kobol's Last Gleaming, Part II}}. | Shortly after the Raptor crash on Kobol, the virtual [[Virtual beings|Number Six]] in a white dress leads Baltar towards the ruins of the Opera House, where viewers and Baltar see the Opera House as it was, millennia ago. It is in that virtual Opera House that Six shows Baltar an image of what she claims is their future [[Hera Agathon|child]] {{TRS|Kobol's Last Gleaming, Part II}}. | ||
Much later a [[Number Three]] would have similar visions of the Opera House and the [[Final Five]] on the stage within. The Five appear as robed figures to her between death and [[resurrection (RDM)|resurrection]], but she cannot clearly remember their faces until she steps onto the centerpiece in the [[Temple of Five]] and has the vision for the final time | Much later a [[Number Three]] would have similar visions of the Opera House and the [[Final Five]] on the stage within. The Five appear as robed figures to her between death and [[resurrection (RDM)|resurrection]], but she cannot clearly remember their faces until she steps onto the centerpiece in the [[Temple of Five]] and has the vision for the final time ([[Rapture]]). | ||
==Roslin, Sharon, Hera, and Caprica-Six== | ==Roslin, Sharon, Hera, and Caprica-Six== | ||