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The Opera House is also seen in a [[Opera House Prophecy|dream or vision]] by President [[Laura Roslin]], induced by taking of [[chamalla]]. In the vision, [[Hera Agathon]] is scampering through the halls, pursued by both Roslin and her mother, {{callsign|Athena}}. But before either can reach her, Hera is picked up by a [[Number Six]] wearing a white dress, ending the dream {{TRS|Crossroads, Part I}}. | The Opera House is also seen in a [[Opera House Prophecy|dream or vision]] by President [[Laura Roslin]], induced by taking of [[chamalla]]. In the vision, [[Hera Agathon]] is scampering through the halls, pursued by both Roslin and her mother, {{callsign|Athena}}. But before either can reach her, Hera is picked up by a [[Number Six]] wearing a white dress, ending the dream {{TRS|Crossroads, Part I}}. | ||
Just before the [[The Fleet (RDM)|Fleet]] reaches the [[Ionian nebula]], Roslin visits the Opera House again while undergoing her [[ | Just before the [[The Fleet (RDM)|Fleet]] reaches the [[Ionian nebula]], Roslin visits the Opera House again while undergoing her [[diloxin]] treatment (but still using chamalla as well) in [[sickbay]]. She and Sharon are still chasing Hera through the lobby. This time, however, when the Number Six picks the child up, she takes her through a set of doors. Roslin wakes up with to find that Sharon and Hera shared the vision, all three having awakened screaming simultaneously. Agathon and Roslin visit the captive [[Caprica-Six]], who confirms that she, too, had shared the dream. | ||
At the Ionian nebula, Caprica-Six has yet another vision in the Opera House, where she, [[Gaius Baltar]], and baby Hera stand on the stage and see the robed Final Five standing on the balcony above them {{TRS|Crossroads, Part II}}. | At the Ionian nebula, Caprica-Six has yet another vision in the Opera House, where she, [[Gaius Baltar]], and baby Hera stand on the stage and see the robed Final Five standing on the balcony above them {{TRS|Crossroads, Part II}}. | ||