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[[image:Messenger Six and Messenger Baltar, "Daybreak, Part II".jpg|thumb|The messengers appearing as Six and Baltar aboard ''[[Galactica (TRS)|Galactica]]'' together, as seen by [[Caprica-Six]] and [[Gaius Baltar]] during the [[Battle of the Colony]] {{TRS|Daybreak, Part II}}.]] | [[image:Messenger Six and Messenger Baltar, "Daybreak, Part II".jpg|thumb|The messengers appearing as Six and Baltar aboard ''[[Galactica (TRS)|Galactica]]'' together, as seen by [[Caprica-Six]] and [[Gaius Baltar]] during the [[Battle of the Colony]] {{TRS|Daybreak, Part II}}.]] | ||
'''Messengers''' are the curious spectral apparitions seen by [[Gaius Baltar]] and [[Caprica-Six]], as well as a few other characters. These beings were earlier referred to as "head characters, | '''Messengers''' are the curious spectral apparitions seen by [[Gaius Baltar]] and [[Caprica-Six]], as well as a few other characters. These beings were earlier referred to as "head characters", i.e. "Head Six" and "Head Baltar", by internal documentation and scripts. These messengers often present themselves as someone known very closely to the subject in question, and appear in the employ of a higher power who is frequently referred to as "[[God (RDM)|God]]" but does not care for the name. | ||
"[[Torn]]" establishes the [[humanoid Cylon]] visualization process known as [[projection]]. In the [[Miniseries]] and Season 1, before the term "projection" was introduced, the character of [[Gaius Baltar]] has frequent visions of an image of his Cylon love interest from Caprica, now known as [[Caprica-Six]]. | "[[Torn]]" establishes the [[humanoid Cylon]] visualization process known as [[projection]]. In the [[Miniseries]] and Season 1, before the term "projection" was introduced, the character of [[Gaius Baltar]] has frequent visions of an image of his Cylon love interest from Caprica, now known as [[Caprica-Six]]. | ||
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After her [[Resurrection (RDM)|resurrection]] from the Caprica mission, Caprica-Six herself is haunted by a messenger appearing to her as Gaius Baltar {{TRS|Downloaded}}. | After her [[Resurrection (RDM)|resurrection]] from the Caprica mission, Caprica-Six herself is haunted by a messenger appearing to her as Gaius Baltar {{TRS|Downloaded}}. | ||
Neither character directly reveals the presence of these images to each other or any other character. The images appear to Six and Baltar together during the [[Battle of the Colony]], revealing the truth to the pair. Occasionally both Baltar and Caprica-Six have been viewed reacting to their messengers, either by talking to themselves or by physical reaction, though this has generally been discounted as general "oddness". Baltar makes reference to seeing angels while speaking on the wireless as a cult leader, and when convincing [[John Cavil]] to stand down during the Battle of the Colony | Neither character directly reveals the presence of these images to each other or any other character. The images appear to Six and Baltar together during the [[Battle of the Colony]], revealing the truth to the pair. Occasionally both Baltar and Caprica-Six have been viewed reacting to their messengers, either by talking to themselves or by physical reaction, though this has generally been discounted as general "oddness". Baltar makes reference to seeing angels while speaking on the wireless as a cult leader, and when convincing [[John Cavil]] to stand down during the Battle of the Colony ([[TRS]]: "[[Islanded in a Stream of Stars]]"; "[[Daybreak, Part II]]"). | ||
The personality of each image is often represented in the clothing that they wear. Messenger Six often appears in a revealing red dress<ref>It should be noted that [[Caprica-Six]] never appeared in this dress.</ref>, and the Messenger Baltar appears wearing [[Gaius Baltar]]'s custom-tailored, pinstripe suit {{TRS|Miniseries|Downloaded}}. | The personality of each image is often represented in the clothing that they wear. Messenger Six often appears in a revealing red dress<ref>It should be noted that [[Caprica-Six]] never appeared in this dress.</ref>, and the Messenger Baltar appears wearing [[Gaius Baltar]]'s custom-tailored, pinstripe suit {{TRS|Miniseries|Downloaded}}. | ||
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Each messenger shares a few personality traits of the person they purport to represent but with some key differences. Being of possible divine origin, both are calmer and wiser than their corporeal counterparts. While Messenger Six is as mischievous and sexual as Caprica-Six, she espouses Cylon philosophy and [[Cylon Religion|religion]] in a zealous, unwavering manner. Likewise, Messenger Baltar shares Baltar's suave arrogance but often criticizes Caprica-Six when she attempts to rationalize the destruction of the [[The Twelve Colonies of Kobol|Twelve Colonies]] or other Cylon motivations. Both personalities tend to sway its actual opposite to side with their philosophy: for Messenger Baltar, the need to become more human (and, like the actual Baltar himself, selfish); for Messenger Six, worship of the Cylon [[God (RDM)|God]] and distancing Baltar from any opportunity to give support to the Colonial causes. | Each messenger shares a few personality traits of the person they purport to represent but with some key differences. Being of possible divine origin, both are calmer and wiser than their corporeal counterparts. While Messenger Six is as mischievous and sexual as Caprica-Six, she espouses Cylon philosophy and [[Cylon Religion|religion]] in a zealous, unwavering manner. Likewise, Messenger Baltar shares Baltar's suave arrogance but often criticizes Caprica-Six when she attempts to rationalize the destruction of the [[The Twelve Colonies of Kobol|Twelve Colonies]] or other Cylon motivations. Both personalities tend to sway its actual opposite to side with their philosophy: for Messenger Baltar, the need to become more human (and, like the actual Baltar himself, selfish); for Messenger Six, worship of the Cylon [[God (RDM)|God]] and distancing Baltar from any opportunity to give support to the Colonial causes. | ||
In the last days of the journey, these messengers are revealed to be agents of a higher power— "angels of [[God (RDM)|God]]," something previously claimed by Messenger Six to Gaius Baltar in both "[[Home, Part II]]" and "[[Torn]]"; writer [[Jane Espenson]] has stated that she personally believes they are "a far-advanced culture with an interest in humanity." This likens them to the [[Beings of Light]] from the [[Original Series]] mythology.<ref>"Question: Starbuck an Angel??? Really???" Espenson: "I'm going to answer re Starbuck and the "head" people, too. Well, here's how I always saw it. If someone from a far-advanced culture somewhere in the universe took an interest in humanity, isn't it possible that with their advanced tech that they could have abilities that would seem to us miraculous. Maybe we'd think of them as "Angels." Maybe they're the whole reason we have a myth of "Angels." But that's just me. The great thing about great novels (or the series) is that some things are left open to your own philosophical solutions." Galactica Sitrep, http://www.boston.com/ae/tv/blog/2009/03/chat_with_battl.html</ref> | In the last days of the journey, these messengers are revealed to be agents of a higher power— "angels of [[God (RDM)|God]]," something previously claimed by Messenger Six to Gaius Baltar in both "[[Home, Part II]]" and "[[Torn]]"; writer [[Jane Espenson]] has stated that she personally believes they are "a far-advanced culture with an interest in humanity." This likens them to the [[Beings of Light]] from the [[Original Series]] mythology.<ref>"Question: Starbuck an Angel??? Really???" Espenson: "I'm going to answer re Starbuck and the "head" people, too. Well, here's how I always saw it. If someone from a far-advanced culture somewhere in the universe took an interest in humanity, isn't it possible that with their advanced tech that they could have abilities that would seem to us miraculous. Maybe we'd think of them as "Angels." Maybe they're the whole reason we have a myth of "Angels." But that's just me. The great thing about great novels (or the series) is that some things are left open to your own philosophical solutions." Galactica Sitrep, http://www.boston.com/ae/tv/blog/2009/03/chat_with_battl.html</ref> ([[TRS]]: "[[Islanded in a Stream of Stars]]"; "[[Daybreak, Part II]]"). | ||
==Messenger Six== | ==Messenger Six== | ||
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Messenger Six demonstrates awareness of events, people and places that Baltar does not appear to know consciously. She tells him of a [[Cylon transponder]] hidden in ''Galactica''{{'|s}} [[CIC]] {{TRS|Miniseries, Night 2}}, and appears to aid him in his conversion from atheism to Cylon monotheism through guiding him in how to destroy a Cylon [[tylium (RDM)|tylium]] refinery {{TRS|The Hand of God (RDM)}}. The source for Messenger Six's data is initially unclear, but is later assumed to be through an act of divinity. | Messenger Six demonstrates awareness of events, people and places that Baltar does not appear to know consciously. She tells him of a [[Cylon transponder]] hidden in ''Galactica''{{'|s}} [[CIC]] {{TRS|Miniseries, Night 2}}, and appears to aid him in his conversion from atheism to Cylon monotheism through guiding him in how to destroy a Cylon [[tylium (RDM)|tylium]] refinery {{TRS|The Hand of God (RDM)}}. The source for Messenger Six's data is initially unclear, but is later assumed to be through an act of divinity. | ||
[[ | [[Image:brainscan.jpg|left|thumb|Baltar receives his brain scan from Dr. [[Sherman Cottle]], as Messenger Six looks on in amusement.]] | ||
Baltar's visions of Six not only have the Cylon appearing with him on ''{{RDM|Galactica}}'', but the two also envision themselves in Baltar's now-destroyed home, on the beach, and other locales. Messenger Six seems to be able to force Baltar to see additional items in his environment, such as the human skulls on {{RDM|Kobol}}, as well as visions of the interior of the ancient [[Opera House]] and an image of what Messenger Six believes to be a Cylon-human hybrid child. When an [[Hera Agathon|actual child]] does appear in the Fleet, the Messenger Six claims it is her vision fulfilled. Baltar is convinced by this that she cannot be a hallucination, but Cottle's scan appears to have ruled out the possibility that she is an implant. He asks her who or what she is, and she replies that she is an angel ([[TRS]]: "[[Kobol's Last Gleaming, Part II]], | Baltar's visions of Six not only have the Cylon appearing with him on ''{{RDM|Galactica}}'', but the two also envision themselves in Baltar's now-destroyed home, on the beach, and other locales. Messenger Six seems to be able to force Baltar to see additional items in his environment, such as the human skulls on {{RDM|Kobol}}, as well as visions of the interior of the ancient [[Opera House]] and an image of what Messenger Six believes to be a Cylon-human hybrid child. When an [[Hera Agathon|actual child]] does appear in the Fleet, the Messenger Six claims it is her vision fulfilled. Baltar is convinced by this that she cannot be a hallucination, but Cottle's scan appears to have ruled out the possibility that she is an implant. He asks her who or what she is, and she replies that she is an angel ([[TRS]]: "[[Kobol's Last Gleaming, Part II]]", "[[Valley of Darkness]]", "[[Home, Part II]]"). | ||
Over time, Baltar is seen by some characters speaking to himself, which is often the case when he is speaking to Messenger Six. In several instances, Messenger Six appears to Baltar to be a physical entity, grabbing him by his clothes or body, or assisting him with objects ([[TRS: "[[Six Degrees of Separation]], | Over time, Baltar is seen by some characters speaking to himself, which is often the case when he is speaking to Messenger Six. In several instances, Messenger Six appears to Baltar to be a physical entity, grabbing him by his clothes or body, or assisting him with objects ([[TRS: "[[Six Degrees of Separation]]", "[[Taking A Break From All Your Worries]]"). She has even demonstrated an ability to physically interact with Baltar. On one occasion, she pushed him into a bulkhead and grabbed him by the throat. In another example, she lifted him into a standing position after he was beaten by a Galactica marine {{TRS|Escape Velocity}}. In both cases, this provoked reactions from other people. Further, she appears to satisfy Baltar's sexual urges, leading to awkward situations where he is seen masturbating {{TRS|Colonial Day}}. | ||
[[image:KobolHallu.jpg|right|thumb|Messenger Six and Gaius Baltar on Kobol.]] | [[image:KobolHallu.jpg|right|thumb|Messenger Six and Gaius Baltar on Kobol.]] | ||
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One-hundred fifty thousand years later, Messenger Six is with Messenger Baltar in New York City, looking over the shoulder of a man reading a ''[[National Geographic]]'' magazine article about the remains of Mitochondrial Eve—the current population's latest common evolutionary ancestor, Hera Agathon. The two discuss how all of this has happened before, and whether all of this will happen again. Messenger Six believes things will go differently this time. Messenger Baltar chides her when she refers to God, saying, "You know it doesn't like that name." The two then walk off into the teeming crowds of New York City {{TRS|Daybreak, Part II}}. | One-hundred fifty thousand years later, Messenger Six is with Messenger Baltar in New York City, looking over the shoulder of a man reading a ''[[National Geographic]]'' magazine article about the remains of Mitochondrial Eve—the current population's latest common evolutionary ancestor, Hera Agathon. The two discuss how all of this has happened before, and whether all of this will happen again. Messenger Six believes things will go differently this time. Messenger Baltar chides her when she refers to God, saying, "You know it doesn't like that name." The two then walk off into the teeming crowds of New York City {{TRS|Daybreak, Part II}}. | ||
==Messenger Baltar== | ==Messenger Baltar== | ||
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At her resurrection, Messenger Baltar immediately tells Caprica-Six that only she can see and hear him, and not to reveal what she sees to the other Cylons present; she never asks about his origins. | At her resurrection, Messenger Baltar immediately tells Caprica-Six that only she can see and hear him, and not to reveal what she sees to the other Cylons present; she never asks about his origins. | ||
Messenger Baltar confronts Caprica-Six with her guilt in the slaughter of billions of human beings, and with the logical error behind the Cylons's actions. Under Messenger Baltar's influence, Caprica-Six speaks out against the war alongside another resurrected "[[hero of the Cylon]], | Messenger Baltar confronts Caprica-Six with her guilt in the slaughter of billions of human beings, and with the logical error behind the Cylons's actions. Under Messenger Baltar's influence, Caprica-Six speaks out against the war alongside another resurrected "[[hero of the Cylon]]", [[Sharon Valerii|Sharon "Boomer" Valerii]]. The two forge a new [[Lay Down Your Burdens, Part II|quasi-benevolent path]], [[Exodus, Part II|albeit temporarily]], for the Cylon race. | ||
Messenger Baltar appears irregularly in seasons 2 and 3. After Caprica-Six surrenders herself to the Colonials (having assisted [[Sharon Agathon|Sharon "Athena" Agathon]] in her rescue of [[Hera Agathon|Hera]]), [[Laura Roslin]] and [[Tory Foster]] observe Caprica-Six speaking to and kissing Messenger Baltar—who is invisible to Roslin and Foster {{TRS|The Woman King}}. | Messenger Baltar appears irregularly in seasons 2 and 3. After Caprica-Six surrenders herself to the Colonials (having assisted [[Sharon Agathon|Sharon "Athena" Agathon]] in her rescue of [[Hera Agathon|Hera]]), [[Laura Roslin]] and [[Tory Foster]] observe Caprica-Six speaking to and kissing Messenger Baltar—who is invisible to Roslin and Foster {{TRS|The Woman King}}. | ||
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While Messenger Baltar acts mostly as a conversational foil for Six, in "[[Crossroads, Part I]]" he informs her that [[Saul Tigh]] has suffered the loss of [[Ellen Tigh|a woman]] close to him, to assist Six in dealing with Tigh's interrogation {{TRS|Crossroads, Part I}}. | While Messenger Baltar acts mostly as a conversational foil for Six, in "[[Crossroads, Part I]]" he informs her that [[Saul Tigh]] has suffered the loss of [[Ellen Tigh|a woman]] close to him, to assist Six in dealing with Tigh's interrogation {{TRS|Crossroads, Part I}}. | ||
[[ | [[Image:Baltar and Head Baltar, "Six of One".jpg|thumb|right|Baltar encounters his Messenger double.]] | ||
After his ascension to [[Cult of Baltar|cult]] leader, Gaius Baltar encounters his Messenger doppelgänger after running into [[Tory Foster]] at the civilian's mess hall. Baltar is initially shocked by Messenger Baltar's sudden appearance, voicing his belief that it is [[Messenger Six]] appearing to him as a doppelgänger version of himself, but the Messenger points out that she would have no need to disguise herself from him; Baltar becomes amused by the idea of having himself as a conversational foil for once instead of Six. This Messenger Baltar encourages him to engage in a relationship with Foster, claiming that she is "[[Final Five|special]]," and guides him, after a fashion, through her covert interrogation attempt. This Messenger Baltar does not elaborate on that point, but Gaius Baltar follows the Messenger's lead {{TRS|Six of One}}. | After his ascension to [[Cult of Baltar|cult]] leader, Gaius Baltar encounters his Messenger doppelgänger after running into [[Tory Foster]] at the civilian's mess hall. Baltar is initially shocked by Messenger Baltar's sudden appearance, voicing his belief that it is [[Messenger Six]] appearing to him as a doppelgänger version of himself, but the Messenger points out that she would have no need to disguise herself from him; Baltar becomes amused by the idea of having himself as a conversational foil for once instead of Six. This Messenger Baltar encourages him to engage in a relationship with Foster, claiming that she is "[[Final Five|special]]," and guides him, after a fashion, through her covert interrogation attempt. This Messenger Baltar does not elaborate on that point, but Gaius Baltar follows the Messenger's lead {{TRS|Six of One}}. | ||
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The two Messengers visit Earth 150,000 years later in New York City discussing humanity finding its most recent common ancestor, the human-Cylon hybrid [[Hera Agathon]]. The two discuss the cycle of life, and Messenger Baltar chides Messenger Six for calling the being they work for "God," as it apparently does not like being called that. Messenger Baltar has the series' last line, which is a response to Messenger Six's stern look: "silly me... silly, silly me." The two then walk off together into present-day New York City {{TRS|Daybreak, Part II}}. | The two Messengers visit Earth 150,000 years later in New York City discussing humanity finding its most recent common ancestor, the human-Cylon hybrid [[Hera Agathon]]. The two discuss the cycle of life, and Messenger Baltar chides Messenger Six for calling the being they work for "God," as it apparently does not like being called that. Messenger Baltar has the series' last line, which is a response to Messenger Six's stern look: "silly me... silly, silly me." The two then walk off together into present-day New York City {{TRS|Daybreak, Part II}}. | ||
== Messenger Elosha == | == Messenger Elosha == | ||
[[Laura Roslin]] converses with a being in the form of Priestess [[Elosha]] during what should be zero-time jump sequences on the way to the [[Resurrection Hub]]. This Messenger being is unlike the others, in that not only do they interact outside the realm of others, it takes place during a time interval that should not exist. The being seems to have some knowledge of the future events, such as Roslin's death and the fact that [[William Adama]] waits for her, suggesting both reality for the being and the out-of-time conversations. Unlike | [[Laura Roslin]] converses with a being in the form of Priestess [[Elosha]] during what should be zero-time jump sequences on the way to the [[Resurrection Hub]]. This Messenger being is unlike the others, in that not only do they interact outside the realm of others, it takes place during a time interval that should not exist. The being seems to have some knowledge of the future events, such as Roslin's death and the fact that [[William Adama]] waits for her, suggesting both reality for the being and the out-of-time conversations. Unlike [[Kara Thrace]]'s Messenger Leoben, the experience is difficult to explain with unconscious dreaming or hallucination {{TRS|The Hub}}. | ||
== The Final Five's Messengers == | == The Final Five's Messengers == | ||
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== Slick == | == Slick == | ||
[[Kara Thrace]] encounters a vision of her father<ref>[[Podcast:Someone to Watch Over Me]]</ref> going by the name of "Slick". She initially fails to recognize him as [[Dreilide Thrace|her father]]. As she spends time with him, she recalls playing the piano with her father. She assists him in composing a song and compares him to her father. While she plays the piano with him, she recalls playing the piano with her father as a child. She recalls a certain song, and notices that the score resembles one of [[Hera Agathon]]'s drawing. As she plays the song with him, [[Saul Tigh]] and [[Tory Foster]] recognize the song as [[The Music|the same song they heard at the Ionian Nebula]]. When Tigh grabs her and asks her about the song, Slick vanishes {{TRS|Someone to Watch Over Me}}. | |||
== Messenger Zoe == | == Messenger Zoe == | ||
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An unidentified Zoe sits smiling among Sister [[Clarice Willow]]'s otherwise entirely Cylon congregation of monotheists in the flash-forward montage at the end of "[[Apotheosis (episode)|Apotheosis]]". The scene precedes Zoe-A's resurrection into the first [[Humanoid Cylon|skinjob]] body, yet is years after [[Zoe Graystone|original Zoe]]'s death and Zoe-A's denouncement of Willow. | An unidentified Zoe sits smiling among Sister [[Clarice Willow]]'s otherwise entirely Cylon congregation of monotheists in the flash-forward montage at the end of "[[Apotheosis (episode)|Apotheosis]]". The scene precedes Zoe-A's resurrection into the first [[Humanoid Cylon|skinjob]] body, yet is years after [[Zoe Graystone|original Zoe]]'s death and Zoe-A's denouncement of Willow. | ||
== [[Messenger Leoben]] == | == [[Messenger Leoben]] == | ||
Image of Leoben that appears to | Image of Leoben that appears to [[Kara Thrace]] but never claims to be a Cylon in the episode "[[Maelstrom]]." Because he only appears to her in a vision while the pilot is unconscious, and does not fit the Baltar-Six analogue, Battlestar Wiki considers him separately. | ||
For further information, please see [[Messenger Leoben]] entry. | For further information, please see [[Messenger Leoben]] entry. | ||
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==Notes== | ==Notes== | ||
* In the cases of Elosha and Slick, it is unclear whether the phantom images represent the consciousnesses of the deceased or are simply other beings in their forms. | * In the cases of Elosha and Slick, it is unclear whether the phantom images represent the consciousnesses of the deceased or are simply other beings in their forms. | ||
*The [[Messenger Leoben|Messenger "Leoben"]] that appears to | *The [[Messenger Leoben|Messenger "Leoben"]] that appears to [[Kara Thrace]] in the episode "[[Maelstrom]]" only appears to her in a vision while the pilot is unconscious. Since this Messenger Leoben does not fit the Baltar-Six analogue, Battlestar Wiki considers him separately to the above. | ||
*[[William Adama]] sees and converses with his [[Carolanne Adama|deceased ex-wife]] each year on their anniversary as demonstrated in "[[A Day in the Life]]". While the episode where this occurs shows William and Carolanne together in places and settings (ostensibly at their home on {{RDM|Caprica}}), this is a dramatic representation of Adama's ordinary imagination of what Carolanne may have thought about his predicament. As such, the visualizations of Carolanne Adama are ''not'' a messenger or other spectral apparition. | *[[William Adama]] sees and converses with his [[Carolanne Adama|deceased ex-wife]] each year on their anniversary as demonstrated in "[[A Day in the Life]]". While the episode where this occurs shows William and Carolanne together in places and settings (ostensibly at their home on {{RDM|Caprica}}), this is a dramatic representation of Adama's ordinary imagination of what Carolanne may have thought about his predicament. As such, the visualizations of Carolanne Adama are ''not'' a messenger or other spectral apparition. | ||
*[[Saul Tigh]] sees [[Ellen Tigh#Saul's "Messenger Ellen"|his dead wife]] in place of [[Caprica-Six]] {{TRS|Escape Velocity}}. This could be a simple hallucination or, as Tigh is a [[humanoid Cylon]], an example of [[projection]]. | *[[Saul Tigh]] sees [[Ellen Tigh#Saul's "Messenger Ellen"|his dead wife]] in place of [[Caprica-Six]] {{TRS|Escape Velocity}}. This could be a simple hallucination or, as Tigh is a [[humanoid Cylon]], an example of [[projection]]. | ||
*When holding a two thousand year-old, mangled mailbox hatch from the lobby of the Tighs's apartment building, Saul sees a dying Ellen again in a vision from his and her prior incarnations on Earth. Ellen is depicted in the vision as fully aware of their future reincarnations and the cyclical nature of their existence, which she prophesises for past-Saul in the moment before they both die. {{TRS|Sometimes a Great Notion}}. | *When holding a two thousand year-old, mangled mailbox hatch from the lobby of the Tighs's apartment building, Saul sees a dying Ellen again in a vision from his and her prior incarnations on Earth. Ellen is depicted in the vision as fully aware of their future reincarnations and the cyclical nature of their existence, which she prophesises for past-Saul in the moment before they both die. {{TRS|Sometimes a Great Notion}}. | ||
*In the fifth [[Razor Flashbacks|Razor Flashback]], while exploring the lab, [[William Adama]] has a hallucination of a hand reaching out to grab him from a device similar to a [[resurrection tank|resurrection]] or [[Hybrid]] tank. However this could be a stress-induced hallucination. The same may be the case for the screaming prisoners in the lab, which could also be explained as a visualization for the audience. However, the voice Adama hears of the [[First Hybrid]] is the same as the real voice, so this part at least is not a hallucination. | *In the fifth [[Razor Flashbacks|Razor Flashback]], while exploring the lab, [[William Adama]] has a hallucination of a hand reaching out to grab him from a device similar to a [[resurrection tank|resurrection]] or [[Hybrid]] tank. However this could be a stress-induced hallucination. The same may be the case for the screaming prisoners in the lab, which could also be explained as a visualization for the audience. However, the voice Adama hears of the [[First Hybrid]] is the same as the real voice, so this part at least is not a hallucination. | ||
*Beginning in Season 3, Messenger Six appears less frequently, and makes only a few appearances in Season 4. A scene was filmed for "[[The Road Less Traveled]]" in which Messenger Six, stating that Baltar no longer needs her anymore, says goodbye to him and fades away; this scene was deleted (but included on the Season 4.0 DVD). Messenger Six reappeared in yet another deleted scene, this time for "Sometimes a Great Notion" (information is relegated to a [[:File:SixonEarth.jpg|promotional image]]), before returning but only in the extended version of "[[A Disquiet Follows My Soul]]" and reappearing in "[[Deadlock]], | *Beginning in Season 3, Messenger Six appears less frequently, and makes only a few appearances in Season 4. A scene was filmed for "[[The Road Less Traveled]]" in which Messenger Six, stating that Baltar no longer needs her anymore, says goodbye to him and fades away; this scene was deleted (but included on the Season 4.0 DVD). Messenger Six reappeared in yet another deleted scene, this time for "Sometimes a Great Notion" (information is relegated to a [[:File:SixonEarth.jpg|promotional image]]), before returning but only in the extended version of "[[A Disquiet Follows My Soul]]" and reappearing in "[[Deadlock]]", most likely rendering the deleted scene from "The Road Less Traveled" non-canonical as neither of the two aforementioned episodes make mention of her departure. | ||
*In the podcast for "[[No Exit]], | *In the podcast for "[[No Exit]]", Ronald Moore refers to the Final Five's Messenger beings as "the Messengers" and indicates that they are significant to the overall storyline. | ||
== Official Statements == | == Official Statements == | ||