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Editing Galactica Discovers Earth, Part I

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* It is clearly apparent that neither Adama nor anyone else in the Fleet considered the ramifications of their flight to [[Earth (1980)|Earth]]: particularly when it concerns their essentially leading the Cylons to this planet.
* It is clearly apparent that neither Adama nor anyone else in the Fleet considered the ramifications of their flight to [[Earth (1980)|Earth]]: particularly when it concerns their essentially leading the Cylons to this planet.
* This episode directly deals with the (now proven incorrect) assumption that Earth is capable of repelling the Cylons. It should be noted that the [[Battlestar Galactica (RDM)|Re-imagined Series]] also faces the same possibilities, [[Earth (RDM)|up to a certain point]].  
* This episode directly deals with the (now proven incorrect) assumption that Earth is capable of repelling the Cylons. It should be noted that the [[Battlestar Galactica (RDM)|Re-imagined Series]] also faces the same story flaw, which it has yet to address.  
* Adama's comment that Earth's "proximity to the sun provides the '''only climate in the galaxy'''<ref>This emphasis is Battlestar Wiki's, not Adama's.</ref> comfortably able to support life as we know it" is technically correct, in so far as the audience is concerned. In the story, however, this claim establishes that:
* Adama's comment that Earth's "proximity to the sun provides the '''only climate in the galaxy'''<ref>This emphasis is Battlestar Wiki's, not Adama's.</ref> comfortably able to support life as we know it" is technically correct, in so far as the audience is concerned. In the story, however, this claim establishes that:
*# The Colonials are from outside the [[Milky Way]] and thus have some form of faster-than-light drive never fully shown in the series.  
*# The Colonials are from outside the [[Milky Way]] and thus have some form of faster-than-light drive never fully shown in the series.  
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''Galactica 1980 story editors Allan Cole and Chris Bunch on why Galactica was resurrected:''
''Galactica 1980 story editors Allan Cole and Chris Bunch on why Galactica was resurrected:''


'''Q:''' Where did ''Galactica 1980'' come from?  
'''Q:''' Where did Galactica 1980 come from?  


'''Bunch:''' Well, this is only mildly classified, but nobody wanted to do ''Galactica 1980'' except ABC. ''Battlestar Galactica'' had eaten the big green weenie (deservedly) and cost Universal a ton of money, with terrible ratings. Glen Larson, regardless of what you think of his writing ability, does try hard, and when something fails he wants to get away from it. It's been said he is the best salesman to ever pitch a TV series, but ten seconds after he sold it he should've been banned from writing any scripts to give his own show at least a struggling chance. Anyway, ABC, for some unknown reason, decided that it was worth trying again. Universal, who'd deficit-financed the first time around to some humongous degree, didn't want to go for it. ABC put pressure on, and they caved in. Then Universal put pressure on Larson, and he, in turn, caved in. Money Talks and Bullsh-- Walks, so here came ''Galactica'' once more, after Larson made those so wonderful revisions in the premise which guaranteed Galactica 1980 was even worse than its first incarnation.  
'''Bunch:''' Well, this is only mildly classified, but nobody wanted to do Galactica 1980 except ABC. Battlestar Galactica had eaten the big green weenie (deservedly) and cost Universal a ton of money, with terrible ratings. Glen Larson, regardless of what you think of his writing ability, does try hard, and when something fails he wants to get away from it. It's been said he is the best salesman to ever pitch a TV series, but ten seconds after he sold it he should've been banned from writing any scripts to give his own show at least a struggling chance. Anyway, ABC, for some unknown reason, decided that it was worth trying again. Universal, who'd deficit-financed the first time around to some humongous degree, didn't want to go for it. ABC put pressure on, and they caved in. Then Universal put pressure on Larson, and he, in turn, caved in. Money Talks and Bullsh-- Walks, so here came Galactica once more, after Larson made those so wonderful revisions in the premise which guaranteed Galactica 1980 was even worse than its first incarnation.  


'''Cole:''' ''Battlestar Galactica'' was the most expensive show ever done on television at the time. It was expensive and unsuccessful. And they had legal battles with George Lucas for obvious reasons. We thought they blew it as soon as they decided that ''Galactica'' arrives on Earth in 1980 - because nobody cares! When you're living in 1980 the science fiction element is lost and there are no big surprises. It was a fatal error.<ref>''Galactic Sci-Fi Television Series Revisited.'' Alpha Control Press, 1995.</ref>
'''Cole:''' Battlestar Galactica was the most expensive show ever done on television at the time. It was expensive and unsuccessful. And they had legal battles with George Lucas for obvious reasons. We thought they blew it as soon as they decided that ''Galactica'' arrives on Earth in 1980 - because nobody cares! When you're living in 1980 the science fiction element is lost and there are no big surprises. It was a fatal error.<ref>''Galactic Sci-Fi Television Series Revisited.'' Alpha Control Press, 1995.</ref>




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'''Cole:''' We were given the job of putting in the educational beats in each script... which were all Larson's!  
'''Cole:''' We were given the job of putting in the educational beats in each script... which were all Larson's!  


'''Bunch:''' He wasn't gonna do it! We suggested that they put an underrole [on-screen chyron] on the screen saying "Why aren't you kids watching ''[[w:|60 Minutes]]''?" They didn't think a whole lot of the idea!  
'''Bunch:''' He wasn't gonna do it! We suggested that they put an underrole on the screen saying "Why aren't you kids watching 60 Minutes?" They didn't think a whole lot of the idea!  


'''Cole:''' So Glen's off in Hawaii writing scripts...  
'''Cole:''' So Glen's off in Hawaii writing scripts...  
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'''Q:''' Did you have much contact with the actors?  
'''Q:''' Did you have much contact with the actors?  


'''Bunch:''' Generally, the writer has minimal if any contact with actors. For instance, when we worked with [[Lorne Greene]] on ''Code Putrid'' (Code Red), he came in and described his acting style to us. For instance he said, "When I lose my temper, I don't shout. I get cold and give dirty looks." That was an enormous help.  
'''Bunch:''' Generally, the writer has minimal if any contact with actors. For instance, when we worked with Lorne Green on ''Code Putrid'' (Code Red), he came in and described his acting style to us. For instance he said, "When I lose my temper, I don't shout. I get cold and give dirty looks." That was an enormous help.  


'''Cole:''' So anyway, we're watching dailies one day and the kid (Patrick Stuart - Dr. Zee) is sitting in his chair and Glen Larson is in the back saying, "What's wrong with his head? Why isn't he moving?" Well, you could see he was plainly terrified! And his lines were always addressing Adama. However, his voice was changing so he's saying in this girlish voice, "Adama! Adama!" It became a running gag between the two of us, (girlish voice) "Adama! Adama!" Why he got cast in that horrible part, I don't know.  
'''Cole:''' So anyway, we're watching dailies one day and the kid (Patrick Stuart - Dr. Zee) is sitting in his chair and Glen Larson is in the back saying, "What's wrong with his head? Why isn't he moving?" Well, you could see he was plainly terrified! And his lines were always addressing Adama. However, his voice was changing so he's saying in this girlish voice, "Adama! Adama!" It became a running gag between the two of us, (girlish voice) "Adama! Adama!" Why he got cast in that horrible part, I don't know.  
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'''Bunch:''' Why did anybody get cast in that horrible show?  
'''Bunch:''' Why did anybody get cast in that horrible show?  


'''Cole:''' ''Galactica 1980'' was our first staff job and we received a memo which lists everyone in the crew. The stars, directors, producers. It's done in descending order of importance. Starting with Glen Larson...  
'''Cole:''' Galactica 1980 was our first staff job and we received a memo which lists everyone in the crew. The stars, directors, producers. It's done in descending order of importance. Starting with Glen Larson...  


'''Bunch:''' Then you get God!  
'''Bunch:''' Then you get God!  
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'''Q:''' Have you seen any of the cast since the cancellation?  
'''Q:''' Have you seen any of the cast since the cancellation?  


'''Bunch:''' I wouldn't mind working with [[Kent McCord]] (Troy) again. He's a nice guy. He likes writers. He understands writers. Kent used to ask why the scripts were substandard, and we'd say "Babe, you go to Hawaii and talk to Larson!" <ref>''Galactic Sci-Fi Television Series Revisited.'' Alpha Control Press, 1995.</ref>
'''Bunch:''' I wouldn't mind working with Kent McCord (Troy) again. He's a nice guy. He likes writers. He understands writers. Kent used to ask why the scripts were substandard, and we'd say "Babe, you go to Hawaii and talk to Larson!" <ref>''Galactic Sci-Fi Television Series Revisited.'' Alpha Control Press, 1995.</ref>




''Allan Cole on why most of the actors from the original series did not return:''
''Allan Cole on why most of the actors from the original series did not return:''


Everything came apart piece by piece as they moved toward the airdate. Partly this was because of the budget. For example, everyone thought Dirk Benedict was going to be a big star and so his price was set accordingly. Schedules conflicted. That sort of thing. One of the big problems when you cancel a show [like ''Galactica''] and let everyone go home, when you look for [the original actors] again, they aren't likely to be available. All shows are shot pretty much during the same season. So the good people are usually working the closer you get to that time.
Everything came apart piece by piece as they moved toward the airdate. Partly this was because of the budget. For example, everyone thought Dirk Benedict was going to be a big star and so his price was set accordingly. Schedules conflicted. That sort of thing. One of the big problems when you cancel a show [like Galactica] and let everyone go home, when you look for [the original actors] again, they aren't likely to be available. All shows are shot pretty much during the same season. So the good people are usually working the closer you get to that time.


But there were even deadlier things at work&mdash;such as the censor. Dirk Benedict smoked a cigar!!!! This is not good for the kiddies, the censor said. And the action on BG was too "gritty" for kids, they said. We want nice, clean-cut people. (''One-Adam-12'') [[The Super Scouts|And we want lots, and lots of kids.]] And so forth. The day I reported to work no one had the faintest idea what the series was going to be about. And it changed every day&mdash;even while the scripts were being written. Major characters disappeared. New ones appeared. Then were gone again.
But there were even deadlier things at work&mdash;such as the censor. Dirk Benedict smoked a cigar!!!! This is not good for the kiddies, the censor said. And the action on BG was too "gritty" for kids, they said. We want nice, clean-cut people. (One-Adam-12) And we want lots, and lots of kids. And so forth. The day I reported to work no one had the faintest idea what the series was going to be about. And it changed every day&mdash;even while the scripts were being written. Major characters disappeared. New ones appeared. Then were gone again.


It was a real mess when we finally got on the air, and it never got better. We were rewriting on the set&mdash;handing pages to the actors to memorize moments before the scenes were shot.
It was a real mess when we finally got on the air, and it never got better. We were rewriting on the set&mdash;handing pages to the actors to memorize moments before the scenes were shot.


The network never really liked the [time travel] idea. They didn't get it. For budget reasons there was also a mad scramble to find footage of old sword and sandal movies. So they could piece in things like the Trojan War, or whatever. But when the network censor saw those scenes, with blood all over the place, they freaked big time!<ref name="cole">{{cite_web|url=http://www.battlestargalactica.com/outside_docs/bg_outdoc0030.htm|title=Interview with Galactica 1980 story editor Allan Cole|date=28 Feburary 2005|accessdate=11 August 2007|last=Larocque|first=John|format=|language=}}</ref>
The network never really liked the [time travel] idea. They didn't get it. For budget reasons there was also a mad scramble to find footage of old sword and sandle movies. So they could piece in things like the Trojan War, or whatever. But when the network censor saw those scenes, with blood all over the place, they freaked big time!<ref name="cole">{{cite_web|url=http://www.battlestargalactica.com/outside_docs/bg_outdoc0030.htm|title=Interview with Galactica 1980 story editor Allan Cole|date=28 Feburary 2005|accessdate=11 August 2007|last=Larocque|first=John|format=|language=}}</ref>




''Cole and Bunch on how they got involved with the show:''
''Cole and Bunch on how they got involved with the show:''


'''Bunch:''' After the pilot was produced, we sold a script called ''[[Earthquake]]'' over the phone to Jeff Freilich, when he called us to see if we had anything the day he started on the show, and we came up with some fast buzzy-wuzzy crap that might convince him to Give Us Money. Something to do with earthquakes. So he says we have a deal, come on out and let's work the details out. We jumped in the car, with nada in the way of a plot, and Thought Fast. About the time we got off the freeway, we had a couple of vague ideas to flesh out our first dumb sentence.
'''Bunch:''' After the pilot was produced, we sold a script called [[Earthquake]] over the phone to Jeff Freilich, when he called us to see if we had anything the day he started on the show, and we came up with some fast buzzy-wuzzy crap that might convince him to Give Us Money. Something to do with earthquakes. So he says we have a deal, come on out and let's work the details out. We jumped in the car, with nada in the way of a plot, and Thought Fast. About the time we got off the freeway, we had a couple of vague ideas to flesh out our first dumb sentence.


The first draft of the script featured Xaviar, but then it was decided that they weren't going to use Xaviar anymore, which creates a small credibility problem, like we don't believe anybody but a Major Bad Guy can create an earthquake and he better have himself a Fiendish Thingie. We reworked the script and came up with Nutball Hargreaves, underground nuclear tests, roboticized security and the rest is (isn't) film history.  
The first draft of the script featured Xaviar, but then it was decided that they weren't going to use Xaviar anymore, which creates a small credibility problem, like we don't believe anybody but a Major Bad Guy can create an earthquake and he better have himself a Fiendish Thingie. We reworked the script and came up with Nutball Hargreaves, underground nuclear tests, roboticized security and the rest is (isn't) film history.  

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