Toggle menu
Toggle preferences menu
Toggle personal menu
Not logged in
Your IP address will be publicly visible if you make any edits.

Editing Final Cut

From the only original and legitimate Battlestar Wiki: the free-as-in-beer, non-corporate, open-content encyclopedia, analytical reference, and episode guide on all things Battlestar Galactica. Accept neither subpar substitutes nor subpar clones.
Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.
The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then publish the changes below to finish undoing the edit.
Latest revision Your text
Line 85: Line 85:
*The "documentary episode" is a storytelling device that has been used on many series in the past, in which an outsider—usually a journalist—arrives and proceeds to profile the characters and setting, often incorporating interviews with the characters that provide backstory and character motivation in a way standard narrative cannot. The form was popularized in an [[w:Emmy Awards|Emmy]]-winning early episode of ''[[w:M*A*S*H (TV series)|M*A*S*H]]''—which featured the scenario of interviewing officers under pressure of war, much like ''Final Cut''. Other notable TV programs utilizing the format include the ''[[w:Babylon 5|Babylon 5]]'' episode "And Now a Word" and an episode of the medical drama ''[[w:ER (TV series)|ER]]'', "Ambush," which was broadcast live. "Final Cut" is unusual in that it includes narrative storytelling, whereas the form usually does not "break character".
*The "documentary episode" is a storytelling device that has been used on many series in the past, in which an outsider—usually a journalist—arrives and proceeds to profile the characters and setting, often incorporating interviews with the characters that provide backstory and character motivation in a way standard narrative cannot. The form was popularized in an [[w:Emmy Awards|Emmy]]-winning early episode of ''[[w:M*A*S*H (TV series)|M*A*S*H]]''—which featured the scenario of interviewing officers under pressure of war, much like ''Final Cut''. Other notable TV programs utilizing the format include the ''[[w:Babylon 5|Babylon 5]]'' episode "And Now a Word" and an episode of the medical drama ''[[w:ER (TV series)|ER]]'', "Ambush," which was broadcast live. "Final Cut" is unusual in that it includes narrative storytelling, whereas the form usually does not "break character".


== Questions ==
== Questions ==  
*Does Biers' discovery of pregnant Caprica-Valerii on ''Galactica'' alter her intended goal with the documentary?
*Would the documentary originally have presented ''Galactica'' and her crew in a more negative light and thus perform a journalistic hatchet job on how the rest of the Fleet perceived Adama and the military?
*Would Adama and Roslin still have allowed the documentary to be broadcast if it had been 'negative'? (See [[#Analysis|Analysis]])
*Now that the documentary has aired, with Biers's image visibly throughout the film, has Sharon Valerii seen the film?
*If she had viewed the documentary, would Valerii inform ''Galactica'''s command of Biers' true nature, or the identity of other agents in the Fleet, if they were known to her? ([[Sacrifice|Answer #1]]), ([[Lay Down Your Burdens, Part II|Answer #2]])
*Why was Biers not included in any press pools that occurred prior to her finding the ''Gideon'' tape and therefore making the acquaintance of the President and Commander Adama? Was she a different sort of reporter and not granted Presidential press room status?
*At the end of the episode, Biers says that the Cylons "lost two Raiders relaying the images back to ''the Fleet''" from ''Galactica''. She didn't say "from ''Galactica'' back to ''Caprica''". Does this imply that there is a main Cylon fleet following ''Galactica''?  (That is, as opposed to many basestars spread out across a large region of space in a search pattern.) ([[Pegasus (episode)|Answer]])
*Does any military personnel ever resign from ''Galactica'' on their own? ([[Six of One|Answer]])


=== Answered Questions ===
== Official Statements ==  
 
* At the end of the episode, Biers says that the Cylons "lost two Raiders relaying the images back to ''the Fleet''" from ''Galactica''. She didn't say "from ''Galactica'' back to ''Caprica''". Does this imply that there is a main Cylon fleet following ''Galactica''?  (That is, as opposed to many basestars spread out across a large region of space in a search pattern.) ([[Pegasus (episode)|Answer]])
* Do any military personnel ever resign from ''Galactica'' on their own? ([[Six of One|Answer]])
* If she had viewed the documentary, would Valerii inform ''Galactica'''s command of Biers' true nature, or the identity of other agents in the Fleet, if they were known to her? ([[Sacrifice|Answer #1]]), ([[Lay Down Your Burdens, Part II|Answer #2]])
 
=== Unanswered Questions ===
 
* Does Biers' discovery of pregnant Caprica-Valerii on ''Galactica'' alter her intended goal with the documentary?
* Would the documentary originally have presented ''Galactica'' and her crew in a more negative light and thus perform a journalistic hatchet job on how the rest of the Fleet perceived Adama and the military?
* Would Adama and Roslin still have allowed the documentary to be broadcast if it had been 'negative'? (See [[#Analysis|Analysis]])
* Now that the documentary has aired, with Biers's image visibly throughout the film, has Sharon Valerii seen the film?
* Why was Biers not included in any press pools that occurred prior to her finding the ''Gideon'' tape and therefore making the acquaintance of the President and Commander Adama? Was she a different sort of reporter and not granted Presidential press room status?
 
== Official Statements ==


== Noteworthy Dialogue ==
== Noteworthy Dialogue ==


{{Quote
* ''After meeting Dr. [[Gaius Baltar]] for the first time:''
| context = After meeting Dr. [[Gaius Baltar]] for the first time:
:'''D'Anna Biers:''' What a strange little man.
| text = What a strange little man.
| sign = [[D'Anna Biers]]
}}
 
{{Dialogue
| context = D'Anna Biers is filming an interview with {{callsign|Lee Adama}}:
| lines =
'''[[D'Anna Biers]]:''' You seem to think that your pilots deserve special consideration.
 
'''{{callsign|Lee Adama}}:''' Actually, I do. Like everyone else, my pilots have lost their families, their friends, everyone they ever cared about; but on top of that they're asked to put their lives on the line every single day, for a fleet that seems more interested in what they do wrong than in what they do right. They're not asking for your pity, but they damn well deserve your respect.
}}
 
{{Dialogue
| context = D'Anna Biers is interviewing {{callsign|Racetrack}}:
| lines =
'''[[D'Anna Biers]]:''' Are you afraid when you go into combat?
 
'''{{callsign|Racetrack}}:''' First thing they tell you is to assume you're already dead.
 
'''D'Anna Biers:''' Well that sounds ghoulish.
 
'''Racetrack:''' Yeah, maybe. But dead men don't get scared and freeze up under fire. Me, I'm just worried that hell's gonna be a lonely place, and I'm gonna fill it up with every Toaster son of a bitch I find.
}}
 
{{Dialogue
| context = D'Anna Biers is interviewing Lieutenant Gaeta. Gaeta is slightly disheveled, and is smoking a cigarette:
| lines =
'''[[D'Anna Biers]]:''' Does that help you cope with the stress?
 
'''[[Felix Gaeta]]:''' Not really. Look, um, all that I ever wanted was to be an officer on a battlestar, okay? I trained my whole life, I trained harder than anyone in my unit. Basically, I put my life on hold until I was assigned to ''Galactica''. Then the Cylons hit and I realized that this is all that I know: tech manuals, commands, and tactics, you know? I'm not saying that I'm unhappy...I'm just wondering if there's something more.
 
'''D'Anna Biers:''' And what have you discovered?
 
'''Felix Gaeta:''' ...(takes a long drag, coughs)...I hate cigarettes. [[Ambrosia]]'s good with a chaser. And, if you have enough Ambrosia...''(Gaeta pulls back his shirt to reveal an ugly [[tattoo]] of a tiger on his upper right chest)''...it don't hurt that much.
}}
 
{{Quote
| context = The closing voice-over narration to Biers's documentary on ''Galactica'', which runs over a montage of images from the ship. The [[Colonial anthem]] tinkles in the background and gradually builds up to a grand swell:
| text = I came to ''Galactica'' to tell a story. In all honesty I thought I knew what that story was before I ever set foot there: how an arrogant military let their egos get in the way of doing their jobs, safeguarding the lives of the civilian population. But I found out that the truth was more complex than that. These people aren't Cylons. They're not robots blindly following orders and polishing their boots. They're people. Deeply flawed, yes, but deeply human too, and maybe that's saying the same thing. What struck me most is that despite it all - the hardships, the stress, the ever present danger of being killed - despite all that, they never give up. They never lie down in the road and let the truck run them over. They wake up in the morning, put on their uniforms and do their jobs. Every day. No pay, no rest, no hope of ever laying down the burden or letting someone else do the job. There are no relief troops coming, no Colonial Fleet training new recruits every day. The people on ''Galactica'' are ''it''. They are the thin line of blue that separates us from the Cylons. Lt. Gaeta told me a remarkable statistic; not a single member of Galactica's crew has asked to resign, not one. Think about that. If you wore the uniform wouldn't you want to quit? To step aside and say "Enough! Let someone else protect the fleet?" I know I would. But then, I don't wear a uniform. Most of us don't, most of us never will. The story of ''Galactica'' isn't that people make bad decisions under pressure, it's that those mistakes are the exception. Most of the time the men and women serving under Commander Adama get it right. The proof is that our fleet ''survives''. And with ''Galactica'' at our side, we '''''will''''' endure.
| sign = [[D'Anna Biers]], Fleet News Service
}}
 
{{Dialogue
| context = The camera pulls back to show a movie theater on Cylon-occupied {{RDM|Caprica}}, where the humanoid Cylons are watching a copy of the documentary, as Biers's ending narration finishes:
| lines =
'''[[Aaron Doral]]:''' That was shown across their entire fleet.
 
'''[[Number Six]]:''' Their resilience is remarkable.
 
'''[[Sharon Valerii]]:''' Play the footage that was cut. ''(camera footage plays of Helo's Sharon in Galactica's Sickbay)''


'''Sharon Valerii:''' I'm still alive?! She's still alive! I told you.  
* ''D'Anna Biers is filming an interview with {{callsign|Lee Adama}}:''
:'''D'Anna Biers:''' You seem to think that your pilots deserve special consideration.
:'''Lee Adama:''' Actually, I do.  Like everyone else, my pilots have lost their families, their friends, everyone they ever cared about; but on top of that they're asked to put their lives on the line every single day, for a fleet that seems more interested in what they do wrong than in what they do right. They're not asking for your pity, but they damn well deserve your respect.


'''Number Six:''' That's incredible. And the [[Hera Agathon|baby]]?
* ''D'Anna Biers is interviewing {{callsign|Racetrack}}:''
:'''D'Anna Biers:''' Are you afraid when you go into combat?
:'''Racetrack:'''  First thing they tell you is to assume you're already dead. 
:'''D'Anna Biers:''' Well that sounds ghoulish.
:'''Racetrack:''' Yeah, maybe.  But dead men don't get scared and freeze up under fire.  Me, I'm just worried that hell's gonna be a lonely place, and I'm gonna fill it up with every Toaster son of a bitch I find.


'''[[D'Anna Biers|Biers]]:''' ''(speaking without her usual New Zealand accent, but with a general American accent)'' It was saved. We lost two Raiders relaying the images back to the fleet, but I think the sacrifice was worth it.  
* ''D'Anna Biers is interviewing Lieutenant Gaeta. Gaeta is slightly disheveled, and is smoking a cigarette:''
:'''D'Anna Biers:''' Does that help you cope with the stress?
:'''Felix Gaeta:''' Not really.  Look, um, all that I ever wanted was to be an officer on a battlestar, okay?  I trained my whole life, I trained harder than anyone in my unit.  Basically, I put my life on hold until I was assigned to ''Galactica''.  Then the Cylons hit and I realized that this is all that I know:  tech manuals, commands, and tactics, you know?  I'm not saying that I'm unhappy...I'm just wondering if there's something more. 
:'''D'Anna Biers:''' And what have you discovered?
:'''Felix Gaeta:''' ...(takes a long drag, coughs)...I hate cigarettes. [[Ambrosia]]'s good with a chaser.  And, if you have enough Ambrosia...(Gaeta pulls back his shirt to reveal an ugly tattoo of a tiger on his upper right chest)...it don't hurt that much.


'''Aaron Doral:''' We must proceed with caution. The child's life must be protected at all costs.  
* ''The closing voice-over narration to Biers's documentary on ''Galactica'', which runs over a montage of images from the ship. The [[Colonial anthem]] tinkles in the background and gradually builds to up to a grand swell:''
:'''D'Anna Biers:''' I came to ''Galactica'' to tell a story.  In all honesty I thought I knew what that story was before I ever set foot there: how an arrogant military let their egos get in the way of doing their jobs, safeguarding the lives of the civilian population.  But I found out that the truth was more complex than that.  These people aren't Cylons.  They're not robots blindly following orders and polishing their boots.  They're people.  Deeply flawed, yes, but deeply human too, and maybe that's saying the same thing.  What struck me most is that despite it all - the hardships, the stress, the ever present danger of being killed - despite all that, they never give up.  They never lie down in the road and let the truck run them over.  They wake up in the morning, put on their uniforms and do their jobs.  Every day.  No pay, no rest, no hope of ever laying down the burden or letting someone else do the job.  There are no relief troops coming, no Colonial Fleet training new recruits every day.  The people on ''Galactica'' are ''it''.  They are the thin line of blue that separates us from the Cylons.  Lt. Gaeta told me a remarkable statistic; not a single member of Galactica's crew has asked to resign, not one.  Think about that.  If you wore the uniform wouldn't you want to quit?  To step aside and say "Enough! Let someone else protect the fleet?"  I know I would.  But then, I don't wear a uniform.  Most of us don't, most of us never will. The story of ''Galactica'' isn't that people make bad decisions under pressure, it's that those mistakes are the exception.  Most of the time the men and women serving under Commander Adama get it right.  The proof is that our fleet ''survives''.  And with ''Galactica'' at our side, we '''''will''''' endure.  This is D'anna Biers, Fleet News Service.


'''Biers:''' Yeah. Truly is a miracle from [[God (RDM)|God]].  
* ''The camera pulls back to show a movie theater on Cylon-occupied {{RDM|Caprica}}, where the humanoid Cylons are watching a copy of the documentary, as Biers's ending narration finishes:''
}}
:'''Aaron Doral:''' That was shown across their entire fleet.
:'''Number Six:''' Their resilience is remarkable.
:'''Sharon Valerii:''' Play the footage that was cut. (camera footage plays of Helo's Sharon in ''Galactica''{{'|s}} Sickbay)
:'''Sharon Valerii:''' I'm still alive?!  She's still alive!  I told you.
:'''Number Six:''' That's incredible.  And the [[Hera Agathon|baby]]?
:'''Biers:''' (speaking without her usual New Zealand accent, but with a general American accent) It was saved.  We lost two Raiders relaying the images back to the fleet, but I think the sacrifice was worth it.
:'''Aaron Doral:''' We must proceed with caution.  The child's life must be protected at all costs.
:'''Biers:''' Yeah. Truly is a miracle from [[God (RDM)|God]].


== Guest stars ==
== Guest stars ==

To edit this page, please enter the words that appear below in the box (more info):

Refresh
Cancel Editing help (opens in new window)

  [] · [[]] · [[|]] · {{}} · · “” ‘’ «» ‹› „“ ‚‘ · ~ | °   · ± × ÷ ² ³ ½ · §
     [[Category:]] · [[:File:]] · [[Special:MyLanguage/]] · <code></code> · <nowiki></nowiki> <code><nowiki></nowiki></code> · <syntaxhighlight></syntaxhighlight> · <includeonly></includeonly> · <noinclude></noinclude> · #REDIRECT[[]] · <translate></translate> · <languages/> · {{#translation:}} · <tvar|></> · {{DEFAULTSORT:}} · <categorytree></categorytree> · <div style="clear:both;"></div> <s></s>


Your changes will be visible immediately.
  • For testing, please use the sandbox instead.
  • On talk pages, please sign your comment by typing four tildes (~~~~).