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*Biers starts filming one-on-one interviews with several crewmen. She asks Dualla why she joined the Fleet, and she says her father didn't approve. but she wanted to believe in something. | *Biers starts filming one-on-one interviews with several crewmen. She asks Dualla why she joined the Fleet, and she says her father didn't approve. but she wanted to believe in something. | ||
*Biers and her cameraman are walking through the halls when [[Brendan Costanza|Brendan "Hot Dog" Costanza]] and [[Louanne Katraine|Louanne "Kat" Katraine]] chase each other out of the showers wearing towels. Biers follows them into the senior pilots' locker room, where [[Lee Adama|Captain Lee "Apollo" Adama]], (who nearly drops his towel accidentally) tells her to respect their privacy and get out. Kat moons the documentary camera, and gets yelled at by her [[CAG]]. | *Biers and her cameraman are walking through the halls when [[Brendan Costanza|Brendan "Hot Dog" Costanza]] and [[Louanne Katraine|Louanne "Kat" Katraine]] chase each other out of the showers wearing towels. Biers follows them into the senior pilots' locker room, where [[Lee Adama|Captain Lee "Apollo" Adama]], (who nearly drops his towel accidentally) tells her to respect their privacy and get out. Kat moons the documentary camera, and gets yelled at by her [[CAG]]. | ||
[[ | [[Image:Dressing_Room.jpg|thumb|left|Camera crew filming certain awkwardness in the locker room]] | ||
*[[Ellen Tigh]] calls Colonel [[Saul Tigh]] down to their quarters, where someone has left a threat for Saul by writing a line of Caprican poetry in red paint on their mirror. | *[[Ellen Tigh]] calls Colonel [[Saul Tigh]] down to their quarters, where someone has left a threat for Saul by writing a line of Caprican poetry in red paint on their mirror. | ||
*Biers then interviews Lee, and she accuses him of thinking the pilots deserve preferential treatment. He tells her that he does think they deserve such treatment; despite suffering as much loss as everyone else they risk their lives every day for the fleet, and while they don't need pity, they do deserve respect. | *Biers then interviews Lee, and she accuses him of thinking the pilots deserve preferential treatment. He tells her that he does think they deserve such treatment; despite suffering as much loss as everyone else they risk their lives every day for the fleet, and while they don't need pity, they do deserve respect. | ||
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*Saul Tigh returns to his quarters to find Ellen tied up. It turns out that his would-be murder is [[Joe Palladino]], who is distraught that Tigh's orders resulted in innocent people being killed by men under Palladino's command. He pulls a gun on Tigh, but Tigh presses the gun to his forehead and talks Palladino down. As Biers reviews the tape, she sees Palladino reading a book by [[Kataris]] (which she recognises as containing the poetry line used to threaten Tigh), and alerts the crew. The Marines rush to Tigh's quarters, where they see Palladino and take him away. | *Saul Tigh returns to his quarters to find Ellen tied up. It turns out that his would-be murder is [[Joe Palladino]], who is distraught that Tigh's orders resulted in innocent people being killed by men under Palladino's command. He pulls a gun on Tigh, but Tigh presses the gun to his forehead and talks Palladino down. As Biers reviews the tape, she sees Palladino reading a book by [[Kataris]] (which she recognises as containing the poetry line used to threaten Tigh), and alerts the crew. The Marines rush to Tigh's quarters, where they see Palladino and take him away. | ||
*Back on ''Colonial One'', Roslin, Adama, and Tigh review Biers' finished documentary. Adama decides that he likes the accurate portrayal that she did, and lets them broadcast it across the entire fleet. | *Back on ''Colonial One'', Roslin, Adama, and Tigh review Biers' finished documentary. Adama decides that he likes the accurate portrayal that she did, and lets them broadcast it across the entire fleet. | ||
[[ | [[Image:CylonsTheater FinalCut.JPG|thumb|right|The humanoid Cylons watching the documentary.]] | ||
*In the documentary, Biers does an ending voiceover. As the [[Colonial anthem]] swells in the background, she explains that the story of ''Galactica'' is that they'll never give up. As people watch it on monitor screens throughout the Fleet..... | *In the documentary, Biers does an ending voiceover. As the [[Colonial anthem]] swells in the background, she explains that the story of ''Galactica'' is that they'll never give up. As people watch it on monitor screens throughout the Fleet..... | ||
*...the humanoid Cylons are watching the documentary as well in an abandoned movie theater on Cylon-occupied [[Caprica | *...the humanoid Cylons are watching the documentary as well in an abandoned movie theater on Cylon-occupied [[The Twelve Colonies of Kobol#Caprica|Caprica]]. A copy of [[Number Six]] is impressed at the resilience of the humans, and asks about the fate of Caprica-Valerii's baby. A second, Caprica-based copy of D'anna Biers then turns around (Biers is now revealed to have been a [[humanoid Cylon]] the whole time), and tells her that both Caprica-Valerii and her baby survived her near-miscarriage. [[Aaron Doral]] says that the baby must be protected at all costs, and they must proceed with caution. | ||
== Notes == | == Notes == | ||
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:'''D'Anna Biers:''' What a strange little man. | :'''D'Anna Biers:''' What a strange little man. | ||
* ''D'Anna Biers is filming an interview with | * ''D'Anna Biers is filming an interview with [[Lee Adama]]:'' | ||
:'''D'Anna Biers:''' You seem to think that your pilots deserve special consideration. | :'''D'Anna Biers:''' You seem to think that your pilots deserve special consideration. | ||
:'''Lee Adama:''' Actually, I do. Like everyone else, my pilots have lost their families, their friends, everyone they ever cared about; but on top of that they're asked to put their lives on the line every single day, for a fleet that seems more interested in what they do wrong than in what they do right. They're not asking for your pity, but they damn well deserve your respect. | :'''Lee Adama:''' Actually, I do. Like everyone else, my pilots have lost their families, their friends, everyone they ever cared about; but on top of that they're asked to put their lives on the line every single day, for a fleet that seems more interested in what they do wrong than in what they do right. They're not asking for your pity, but they damn well deserve your respect. | ||