Editing Dwybolt
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Dwybolt began his theatrical career as an apprentice under [[The Great Franda (TOS-BN)|the Great Franda]], whom he describes as "the greatest actor of our times." During his apprenticeship, Dwybolt learned numerous theatrical techniques from Franda, including the art of studying people for character inspiration. Franda taught him that actors could adapt mannerisms and movements from real people, once telling Dwybolt that "he'd taken so many moves from other people he no longer knew whether any gesture was his own."<ref name="STG10">{{cite book|last=Larson|first=Glen A.|coauthors=[[Robert Thurston|Thurston, Robert]]|title=Surrender the Galactica!|publisher=Ace Books|year=1988|page=10}}</ref> | Dwybolt began his theatrical career as an apprentice under [[The Great Franda (TOS-BN)|the Great Franda]], whom he describes as "the greatest actor of our times." During his apprenticeship, Dwybolt learned numerous theatrical techniques from Franda, including the art of studying people for character inspiration. Franda taught him that actors could adapt mannerisms and movements from real people, once telling Dwybolt that "he'd taken so many moves from other people he no longer knew whether any gesture was his own."<ref name="STG10">{{cite book|last=Larson|first=Glen A.|coauthors=[[Robert Thurston|Thurston, Robert]]|title=Surrender the Galactica!|publisher=Ace Books|year=1988|page=10}}</ref> | ||
Following Franda's mysterious departure from the theater, Dwybolt assumed leadership of the company and continued touring throughout the Fleet. He serves multiple roles within his troupe: writing | Following Franda's mysterious departure from the theater, Dwybolt assumed leadership of the company and continued touring throughout the Fleet. He serves multiple roles within his troupe: writing original plays, directing performances, acting in leading roles, and handling the business aspects of running the company. He has developed a reputation for both his theatrical skills and his demanding perfectionism as a director. | ||
As an actor, Dwybolt is skilled at makeup application, having learned the technique directly from Franda. He also demonstrates the typical actor's habit of constantly observing people for potential character inspiration, wondering how he might adapt their movements and mannerisms for his roles.<ref name="STG10">{{cite book|last=Larson|first=Glen A.|coauthors=[[Robert Thurston|Thurston, Robert]]|title=Surrender the Galactica!|publisher=Ace Books|year=1988|page=10}}</ref> | As an actor, Dwybolt is skilled at makeup application, having learned the technique directly from Franda. He also demonstrates the typical actor's habit of constantly observing people for potential character inspiration, wondering how he might adapt their movements and mannerisms for his roles.<ref name="STG10">{{cite book|last=Larson|first=Glen A.|coauthors=[[Robert Thurston|Thurston, Robert]]|title=Surrender the Galactica!|publisher=Ace Books|year=1988|page=10}}</ref> | ||
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Dwybolt's theater company travels from ship to ship throughout the Fleet, performing for various audiences of varying sophistication. The company has performed on cattle ships, cargo vessels, and smaller Fleet ships before reaching ''Galactica''. Dwybolt often expresses frustration with less appreciative audiences, once complaining to [[Shalheya (TOS-BN)|Shalheya]] that "we've seen better audiences than this on the cattle ship, Shalheya. And I do mean the cattle themselves."<ref name="STG11">{{cite book|last=Larson|first=Glen A.|coauthors=[[Robert Thurston|Thurston, Robert]]|title=Surrender the Galactica!|publisher=Ace Books|year=1988|page=11}}</ref> | Dwybolt's theater company travels from ship to ship throughout the Fleet, performing for various audiences of varying sophistication. The company has performed on cattle ships, cargo vessels, and smaller Fleet ships before reaching ''Galactica''. Dwybolt often expresses frustration with less appreciative audiences, once complaining to [[Shalheya (TOS-BN)|Shalheya]] that "we've seen better audiences than this on the cattle ship, Shalheya. And I do mean the cattle themselves."<ref name="STG11">{{cite book|last=Larson|first=Glen A.|coauthors=[[Robert Thurston|Thurston, Robert]]|title=Surrender the Galactica!|publisher=Ace Books|year=1988|page=11}}</ref> | ||
The company's repertoire includes both original works by Dwybolt and adaptations of existing legends and stories. His known works include [[The Scorpion's Final Mission | The company's repertoire includes both original works by Dwybolt and adaptations of existing legends and stories. His known works include "[[The Scorpion's Final Mission]]" and various one-act swashbucklers. Dwybolt takes pride in his writing, though he sometimes struggles with self-doubt about the quality of his work, particularly after difficult performances. | ||
Dwybolt maintains high standards for his company and is known as a demanding director. He expects dedication and professionalism from his actors and becomes excited at the prospect of performing for more prestigious audiences. His ultimate goal is to establish a permanent theater where the company can develop plays and train actors without the constant travel and inconsistent audiences of touring. | Dwybolt maintains high standards for his company and is known as a demanding director. He expects dedication and professionalism from his actors and becomes excited at the prospect of performing for more prestigious audiences. His ultimate goal is to establish a permanent theater where the company can develop plays and train actors without the constant travel and inconsistent audiences of touring. | ||