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*Roslin has given Hera to a woman named [[Maya]], who lost her baby in the Cylon attack. Maya believes that the child is a normal human child from a ''[[Pegasus (RDM)|Pegasus]]'' officer.   
*Roslin has given Hera to a woman named [[Maya]], who lost her baby in the Cylon attack. Maya believes that the child is a normal human child from a ''[[Pegasus (RDM)|Pegasus]]'' officer.   
*Agathon, helped by Chief [[Galen Tyrol|Tyrol]], spreads the ashes of "Hera" out the hatch of a spaceborne [[Raptor]].   
*Agathon, helped by Chief [[Galen Tyrol|Tyrol]], spreads the ashes of "Hera" out the hatch of a spaceborne [[Raptor]].   
*The [[Virtual beings|virtual Number Six]] is devastated that Baltar could not protect "their baby," although he says he did all he could.
*The [[Virtual beings|virtual Number Six]] is devastated that Baltar could not protect "their baby", although he says he did all he could.
*Number Six says that God's will was that Hera should survive and "would lead the next generation of God's children." In a rage, she says that Baltar has committed a sin, and his entire race will suffer God's vengeance.
*Number Six says that God's will was that Hera should survive and "would lead the next generation of God's children." In a rage, she says that Baltar has committed a sin, and his entire race will suffer God's vengeance.


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* Whenever Baltar's internal Number Six appears on ''Galactica'' during the series, Number Six's distinct soundtrack theme is played (plunking staccato notes on a [[w:xylophone|xylophone]], accompanied by violins).  There is a subtle twist on this for this episode with Caprica-Six's internal Baltar:  whenever Six's hallucinatory Baltar appears, the normal "Number Six theme" is played ''in reverse''.  The xylophone notes are played in reverse order, though the violin overlay is still played "forwards".
* Whenever Baltar's internal Number Six appears on ''Galactica'' during the series, Number Six's distinct soundtrack theme is played (plunking staccato notes on a [[w:xylophone|xylophone]], accompanied by violins).  There is a subtle twist on this for this episode with Caprica-Six's internal Baltar:  whenever Six's hallucinatory Baltar appears, the normal "Number Six theme" is played ''in reverse''.  The xylophone notes are played in reverse order, though the violin overlay is still played "forwards".
*Different music plays during the two downloads at the beginning of the episode. A variation on the "Number Six theme" is heard during Caprica-Six's flashbacks, while Boomer's flashbacks are accompanied by a more militaristic tune.
*Different music plays during the two downloads at the beginning of the episode. A variation on the "Number Six theme" is heard during Caprica-Six's flashbacks, while Boomer's flashbacks are accompanied by a more militaristic tune.
*The image that Sharon throws against the wall is from the episode "[[Water]]," done after Sharon lands the Raptor and asks Tyrol to take care of her ejection seat. While a picture from her time on ''Galactica'' could be in her apartment, it is an error that she has one from after the fall of the Colonies.
*The image that Sharon throws against the wall is from the episode "[[Water]]", done after Sharon lands the Raptor and asks Tyrol to take care of her ejection seat. While a picture from her time on ''Galactica'' could be in her apartment, it is an error that she has one from after the fall of the Colonies.


== Analysis ==
== Analysis ==
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*The Cylons did not expect their initial attack to be anywhere near as successful as it was.  This would explain the apparently large number of Cylon military vessels showing up everywhere as the Cylons expected to fight a more protracted war against a larger surviving human military force.
*The Cylons did not expect their initial attack to be anywhere near as successful as it was.  This would explain the apparently large number of Cylon military vessels showing up everywhere as the Cylons expected to fight a more protracted war against a larger surviving human military force.
*While it is not explicitly known in this episode, [[William Adama|Admiral Adama]] was kept in the dark about Roslin's decision to fake Hera's death.  The only people who know the complete truth are the President herself and [[Cottle|Doctor Cottle]]. The episode "[[The Eye of Jupiter]]" later confirms this point.
*While it is not explicitly known in this episode, [[William Adama|Admiral Adama]] was kept in the dark about Roslin's decision to fake Hera's death.  The only people who know the complete truth are the President herself and [[Cottle|Doctor Cottle]]. The episode "[[The Eye of Jupiter]]" later confirms this point.
* Tyrol accompanies Helo to his and Sharon's daughter's "funeral," but who exactly is he there in support of? Helo or Caprica-Valerii? The easy answer is "both," but it seems likely that his presence is more on Helo's behalf. Having been effectively marginalized in Caprica-Valerii's eyes {{TRS|Resurrection Ship, Part II}}, and his later fears of being a Cylon, his feelings for her are on the downswing.
* Tyrol accompanies Helo to his and Sharon's daughter's "funeral", but who exactly is he there in support of? Helo or Caprica-Valerii? The easy answer is "both", but it seems likely that his presence is more on Helo's behalf. Having been effectively marginalized in Caprica-Valerii's eyes {{TRS|Resurrection Ship, Part II}}, and his later fears of being a Cylon, his feelings for her are on the downswing.
* In a deleted scene (included on the Season 2.5 DVD), Gina dubs Hera "Number 13".
* In a deleted scene (included on the Season 2.5 DVD), Gina dubs Hera "Number 13".
** Future developments in the series contradict this deleted scene. The [[Final Five|final five]] remaining Cylons do not have model numbers, so the next designation would be Number Nine, not Number Thirteen. This is because the writers did not come up with the idea of the Final Five until Season Three.
** Future developments in the series contradict this deleted scene. The [[Final Five|final five]] remaining Cylons do not have model numbers, so the next designation would be Number Nine, not Number Thirteen. This is because the writers did not come up with the idea of the Final Five until Season Three.

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