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| By Summer 2008, ''Caprica'' had begun principal photography, with photos of a [[Wikipedia: Vancouver, British Columbia|Vancouver, British Columbia]] restaurant dressed as a Caprican-[[Gemenon|Gemenese]] cafe appearing online on 18 June 2008. <ref group="production" name="thirteenth_colony_hungry_caprican_food">{{cite_news|url=http://13thcolony.wordpress.com/2008/06/13/hugnry-for-caprican-food/#:~:text=Hungry%20for%20Caprican%20Food%3F|title=Hungry for Caprican Food?|publisher=The 13th Colony|date=18 June 2008|archive=Y}}</ref> | | By Summer 2008, ''Caprica'' had begun principal photography, with photos of a [[Wikipedia: Vancouver, British Columbia|Vancouver, British Columbia]] restaurant dressed as a Caprican-[[Gemenon|Gemenese]] cafe appearing online on 18 June 2008. <ref group="production" name="thirteenth_colony_hungry_caprican_food">{{cite_news|url=http://13thcolony.wordpress.com/2008/06/13/hugnry-for-caprican-food/#:~:text=Hungry%20for%20Caprican%20Food%3F|title=Hungry for Caprican Food?|publisher=The 13th Colony|date=18 June 2008|archive=Y}}</ref> |
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| ====Music====
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| Composer [[Bear McCreary]] approached the ''Caprica'' score with the goal of creating a sound that was "as different from ''Battlestar Galactica'' as possible" while still honoring the connection between the series.<ref group="production" name="mccreary_blog_caprica_pilot">{{cite_web|url=https://bearmccreary.com/caprica-pilot/#:~:text=as%20different%20from%20Battlestar%20Galactica%20as%20possible|title=Caprica: Pilot|author=Bear McCreary|publisher=Bear McCreary|date=22 January 2010|accessdate=6 August 2025}}</ref> McCreary eliminated the "urgent, tribal, primitive and mystical elements" that characterized ''Battlestar Galactica'', instead employing what he called "backwards logic" to make ''Caprica'' more "normal" by using an intimate, contemporary chamber orchestra.<ref name="mccreary_blog_caprica_pilot" /> The score was recorded at the [[Wikipedia:Warner Bros.|Warner Bros.]] Eastwood Scoring Stage in January 2009.<ref name="mccreary_blog_caprica_pilot" />
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| Director [[Jeffrey Reiner]] praised McCreary's work, recalling: <ref name="mccreary_blog_caprica_pilot" />
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| :"Bear sent me very complete demos against picture that worked great. But it wasn't until I sat in the scoring stage at Warner Bros., and heard the maestro conduct his orchestra, that I was blown away."
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| McCreary's harmonic language for ''Caprica'' was "far more lyrical and rich than the simple drones and dissonant clusters" of ''Battlestar Galactica''.<ref name="mccreary_blog_caprica_pilot" /> The composer noted that ''Caprica'' had such an influence on his work that when he began scoring the ''Battlestar Galactica'' finale "[[Daybreak]]" within days of finishing ''Caprica'', he applied the same lush orchestral sensibilities, calling it "the best score of my ''Battlestar'' career."<ref name="mccreary_blog_caprica_pilot" />
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| The score centered around two main family themes: the Graystone Theme, which McCreary described as the "de facto ''Caprica'' theme," and the Tauron Theme, which connected [[Joseph Adama]] to his ancestral heritage and the [[Ha'la'tha|Tauron mob]].<ref name="mccreary_blog_caprica_pilot" /> McCreary also composed specific musical motifs for individual characters, including Amanda's Theme (featuring [[Chris Bleth]] on English Horn), Zoe's Chords (a progression that connected key scenes involving [[Zoe Graystone]]'s avatar), and the Daniel Ostinato (representing Daniel's growing obsession with resurrecting his daughter).<ref name="mccreary_blog_caprica_pilot" />
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| The score incorporated limited references to ''Battlestar Galactica'', most notably the appearance of "Wander My Friends" (the [[Adama Family Theme]]) when Joseph tells his son Willie of their true Tauron surname. McCreary hoped this musical connection would make audiences remember Lee, Kara, and Roslin while watching the scene, creating an emotional bridge between the series.<ref name="mccreary_blog_caprica_pilot" /> For scenes featuring the [[U-87 Cyber Combat Unit|U-87 Cylon prototype]], McCreary brought back the ethnic percussion ensemble from ''Battlestar Galactica'', but kept the cues intentionally small and raw to represent "prototype ''Battlestar'' music."<ref name="mccreary_blog_caprica_pilot" />
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| McCreary's long-term vision was for the ''Caprica'' score to "slowly devolve from the crisp, classical chamber orchestra" toward the "tribal percussion and ethnic soloists of ''Battlestar''" over the course of several seasons, so that "the last episode of ''Caprica'' may have a soundtrack that sounds like the first episode of ''Galactica''."<ref name="mccreary_blog_caprica_pilot" />
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| ===Series=== | | ===Series=== |