Editing Battlestar Galactica: Year Two proposal
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Larson claims that the series' first (and only) season focused primarily on the fact that "people [were] moved by events, rather than the other way around". He asks, "What guiding light might we place on our bridge to pilot ''Galactica'' in a direction that starts with people whose interaction with events spell human commitment and involvement[?]" | Larson claims that the series' first (and only) season focused primarily on the fact that "people [were] moved by events, rather than the other way around". He asks, "What guiding light might we place on our bridge to pilot ''Galactica'' in a direction that starts with people whose interaction with events spell human commitment and involvement[?]" | ||
The answer he gives is the involvement of [[w:Issac Asimov|Issac Asimov]], the world-renowned science fiction writer whose stories are primarily about robots. Larson claims that Asimov "accepted the challenge to come on board ''Galactica'' as her Creative Consultant, | The answer he gives is the involvement of [[w:Issac Asimov|Issac Asimov]], the world-renowned science fiction writer whose stories are primarily about robots. Larson claims that Asimov "accepted the challenge to come on board ''Galactica'' as her Creative Consultant", where he "will help mold and guide concepts", as well as write and critique stories and scripts.<ref>Ibid., p. 6</ref> | ||
==== The People ==== | ==== The People ==== | ||
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* {{TOS|Apollo}} steps down as the leader of {{TOS|Blue Squadron|Blue Squadron}} after [[Sheba]]'s death, absconds all responsibility to others, and becomes a carefree spirit, more like Starbuck<ref>''Ibid.'', 8</ref>, and has various dalliances with women (including the Cylon half-human, half-android robot, [[Renata]]). | * {{TOS|Apollo}} steps down as the leader of {{TOS|Blue Squadron|Blue Squadron}} after [[Sheba]]'s death, absconds all responsibility to others, and becomes a carefree spirit, more like Starbuck<ref>''Ibid.'', 8</ref>, and has various dalliances with women (including the Cylon half-human, half-android robot, [[Renata]]). | ||
* {{TOS|Starbuck}}, who assumes command of Blue Squadron and takes many of Apollo's original attributes, including duty to his work and the act of distancing himself from any serious relationships, particularly the one he begins developing with [[Cassiopeia]]. With Apollo, who he relies on for advice, the two develop a "[[w:Butch Cassidy|Butch Cassidy]] and [[w:Sundance Kid|Sundance Kid]]" relationship.<ref>''Ibid.'', 9</ref> He also develops a "sixth sense, | * {{TOS|Starbuck}}, who assumes command of Blue Squadron and takes many of Apollo's original attributes, including duty to his work and the act of distancing himself from any serious relationships, particularly the one he begins developing with [[Cassiopeia]]. With Apollo, who he relies on for advice, the two develop a "[[w:Butch Cassidy|Butch Cassidy]] and [[w:Sundance Kid|Sundance Kid]]" relationship.<ref>''Ibid.'', 9</ref> He also develops a "sixth sense", which tells him of danger (like Sheba's death in "[[The Return of the Pegasus]]").<ref>''Ibid.'', 13</ref> | ||
* {{TOS|Adama}} is disappointed in Apollo's decision to step back from the burden of command (even though he engaged in this thought himself<ref>''Ibid.'', 15</ref>), focusing more of his energies on his daughter, {{TOS|Athena}}, as well as {{TOS|Boomer}}. He is secretly pleased by the competitiveness between the two, but hopes that Apollo will still be is successor. In the meantime, the strength and abilities of Athena and Boomer give Adama more time to deal with the personal issues of the people in his Fleet.<ref name="p10">''Ibid.'', 10</ref> | * {{TOS|Adama}} is disappointed in Apollo's decision to step back from the burden of command (even though he engaged in this thought himself<ref>''Ibid.'', 15</ref>), focusing more of his energies on his daughter, {{TOS|Athena}}, as well as {{TOS|Boomer}}. He is secretly pleased by the competitiveness between the two, but hopes that Apollo will still be is successor. In the meantime, the strength and abilities of Athena and Boomer give Adama more time to deal with the personal issues of the people in his Fleet.<ref name="p10">''Ibid.'', 10</ref> | ||
* {{TOS|Athena}} is severely wounded in the opening episode but her face is repaired via reconstructive surgery, which allows for the role to be recast. The rest of her body is scarred beyond repair and, because of this, she avoids any romantic relationships for fear of rejection and being viewed as a freak. She focuses her energies on her work, giving her an "aggressive, cutting edge that is ameliorated by our understanding of her vulnerability". Her zeal at her job proves her worthiness as a competent commander, relieving Adama of some of his responsibilities.<ref name="p10"/> | * {{TOS|Athena}} is severely wounded in the opening episode but her face is repaired via reconstructive surgery, which allows for the role to be recast. The rest of her body is scarred beyond repair and, because of this, she avoids any romantic relationships for fear of rejection and being viewed as a freak. She focuses her energies on her work, giving her an "aggressive, cutting edge that is ameliorated by our understanding of her vulnerability". Her zeal at her job proves her worthiness as a competent commander, relieving Adama of some of his responsibilities.<ref name="p10"/> | ||
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The following are stories that are part of the proposal: | The following are stories that are part of the proposal: | ||
* "[[The Return of the Pegasus]], | * "[[The Return of the Pegasus]]", a two-hour tale that reveals that Commander {{TOS|Cain|Cain}} and ''{{TOS|Pegasus}}'' survived the [[Battle of Gamoray]] and introduces many of the aforementioned changes to the show's format. Interestingly, this episode also introduces the concept of human-looking {{TOS|Cylons}}, a concept visited (in android form) ''[[Galactica 1980]]'' and as more a organic form in the [[Re-imagined Series]]. | ||
* "[[A Woman's Power]], | * "[[A Woman's Power]]", a one-hour episode where the women from both the Fleet and ''{{TOS|Galactica}}'' (lead by {{TOS|Athena}}) plan to overthrow "male dominance" of the Fleet for they tire of war and their struggle to survive. | ||
* "[[Island in the Sky]], | * "[[Island in the Sky]]", a one-hour episode where Apollo and Starbuck crash on a "tiny barren plant with an incredibly strong gravitational pull", which turns out to be a paradise with ever-lasting youth... harboring a dark secret. | ||
* "[[The Bad and the Brave]], | * "[[The Bad and the Brave]]", an one-hour show that deals with a devastating battle that results in damage to the orphan ship, itself crashing on a planet. However, the base star has followed them there to make repairs; Starbuck and Athena are forced to make a decision, allow the Cylons to kill the children or the Fleet. | ||
* "[[A Plague in Space]], | * "[[A Plague in Space]]", a one-hour show where Cassiopeia is ''Galactica''{{'|s}} Patient Zero, spreading a disease that once existed on {{TOS|Kobol}}. | ||
* "[[A Queen's Ransom]], | * "[[A Queen's Ransom]]", a one-hour show where Apollo and Starbuck investigate the planet [[Sirenus]] upon learning it has [[solenium]] crystals crucial to navigation. The society on Sirenus is female-dominated and their leader, [[Areola]], offers the crystals: the price being that Starbuck offers his "personal services" as one of Areola's concubines. | ||
== References == | == References == | ||